New Books in Popular Culture

How has the council estate been represented on stage? In Social Housing In Performance: The English Council Estate On and Off Stage (Methuen Drama, 2018),  Dr. Katie Beswick, a lecturer in drama at the University of Exeter, explores this question using a mixture of dramatic and social theory, along with examples from a variety of theatre performances and forms. The book sets out the history of social housing and the council estate, along with a reading of the (mis)representations of the estate across contemporary media. The book shows the longstanding and complex relationship between theatre, class, and the estate, using examples including high profile state pieces, as well as site specific theatre. The book will be essential reading for theatre and performance scholars, along with anyone interested in issues of class and culture, as well as housing, space and place. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Burning Down the Haus: Punk Rock, Revolution, and the Fall of the Berlin Wall (Algonquin Books, 2018), Tim Mohr examines East Germany punk rock and its role in the collapse of the East German dictatorship. Starting in the late 1970s, a small group of East Berlin teens started listening to the Sex Pistols through British military radio broadcast to troops in West Berlin. Punk became life-changing. With so much future dictated for teens by the East German dictatorship, punk was a revolutionary philosophy that gave the youth a way to reject the society around them and build a new one. In Burning Down the Haus, Mohr shares the stories of the early punk scene as it formed in East Berlin, as youth formed bands and created sites of resistance. Mohr relates how the youth endured torture by the Stasi (East German secret police), being spied on by friends and their families, being fired from jobs and expelled from school, and imprisoned and beaten by police. The punks fought back, pushing to bring down the East German government throughout the 1980s. Instead of leaving East Berlin, the young people chose to remain and fight against the regime, creating revolution in their own communities. Through interviews with individuals who were part of the scene as well as letters, Stasi files, and other primary research, Mohr presents a comprehensive exploration into the lives and histories of the young people who openly fought to end the East German dictatorship by using the ideologies of punk rock and creating their own scene.Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

When "Dirty Harry" first premiered in 1971, it was both praised and condemned for its portrayal of a rogue policeman fighting crime by ignoring many of the rules and procedures of the profession. Yet director Don Siegel denied any attempt to make a political statement with the film. Joe Street’s book Dirty Harry’s America: Clint Eastwood, Harry Callahan, and the Conservative Backlash (University Press of Florida, 2016) discusses all five "Dirty Harry" films and helps to better explain the importance of them both cinematically and socially. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Films that feature war as a theme have been made almost since the beginning of the industry. In The Philosophy of War Films (University Press of Kentucky, 2018), part of the "Philosophy of Popular Culture Series," David LaRocca brings together a number of prominent authors to discuss the genre as a way to consider how war films have impacted us. The contributors explore a variety of topics, including the aesthetics of war as portrayed on-screen, the effect war has on personal identity, and the ethical problems presented by war. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

While most every live-action film takes place in a specific location, the role of these places has not often been studied. In his new book The Imaginary Geography of Hollywood Cinema 1960-2000 (Intellect, 2017), Christian B. Long examines American films in the late 20th century to get a better understanding of locales to filmmaking. From Burt Reynolds’ use of the southern United States to the role of cities and suburbs, he shows why location can often add to the understanding of a movie. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Katherine Preston’s new book, Opera for the People: English-Language Opera & Women Managers in Late 19th-Century America (Oxford University Press, 2017) is the first complete overview of the repertoire, companies, performers, and managers that provided English-language opera to Americans after the Civil War. Preston is one of the pioneers of the musicological study of American musical culture during the nineteenth century. In one of her earlier books, Opera on the Road: Traveling Opera Troupes in the United States, 1825–60 (University of Illinois Press, 1993), Preston established that opera was one of the most popular forms of entertainment in the United States. In Opera for the People, Preston focuses on English-language opera companies that traveled throughout the United States during the second half of the nineteenth century bringing European operas and operettas performed in English translation to big cities and small towns alike. She argues that the middle-class audience cultivated by English-language troupes eventually turned their attention to musical theater beginning around 1900. Many of the troupes Preston examines were managed by their leading prima donnas, which complicates the traditional view of nineteenth-century American women as confined to the private sphere. Despite wielding significant artistic and economic power, these women were accepted by their peers and the musical press. Bolstered by her stringent attention to detail and impressive primary research, Preston’s monograph finishes the account of the history of opera in America she began twenty-five years agoKatherine K. Preston is the David N. and Margaret C. Bottoms Professor (emerita) at the College of William and Mary. She has published multiple books including Music for Hire: Professional Musicians in Washington, D.C. 1877-1900 and a scholarly edition of George Bristow’s Symphony No. 2, along with many articles in journals and collected editions. A past president of the Society for American Music, Preston has been active in promoting the study of American music throughout her career and has received fellowships from the National Endowment for the Humanities, the National Humanities Center, and the Fulbright Foundation. She will deliver the annual American Musicological Society lecture at the Library of Congress on April 16, 2019, which will be available on the Library’s website. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

You eat what you are and are what you eat, right? There is an increasing number of Americans who pay great attention to the food they eat, buy organic vegetables, drink fine wines, and seek out exotic cuisine. The affordability of food across the class spectrum have become more accessible. The masses, however, still lack other forms of capital (social, cultural, and culinary) necessary to fully understand and enjoy the delights of its consumption. Further, people also seek to differentiate themselves from being labeled as an unrefined eater (e.g., the common person who lives on junk food), the food snob, a gourmet, and possibly even a foodie.In her new book Discriminating Taste: How Class Anxiety Created the American Food Revolution (Rutgers University Press, 2017), Dr. Margot Finn argues that the rise of gourmet, ethnic, diet, and organic foods must be understood in tandem with the economy. She offers an illuminating historical perspective on current trends in the production and consumption of food. Finn also presents a parallel with the Guilded Age as a time of class division and when gourmet dinners, international cuisines, slimming diets, and pure foods became fads.Throughout her research, Finn identifies the key ways that “good food” has become conflated with high-brow culture. She considers how class serves as a false form for social stratification in culinary consumption. Finn particularly focuses on how taste hierarchies provide a false consciousness for middle-class professionals who tend to fetishize cultural commodities. The author provides a provocative exploration into the ideology of contemporary food culture. This piece teaches us to challenge the maxim that humans are what they eat.Michael O. Johnston is an Assistant Professor of Sociology at William Penn University. He is currently conducting research on the placemaking associated with the development of farmers’ market. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

How does cultural taste regulate our lives? In Girls Like This, Boys Like That: Understanding the (Re)Production of Gender in Contemporary Youth Cultures (I.B. Tauris, 2018), Dr. Victoria Cann, a lecturer in humanities at the University of East Anglia, explores the regulatory role of taste in the reproduction of gender. The book draws on detailed fieldwork with schools in Norfolk, England, using a range of methods including digital approaches to understand young people's experiences of taste and gender. The rich and detailed narratives of the young people are placed into dialogue with broader social and media theories, with crucial contributions to how we understand youth, gender, and taste. By showing how particular forms of cultural consumption and knowledge are valued, how others are given subordinate status, and the difficulty of transgressing boundaries, the book will be of interest to both social science and humanities readers, as well as anyone interested in the role of culture in contemporary society. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Perhaps no form of popular art has appeared as poised to resist subversive sexual themes as the television situation comedy. But Tison Pugh writes that the sitcom’s historic dogmatic insistence on an earnest innocence was doomed to fail, and that the weight of this strain reveals itself under close scrutiny. In The Queer Fantasies of the American Family Sitcom (Rutgers University Press, 2018), Pugh looks at six beloved sitcoms throughout television history in a way you have probably never viewed them before.“Sexuality and queerness can never be banished from family sitcoms but instead percolate throughout various story lines that attempt to quell their disruptive force," Pugh writes. “In brief, queerness as a critical concept fractures cultural constructions of gendered and erotic normativity, dismantling rigid binary codes of licit and illicit desires and identities. Queer refers to contested sexual and gender identities but extends further to include identities that challenge regimes of normativity. More so, queerness exposes how deeply heteronormative narrative frameworks, such as that of the family sitcom, are structurally incapable of suturing over their aporias and contradictions, such that their surface normativity cannot withstand the steady erosion of their symptomatic queerness.”Pugh is a professor of English at the University of Central Florida, and the author or co-author of several books on sexuality and literature, including Precious Perversions: Humor, Homosexuality, and the Southern Literary Canon (Louisiana State University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

On its back cover, Patrick B. Mullen’s Right to the Juke Joint: A Personal History of American Music(University of Illinois Press, 2018) is aptly described as “part scholar's musings and part fan's memoir”. Mullen is professor emeritus of English and folklore at the Ohio State University and across the eight chapters that make up this book, he enthusiastically and engagingly describes his many encounters with a wide range of vernacular musics throughout the north American continent and details his experiences with the musical genres, performers, events, and songs that have shaped the soundscape of his life. As his fellow music scholar, E. Cecilia Conway puts it: this “book lets us ride shotgun with Mullen on his journey from Beaumont, Texas boy to Ohio professor to dancing to 'Don't Be Cruel' and 'The Twist' amidst the diversity of American Music. Read Pat Mullen at his expansive best."Rachel Hopkin is a UK-born, US-based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture