Culture Gabfest

This week, Steve, Julia and guest host Isaac Butler visit a pre-gentrified 1990s New York to discuss the gritty crime romp Caught Stealing directed by Darren Aronofsky and starring Austin Butler (no relation). Next, it’s off to Cooper’s Chase, an English manor turned retirement community, to take up the case of The Thursday Murder Club, Netflix’s new film adaptation of the beloved cozy mystery series. Finally, they assess what the film studio A24’s rise—and potential fall—means for the movie business in their conversation about “Empire of Auteurs,” a recent New Yorker piece by Alex Barasch. In an exclusive Slate Plus bonus episode, they look at the rise and actual, well-documented fall of the longform narrative podcast. Endorsements: Isaac: The Off-Broadway show Ginger Twinsies, a hilarious, R-rated parody of the Parent Trap. Also, Emily Adrian’s new novel Seduction Theory. Julia: The New Yorker essay “Inside the World of Great ‘British Bake Off’” by former contestant Ruby Tandoh. Steve: The new The Beths album Straight Line Was a Lie and the essay “On Resistance” by Adam Phillips in the London Review of Books. Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, Dana, Julia, and Steve are joined by special fourth guest host: Wesley Morris of the New York Times. The foursome wield their sharpest critical tools for a discussion of the horror hit Weapons. Whether the twisty thrill ride hits its intended target— and what exactly is said target— is up for debate. Next, they take up the latest Spike Lee joint Highest 2 Lowest which reunites the legendary director with Denzel Washington and riffs on an Akira Kurosawa classic. Finally, they examine the “Performative Male” trend popping up in TikTok, style sections, and costume contests around the globe. Is it an embodiment of real gendered anxiety or internet nonsense? In an exclusive Slate Plus bonus episode, the panel gets into all the shocks and surprises of Weapons’s finale in a spoiler-filled conversation. Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Endorsements Steve: Music by the jazz pianist Bobo Stenson, specifically his album Serenity. Julia: Wesley Morris’s stellar new culture podcast Cannonball, specifically the episode with Taffy Brodesser-Akner about And Just Like That. Wesley: Watching the great New York sporting event the US Open. If you can’t make it to Flushing Meadows, you can watch on ESPN or stream on Fubo, and shop the enviable merch at the US Open Store. Dana: Akira Kurosawa’s High and Low. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week’s episode journeys to dystopian corporate hellscapes present and future as Julia, Dana, and Steve dissect the horror and philosophical underpinnings of Alien: Earth, Noah Hawley’s new series adapting the Ridley Scott sci-fi masterpiece. Next, they set their course to Arlen, Texas where they’ll assess the return of Hank, Peggy, and Bobby in Mike Judge’s rebooted King of the Hill. Finally, they venture to Hollywood and greet its “new face” and the medical specialists who reconstructed it in their discussion of the Hollywood Reporter’s special issue on cosmetic surgery.  In an exclusive Slate Plus bonus episode, it’s time for lunch as they chat about Lauren Collins’s recent New Yorker piece “The Case for Lunch.” Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Endorsements: Dana: A request seeking a good book about the cultural impact of Napoleon. Steve: The poem “Empathy and New Year” by James Schuyler.Julia: Crate diving into your own ancestry and visiting places significant to your family's history—Ancestry proves to be a useful tool to track down public records. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, Julia Turner is joined by guest hosts Nadira Goffe and Dan Kois to answer the urgent question: is The Naked Gun starring Liam Neeson and Pamela Anderson the vital satire we need for our time? (Answer: No, but does that matter? The joke-dense spoof reboot directed by Akiva Schaffer is a hoot.) Next, they turn to tropical shores and talk about Chief of War, the epic series about Hawaiian history starring and produced by Jason Momoa. Finally, the panel examines the legacy of the musical Hamilton on its ten-year anniversary. Is it a naive Obama-era cringefest or an enduring piece of theater that still has much to say about American democracy? In an exclusive Slate Plus Bonus episode, Julia and Nadira grill Dan about the creation of Slate’s newest game Pears and discuss the state of the internet game ecosystem.     Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Endorsements: Nadira: The new album BLACKSTAR by Ghanaian and American singer and songwriter Amaarae. Julia: Jurassic Park at the Hollywood Bowl accompanied by the LA Philharmonic. If not that, stream on a screen near you. Dan: Quitting your job. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chris Molanphy, a renowned music critic and chart expert, joins the hosts for an upbeat discussion about the Summer Strut tradition. They sift through listener-submitted songs, uncovering hidden gems and personal favorites. The conversation dives into the evolution of popular music, highlighting new artists vying for recognition amid chart-topping hits. Listeners will appreciate insights on emotional summer anthems, sampling in music, and the cultural significance behind tracks like 'Mr. Dabalina'. It's a vibrant celebration of music that encapsulates the summer spirit!

On this week’s show, Dana, Steve and guest host Nitish Pahwa summon their critical superpowers to assess Marvel’s Fantastic Four: First Steps. Can the charms of Pedro Pascal and company mixed with a Jetsons-style retrofuturism energize this long-troubled comic book IP? They discuss. Next, they’re joined by Euny Hong, author of The Birth of Korean Cool: How One Nation Is Conquering the World Through Pop Culture, to unpack why KPop Demon Hunters is such a record-breaking hit. Finally, they revisit a little town called South Park to talk about the long-running animated series’ latest episode which brutally satirizes President Trump. In an exclusive Slate Plus bonus episode, the panel takes a look at the confusing messaging in advertisements for A.I. products. Endorsements: Nitish - The music of the late, great musical satirist and mathematician Tom Lehrer, who recently passed. His archive is available for free at tomlehrersongs.com. Steve - The great spy thriller The Spy Who Came In From The Cold by John le Carré.  Dana -  Tim Maia's irresistible "Do Leme Ao Pontal." Learn more about your ad choices. Visit megaphone.fm/adchoices

Disinfect your groceries and mind the 5G, on this week’s show Steve, Dana, and guest host Sam Adams dive into the dread-inducing world of Ari Aster’s Eddington. Starring Joaquin Phoenix and Pedro Pascal, the neo-Western explores the conspiracy-brained, mentally unstable summer of 2020 when COVID brews unrest in a small town. Like said town, the panel is divided. Next, they talk about why one of the biggest selling musical acts of all time has been both a national treasure and a forever punchline in their discussion of the documentary Billy Joel: And So It Goes. Finally, they take on what CBS’s decision to cancel the Late Show with Stephen Colbert means for both late night TV and democracy itself with New York Times TV critic James Poniewozik. In an exclusive Slate Plus bonus episode, the panel shares their feelings about phone location sharing. Email us at culturefest@slate.com.  Endorsements: Dana: The best use of a Billy Joel song in a soundtrack: "Carded and Discarded," episode 7 of Freaks and Geeks: Sam:  The anti-establishment, anarchist British Post-punk band the Mekons’ 1989 album The Mekons Rock n’ Roll. Steve: Stephen Colbert talking with Dua Lipa about faith and comedy and Esbjörn Svensson Trio’s “Somewhere Else Before” from the album Live in Gothenberg. Want more Culture Gabfest? Subscribe to Slate Plus to unlock weekly bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Culture Gabfest show page. Or, visit slate.com/cultureplus to get access wherever you listen. Podcast production by Benjamin Frisch Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, Dana and Steve are joined by guest host Isaac Butler to talk truth, justice, and the American way via James Gunn’s Superman. They discuss the latest incarnation of the man of steel and the cultural discourse he’s generating that has become as volatile as kryptonite itself. Next, they hop to another cultural lightning rod: Lena Dunham. They get into her new series Too Much which she created with her husband Luis Felber. Finally, they report back from Viola’s Room, an immersive theater experience by the creators of Sleep No More. In a bonus Slate Plus episode, they respond to the news that Scott Rudin—famous Broadway megaproducer and infamous alleged abuser—is mounting a comeback. Endorsements: Isaac: The Criterion Channel special Brian Cox: The Craft of Acting, hosted by yours truly Isaac Butler. Also, Ari Aster’s newest film Eddington before the discourse begins! Steve: Finishing 2666 by Roberto Bolaño and Agnes Varda's breakout Cléo from 5 to 7. Dana: Critic Walter Chaw's essay on the new Superman. Want more Culture Gabfest? Subscribe to Slate Plus to unlock weekly bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Culture Gabfest show page. Or, visit slate.com/cultureplus to get access wherever you listen. Podcast production by Benjamin Frisch Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, Julia and Dana are joined by June Thomas for a decidedly feminist discussion. They start with Sorry, Baby, the debut feature from writer, director, and actor Eva Victor, about a young academic’s life after a terrible trauma. The panel debates whether the film— which was a Sundance hit for A24 — is a tart, surprising traumedy or a frustratingly evasive experiment. Next, they get into Dear Ms.: A Revolution in Print, the HBO documentary about the pioneering feminist magazine. Finally, they take up a recent New York Times piece to determine whether the straight white male novelist is a thing of the past—and if we should care. Steve hops on the call to offer his token male perspective, naturally. In an exclusive plus bonus episode, the feminist discourse continues with a conversation about  the oft overlooked fashion designer Claire McCardell, who is the subject of a recent biography Claire McCardell: The Designer Who Set Women Free by Elizabeth Evitts Dickinson and book review by our very own Julia Turner. Endorsements: Dana: The essay “It’s Only An Island If You Look At It From The Water” by Elizabeth Cantwell in Bright Wall Dark Room about the film Jaws on its 50th anniversary. June : The action film Heads of State starring John Cena and Idris Elba, or “Mamma Mia! with explosions.” Julia -  The new book Empire of the Elite by Michael Grynbaum about the magisterial publishing reign of Condé Nast. (Recently excerpted in the New York Times.) Learn more about your ad choices. Visit megaphone.fm/adchoices

Sam Adams, a Slate writer and editor, and Daisy Rosario, Senior Supervising Producer at Slate, dive into the thrilling world of F1 with Brad Pitt's new racing film. They discuss the film's clichés and its surprising depth, while exploring the rising popularity of motorsport. The duo also unpacks the whimsical chaos of the British game show 'Taskmaster,' reflecting on its absurd challenges. Finally, they analyze The New York Times' top 100 films of the 21st century, sharing insights on cinematic inclusivity and notable omissions, like the overlooked 'Paddington 2.'