Scholarly Communication

Jeffrey joins the podcast to discuss the prevalence of English in the academic ecosystem and in research publishing. Jeffrey critiques the lackadaisical approach US institutions take towards Spanish language content and research and makes a strong argument to follow the Puerto-Rican model which sees greater opportunity, equality, and sophistication in multilingual academic research. About his book:Despite a pronounced shift away from Eurocentrism in Spanish and Hispanic studies departments in US universities, many implicit and explicit vestiges of coloniality remain firmly in place. While certain national and linguistic expressions are privileged, others are silenced with predictable racial and gendered results. Decolonizing American Spanish: Eurocentrism and the Limits of Foreignness in the Imperial Ecosystem (U Pittsburgh Press, 2022) challenges not only the hegemony of Spain and its colonial pedagogies, but also the characterization of Spanish as a foreign language in the United States. By foregrounding Latin American cultures and local varieties of Spanish and reconceptualizing the foreign as domestic, Jeffrey Herlihy-Mera works to create new conceptual maps, revise inherited ones, and institutionalize marginalized and silenced voices and their stories. Considering the University of Puerto Rico as a point of context, this book brings attention to how translingual solidarity and education, a commitment to social transformation, and the engagement of student voices in their own languages can reinvent colonized education.Jeffrey Herlihy-Mera is Professor at the University of Puerto Rico in Mayaguez.Avi Staiman is the founder and CEO of Academic Language Experts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Writing the Classroom: Pedagogical Documents As Rhetorical Genres (UP of Colorado, 2022) explores how faculty compose and use pedagogical documents to establish classroom expectations and teaching practices, as well as to articulate the professional identities they perform both inside and outside the classroom.The contributors to this unique collection employ a wide range of methodological frameworks to demonstrate how pedagogical genres—even ones as seemingly straightforward as the class syllabus—have lives extending well beyond the classroom as they become part of how college teachers represent their own academic identities, advocate for pedagogical values, and negotiate the many external forces that influence the act of teaching. Writing the Classroom shines a light on genres that are often treated as two-dimensional, with purely functional purposes, arguing instead that genres like assignment prompts, course proposals, teaching statements, and policy documents play a fundamental role in constructing the classroom and the broader pedagogical enterprise within academia.Writing the Classroom calls on experienced teachers and faculty administrators to critically consider their own engagement with pedagogical genres and offers graduate students and newer faculty insight into the genres that they may only now be learning to inhabit as they seek to establish their personal teacherly identities. It showcases the rhetorical complexity of the genres written in the service of pedagogy not only for students but also for the many other audiences within academia that have a role in shaping the experience of teaching.Contributors: Michael Albright, Lora Arduser, Lesley Erin Bartlett, Logan Bearden, Lindsay Clark, Dana Comi, Zack K. De Piero, Matt Dowell, Amy Ferdinandt Stolley, Mark A. Hannah, Megan Knight, Laura R. Micciche, Cindy Mooty, Dustin Morris, Kate Navickas, Kate Nesbit, Jim Nugent, Lori A. Ostergaard, Cynthia Pengilly, Jessica Rivera-Mueller, Christina Saidy, Megan Schoen, Virginia Schwarz, Christopher TothThis is a conversation with Dr. Stephen Neaderhiser who is an assistant professor of English at Kent State University at Stark. He also coordinates the Professional Writing Studies Program and teachers composition, digital literacies and popular culture. He has written about the disciplinary historiography of composition studies occlusion of pedagogical genres and the metaphoric language associated with teaching. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alan Harvey, Director of Stanford University Press, sits with Avi to discuss why it is so challenging for scholars to write and publish books and to dispel myths around the profitability of all university publishers. Tune in to hear how Alan's sixth-month commitment turned into a lifetime pursuit of enabling authors to convey their research in a compelling manner.Avi Staiman is the founder and CEO of Academic Language Experts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ben Denne (Director of Publishing, Academic Books, Cambridge UP) joins Avi to discuss how Open Access quickly became a predominant form of academic publishing in the last decade, what issues OA raises for the publishing industry, how OA impacts book publishing and some of the creative solutions for alternative models, including CUP's novel "Flip it Open" program.We also discuss Ben's journey from writing children's books to presiding over one of the most important academic publishers in the world and the responsibility behind the position. Finally, stay tuned until the end for some interesting ideas regarding alternative publishing forms that break free of the 'book' and 'journal.'Avi Staiman is the founder and CEO of Academic Language Experts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eric Schwartz joins Avi for a fascinating discussion about the relationship between Columbia University and the Press and how they bounced back after losing their biggest source of income. Eric also talks about the joint publishing program with Howard University and the work publishing still has to do to ensure that all scholars have the opportunity to publish with a leading university publisher.Avi Staiman is the founder and CEO of Academic Language Experts. Learn more about your ad choices. Visit megaphone.fm/adchoices

How can cultural heritage give us the methodological tools and source material to confront climate change? How can the cultural heritage sector lead the way into a future that proactively faces the climate crisis? Who can be involved in this work—who gets to identify as a “cultural heritage expert”—and what is the work to be done?Climatic and Environmental Threats to Cultural Heritage (Routledge, 2022) examines the challenges that environmental change, both sudden and long-term, poses to the preservation of cultural material. But more than this, Robyn Sloggett and Marcelle Scott point out how our confrontation of the climate crisis relies on the cultural heritage sector, which makes records and narratives available to inform decisions now and into the future.Bringing together a diverse range of stakeholders who have an interest in—and responsibility for—the care of cultural heritage material and sites of cultural heritage value, the book explores thinking on and actions in relation to issues of climate change and environmental risk. Sloggett and Scott highlight stakeholders’ shared interest in drawing on collective expertise to meet the challenges that environmental change brings to the future of our cultural heritage and our cultural identity. Based on the understanding that this global challenge requires local, national and international co‐operation, the book also considers how local knowledge can have international application.Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices

While the stock image of the anarchist as a masked bomber or brick thrower prevails in the public eye, a more representative figure should be a printer at a printing press. In Letterpress Revolution: The Politics of Anarchist Print Culture (Duke UP, 2023), Kathy E. Ferguson explores the importance of printers, whose materials galvanized anarchist movements across the United States and Great Britain from the late nineteenth century to the 1940s.Ferguson shows how printers—whether working at presses in homes, offices, or community centers—arranged text, ink, images, graphic markers, and blank space within the architecture of the page. Printers' extensive correspondence with fellow anarchists and the radical ideas they published created dynamic and entangled networks that brought the decentralized anarchist movements together.Printers and presses did more than report on the movement; they were constitutive of it, and their vitality in anarchist communities helps explain anarchism’s remarkable persistence in the face of continuous harassment, arrest, assault, deportation, and exile. By inquiring into the political, material, and aesthetic practices of anarchist print culture, Ferguson points to possible methods for cultivating contemporary political resistance.Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jennifer Crewe talks about how translation became a key component of the Columbia University Press publishing program and how the press decides which books they want to translate. In addition, we go behind the scenes to understand the mechanics of a translation rights deal and how negotiations are conducted between academic publishers around the world. Finally, we cover the ever-changing business of academic book sales that can literally turn on its head overnight.Avi Staiman is the founder and CEO of Academic Language Experts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Museums everywhere have the potential to serve as agents of change—bringing people together, contributing to local communities, and changing people’s lives. So how can we, as individuals, radically expand the work of museums to live up to this potential? How can we more fiercely recognize the meaningful work that museums are doing to enact change around the relevant issues in our communities? How can we work together to build a stronger culture of equity and care within museums? Questions like these are increasingly vital for all museum professionals to consider, no matter what your role is within your institution. They are also important questions for all of us to be thinking about more deeply as citizens and community members. Museums as Agents of Change: A Guide to Becoming a Changemaker (Rowman & Littlefield, 2021) is about the work we need to do to become changemakers and demand that that our museums take action toward positive social change and bring people together into a more just, equitable, compassionate, and connected society. It is a journey toward tapping the energies within all of us to make change happen and proactively shape a new future.Mike Murawski is a consultant, change leader, and educator living in Portland, Oregon. After more than 20 years of work in education and museums, Mike brings his personal core values of collaboration and care along with a deeper understanding of placed-based connections into the work that he leads within organizations, non-profits, schools, and communities. Mike is the author of Museums as Agents of Change, and author of the Substack publication Agents of Change. In 2016, he co-founded Super Nature Adventures LLC, a place-based education and creative design business that partners with parks, government agencies, schools, and non-profits to expand learning in the outdoors and public spaces. When he's not working on place-based projects or supporting change in nonprofits, you can find Mike on long trail runs in the forests and mountains of the Pacific Northwest.Callie Smith is a poet and museum educator living in Louisiana.  Learn more about your ad choices. Visit megaphone.fm/adchoices

As we interact online we are creating new kinds of knowledge and community. How are these communities formed? How do we know whether to trust them as sources of information? In other words, should we believe Wikipedia? Should You Believe Wikipedia?: Online Communities and the Construction of Knowledge (Cambridge UP, 2022) explores what community is, what knowledge is, how the internet facilitates new kinds of community, and how knowledge is shaped through online collaboration and conversation. Along the way the author tackles issues such as how we represent ourselves online and how this shapes how we interact, why there is so much bad behavior online and what we can do about it. And the most important question of all: What can we as internet users and designers do to help the internet to bring out the best in us all?Amy Bruckman is Regents’ Professor and Senior Associate Chair in the School of Interactive Computing at the Georgia Institute of Technology. Her research focuses on social computing, with interests in collaboration, social movements, content moderation, and internet research ethics. She is an ACM Fellow and a member of the ACM CHI Academy. Bruckman received her Ph.D. from the MIT Media Lab's Epistemology and Learning group in 1997, and a B.A. in physics from Harvard University in 1987.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices