Culture Gabfest

This is a special preview of this week's Slate Plus episode. To get the full episode, another one like it every single week, and unlimited reading on Slate.com, subscribe to slate plus at Slate.com/cultureplus and help us keep the lights on. When you have Jad Abumrad in the studio, you don’t let him leave without squeezing as much quality audio from him as possible. So, inspired by Jad’s own natural curiosity, we dedicated our bonus episode this week to responding to one of the foremost practitioners of American radio’s questions about our little ol’ show. What follows is a wide-ranging conversation between Julia, Dana, Steve, and Jad about the current cultural landscape, the role of criticism, and the vital need for art in a time of inhumane political realities. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, Dana, Steve, and Julia step into the gothic, visually rich world of Guillermo del Toro’s Frankenstein. It’s been years in the making, gorgeously rendered, and stars the always compelling Oscar Isaac and Jacob Elordi, but it’s up for debate if something like a soul emerges from del Toro’s mad machinations. Next, author and journalist Stefan Fatsis joins the logophilic panel to talk about the uncertain fate of dictionaries as chronicled in his new book Unabridged: The Thrill of (and Threat To) the Modern Dictionary. Finally, the hosts talk about the sonically and narratively layered new podcast Fela Kuti: Fear No Man about the legendary Nigerian musician and activist— its acclaimed producer Jad Abumrad joins to discuss.   In an exclusive Slate Plus bonus episode, Jad sticks around to pepper the Gabfesters with questions about how we make our own podcast week after week. Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Endorsements Steve: Jad Abumrad's new podcast Fela Kuti: Fear No Man (yes, the one covered in this very episode— it's that good). Also, Ben Lerner’s essay “Cardiography” in the New York Review of Books. Jad: The dark Macedonian fantasy You Won’t Be Alone.  Julia: “Tense Present: Democracy, English, and the Wars over Usage,” David Foster Wallace's classic essay originally published in Harpers.Dana: Adam Gopnik's recent piece "What Do We Want from Our Child Stars?" in The New Yorker. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s episode, Julia and Steve are joined by guest host Rebecca Onion to admire and puzzle over the magnetic appeal of Channing Tatum in Roofman. Does the beloved hunk’s captivating performance ground Derek Cianfrance’s tonally odd film?  Next, the hosts take another step into Tim Robinson’s cringey, paranoid, comedy looking glass with his new series The Chair Company. Finally, they welcome back Atlantic staff writer Caity Weaver to regale them with war stories from writing her recent recent piece about Revolutionary War reenactors. In an exclusive Slate Plus episode, the panel remembers the singular film talent and style icon that was Diane Keaton. Dana hops on the call to share her fond reflections. Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Endorsements Rebecca: The memoir Next of Kin by writer and chef Gabrielle Hamilton. Steve:  The indie band Ex-Vöid’s album In Love Again, particularly the song “Swansea.” Julia:  Serious Eats’s recipe for Tate’s-Style cookies. Also, The Life of a Showgirl deep cuts “Honey” and “Ruin the Friendship” (co-signed by Steve!) Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, our fighters Steve, Julia, and Dana enter the ring to tussle over The Smashing Machine, the Dwayne Johnson vehicle directed by Benny Safdie. Can they smell what the Rock is cooking? Is it a subtly modulated performance about a sensitive pro UFC fighter? Or, a shameless Oscar play?  Next, it’s on to the offbeat climes of Tulsa, Oklahoma by way of The Lowdown, a shaggy noir series created by Sterlin Harjo and starring Ethan Hawke. Finally, they gaze into the uncanny eyes of Tilly Norwood, the A.I. beauty that launched a thousand think pieces and a Hollywood freakout. On an exclusive bonus episode for Slate Plus subscribers, the panel unburies an old hatchet to discuss Elizabeth Gilbert’s newest memoir.  Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Endorsements Dana: The N+1 essay "Large Language Muddle" and Isaac Butler's deep dive on Daniel Day-Lewis in Slate. Julia: Walking in Coal Oil Point Natural Reserve. Steve: James Meek's essay in The London Review of Books "Computers that want things" and the novel Gargoyles by Thomas Bernhard (and welcomes listener suggestions for what else to read by Bernhard). Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s dispatch, Dana is joined by comrades in arms Sam Adams and Isaac Butler to take on Paul Thomas Anderson’s thrilling and incendiary new film One Battle After Another. Starring Leonard DiCaprio, the action epic depicts an America one notch away from our own fractured republic. Does the target of its revolutionary fantasia hit too close? They discuss. Next, they kvell about Long Story Short, the new, time-jumping family comedy from the creators of BoJack Horseman. Finally, they turn to the Great White Way to assess the dire state of the business of Broadway musicals as written about in a recent piece by Michael Paulson in the New York Times. There was so much to say about One Battle After Another, the gang kept gabbing for an exclusive Slate Plus bonus episode. Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Endorsements Sam: If possible, seeing One Battle After Another in its native format VistaVision. Isaac: The Criterion Channel’s Robert Altman collection and for a great date night movie Splitsville. Dana: The writing of the late Kaleb Horton, particularly his essay "walking through los angeles when the crows are screaming and going through your garbage." Learn more about your ad choices. Visit megaphone.fm/adchoices

Nadira Goffe, a Slate writer and Philadelphia native, discusses the gritty HBO drama Task, exploring its local accents and strong character focus. Forrest Wickman, Slate's culture editor and an avid birder, delves into the indie documentary Listers, praising its lo-fi aesthetics and emotional depth. The conversation heats up as they analyze the Jimmy Kimmel controversy, addressing government pressure on free speech and the implications of media access blackouts on democracy. Tune in for a thought-provoking blend of pop culture and pressing societal issues!

On this week’s show, Steve and Dana are joined by guest host Dan Kois to turn the volume up to… well, how hard Spinal Tap II: The End Continues rocks is the question of the day. They debate the mockumentary sequel which reunites the original Tap gang for a surprisingly tender portrait of aged rock stars. Next, they turn their icy gaze at the POV-shifting, soapy series The Girlfriend, starring Robin Wright and Olivia Cooke as the warring mother and girlfriend of a wealthy young man. Finally, they appreciate the life and work of Hollywood’s foremost golden boy/rebel outsider Robert Redford. In an exclusive Slate Plus bonus episode, they savor the recipes of chef Samin Nosrat, who Dan profiled in the New Yorker on the launch of her new cookbook Good Things. Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Endorsements: Dana: The Louis Malle classic two-hander featuring Andre Gregory and Wallace Shawn, My Dinner with Andre. Dan: The newsletter Looking at Picture Books by author Mac Barnett and author/illustrator Jon Klassen. Steve: Donna Leon’s Guido Brunetti mystery novels. (And while we’re talking about Italian detectives, the Inspector Montalbano mysteries by Andrea Camilleri.) Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, Steve, Dana, and Julia crack open the latest edition of The Paper, a new mockumentary set in the The Office universe. They debate whether the tried and true sitcom formula still delivers and assess its portrayal of local journalism. Next, they share their feelings about two couples who are terrible at sharing theirs in Splitsville, the marriage farce created and starring Kyle Marvin and Michael Angelo Covino with Dakota Johnson and ​​Adria Arjona. Finally, the heterofatalist discourse continues in their conversation with Slate music critic Carl Wilson about Man’s Best Friend, the latest release from the spritely, cheeky, and controversy-stirring Sabrina Carpenter.  In an exclusive Slate Plus bonus episode, the panel takes up the business of cultural criticism in a discussion inspired by the recent New York Magazine piece “Do Media Organizations Even Want Cultural Criticism.” Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Endorsements: Julia: The very Julia Turner-coded board games Hues and Cues. Carl: The documentary Sunday Best about Ed Sullivan by the late music journalist Sacha Jenkins and CMAT’s new album Euro-Country and the video playlist that goes with it. Steve: The book Computer Power and Human Reason by Joseph Weizenbaum. Dana: Astor Piazolla's "Otoño Porteño," played by the Neave Trio. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Steve, Julia and guest host Isaac Butler visit a pre-gentrified 1990s New York to discuss the gritty crime romp Caught Stealing directed by Darren Aronofsky and starring Austin Butler (no relation). Next, it’s off to Cooper’s Chase, an English manor turned retirement community, to take up the case of The Thursday Murder Club, Netflix’s new film adaptation of the beloved cozy mystery series. Finally, they assess what the film studio A24’s rise—and potential fall—means for the movie business in their conversation about “Empire of Auteurs,” a recent New Yorker piece by Alex Barasch. In an exclusive Slate Plus bonus episode, they look at the rise and actual, well-documented fall of the longform narrative podcast. Endorsements: Isaac: The Off-Broadway show Ginger Twinsies, a hilarious, R-rated parody of the Parent Trap. Also, Emily Adrian’s new novel Seduction Theory. Julia: The New Yorker essay “Inside the World of Great ‘British Bake Off’” by former contestant Ruby Tandoh. Steve: The new The Beths album Straight Line Was a Lie and the essay “On Resistance” by Adam Phillips in the London Review of Books. Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, Dana, Julia, and Steve are joined by special fourth guest host: Wesley Morris of the New York Times. The foursome wield their sharpest critical tools for a discussion of the horror hit Weapons. Whether the twisty thrill ride hits its intended target— and what exactly is said target— is up for debate. Next, they take up the latest Spike Lee joint Highest 2 Lowest which reunites the legendary director with Denzel Washington and riffs on an Akira Kurosawa classic. Finally, they examine the “Performative Male” trend popping up in TikTok, style sections, and costume contests around the globe. Is it an embodiment of real gendered anxiety or internet nonsense? In an exclusive Slate Plus bonus episode, the panel gets into all the shocks and surprises of Weapons’s finale in a spoiler-filled conversation. Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Endorsements Steve: Music by the jazz pianist Bobo Stenson, specifically his album Serenity. Julia: Wesley Morris’s stellar new culture podcast Cannonball, specifically the episode with Taffy Brodesser-Akner about And Just Like That. Wesley: Watching the great New York sporting event the US Open. If you can’t make it to Flushing Meadows, you can watch on ESPN or stream on Fubo, and shop the enviable merch at the US Open Store. Dana: Akira Kurosawa’s High and Low. Learn more about your ad choices. Visit megaphone.fm/adchoices