New Books in Popular Culture

Hello, world! This is the Global Media & Communication podcast series.In this inaugural episode, our host Aswin Punathambekar speaks with Samhita Sunya, the author of the book Sirens of Modernity: World Cinema via Bombay (U California Press, 2022).In this episode you’ll hear about: Dr. Sunya’s intellectual trajectory in studying South Asian cinema from Houston to Bangalore, Bombay, and beyond; How the periodization of the “long” 1960s – bookended by the 1955 Bandung Afro-Asian Conference and the 1975 Indian Emergency – comes into view through the author’s interdisciplinary approach; How Dr. Sunya works her way through and out of a popular binary misunderstanding of Indian cinema - a familiar opposition between an auteurist world cinema and song-and-dance driven popular cinema; Why the author chooses what would be considered oddball or off-beat media artifacts, what kinds of sources she gathers in relation to these materials, and where she looks for them in creative ways; Reflection upon the pedagogy of world cinema in the classroom; A discussion of the notion of “excess” and how it is weaved into the three central themes – love, desire, and gender – that emerge throughout the book; How Dr. Sunya’s cross-industry and trans-regional perspective counter the spatial biases that are deeply ingrained into the disciplinary boundaries; A reflection on the nature of academic work through the lens of “love” on topics like world cinema and South Asia. About the BookBy the 1960s, Hindi-language films from Bombay were in high demand not only for domestic and diasporic audiences but also for sizable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Often confounding critics who painted the song-dance films as noisy and nonsensical. if not dangerously seductive and utterly vulgar, Bombay films attracted fervent worldwide viewers precisely for their elements of romance, music, and spectacle. In this richly documented history of Hindi cinema during the long 1960s, Samhita Sunya historicizes the emergence of world cinema as a category of cinematic diplomacy that formed in the crucible of the Cold War. Interwoven with this history is an account of the prolific transnational circuits of popular Hindi films alongside the efflorescence of European art cinema and Cold War–era forays of Hollywood abroad. By following archival leads and threads of argumentation within commercial Hindi films that seem to be odd cases—flops, remakes, low-budget comedies, and prestige productions—this book offers a novel map for excavating the historical and ethical stakes of world cinema and world-making via Bombay.You can find the open access version of Dr. Sunya’s book through Luminosoa.org at the University of California Press website.Author Bio: Samhita Sunya is Assistant Professor of Middle Eastern & South Asian Languages & Cultures at the University of Virginia.Host Bio: Aswin Punathambekar is a Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania.Editor & Producer Bio: Jing Wang. She is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania.Original Background Music by Mengyang Zoe Zhao.Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

We could do a whole season on Vietnam war films, but in this episode we chose three films that highlight the Cold War’s omnipresence in daily life. You wouldn’t associate any of these films with how Vietnam figured into the Cold War dynamic because they are about the homefront. The Deer Hunter (1978), Coming Home (1978), and Da Five Bloods (2020) are reminders (or are they revelations?) that the Vietnam War deeply wounded American society from top to bottom. Whether it’s working class immigrants in rural Pennsylvania, severely wounded veterans and their caretakers, or Black and Brown soldiers contending with racism and shattered lives decades removed from the war, our three films depict the Cold War homefront in vivid detail. We often think of the Cold War as an impersonal contest between global powers that nearly ended the world, but the Vietnam War was incredibly personal for millions of Americans and Vietnamese.Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Manga historian Ryan Holmberg introduces the influential alternative manga artist Murasaki Yamada (1948-2009) to English readers through a scholarly translation of Talk to My Back (1981-1984), Yamada’s feminist examination of the fraying of Japan's suburban middle-class dreams. The manga is paired with an extensive essay by Dr. Holmberg, in which he positions Yamada’s oeuvre within the history of alternative manga and Yamada’s manga within her life. Alternative manga is primarily associated with male artists in the United States, but Holmberg illuminates why that came to be and how that image varies from reality through his examination of Yamada’s oeuvre.Talk to My Back (Drawn & Quarterly, 2022) portrays a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family.Ryan Holmberg is a comics historian and translator. He is the author of The Translator Without Talent (2020) and Garo Manga: The First Decade, 1964-1973 (2010). He has edited and translated over two dozen manga, including the 2014 Eisner Award-winning edition of Tezuka Osamu’s The Mysterious Underground Men. His many essays and reviews can be found in such venues as The Comics Journal, Artforum International, and The New York Review. He has advised on exhibitions at the British Museum and the Honolulu Museum of Art, and is currently Senior Lecturer at the School of the Art Institute of Chicago. He can be found on social media @mangaberg.Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in 2023 from the University of Hawai’i Press. She consulted on the British Museum’s exhibition on manga, and her work has appeared in the Journal of Adaptation in Film & Performance, the Journal of Popular Culture, Film Criticism, and the Washington Post, among other publications. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Together, bestselling author Julia Scheeres and award-winning journalist Allison Gilbert have written Listen, World!: How the Intrepid Elsie Robinson Became America's Most-Read Woman (Seal Press, 2022), the first biography of Elsie Robinson, the most influential newspaper columnist you've never heard of. At thirty-five, Elsie Robinson feared she'd lost it all. Reeling from a scandalous divorce in 1917, she had no means to support herself and her chronically ill son. She dreamed of becoming a writer and was willing to sacrifice everything for this goal, even swinging a pickax in a gold mine to pay the bills. When the mine shut down, she moved to the Bay Area. Armed with moxie and samples of her work, she barged into the offices of the Oakland Tribune and was hired on the spot. She went on to become a nationally syndicated columnist and household name whose column ran for over thirty years and garnered fifty million readers. Told in cinematic detail Scheeres and Gilbert's, Listen, World! is the inspiring story of a timeless maverick, capturing what it means to take a gamble on self-fulfillment and find freedom along the way.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

1980 was a turning point in American history. When the year began, it was still very much the 1970s, with Jimmy Carter in the White House, a sluggish economy marked by high inflation, and the disco still riding the airwaves. When it ended, Ronald Reagan won the presidency in a landslide, inaugurating a rightward turn in American politics and culture. We still feel the effects of this tectonic shift today, as even subsequent Democratic administrations have offered neoliberal economic and social policies that owe more to Reagan than to FDR or LBJ. To understand what the American public was thinking during this pivotal year, we need to examine what they were reading, listening to, and watching.1980: America's Pivotal Year (Rutgers UP, 2022) puts the news events of the era—everything from the Iran hostage crisis to the rise of televangelism—into conversation with the year’s popular culture. Separate chapters focus on the movies, television shows, songs, and books that Americans were talking about that year, including both the biggest hits and some notable flops that failed to capture the shifting zeitgeist. As he looks at the events that had Americans glued to their screens, from the Miracle on Ice to the mystery of Who Shot JR, cultural historian Jim Cullen garners surprising insights about how Americans’ attitudes were changing as they entered the 1980s.Jim Cullen is the author of numerous books, including The American Dream: A Short History of an Idea that Shaped a Nation, Those Were the Days: Why ‘All in the Family’ Still Matters, and From Memory to History: Television Versions of the Twentieth Century. He teaches history at the newly-founded upper division of Greenwich Country Day School.Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at jtreinhardt1997@gmail.com and follow him on Twitter @JTRhardt Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Children and horror are often thought to be an incompatible meeting of audience and genre, beset by concerns that children will be corrupted or harmed through exposure to horror media. Nowhere is this tension more clear than in horror films for adults, where the demonic child villain is one of the genre's most enduring tropes. However, horror for children is a unique category of contemporary Hollywood cinema in which children are addressed as an audience with specific needs, fears and desires, and where child characters are represented as sympathetic protagonists whose encounters with the horrific lead to cathartic, subversive and productive outcomes.Horror Films for Children: Fear and Pleasure in American Cinema (Bloomsbury, 2021) examines the history, aesthetics and generic characteristics of children's horror films, and identifies the 'horrific child' as one of the defining features of the genre, where it is as much a staple as it is in adult horror but with vastly different representational, interpretative and affective possibilities. Through analysis of case studies including blockbuster hits (Gremlins), cult favourites (The Monster Squad) and indie darlings (Coraline), Catherine Lester asks, what happens to the horror genre, and the horrific children it represents, when children are the target audience?Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

When did "parenting" become a verb? Why is it so hard to parent, and so rife with the possibility of failure? Sitcom families of the past--the Cleavers, the Bradys, the Conners--didn't seem to lose any sleep about their parenting methods. Today, parents are likely to be up late, doomscrolling on parenting websites. In Long Days, Short Years: A Cultural History of Modern Parenting (MIT Press, 2022), Andrew Bomback--physician, writer, and father of three young children--looks at why it can be so much fun to be a parent but, at the same time, so frustrating and difficult to parent. It's not a "how to" book (although Bomback has read plenty of these) but a "how come" book, investigating the emergence of an immersive, all-in approach to raising children that has made parenting a competitive (and often not very enjoyable) sport.Drawing on parenting books, mommy blogs, and historical accounts of parental duties as well as novels, films, podcasts, television shows, and his own experiences as a parent, Bomback charts the cultural history of parenting as a skill to be mastered, from the laid-back Dr. Spock's 1950s childcare bible--in some years outsold only by the actual Bible--to the more rigid training schedules of Babywise. Along the way, he considers the high costs of commercialized parenting (from the babymoon on), the pressure on mothers to have it all (and do it all), scripted parenting as laid out in How to Talk So Kids Will Listen, parenting during a pandemic, and much more. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Today I talked to Jamie Fahey about his book Futsal: The Indoor Game That Is Revolutionizing World Soccer (Melville House, 2021).Some 60 million people player futsal worldwide, as this five-a-side version of football (soccer) is both a fast-moving, highly-entertaining sport in its own right as well as a breeding ground for great footballers on the world stage. Played on a field somewhere between the size of a basketball and handball court, futsal is a game with “no time, no space,” requiring mental agility from those who play. As this week’s guest also notes, the equivalent would be football played with 37-a-side. As for the coaching duties involved, well, with as many as 80 substitutions a game versus the two allowed in football matches, getting the most out of your players means empowering them to make decisions on the field in real time. If by analogy, soccer is lumbering corporate bureaucracy, then futsal is five entrepreneurs in action.Jamie Fahey is a Guardian journalist with over 20 years of experience on several U.K. national newspapers. Consumed by football (soccer) and futsal since his childhood in Liverpool, Jamie has played semi-professionally and been a coach. He’s the Guardian’s primary futsal reporter, and a previously played a coach-mentor role in the English Football Association (FA).Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His newest book is Emotionomics 2.0: The Emotional Dynamics Underlying Key Business Goals. To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Goddess characters are revered as feminist heroes in the popular media of many cultures. However, these goddess characters often prove to be less promising and more regressive than most people initially perceive. Goddesses in film, television, and fiction project worldviews and messages that reflect mostly patriarchal culture (including essentialized gender assumptions), in contrast to the feminist, empowering levels many fans and critics observe.Building on critiques of other skeptical scholars, The Goddess Myth in Contemporary Literature and Popular Culture: A Feminist Critique (University Press of Mississippi, 2022) deepens how our remythologizing of the ancient past reflects a contemporary worldview and rhetoric. Structures of contemporary goddess myths often fit typical extremes as either vilified, destructive, dark, and chaotic (typical in film or television); or romanticized, positive, even utopian (typical in women’s speculative fiction). This goddess spectrum persistently essentializes gender, stereotyping women as emotional, intuitive, sexual, motherly beings (good or bad), precluded from complex potential and fuller natures. Within apparent good-over-evil, pop-culture narrative frames, these goddesses all suffer significantly.However, a few recent intersectional writers, like N. K. Jemisin, break through these dark reflections of contemporary power dynamics to offer complex characters who evince “hopepunk.” They resist typical simplified, reductionist absolutes to offer messages that resonate with potential for today’s world. Mythic narratives featuring goddesses often do, but need not, serve merely as ideological mirrors of our culture’s still problematically reductionist approach to women and all humanity.Mary J. Magoulick is professor of English at Georgia College and State University.Iqra Shagufta Cheema is a writer, researcher, and chronic procrastinator. When they do write, they write in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. They can be reached via email at IqraSCheema@gmail.com or Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Last episode we discussed films about how a nuclear war would start, particularly the insane logic of Mutually Assured Destruction (MAD). In this episode we explore how American, British, and Australian filmmakers imagined the unimaginable - Armageddon and the literal and figurative fallout. We look at On the Beach (1959), The Day After (1983), and Threads (1984). We challenge the conventional wisdom that the West only seriously worried about nuclear after the Cuban Missile Crisis, provide some background on the history of anti-nuclear social movements, and compare how these three unforgettable films chose to depict nuclear destruction. How accurate were they? Did they make a difference? And, how many of us are still traumatized by seeing them?Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture