The mosh pit has a reputation as a violent place where (mostly) white guys vent their aggression. There’s some truth to that, but it’s also a place bound by camaraderie and—believe it or not—etiquette. In this episode, we explore the unwritten rules of this 50-year-old, live-music phenomenon with punks, concertgoers and a heavy metal physicist.Decoder Ring is produced by Willa Paskin with Katie Shepherd. This episode was written by Katie Shepherd. This episode was edited by Willa Paskin and Andrea Bruce, with help from Joel Meyer. Derek John is Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director.Thank you to Vivien Goldman, Paolo Ragusa, and Philip Moriarty whose insights and research on moshing were crucial to this episode. You can create your own mosh pit using this simulator developed by Jesse Silverberg and his colleagues.If you haven’t yet, please subscribe and rate our feed on Spotify, Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.If you’re a fan of the show and want to support us, consider signing up for Slate Plus. As a member, you’ll get to listen to Decoder Ring without any ads—and your support is crucial to our work. Go to slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join host Joel Anderson and special guests for Slow Burn: Becoming Justice Thomas LIVE in D.C. (July 25, 2023 at 7:30 p.m.)You’ll see a live performance of an extended story from the season (spoiler: it will be a…slam dunk). You’ll hear even more insights into Clarence Thomas’ life and career—and his decades-long battle with affirmative action. And you’ll watch as Anderson gets grilled about the making of this season and what it was like to interview Justice Thomas’ mother in his childhood home.Special guests include Thomas’ college friend Eddie Jenkins; legal scholar and MSNBC commentator Melissa Murray; Sen. Sheldon Whitehouse from the Senate Judiciary Committee, and more. (Slate Plus members will receive a discount off your purchase. Use the discount code found on the Events page in your account.)In addition, please enjoy this bonus conversation with Joel conducted by Slate's Dahlia Lithwick for the Amicus podcast. Joel talks about Clarence Thomas’ anger issues, and what his mother really thinks of Ginni Thomas.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Anita Hill’s accusations launched urgent and heated conversations about racism and sexual harassment. They also stoked an anger in Clarence Thomas that’s never stopped raging.Want more Slow Burn? Subscribe to Slate Plus to immediately access all episodes of Slow Burn (and your other favorite Slate podcasts) completely ad-free. Plus, you’ll unlock subscriber-exclusive bonus episodes that bring you behind-the-scenes on the making of the show. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/slowburnplus to get access wherever you listen.Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner.Josh Levin is the editorial director of Slow Burn.Derek John is Slate’s executive producer of narrative podcasts.Susan Matthews is Slate’s executive editor.This episode was edited by Josh Levin, Derek John, Sophie Summergrad, and Joel Meyer.Merritt Jacob is our senior technical director.Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Clarence Thomas got nominated to the Supreme Court, his behavior during the 1980s would get put under a microscope. To understand who Thomas was then and who he is today, you need to hear how he treated the women he worked with. You also need to hear from the woman who knew him best during those critical years: his ex-girlfriend Lillian McEwen. Want more Slow Burn? Subscribe to Slate Plus to immediately access all episodes of Slow Burn (and your other favorite Slate podcasts) completely ad-free. Plus, you’ll unlock subscriber-exclusive bonus episodes that bring you behind-the-scenes on the making of the show. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/slowburnplus to get access wherever you listen.Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner.Josh Levin is the editorial director of Slow Burn.Derek John is Slate’s executive producer of narrative podcasts.Susan Matthews is Slate’s executive editor.This episode was edited by Josh Levin, Derek John, Sophie Summergrad, and Joel Meyer.Merritt Jacob is our senior technical director.Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

Clarence Thomas went to Yale Law School because he thought it was a good fit for his left-wing politics. But when he arrived, it seemed like all the white liberals thought he was only there because he was Black. The sting Thomas felt fueled a lifelong resentment of affirmative action. It also drew him to a group of conservatives who helped sharpen his political beliefs.Want more Slow Burn? Subscribe to Slate Plus to immediately access all episodes of Slow Burn (and your other favorite Slate podcasts) completely ad-free. Plus, you’ll unlock subscriber-exclusive bonus episodes that bring you behind-the-scenes on the making of the show. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/slowburnplus to get access wherever you listen.Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner.  Josh Levin is the editorial director of Slow Burn.Derek John is Slate’s executive producer of narrative podcasts.Susan Matthews is Slate’s executive editor.This episode was edited by Josh Levin, Derek John, Sophie Summergrad and Joel Meyer.Merritt Jacob is Slate’s senior technical director.Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

Growing up in Georgia, Clarence Thomas wanted to make his mark. His goal was to become his hometown’s first Black Catholic priest. But in the 1960s, he abandoned that dream. Instead, he embraced campus activism and the teachings of Malcolm X.Want more Slow Burn? Subscribe to Slate Plus to immediately access all episodes of Slow Burn (and your other favorite Slate podcasts) completely ad-free. Plus, you’ll unlock subscriber-exclusive bonus episodes that bring you behind-the-scenes on the making of the show. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/slowburnplus to get access wherever you listen.Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner.Josh Levin is the editorial director of Slow Burn.Derek John is Slate’s executive producer of narrative podcasts.Susan Matthews is Slate’s executive editor.Editorial direction by Josh Levin, Derek John, and Joel Meyer.Merritt Jacob is Slate’s senior technical director.Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

Clarence Thomas is one of the most powerful figures in America today. Nearly every issue of national consequence has his fingerprints all over it, from voting rights to gun rights and from abortion access to affirmative action. But nothing about his journey from rural Georgia to the Supreme Court was inevitable.In the eighth season of Slate’s Slow Burn, host Joel Anderson traces Justice Thomas’ surprising path from youthful radical to conservative icon. You’ll hear about why he came to despise the race-based admission policies that personally benefited him, how he credited his political rise to the Black self-sufficiency preached by Malcolm X, and what the American people didn’t hear during his explosive confirmation hearings. Learn more about your ad choices. Visit megaphone.fm/adchoices

We pride ourselves on being grounded, rational beings, but flitting amongst us is a mystery: the Tooth Fairy. This flying piece of folklore is alive and well in the 21st century, handed down to kids in whatever way their parents see fit. In this episode, with the help of Tinkerbell, Santa Claus, and some savvy humans who are trying to exploit this strange creature’s untapped intellectual property, we’ll explore the origins of this childhood ritual, its durability—and its remarkable resistance to commercialization. This podcast was written by Willa Paskin, who produces Decoder Ring with Katie Shepherd. This episode was edited by Jamie York. Derek John is Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director.Thank you to Charles Duan, Jim Piddock, Purva Merchant, Hannah Morris, Laurie Leahy, Torie Bosch, and Rebecca Onion. Also, a big tip of the hat to Rosemary Wells, the dental school instructor who in the 1970s began exploring the Tooth Fairy’s, ahem, roots . Much of Wells’ work is out of print, but you can find one of her pieces in a collection called The Good People: New Fairylore Essays.If you haven’t please yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.If you’re a fan of the show, sign up for Slate Plus. You’ll be able to listen to Decoder Ring without any ads—and your support is crucial to our work. Go to www.slate.com/decoderplus to join Slate Plus today.Decoder Ring is now available on YouTube. Listen here: https://slate.trib.al/ucMyTst Learn more about your ad choices. Visit megaphone.fm/adchoices

Parking is one of the great paradoxes of American life. On the one hand, we have paved an ungodly amount of land to park our cars. On the other, it seems like it’s never enough. Slate’s Henry Grabar has spent the last few years investigating how our pathological need for car storage determines the look, feel, and function of the places we live. It turns out our quest for parking has made some of our biggest problems worse.In this episode, we’re going to hunt for parking, from the mean streets of Brooklyn to the sandy lots of Florida. We’ll explore how parking has quietly damaged the American landscape—and see what might fix it.This episode was written by Henry Grabar, author of Paved Paradise: How Parking Explains the World. It was edited by Willa Paskin, who produces Decoder Ring with Katie Shepherd. We had extra production from Patrick Fort and editing help from Joel Meyer. Derek John is Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director.Thank you to: Jane Wilberding, Rachel Weinberger, Donald Shoup, Andrés Duany, Robert Davis, Micah Davis, Christy Milliken, Fletcher Isacks, Victor Benhamou, and Nina Pareja. If you have any cultural mysteries you want us to decode, you can email us at DecoderRing@slate.comIf you haven’t yet, please subscribe and rate our feed in Apple Podcasts, Spotify or wherever you get your podcasts. (Even better, tell your friends.)If you’re a fan of the show, sign up for Slate Plus. You’ll be able to listen to Decoder Ring without any ads—and your support is crucial to our work. Go to www.slate.com/decoderplus to join Slate Plus today.Decoder Ring is now available on YouTube. Listen here: https://slate.trib.al/ucMyTst Learn more about your ad choices. Visit megaphone.fm/adchoices

We bring you a special episode from Sidedoor, a podcast about the treasures that fill the vaults of the Smithsonian. This story is inspired by “Big Band,” a defining work by the painter LeRoy Neiman. Neiman was a character, a cultural gadfly and an omnipresent artist who sat for decades right at the nexus of professional success, cultural ubiquity, and critical disregard. What made him so popular? What made him so disdained? And what can we learn from how he resolved this dissonance? Sidedoor is produced by the Smithsonian with PRX. The Sidedoor podcast team is Justin O'Neill, James Morrison, Stephanie De Leon Tzic, Ann Conanan, Caitlin Shaffer, Tami O'Neill, Jess Sadeq, Lara Koch, and Sharon Bryant. The show is mixed by Tarek Fouda and the theme song and episode music are by Breakmaster Cylinder. Decoder Ring is produced by Willa Paskin and Katie Shepherd. Derek John is Executive Producer of Narrative Podcasts. Merritt Jacob is our Technical Director.Special thanks to Joel Meyer, the LeRoy Neiman and Janet Byrne Neiman Foundation, especially Tara Zabor, Dan Duray, Heather Long, and Janet Neiman. Also thank you to the team at the Smithsonian's National Museum of American History: Stephanie Johnson, Ken Kimery, Theo Gonzalvez, Eric Jentsch, John Troutman, Krystal Klingenberg, Valeska Hilbig, and Laura Duff. Thank you to Smithsonian Folkways Recordings for contributing music for this episode, and also to the Smithsonian Jazz Masterworks Orchestra. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.If you’re a fan of the show, sign up for Slate Plus. Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today. Decoder Ring is now available on YouTube. Listen here: http://y2u.be/D8cLqWAffJ8 Learn more about your ad choices. Visit megaphone.fm/adchoices