New Books in Popular Culture

From Halloween expert Lisa Morton, bring us Calling the Spirits: A History of Seances (Reaktion, 2022), a level-headed and entertaining history of our desire and attempts to hold conversations with the dead. Calling the Spirits investigates the eerie history of our conversations with the dead, from necromancy in Homer’s Odyssey to the emergence of Spiritualism—when Victorians were entranced by mediums and the seance was born. Among our cast are the Fox sisters, teenagers surrounded by “spirit rappings”; Daniel Dunglas Home, the “greatest medium of all time”; Houdini and Sir Arthur Conan Doyle, whose unlikely friendship was forged, then riven, by the afterlife; and Helen Duncan, the medium whose trial in 1944 for witchcraft proved more popular to the public than news about the war. The book also considers Ouija boards, modern psychics, and paranormal investigations, and is illustrated with engravings, fine art (from beyond), and photographs. Hugely entertaining, it begs the question: is anybody there . . . ?Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

A sweeping and heartbreaking Hollywood biography about the passionate, turbulent marriage of Laurence Olivier and Vivien Leigh.In 1934, a friend brought fledgling actress Vivien Leigh to see Theatre Royal, where she would first lay eyes on Laurence Olivier in his brilliant performance as Anthony Cavendish. That night, she confided to a friend, he was the man she was going to marry. There was just one problem: She was already married—and so was he.Truly, Madly: Vivien Leigh, Laurence Olivier, and the Romance of the Century (Grand Central, 2022) is the biography of a marriage, a love affair that still captivates millions, even decades after both actors' deaths. Vivien and Larry were two of the first truly global celebrities - their fame fueled by the explosive growth of tabloids and television, which helped and hurt them in equal measure. They seemed to have it all, and yet, in their own minds, they were doomed, blighted by her long-undiagnosed mental illness, which transformed their relationship from the stuff of dreams into a living nightmare.Through new research, including exclusive access to previously unpublished correspondence and interviews with their friends and family, author Stephen Galloway takes listeners on a bewitching journey. He brilliantly studies their tempestuous liaison, one that took place against the backdrop of two world wars, the Golden Age of Hollywood, and the upheavals of the 1960s –as they struggled with love, loss, and the ultimate agony of their parting.Stephen Galloway is the dean of Chapman University’s Dodge College of Film and Media Arts. Prior to joining in 2020, he was for many years the executive editor of the Hollywood Reporter.Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In the twenty-first century, American culture is experiencing a profound shift toward pluralism and secularization. In Fairy Tales in Contemporary American Culture: How We Hate to Love Them (Lexington Books, 2021), Kate Christina Moore Koppy argues that the increasing popularity and presence of fairy tales within American culture is both indicative of and contributing to this shift. By analyzing contemporary fairy tale texts as both new versions in a particular tale type and as wholly new fairy-tale pastiches, Koppy shows that fairy tales have become a key part of American secular scripture, a corpus of shared stories that work to maintain a sense of community among diverse audiences in the United States, as much as biblical scripture and associated texts used to.In this interview with New Books Network, author Kate Koppy and host Carmen Gomez-Galisteo talk about Fairy Tales in Contemporary American Culture: How We Hate to Love Them and how they are relevant in today’s society, despite some parents’ and educators’ misgivings that they may instill traditional, outdated values into children. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In popular thought, Christianity is often figured as being opposed to dance. Conventional scholarship traces this controversy back to the Middle Ages. Historical sources, however, suggest that medieval dance was a complex and ambivalent phenomenon. During the High and Late Middle Ages, Western theologians, liturgists, and mystics not only tolerated dance; they transformed it into a dynamic component of religious thought and practice. In Ringleaders of Redemption: How Medieval Dance Became Sacred (Oxford UP, 2021), Kathryn Dickason reveals a long tradition of sacred dance in Christianity, one that the professionalization and secularization of Renaissance dance obscured, and one that the Reformation silenced and suppressed.Your host, Ryan Shelton (@_ryanshelton) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

“All men must die”: or “Valar Morghulis,” as the traditional Essos greeting is rendered in High Valyrian. And die they do – in prodigious numbers; in imaginatively varied and gruesome ways; and often in terror within the viciously unpredictable world that is HBO's sensational evocation of Game of Thrones. As acclaimed medievalist Professor Carolyne Larrington writes in All Men Must Die: Power and Passion in Game of Thrones (Bloomsbury, 2021), the stories George R.R. Martin brings to life are epic in scope and in imaginative breadth, telling of the dramatic rise and fall of nations, the brutal sweeping away of old orders, and the advent of new autarchs in the eternal quest for dominion.Yet, as her book reveals, many potent and intimate narratives of love and passion can be found within these grand landscapes of heroism, honour, and death. They focus on strong relationships between women and family, as well as among the anti-heroes, the “cripples, bastards and broken things.” In this vital follow-up to her book, Winter Is Coming (also published by Bloomsbury), Larrington explores themes of power, blood-kin, lust, and sex in order to draw entirely fresh meanings out of the show of the century.Carolyne Larringon is Professor of Medieval Literature at University of Oxford, UK. She completed her DPhil in Old English and Old Norse at Oxford and now teaches Old and Middle English literature as well as English and Old Norse-Icelandic languages. Previous publications include books on Norse mythology and literature and another book on the series called Winter Is Coming: The Medieval World of Game of Thrones. Also, Professor Larrington has been awarded the Order of the Falcon by the President of Iceland for her services to Icelandic literature.Carrie Lynn Evans is currently a PhD student of English Literature with Université Laval in Quebec. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The director and cowriter of some of the world's most iconic films―including Double Indemnity, Sunset Blvd., Some Like It Hot, and The Apartment―Billy Wilder earned acclaim as American cinema's greatest social satirist. Though an influential fixture in Hollywood, Wilder always saw himself as an outsider. His worldview was shaped by his background in the Austro-Hungarian Empire and work as a journalist in Berlin during Hitler's rise to power, and his perspective as a Jewish refugee from Nazism lent his films a sense of the peril that could engulf any society.In this critical study, Joseph McBride offers new ways to understand Wilder's work, stretching from his days as a reporter and screenwriter in Europe to his distinguished as well as forgotten films as a Hollywood writer and his celebrated work as a writer-director. In contrast to the widespread view of Wilder as a hardened cynic, McBride reveals him to be a disappointed romantic. Wilder's experiences as an exile led him to mask his sensitivity beneath a veneer of wisecracking that made him a celebrated caustic wit. Amid the satirical barbs and exposure of social hypocrisies, Wilder’s films are marked by intense compassion and a profound understanding of the human condition.Mixing biographical insight with in-depth analysis of films from throughout Wilder's career as a screenwriter and director of comedy and drama, and drawing on McBride's interviews with the director and his collaborators, this book casts new light on the full range of Wilder's rich, complex, and distinctive vision.Joseph McBride is a film historian and professor in the School of Cinema at San Francisco State University. His many books include the critical study How Did Lubitsch Do It? (Columbia, 2018) as well as acclaimed biographies of Frank Capra, John Ford, and Steven Spielberg and three books on Orson Welles.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In his latest book, Lawrence Tierney: Hollywood's Real-Life Tough Guy (The University of Kentucky Press, 2022) Burt Kearns explores the life of actor Lawrence Tierney (1919-2002) whose natural swagger and gruff disposition made him the perfect fit for the Hollywood "tough guy" archetype. Known for his erratic and oftentimes violent nature, Tierney drew upon his bellicose reputation throughout his career--a reputation that made him one of the most feared and mythologized characters in the industry. Born in Brooklyn to Irish American parents, Tierney worked in theatre in New York before moving to Hollywood in 1943 where he signed with RKO Radio Pictures. His biggest roles would come in Dillinger (1945), in which he played 1930s gangster and bank robber John Dillinger, and Robert Wise's film noir classic Born to Kill (1947). Despite his natural talents Tierney was trouble from the start, struggling with alcoholism and mental instability that emboldened him to start fights whenever and wherever he could. The continued bouts of alcohol-fueled rage, his subsequent stints in jail, and his continued attempts at rehabilitation curtailed his acting career. Unable to find work throughout much of the 1960s, he did a stint in Europe before eventually returning to New York where he took odd jobs as a construction worker, bartender, and hansom cab driver. In the mid-1980s Tierney returned to acting. With a somewhat cooler head, he established himself again with recurring roles in shows such as Seinfeld and Star Trek: The Next Generation. He would take on his final projects as a septuagenarian in Reservoir Dogs (1992) and Armageddon (1998), where his on-set behavior would once again draw the ire of his colleagues and studio representatives. He would go down swinging just shy of his 83rd birthday, his tough-guy image solidly intact until the end. Kearns explores Tierney's storied life from his days as Dillinger, to his clash with Quentin Tarantino at the end of film career, and his final public appearances. The first official biography of the late personality, the book draws on the writings of Hollywood reporters and gossip columnists who first reported on Tierney's antics, and exclusive interviews with surviving colleagues, friends, family members--and victims. Through their words and his research, Kearns paints a portrait of Tierney's brutish behavior and the industry's reaction to the pugnacious star, drawing parallels--and the line--between the man and the characters that made him a Hollywood legend. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Fandom, the Next Generation (University of Iowa Press, 2022), Bridget Kies and Megan Connor have edited the first collection to offer a close study of fan generations, which are defined not only by fans’ ages, but by their entry point into a canon or via their personal politics. Divided into three parts--Reboots, Revivals, and Nostalgia; Generations of Enduring Fandoms; and Generation Tensions--contributors further the conversation about how generational fandom is influenced by and, in turn, influences technologies, industry practices, and social and political changes. As reboot culture continues, as franchises continue expanding over time, and as new technologies enable easier access to older media, Fandom, the Next Generation offers a necessary investigation into transgenerational fandoms and intergenerational fan relationships.Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

From Beyoncé's South Asian music-inspired Super Bowl Halftime performance, to jazz artists like John and Alice Coltrane's use of Indian song structures and spirituality in their work, to Jay-Z and Missy Elliott's high-profile collaborations with diasporic South Asian artists such as the Panjabi MC and MIA, African American musicians have frequently engaged South Asian cultural productions in the development of Black music culture. Sounds from the Other Side: Afro-South Asian Collaborations in Black Popular Music (U Minnesota Press, 2020) traces such engagements through an interdisciplinary analysis of the political implications of African American musicians' South Asian influence since the 1960s. Elliott H. Powell asks, what happens when we consider Black musicians' South Asian sonic explorations as distinct from those of their white counterparts? He looks to Black musical genres of jazz, funk, and hip hop and examines the work of Miles Davis, John Coltrane, Rick James, OutKast, Timbaland, Beyoncé, and others, showing how Afro-South Asian music in the United States is a dynamic, complex, and contradictory cultural site where comparative racialization, transformative gender and queer politics, and coalition politics intertwine. Powell situates this cultural history within larger global and domestic sociohistorical junctures that link African American and South Asian diasporic communities in the United States. The long historical arc of Afro-South Asian music in Sounds from the Other Side interprets such music-making activities as highly political endeavors, offering an essential conversation about cross-cultural musical exchanges between racially marginalized musicians.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Francis Ford Coppola's "The Godfather, Part II" (1974) is a magisterial cinematic work, a gorgeous, stylized, auteur epic, and one of the few sequels judged by many to be greater than its predecessor. This despite the fact that it consists largely of meetings between aspiring 'Godfather' Michael Corleone and fellow gangsters, politicians and family members. The meetings remind us that the modern gangster's success is built upon inside information and on strategic planning. Michael and his father Vito's days resemble those of the legitimate businessmen they aspire or pretend to be.In his book The Godfather, Part II (Bloomsbury, 2022), Jon Lewis provides a close analysis of the film and a discussion of its cinematic and political contexts. It is structured in three sections: “The Sequel,” “The Dissolve,” and “The Sicilian Thing” – accommodating three avenues of inquiry, respectively: the film's importance in and to Hollywood history, its unique, auteur style and form; and its cultural significance. Of interest, then, is New Hollywood history, mise-en-scene, and a view of the Corleone saga as a cautionary capitalist parable, as a metaphor of the corruption of American power, post-Vietnam, post-Watergate.Jon Lewis is the University Distinguished Professor of Film Studies at Oregon State University and the former editor of Cinema Journal. His books include Road to Nowhere: Hollywood Encounters the Counterculture, Hard-Boiled Hollywood: Crime and Punishment in Postwar Los Angeles, The Road to Romance and Ruin: Teen Films and Youth Culture, Whom God Wishes to Destroy … Francis Coppola and the New Hollywood, Hollywood v. Hard Core: How the Struggle over Censorship Saved the Modern Film Industry, and for the BFI’s Film Classics series, The Godfather.Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture