New Books in Popular Culture

What happens after you die? The book brings together fascinating theological and religious studies perspectives on a controversial yet pervasive idea: reincarnation. An estimated 1 on 5 Americans subscribe to this belief, despite their religious background. Why is this? What are the philosophical, spiritual, pragmatic merits of subscribing to reincarnation? What about the pitfalls?  Does believing in reincarnation counter Christian teachings? Is it a uniquely Hindu practice? Join us as we explore these and other questions with Dr. Jeffrey D. Long, Professor of Religion and Asian Studies at Elizabethtown College (PA) and editor of the open access peer-reviewed book Perspectives on Reincarnation: Hindu, Christian, Scientific(MDPI Books, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Alexander Langlands is a British archaeologist, historian, writer, and broadcaster.  His most recent book, Cræft: An Inquiry into the Origins and True Meaning of Traditional Crafts, was published by Norton to great acclaim in 2017 and has just been reissued as a paperback.  Cræft is an antiquated spelling of “craft” and in the book, Langlands explores what the word meant when it first appeared in English over a thousand years ago. Our modern understanding of the term, Langlands argues, is at some remove from its original meaning.  When it first began to appear in the writings of Anglo-Saxons, the term referred to “power or skill in the context of knowledge, ability, and a kind of learning” (17). In Cræft, Langlands combines scholarly research with personal anecdotes as he discusses a range of pursuits which he himself has undertaken, including hay-making, hedgerow planting, dry wall building, and roof thatching.Folklorist Millie Rahn describes Cræft as follows: “This beautifully-written book is basically a cautionary tale about the loss of knowledge, wisdom, power, and skill embedded in tradition, and our ignoring that knowledge at our peril. It's not a treatise; more a paean to the human condition. Not the first to lament our intellectual, spiritual, and physical disconnect with the modern world, or acknowledge the periodic arts and crafts revivals, the writer says we have the power to transform our world and ourselves if we go back to our roots as humans, as ‘makers’. That's where he distinguishes ‘craeft’ from the art and connoisseurship of ‘craft’-- the whole cycle of ‘making’ rooted (all puns intended) in our agricultural processes.”Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Women get into stripping for money, writes Dr. Bernadete Barton, and the experience the girls have throughout their career in exotic dancing varies. Dr. Barton uses Stripped: More Stories from Exotic Dancers, Completely Revised and Updated Edition (NYU Press, 2017) to take readers inside countless strip bars and clubs, from upscale to back road and specialty lap dancing, table dancing, topless only, and peep shows, to provide up close and personal exposure to the lives of exotic dancers. Join us as Dr. Barton takes a no holds barred approach to explaining the transformation of the strip club since the original publication of this research, the change in behavior both male and female patrons show in the clubs, and the the impact technology has had on strip clubs. Dr. Barton also gifts us with a sneak peek of her newest book project on the effects of raunch culture beyond the walls of the strip club.Michael O. Johnston is an Assistant Professor of Sociology at William Penn University. He is currently conducting research on the placemaking associated with the development of farmers’ market. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

How can insights from psychoanalysis help us understand digital culture? in Psychoanalysis and Digital Culture: Audiences, Social Media, and Big Data (Routledge, 2018), Jacob Johanssen, a senior lecturer in the University of Westminster's School of Media and Communication, draws on the work of Freud and Anzieu to explore both traditional and new forms of media. The book uses research projects on the Embarrassing Bodies television show, and on digital labour, to show how psychoanalysis can inform research methods and explain how people engage with TV, use Twitter, and present themselves online. Moreover, the book grapples with the rise of big data, offering new perspectives on content providers such as Netflix. Packed with rich analysis and a wealth of examples, the book will be essential reading across cultural and media studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

On this episode of New Books in Communications, Lee Pierce (she/they) interviews Dr. Bradford Vivian (he/his) of Penn State University on his fabulous new book Commonplace Witnessing: Rhetorical Invention, Historical Remembrance, and Public Culture (Oxford University Press, 2017). In this book, Dr. Vivian asks readers to reconsider our almost sacred regard for the act of witnessing in public culture and consider witnessing as a rhetorical act that we recognize not only because of the transparent truth of the witness testimony but because that testimony conforms to particular expectations of witnessing, which Dr. Vivian calls the “topoi” or commonplaces of witnessing including authenticity, impossibility, and regret. Investigating a variety of public culture texts—from 19th-century speeches to the 9/11 Memorial—Dr. Vivian explores the ambiguity of witnessing as an act of memory and culture and how that act normalizes who has the right to speak truth and how. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

On this episode of the New Books Network, Lee Pierce (she/they) interviews Dr. Kendall Phillips (he) of Syracuse University on his fabulous new book A Place of Darkness: The Rhetoric of Horror in Early American Cinema (University of Texas, 2018). In it, Phillips explores the emergence of the horror film genre before it was horror and a post-Civil War national American identity. Dr. Phillips discusses the unique role of Universal Studio’s 1931 Dracula, the turning point of the Phantom’s revelation in The Phantom of the Opera, and what horror was before it was horror. Along the way, Dr. Phillips discusses how shifts in filming technologies and international politics at the turn of the century forged a distinctly American identity based upon incredulousness, narrative depth, and rationality.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

On June 18, 1969, "The Wild Bunch" premiered to critical success. Over the past 50 years it has been rightly recognized as one of the landmark films from the end of the Hollywood studio system. Yet it was developed out of chaos, with a controversial director who had already largely burned his bridges with Hollywood studios. Sam Peckinpah worked for years to film a story that both illustrated the end of the “Old West” and also showed how newer filmmakers wanted to proceed with their newfound independence. W. K. Stratton’s book The Wild Bunch: Sam Peckinpah, a Revolution in Hollywood, and the Making of a Legendary Film (Bloomsbury, 2019) describes all of these activities as it wonderfully tells the story of the film.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The so-called Urban Crisis of the 1970s continues to loom large in narratives of US urban politics and history, but what can we learn about the period from movies? In Welcome to Fear City: Crime Film, Crisis, and the Urban Imagination (SUNY Press, 2018), Nathan Holmes burrows down into some key visual texts -- including Klute, Serpico, and the Taking of Pelham 123 -- and tells us about cities, suburbs, anxieties about modernism, identity, politics, and more.Stephen Pimpare is Senior Lecturer in the Politics & Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The Super Bowl is a singular spectacle in American culture. More than just a championship football game, the Super Bowl has become an unparalleled display of nationalism, consumerism, and culture. But despite its impact in the United States, the Super Bowl has never caught on around the world the way many Americans might assume.Peter Hopsicker and Mark Dyreson look at the magnitude of the Super Bowl as a cultural event in the United States, and the relative lack of interest in the Super Bowl worldwide, in A Half Century of Super Bowls: National and Global Perspectives on America's Grandest Spectacle (Routledge, 2018).Peter Hopsicker is a professor of kinesiology at Penn State University Altoona. Mark Dyreson is a professor of kinesiology and history at Penn State University and managing editor of the International Journal of the History of Sport. Both are members of Penn State's Center for the Study of Sports in Society.Nathan Bierma is a writer, instructional designer, and voiceover talent in Grand Rapids, Michigan. His website is www.nbierma.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Folklorist David J. Puglia is an assistant professor at the City University of New York and in his latest book - Tradition, Urban Identity, and the Baltimore “Hon": The Folk in the City (Lexington Books, 2018) – he considers the term “hon” and its significance to residents of Baltimore. In that city, the word has a particular salience and is often associated a certain type of blue-collar woman who sports a beehive hairdo and cat-eye glasses. More generally “hon” invokes “a place-based notion of authenticity and community for which Baltimore was supposedly once renowned” (xii).Following chapters which look at the history of the folkloristic study urban traditions and the history and sociocultural landscape of contemporary Baltimore, Puglia presents a series of case studies that all involve the word “hon”. The first involves “Hon Man” who created placards featuring the word that he then affixed to “Welcome to Baltimore” signs – to the approval of some residents and the dismay of others. The second concerns “Honfest” – an annual event which Puglia likens to a “battleground where city dwellers could negotiate what Baltimore was and what it meant to be a Baltimorean” (91). The last revolves around the outcry – aka the “Hontroversy” - which erupted when the public caught wind Denise Whiting - owner of a popular local diner called Café Hon and a founder of Honfest - appeared to claim ownership of the term as part of a branding campaign; as Puglia details, an intervention by the famously hot-tempered celebrity chef Gordon Ramsay eventually led to peace. Overall Puglia argues that “the folklorist’s challenge in the new century is to address cities as contested social spaces in which folklore, or the creation of practices that appear folkloric, services residents across ethnic lines” (xv).As noted by Lisa Gabbert, “Puglia expertly traces how in Baltimore, the word 'hon' moved from a stigmatized to an esteemed vernacular for purposes of collective civic representation and the controversies such a move engendered. In doing so he adeptly explores important issues of class, identity, representation, commodification and the privatization of folklore”. In sum, Gabbert states, Tradition, Urban Identity, and the Baltimore “Hon" is “an excellent case study of the processes of the selection and invention of tradition in a city that deserves more attention to its folk traditions”.Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture