New Books in Popular Culture

It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as “Little Nemo in Slumberland” and “Felix the Cat” were animated for the silver screen. Along with Barry Keith Grant, Scott Henderson (Dean and Head, Trent University Durham GTA) compiled a rich group of essays that represent diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies. Comics and Pop Culture: Adaptation from Panel to Frame (University of Texas Press, 2019) presents more than a dozen perspectives on this rich history and the effects of such adaptations. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

To what degree did each of The Beatles exhibit emotional intelligence in the band’s final year?You'll find out in the discussion I had with Kenneth Womack about his new book Solid State: The Story of Abbey Road and The End of The Beatles (Cornell University Press, 2019).Womack is the author of a two-volume biography of the life and work of Beatles producer George Martin. His forthcoming book, John Lennon, 1980: The Last Days in the Life, will be available in October 2020.Topics covered in this episode include:--Womack explains what Solid State refers to and where Abbey Road might rank in the band’s legacy. (Fortunately, the Magical Mystery Tour album wasn’t a top-three choice of his!)--Using the Big 5 model for personality traits, what might be the dominant traits of The Beatles given the options of openness, conscientiousness, extraversion, agreeableness, and neuroticism.--Why the band had reached a point where, like a bad marriage, it couldn’t survive any longer.For a transcript of this episode, click here.Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. To check out his “Faces of the Week” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Brian Greene is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the World Science Festival. He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe (Random House, 2020)Until the End of Time gives the reader a theory of everything, both in the sense of a “state of the academic union”, covering cosmology and evolution, consciousness and computation, and art and religion, and in the sense of showing us a way to apprehend the often existentially challenging subject matter. Greene uses evocative autobiographical vignettes in the book to personalize his famously lucid and accessible explanations, and we discuss these episodes further in the interview. Greene also reiterates his arguments for embedding a form of spiritual reverie within the multiple naturalistic descriptions of reality that different areas of human knowledge have so far produced.John Weston is a University Teacher of English in the Language Centre at Aalto University, Finland. His research focuses on academic communication. He can be reached at john.weston@aalto.fi and @johnwphd. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Most books about American music ask how it sounded, who wrote it, or who performed it. In his new book, Everybody’s Doin’ It: Sex, Music, and Dance in New York, 1840-1917 (Norton, 2019), Dale Cockrell asks a different question: where is American music? His answer is in the brothels, dance halls, concert saloons, and cabarets of nineteenth-century New York City. Cockrell tells a story of popular music created and enjoyed within a sexualized and commercial environment that featured robust and constant exchange between black and white people during slavery times and the deepening segregation of Reconstruction-era America. Weaving together material from police reports and governmental investigations, Cockrell has found a rich source of information about the life of working-class people in urban America, and in the process has uncovered a network of musicians and spaces that nurtured American popular culture. These places of unbridled behavior were sometimes sites of degradation including for the prostitutes forced by circumstance (or worse) into sex work, but also sometimes places of joy as the working class escaping from a life of hard labor and little pay, and places of safety for gay people whose lives were criminalized outside the dives where they could gather together. The book is geared for a general audience, but rests on a bed of solid scholarship and innovative research.Dale Cockrell is Professor Emeritus of Musicology at Vanderbilt University. A scholar of American popular culture, he is known for his work on minstrelsy and The Pa’s Fiddle Project, an education outreach program centered around the music found in the Little House on the Prairie books by Laura Ingalls Wilder. In 2016, Cockrell received the Lifetime Achievement Award from the Society of American Music.Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In his new book, Planet Auschwitz: Holocaust Representation in Science Fiction and Horror Film and Television (Rutgers University Press, 2020), Brian Crim explores the diverse ways in which the Holocaust influences and shapes science fiction and horror film and television by focusing on notable contributions from the last fifty years. The supernatural and extraterrestrial are rich and complex spaces with which to examine important Holocaust themes - trauma, guilt, grief, ideological fervor and perversion, industrialized killing, and the dangerous afterlife of Nazism after World War II. Planet Auschwitz explores why the Holocaust continues to set the standard for horror in the modern era and asks if the Holocaust is imaginable here on Earth, at least by those who perpetrated it, why not in a galaxy far, far away? The pervasive use of Holocaust imagery and plotlines in horror and science fiction reflects both our preoccupation with its enduring trauma and our persistent need to “work through” its many legacies.Brian Crim is Professor of History at the University of Lynchburg in Viriginia.Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter @craig_sorvillo. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In this this interview, Carrie Tippen talks with Elizabeth Engelhardt, co-editor of the new collection The Food We Eat, the Stories We Tell: Contemporary Appalachian Tables (Ohio University Press, 2019), also edited by Lora Smith and published by Ohio University Press. We are also joined by Courtney Balestier who is a contributor to the collection.Though the collection is diverse in genre – including academic essays alongside poetry, memoir, and illustration – the contents are united around challenging and complicating a notion of a single Appalachia. The editors and many of the contributors are connected to the Appalachian Food Summit, a symposium of foodways scholars, professionals, and enthusiasts who meet for dinners, dialogues, and annual conferences. Engelhardt describes the popular and scholarly attention to Appalachian stereotypes as “a dead end conversation” that the collection tries to avoid and undo by highlighting the creativity and diversity of the region, its people, and its food. As Engelhardt explains in the introduction, the collection’s eclectic mix of genres, topics, and contributors reflects the complexities of the contemporary region by generating cognitive dissonance through the structure of the book.The collection features the voices of people living in and out of the region from a wide variety of experiences and ethnicities, Like many of the contributors in the collection, Balestier describes her own path toward Appalachian identity through living outside the region. Her essay on the “Hillbilly Highway” and the Kentucky social club of Detroit asks if perhaps a coherent Appalachian identity is most meaningful to people who have left the geographic region of the mountains. The topics of the essays run the gamut from the idealized and organic home-canned chow-chow to the mass produced and capitalized Banquet frozen fried chicken and factory-packed pickle spears. Many of the objects that come to represent Appalachia are a compromise, a negotiation between the local and the global: repurposed Cool Whip containers of leftovers, a mass-marketed cookbook with a life story inside, Blue Ridge tacos and kimchi in soup beans, a store-bought dinner that approximates home-made just closely enough to keep a family’s matriarch as the cultural heart of the family. Engelhardt explains in the interview that these stories are not intended to be a definitive representation of Appalachia; rather, she hopes they will be an invitation to a conversation about the relationships of people to place.Elizabeth Engelhardt is John Shelton Reed Distinguished Professor of Southern Studies in the department of American studies at the University of North Carolina, Chapel Hill. .Lora Smith directs the Appalachian Impact Fund, a social impact investment fund focused on economic transition and opportunity in Eastern Kentucky. Courtney Balestier is a writer whose work focuses on the intersection of place and identity, particularly in her native Appalachia. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Ashley Mears’ new book Very Important People: Status and Beauty in the Global Party Circuit (Princeton University Press, 2020) provides readers with a closer look at the global party circuit. A lifestyle that offers million-dollar birthday parties, megayachts on the French Riviera, and $40,000 bottles of champagne. In today’s New Gilded Age, the world’s moneyed classes have taken conspicuous consumption to new extremes. In Very Important People, sociologist, author, and former fashion model Ashley Mears takes readers inside the exclusive global nightclub and party circuit—from New York City and the Hamptons to Miami and Saint-Tropez—to reveal the intricate economy of beauty, status, and money that lies behind these spectacular displays of wealth and leisure.Mears spent eighteen months in this world of “models and bottles” to write this captivating, sometimes funny, sometimes heartbreaking narrative. She describes how clubs and restaurants pay promoters to recruit beautiful young women to their venues in order to attract men and get them to spend huge sums in the ritual of bottle service. These “girls” enhance the status of the men and enrich club owners, exchanging their bodily capital for as little as free drinks and a chance to party with men who are rich or aspire to be. Though they are priceless assets in the party circuit, these women are regarded as worthless as long-term relationship prospects, and their bodies are constantly assessed against men’s money.A story of extreme gender inequality in a seductive world, Very Important People unveils troubling realities behind moneyed leisure in an age of record economic disparity.Ashley Mears, Ph.D. is a Associate Professor of Sociology at Boston University.Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He earned his doctoral degree in Public Policy and Public Administration from Walden University. He researches place and the process of place making as it is presented in everyday life. You can learn more about his research by going to his website, following him on twitter @ProfessorJohnst, or emailing him at johnstonmo@wmpenn.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

On this episode, Lee Pierce (she/they) interviews Stacy Wolf of Princeton University about her book Beyond Broadway: The Pleasure and Promise of Musical Theatre Across America (Oxford University Press, 2019), an exploration of the complexities of amateur and local theatre across the United States. From backstage moms to tiny divas to dinner theatres, Wolf demonstrates that this charming pastime of American culture that is anything but past. On the contrary, musical theatre continues to be an important culture touchstone for many and a pipeline to national phenomenon such as the High School Music franchise. Told in a stunning voice with a wealth of attention to its case studies and examples, Beyond Broadway feels like backstage pass combined with a cross-country road trip in early Fall. A must read for anyone interested in the untold story of musical theater, American culture, and truly embedded ethnography with a ground-up point of view.I hope you enjoy listening as I much as I enjoyed chatting with Stacy about this fascinating book. I’d love to hear from you at rhetoriclee@gmail.com or connect with me on Twitter, Instagram, and Facebook @rhetoriclee and @rhetoricleespeaking. Share your thoughts about the interview with the hashtag #newbooksnerd. ~lee Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Nick Prior—Professor of Cultural Sociology at the University of Edinburgh—discusses his new book, Popular Music, Digital Technology and Society (SAGE Publications, 2018). The book explores the social, cultural and industrial contexts for the changes that have taken place in popular music since the widespread adoption of digital technology by creators, distributors, and listeners from the early 1980s onward. Joining insights from the sociology of culture with key analytic categories from science and technology studies (STS), Prior examines a variety of contexts in which these changes have been felt, including the novel spaces and structures of both music production and consumption afforded by digitalization, the co-construction of vocal subjects and vocal sound-processing technologies, the tactical use of portable media by young urbanites to mediate their relationship to the city, and the conjunction of music and play in the ever-growing video game sector. In addition to an acute sense for their embeddedness in the social lives of their various users, Prior also demonstrates a notable fluency with the technologies he describes as well as a distinctively musical interest in the sounds that they have been used to produce.Eamonn Bell (@_eamonnbell) is a postdoctoral Research Fellow at Trinity College Dublin in the Department of Music. His current research project examines the story of the compact disc from a viewpoint between musicology and media studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Fantasy sports have the opportunity to provide a sporting community in which gendered physical presence plays no role—a space where men and women can compete and interact on a level playing field. Whose Game?: Gender and Power in Fantasy Sports (Temple UP, 2020) shows, however, that while many turn to this space to socialize with friends or participate in a uniquely active and competitive fandom, men who play also depend on fantasy sports to perform a boyhood vision of masculinity otherwise inaccessible to them. Authors Rebecca Kissane and Sarah Winslow draw on a rich array of survey, interview, and observational data to examine how gender, race, and class frame the experiences of everyday fantasy sports players.This pioneering book examines gendered structures and processes, such as jock statsculinity—a nerdish form of masculine one-upmanship—and how women are often rendered as outsiders. Ultimately, Whose Game? demonstrates that fantasy sports are more than just an inconsequential leisure activity. This online world bleeds into participants’ social lives in gendered ways—forging and strengthening relationships but also taking participants’ time and attention to generate negative emotions, stress, discord, and unproductivity.In this interview, Dr. Kissane, Dr. Winslow, and I discuss displays of masculinity, “jock statsculinity” as a type of hybrid masculinity, and connections to social networks, exclusionary practices, and heterosexuality. Whose Game? is an excellent analysis of how fantasy sports contributes to the production and reproduction of gender in leisure activities. Likewise, the book contributes to the literature on the intersection of gender, class, and sexuality in sport. I recommend this book for students, professors, and anyone else interested in sociology of sport, gender and masculinity, media, and sexuality.Dr. Rebecca Kissane is an Associate Professor of Sociology at Lafayette College and Editor-in-Chief of Sociology Compass.Dr. Sarah Winslow is the Senior Associate Director of the Honors College, Director of the National Scholars Program, and Associate Professor in the Department of Sociology, Anthropology, and Criminal Justice at Clemson University.Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture