Gramophone Classical Music Podcast

The pianist Mark Bebbington continues his invaluable service to British music with a new album for Resonus that gathers together four rarities from Vaughan Williams's output, ranging from the Piano Quintet of 1903 to the Fantasia on the 'Old 104th' Psalm Tune of 1949. Joined by members of the Royal Philharmonic Orchestra for three of the works, and by the entire orchestra plus the City of London Choir and conductor Hilary Davan Wetton for the Fantasia, this album fills in some major gaps in the VW recorded catalogue. James Jolly caught up with the pianist to talk through the album's four works.

Chandos was named Gramophone's Label of the Year at the 2022 Gramophone Classical Music Awards in October – a perfect excuse for a series of podcasts focusing on some of the label's key artists. The violinist Tasmin Little was central to the Chandos roster from 2009 until her retirement two years ago. James Jolly caught up with her to reflect on the role that recording played in her long career – from her first concerto album made when she was in her early twenties to her final concerto and chamber recordings, both of British music. She also talks about her life after stepping away from performance.

The National Symphony Orchestra and its Music Director Gianandrea Noseda are marking the centenary of American composer George Walker by recording his five Sinfonias. Nos 1 and 4 have already been made available on streaming services, and to learn more about Walker and his music, Gramophone's Editor Martin Cullingford met up with Noseda during a recent visit to London.

Michael Spyres has won three Gramophone Awards: Opera and Recording of the Year in 2018 for Berlioz's Les troyens, and Voice and Ensemble in 2022 for 'Baritenor', an album that reveals his remarkable vocal range. Now, again for Erato and in the company of his Trojans conductor, John Nelson, he has recorded Les nuits d'été – but in the original keys and in Berlioz's envisaged registers. James Jolly spoke to Michael Spyres about his approach to the Berlioz songs, and also about whether he considers himself a tenor or a baritone these days.

Ruby Hughes's new album for BIS, 'Echo', finds her in the company of Huw Watkins, as both pianist and composer. His song cycle, Echo, written for Ruby, and commissioned by Carnegie Hall, sits at the programme's centre and is flanked by a sequence of short pieces by Bach (both sung and for solo piano), a handful of folksongs and three works by three more living composers, Deborah Pritchard, Cheryl Frances-Hoad and Errolyn Wallen. James Jolly went to visit Ruby to discuss the album and some of the emotional waves it responds to, or even sends out.

Clare Hammond's new album is a wonderful recital of works by Hélène de Montgeroult. Gramophone's Editor Martin Cullingford recently caught up with the pianist to talk about what drew her to this French composer's neglected music. 'Hélène de Montgeroult - Études' is available now on the BIS label.

Chandos was named Gramophone's Label of the Year at the 2022 Gramophone Classical Music Awards last month – a perfect excuse for a series of podcasts focusing on some of the label's key artists. And the pianist Jean-Efflam Bavouzet would certainly count as one, with complete cycles of the Beethoven piano sonatas and concertos, the piano works of Debussy, the Prokofiev and Bartók piano concertos, a cycle of the Haydn piano sonatas as well as the Mozart piano concertos to his name. Gramophone's Editor Martin Cullingford caught up with Jean-Efflam Bavouzet recently to talk about his relationship with Chandos and the role recording has played in his career.

The violinist and cellist have recorded Brahms's Double Concerto with the Czech Philharmonic conducted by Manfred Honeck, plus Clara Schumann's Piano Trio in G minor for which they are joined by Lambert Orkis at the piano. Gramophone's Editor Martin Cullingford caught up with them to discuss their collaboration on this new album, released today on Sony Classical. Gramophone Podcasts are produced in association with Wigmore Hall.

The American composer Mason Bates wrote Philharmonia Fantastique to a commission from a host of major US orchestras (Chicago Symphony Orchestra, Dallas Symphony Orchestra, National Symphony Orchestra, Pittsburgh Symphony Orchestra, San Francisco Symphony and the American Youth Symphony). It was recorded for Sony Classical by the Chicago SO under Edwin Outwater and released earlier this year. Now an animated film by Academy Award-winning sound designer Gary Rydstrom, and featuring the work of Jim Capobianco, has been made using the same soundtrack. (It will be available from November 4 to rent or purchase in 4K and surround-sound on the AppleTV app and to stream on Apple Music.) Gramophone's Editor, Martin Cullingford, spoke to Mason Bates about the work and the new animated film. Gramophone Podcasts are made in association with Wigmore Hall, sponsors of the 2022 Chamber Award.

Xavier de Maistre – with Cologne's WDR Symphony Orchestra conducted by Nathalie Stutzmann – has recorded harp concertos by Reinhold Glière and Alexander Mosolov for Sony Classical, supplemented by a couple of transcriptions of Russian ballet music. James Jolly spoke to the French harpist about the album, the two women harpists who inspired the works and the detective work involved in resurrecting the Mosolov concerto. Gramophone Podcasts are made in association with Wigmore Hall, sponsors of the 2022 Chamber Award.