Gramophone Classical Music Podcast

Gramophone
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Feb 10, 2023 • 34min

Stephen Hough on Mompou and his new book

Pianist, composer and author Stephen Hough tells Editor Martin Cullingford about his latest book, a childhood memoir called Enough (published by Faber), his new recording of the music of Mompou, Música callada, and his String Quartet No 1, recently recorded by the Takács Quartet (both recordings available from Hyperion).
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Feb 3, 2023 • 22min

Frank Dupree on championing Nikolai Kapustin

The pianist Frank Dupree's new album for Capriccio is his third devoted to the music of Kapustin: his previous concerto album, which included the Fourth Piano Concerto, made it to the short list in the Concerto category for last year's Gramophone Classical Music Awards, and this new release, as well as containing the Fifth Piano Concerto, also includes the Concerto for two pianos and percussion, and the Sinfonietta for two pianos, both works find Frank joined by Adrian Brendle, and Dominik Beykirch conducts the Berlin RSO in the Fifth Piano Concerto. James Jolly caught up with Frank to talk about how he discovered Kapustin's music and how it perfectly plays to his strengths as both a classical and jazz pianist.
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Feb 1, 2023 • 38min

John Wilson: Celebrating Gramophone's Label of the Year, Chandos

Chandos was named Gramophone's Label of the Year at the 2022 Gramophone Classical Music Awards last October – a perfect excuse for a series of podcasts focusing on some of the label's key artists and the people who steer and shape the label. The conductor John Wilson, whose recordings feature regularly in Gramophone's monthly Editor's Choice listings, has amassed a sizeable catalogue for Chandos and it continues to grow with recordings with his own Sinfonia of London, the BBC Philharmonic and BBC Scottish Symphony Orchestra. James Jolly caught up with John recently to talk about the Sinfonia of London and the recording plans he has with them, as well as his series focusing on the music of Eric Coates, Aaron Copland and Richard Rodney Bennett.
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Jan 27, 2023 • 33min

Rosalind Ventris on her new album 'SOLA'

Rosalind Ventris's new album for Delphian, 'SOLA', finds her in the company of both contemporary and 20th century women composers who wrote solo repertoire for the viola. An album like this, showcasing works for solo viola written by women, is the first of its kind, taking us through the folk landscapes of Amanda Feery and Sally Beamish to Elisabeth Lutyens's defiant style and a beautiful solo suite by Imogen Holst. Hattie Butterworth caught up with Rosie in Foyles to learn more about the album and why she thinks it's important to advocate for this music. Credits: Mixing and mastering - Katy Ehrlich Photo of Rosalind - Oxford Atelier
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Jan 20, 2023 • 49min

The Art of Musicals

Today's Gramophone Podcast takes us through the world of Stephen Sondheim in the company of Edward Seckerson and Sarah Kirkup. Exploring the power of newer musicals and how to be a successful musical theatre writer, the contemporary world of musical theatre comes alive through discussions, stories and musical excerpts, including Wicked, SIX and The Secret Garden. Gramophone's sister publication, Musicals, will become a bi-monthly publication from March.
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Jan 13, 2023 • 1h 10min

Exploring Handel

In this special in-depth exploration of the music of Handel, Richard Wigmore, Gramophone writer and Handel expert, talks to Editor Martin Cullingford about the composer, one of the most dominant cultural figures of 18th-century London life. From his early years in Germany and Italy, to his success in London with both opera and, later, oratorios, we trace the development of his extraordinary career and music, and hear excerpts from some of the finest recent recordings.
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Jan 6, 2023 • 31min

Celebrating Gramophone's Label of the Year, Chandos, with Ralph Couzens and Brian Pidgeon

Chandos was named Gramophone's Label of the Year at the 2022 Gramophone Classical Music Awards in October – a perfect excuse for a series of podcasts focusing on some of the label's key artists and the people who steer and shape the label. In this third podcast, James Jolly met up with Chandos's Managing Director, Ralph Couzens, and the producer Brian Pidgeon who has made hundreds of recordings for Chandos. The conversation took place in St Augustine's, Kilburn, North London, during a run of recording sessions with the Sinfonia of London and John Wilson.
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Dec 22, 2022 • 22min

Daniel Hyde on King's College, Cambridge's Festival of Nine Lessons and Carols

A Festival of Nine Lessons and Carols from King's College, Cambridge is one of the world's most famous choral occasions. Taking place on Christmas Eve in the iconic chapel, the reflective, moving and ultimately joyful journey through music and scripture is broadcast annually to millions. For this special edition of the Gramophone Podcast, Editor Martin Cullingford met with Director of Music Daniel Hyde to explore what makes this service so beloved, and to talk more generally about the acclaimed choir.
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Dec 20, 2022 • 38min

Editor's Choice 2022 – Our favourite albums of the year

As is traditional, Gramophone's reviewers have named their favourite recordings of the year (in the December issue and online). Now Gramophone's Editor, Martin Cullingford, Reviews Editor, Tim Parry, and Editor-in-Chief, James Jolly, each nominate three albums that they've enjoyed over the past 12 months.
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Dec 17, 2022 • 31min

Nigel Short on Tenebrae's new Christmas album

Christmas has long inspired composers to write works of great beauty, reflectiveness and drama, and the new album from acclaimed choir Tenebrae explores a diverse and wonderful range of them. Placing Benjamin Britten's A Ceremony of Carols at its heart, 'In Winter's House' begins its journey in Advent, embracing composers including Bob Chilcott, Joanna Marsh, Owain Park, Vaughan Williams, Sally Beamish, Elizabeth Poston and many more in a wonderful celebration of seasonal works. In the latest Gramophone podcast, Editor Martin Cullingford meets with Tenebrae's artistic director Nigel Short to talk about the recording.

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