New Books in Popular Culture

Innumeracy, by John Allen Paulos, was first published in 1988. In it the author brilliantly highlighted many of the sorry truths those of us who teach math and science know – not only can’t most people do algebra or geometry, they can’t estimate size, they don’t understand simple probability and statistics, and they believe in things that make no sense. In Who’s Counting? (Prometheus, 2022), Paulos investigates topics which – like Innumeracy – connect with the age in which we live.Who's Counting? features dozens of his insightful essays-original writings on contemporary issues like the COVID-19 pandemic, online conspiracy theories, "fake news," and climate change, as well as a selection of enduring columns from his popular ABC News column of the same name. With an abiding respect for reason, a penchant for puzzles with societal implications, and a disarming sense of humor, Paulos does in this collection what he's famous for: clarifies mathematical ideas for everyone and shows how they play a role in government, media, popular culture, and life. He argues that if we can't critically interpret numbers and statistics, we lose one of our most basic and reliable guides to reality. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

What does Prehistory mean to us now? In Back to the Stone Age: Race and Prehistory in Contemporary Culture (McGill-Queen's UP, 2022), Ben Pitcher, a Reader in Sociology at the University of Westminster, uses cultural studies to explore both the human past and our contemporary life. The book examines how ideas of the prehistoric speak to contemporary anxieties, political projects, and even diets and food choices. Moreover, many of these versions of the past are the basis for regressive political projects that use Prehistory as part of racist and sexist agendas, agendas that need to be resisted and countered with the ideas discussed in the analysis. Engaging with a huge range of cultural and social theory, as well as examples from museums and heritage sites, archaeology, and even scientific hoaxes, the book is essential reading across the arts, humanities, and social sciences, as well as for anyone interested in understanding the society today.Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Britney Spears barely survived 2007. She divorced her husband, lost custody of her kids, went to rehab, shaved her head and assaulted a paparazzo. In the midst of her public breakdown, she managed to record an album, Blackout. Critics thought it spelled the end for Britney Spears' career.But Blackout turned out to be one of the most influential albums of the aughts. It not only brought glitchy digital noise and dubstep into the Top 40, but also transformed Britney into a new kind of pop star, one who shrugged off mainstream ubiquity for the devotion of smaller groups of fans who worshipped her idiosyncratic sound.Britney Spears’s Blackout (Bloomsbury, 2022) returns to the grimy clubs and paparazzi hangouts of LA in the 2000s as well as the blogs and forums of the early internet to show how Blackout was a crucial hinge between twentieth and twenty-first-century pop.Natasha Lasky is a writer and filmmaker living in Chicago, USA.Natasha on Instagram.Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

For players, coaches, writers, and fans, basketball is a science and an art, a religious sacrament, a source of entertainment, and a way of interacting with the world. In Lost in the Game: A Book about Basketball (Duke UP, 2022), Thomas Beller entwines these threads with his lifetime's experience as a player and journalist, roaming NBA locker rooms and city parks as a basketball flaneur in search of the meaning of the modern game. He captures the magnificence and mastery of today’s most accomplished NBA players while paying homage to the devotion of countless congregants in the global church of pickup basketball. He shares his own stories from the courts, meditating on basketball’s role in city life and its impact on the athlete’s psyche as he moves from youth to middle age. Part journalistic account, part memoir of a slightly talented player whose main gift is being tall, Lost in the Game charts the game’s inexorable gravitational hold on those who love it.Paul Knepper covered the Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Crimes are meant to be solved. But what happens when they’re not? For the individuals involved—from the victims and their families to police investigators—this is the most frustrating part of all. For them there’s no resolution, no justice, no tidy boxes in which to pack away all the bits and pieces of a puzzle that finally links together. Instead, they are only left with questions that may never get answered.In The Best New True Crime Stories: Unsolved Crimes & Mysteries (Mango Publishing, 2022), the sixth volume in her true crime franchise, Mitzi Szereto brings together all-new and original accounts of unsolved crimes and mysterious stories from around the world penned by writers from across the literary spectrum, from true crime and crime fiction to journalism. Readers will uncover a fascinating collection of crimes that are dark, scary, mysterious, and still waiting to be solved.Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In this episode I got to chat about two of my favorite things: the history of imperialism and Star Wars with Daniel Immerwahr, Professor of History at Northwestern University. Our conversation focused on his recent article “The Galactic Vietnam: Technology, Modernization, and Empire in George Lucas’s Star Wars,” in Ideology in U.S. Foreign Relations: New Histories, edited by David Milne and Christopher Nichols (Columbia University Press, 2022). In the piece her uses the film and the figure of George Lucas to explore various aspects of the United States in the Cold War. Were Ewoks the Viet Cong? Was the Death Star a B-52? Was Alderaan Hanoi? Listen and find out.Daniel Immerwahr earned his Ph.D. at UC Berkeley in 2011 after undergraduate studies at both Columbia and Cambridge. His previous work includes Thinking Small: The United States and the Lure of Community Development (Harvard, 2015) and the award winning and best-selling How to Hide an Empire: A Short History of the Greater United States (Farrar, Straus and Giroux, 2019), which has been translated into German, Dutch, Italian, Korean, and Chinese so far. Dr. Immerwahr's writings have appeared in the New York Times, The Guardian, the Washington Post, The New Republic, The Nation, Dissent, Jacobin, Slate, and elsewhere.Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

While the story of women’s liberation has often been framed by the growing acceptance of pants over the twentieth century, the most important and influential female fashions of the era featured skirts. Suffragists and soldiers marched in skirts; the heroines of the Civil Rights Movement took a stand in skirts. Frida Kahlo and Georgia O’Keeffe revolutionized modern art and Marie Curie won two Nobel Prizes in skirts. When NASA put a man on the moon, “the computer wore a skirt,” in the words of one of those computers, mathematician Katherine G. Johnson. As women made strides towards equality in the vote, the workforce, and the world at large, their wardrobes evolved with them. They did not need to "wear the pants" to be powerful or progressive; the dress itself became modern as designers like Mariano Fortuny, Coco Chanel, Jean Patou, and Diane von Furstenberg redefined femininity for a new era.Kimberly Chrisman-Campbell's Skirts: Fashioning Modern Femininity in the Twentieth Century (St. Martin's Press, 2022) looks at the history of twentieth-century womenswear through the lens of game-changing styles like the little black dress and the Bar Suit, as well as more obscure innovations like the Taxi dress or the Pop-Over dress, which came with a matching potholder. These influential garments illuminate the times in which they were first worn―and the women who wore them―while continuing to shape contemporary fashion and even opening the door for a genderfluid future of skirts. At once an authoritative work of history and a delightfully entertaining romp through decades of fashion, Skirts charts the changing fortunes, freedoms, and aspirations of women themselves.Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Wandering Games (MIT Press, 2022), Melissa Kagen analyzes wandering within different game worlds, viewed through the lenses of work, colonialism, gender, and death. Wandering in games can be a theme, a formal mode, an aesthetic metaphor, or a player action. It can mean walking, escaping, traversing, meandering, or returning. Kagen introduces the concept of “wandering games,” exploring the uses of wandering in a variety of game worlds. She shows how the much-derided Walking Simulator—a term that began as an insult, a denigration of games that are less violent, less task-oriented, or less difficult to complete—semi-accidentally tapped into something brilliant: the vast heritage and intellectual history of the concept of walking in fiction, philosophy, pilgrimage, performance, and protest. Kagen examines wandering in a series of games that vary widely in terms of genre, mechanics, themes, player base, studio size, and funding, giving close readings to Return of the Obra Dinn, Eastshade, Ritual of the Moon, 80 Days, Heaven’s Vault, Death Stranding, and The Last of Us Part II. Exploring the connotations of wandering within these different game worlds, she considers how ideologies of work, gender, colonialism, and death inflect the ways we wander through digital spaces. Overlapping and intersecting, each provides a multifaceted lens through which to understand what wandering does, lacks, implies, and offers. Kagen’s account will attune game designers, players, and scholars to the myriad possibilities of the wandering ludic body.Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Comedy is so frequently the topic of cultural dialogue, but it is rarely taken seriously as an object of study. Comedy Against Work: Utopian Longing in Dystopian Times (Common Notions, 2022) offers a major contribution to theorizing comedy but also thinking about the particular politics of the genre today. Work is a joke and often the butt of our jokes. Madeline Lane-McKinley argues that in comedy, we find ways to endure and cope with the world of work, but also to question the conditions of capitalist life. When work is slowly killing us and destroying the planet and, at the same time, something impossible to imagine life without, Lane-McKinley considers the possibility of comedy as a revolutionary practice. By appealing to laughter we can counteract many of our shared miseries under capitalism, including our relationship to work. But to think through these revolutionary aspects of comedy, as a practice, also involves troubling comedy's relationship to the global right turn of the last decade. Stand-up comedy's claims to the artistic freedom of hate speech in comedy represent a fascistic current of our world today, blurring the boundaries between left and "alt" right. Against this current, Comedy Against Work draws from a tradition of feminist critical utopianism, Marxist-feminism, and contemporary cultural criticism to reflect on an anti-fascist poetics of comedy, grounded in a critique of work.In this conversation with host Annie Berke, Dr. Lane-McKinley discusses the origins of her project, her decision to include her own story and life in her academic analysis, and the comedic virtuosity of the feminist killjoy.Madeline Lane-McKinley is a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member of Blind Field: A Journal of Cultural Inquiry. Her writing has appeared in publications such as Los Angeles Review of Books, Boston Review, The New Inquiry, Entropy, GUTS, and Cultural Politics. She is also the author of the chapbook Dear Z and a contributor to The Museum of Capitalism.Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, The A.V. Club, and The Washington Post. She earned her PhD in Film/Media and America Studies from Yale University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The Shining: A Visual and Cultural Haunting (Rough Trade Books, 2022) is an immersive, multi-dimensional examination of one of the most famous films in cinematic history. This loose-leafed and beautifully boxed book—disguised as the ‘writing project’ Jack is typing throughout the course of the film—explores the film’s cultural legacy through exclusive essays, original recollections, contributions from cultural luminaries, and art and visual ephemera.Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture