On this week’s show, the hosts are joined by a very special fourth panelist: Wesley Morris, a critic at The New York Times and the host of The Wonder of Stevie, a new podcast on Audible. First, the quartet explores The Substance, a lurid, monstrous body horror flick by writer-director Coralie Fargeat. Demi Moore stars as Elisabeth Sparkle, a fading Hollywood icon who is so repulsed by the idea of aging, that she purchase a black-market drug known as “the substance.”‌ The film caused a commotion at Cannes this year, where audience members reportedly walked out in disgust and the remaining crowd gave it a 13-minute standing ovation. Then, the panel dives into The Wonder of Stevie with its host. The new six-part Audible series explores the career of Stevie Wonder and “uncovers the untold story of an extraordinary artistic journey that shaped the greatest creative era in popular music history.”‌ On the show, Wesley is joined by guests including Barack and Michelle Obama, Questlove, Smokey Robinson, and more. Finally, the hosts discuss A.I. slop and the onslaught of online garbage and language model detritus. This conversation was inspired by Max Read’s piece for New York Magazine, “Drowning in Slop.”‌In the exclusive Slate Plus segment, Wesley Morris sticks around for a classic Slate spoiler special, and joins the hosts in dissecting The Substance and the film’s controversial, bloody, and borderline nauseating third act. Email us at culturefest@slate.com. Endorsements:Dana: Stevie Wonder and Gilbert Gil performing live in Brazil in 1995.Julia:‌ Today on Trail, Rusty Foster’s spin-off newsletter miniseries about hiking the Appalachian Trail with his son.Stephen:‌ British singer-songwriter Nilüfer Yanya’s album, My Method Actor.Wesley: Vote for your favorite songs of the past 25 years, and add to WXPN radio’s definitive list of the “885 Greatest Songs of the 21st Century.”‌Podcast production by Jared Downing. Production assistance by Kat Hong.Disclosure: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, two of our favorite Slate-sters, Nadira Goffe (culture writer)‌ and Dan Kois (author of Hampton Heights), fill in for Dana Stevens and Stephen Metcalf. The trio first pays a visit to Gotham, and reviews Max’s The Penguin, an odd, unevenly paced mob show that doubles as DC Comics intellectual property. Sporting a prosthetic face, Colin Farrell reprises his role as the titular character (also known as Oz Cobb) and adds a new layer of humanity to the villainous Penguin. Then, the three discuss Sundance darling My Old Ass, a charming coming-of-age film by writer-director Megan Park, in which teenage Elliot (played by Maisy Stella) meets her future self (Aubrey Plaza) while tripping on shrooms. Finally, the panel tackles Am I The Asshole?‌‌ and explores the classic Reddit forum’s many pleasures.Mentioned in this episode:‌ Colin Farrell’s Long Waddle to The Penguin (Isaac Butler, Slate.) In the exclusive Slate Plus segment, the panel discusses Robert Caro’s The Power Broker with staff writer Henry Grabar, who in his essay, “Read Another Book,” offers a counterpoint to the weighty tome: maybe it’s OK to skip this one. Email us at culturefest@slate.com. Endorsements:Nadira: Sean Wang’s film Dìdi; a playlist of metaphorically violent songs, inspired by Charli XCX’s “Sympathy is a Knife.”‌ (Also, if anyone has any intel on “Life Is a Death Wish”‌ or Golden Age Ensemble, please reach out!)Dan:‌ Thank Goodness, an extremely funny video game.‌ Available on most gaming platforms. (He also strongly recommends watching this video about the game’s developers!)Julia:‌‌ ColorKu, a vibrant and beautiful puzzle game.Podcast production by Jared Downing. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, the hosts begin by reviewing one of Netflix’s hottest movies at the moment, Rebel Ridge. Written and directed by Jeremy Saulnier, Rebel Ridge is a revenge thriller that tackles the very real issue of civil asset forfeiture. And while the film’s cleverness is up for debate, the panel agrees on one thing: the star of Rebel Ridge, Aaron Pierre, is fantastic (“each of his eyes deserves a special Oscar nod,”‌ describes Steve.)‌ Then, the trio explores His Three Daughters, a tear-jerking death-watch drama that follows three estranged sisters trapped in a claustrophobic New York City apartment. The film is written and directed by Azazel Jacobs and stars Natasha Lyonne, Elizabeth Olsen, and Carrie Coon. Finally, musician and Friend of the Pod Franz Nicolay joins to discuss his new book, Band People:‌ Life and Work in Popular Music. In the exclusive Slate Plus bonus episode, the panel is joined by Slate staff writer Nitish Pahwa to discuss the fate of the Internet Archive and controlled digital lending. Email us at culturefest@slate.com. Endorsements:Dana: Inspired by today’s Plus conversation, Dana endorses the Media History Digital Library, “a conservation and access project for historical printed materials related to cinema, broadcasting and recorded sound,” hosted on the Internet Archive.Julia:‌‌ An actually good protein bar:‌ Papa Steve’s No Junk Protein Bar.Steve:‌ Colm Tóibín’s essay on James Baldwin for The New York Review, “The Pitch of Passion.”Podcast production by Jared Downing. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, the hosts revisit Beetlejuice (1988), the seminal film that marked Tim Burton’s arrival onto the scene as a sort of grim fairy tale teller. 36 years later, the director and much of the original cast return for its sequel, Beetlejuice Beetlejuice, a surprisingly sincere tale about the nature of death and grieving. Or, is it a total mess?‌‌ The hosts discuss. Then, the three dive into English Teacher,‌‌ a hilarious new FX‌ series in which Brian Jordan Alvarez (previously known for online comedies like The Gay and Wondrous Life of Caleb Gallo)‌ plays Evan Marquez, a high school English teacher in Austin, Texas. Finally, chat podcasts (like the one you’re listening to right now)‌ are like dating and improv – to work, they necessitate a certain level of chemistry, intimacy, and vulnerability. The hosts are joined by New York Times culture critic Reggie Ugwu to discuss his recent piece, “What Makes Good Chemistry?‌ For Chat Podcasts, It’s Fundamental,”‌ as well as the Gabfest’s early days, the hosts first impressions of one another, and how they went about building their own unique rapport. In the exclusive Slate Plus segment, Julia joins last week’s productivity discourse and widens its scope, and the hosts discuss the nature of “hacking life” and how our relationship to productivity reflects current American ideals. Email us at culturefest@slate.com. Endorsements:Dana:‌ A‌ spice shop that’s been in the news:‌ Penzeys Spices, in Pittsburgh. Check out Helen Rosner’s 2018 piece on the shop for The New Yorker, as well as Penzey’s sweet and spicy Cake Spice.Steve: Howard’s End, a novel by E.M. Forster.Julia: A‌ two-parter:‌ (1) The single best piece of criticism about Avatar:‌ The Way of Water, performed by English Teacher cast member Jordan Firstman (it’s the second slide in the Instagram reel).(2)‌ Season 8, episode 5 of Frasier entitled ‌“Taking Liberties.”‌ Victor Garber is a hilarious guest star – this is Frasier at his best.Podcast production by Jared Downing. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

Laura Miller, Slate's books and culture columnist, steps in to discuss Netflix's 'KAOS,' where Jeff Goldblum hilariously reimagines Zeus in a modern setting. The panel critiques the show’s storytelling, balancing humor with potential pitfalls in character development. They then dive into Victor Erice's 'Close Your Eyes,' a poignant exploration of art and identity after a long hiatus. Finally, they tackle the frustrations surrounding music streaming services like Spotify, debating whether they enhance or stifle musical exploration.

On this week’s show, the hosts begin by reviewing Bad Monkey, a breezy new crime drama on Apple TV+ starring Vince Vaughn as a former police officer turned health inspector. It’s everything a summer show should be: laid-back, easy on the eyes, and set in warm, sunny Florida. Then, speaking of returns, the panel turns back the clock and tackles Homicide:‌ Life on the Street, a groundbreaking cop show that debuted in 1993 and is now available to stream on Peacock. Finally, the trio considers A.I. in the arts, inspired by Curtis Sittenfeld’s guest essay for The New York Times:‌ “An Experiment in Lust, Regret and Kissing.”‌In the exclusive Slate Plus segment, the panel discusses the experience of dropping your children off at college. Email us at culturefest@slate.com. Endorsements:Dana: Close Your Eyes, a film written and directed by Victor Erice. Julia: Romantic Comedy by Curtis Sittenfeld. Steve: The entire state of California. Podcast production by Jared Downing. Production assistance by Kat Hong.HostsDana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

In this discussion, Rebecca Onion, a pop culture expert, and Jenny Zhang, an influential writer, dive into the HBO series Industry and its growing viewership. They compare it to Succession, tackling the show's character dynamics and corporate themes. The conversation also shifts to the new Alien film, Alien: Romulus, dissecting its narrative and belonging to the xenomorph legacy. Additionally, the duo explores the impact of beauty culture on tweens, examining societal pressures and shifting beauty standards in the age of social media.

On this week’s show, June Thomas (author of A Place of Our Own: Six Spaces That Shaped Queer Women’s Culture) and Dan Kois (author of Hampton Heights) fill in for Dana and Stephen. First, the panel tackles It Ends With Us starring Blake Lively and Justin Baldoni (the latter also directed and produced the film.) It’s a big, glossy melodrama laced with a domestic violence plot, and is the first film adaptation of BookTok star author Colleen Hoover. Then, the three explore Time Bandits, a new television show from Jermaine Clement, Iain Morris, and Taika Watiti starring, among others, a sublime Lisa Kudrow. The Apple TV+ series is based on Terry Gilliam’s 1981 film of the same name and follows a ragtag bunch of bandits as they thieve and travel through time. Finally, in light of its 20-year anniversary, the trio considers Yelp – does the crowd-sourcing review platform still hold power in 2024? This conversation was inspired by Jaya Saxena’s Eater piece, “Everybody Gets a Star.”On this week’s exclusive Slate Plus bonus episode, the panel goes on the hunt for the wonderful, elusive “perfect cracker.”Email us at culturefest@slate.com. Endorsements:JUNE: A very well-reviewed book from two years ago: Katheine Rundell’s Super-Infinite: The Transformations of John Donne.DAN: The Ministry for the Future: A Novel by Kim Stanley Robinson.JULIA: First Class Tailors on Wilshire Blvd., which boasts a 4.7 Star rating on Yelp.Podcast production by Jared Downing. Production assistance by Kat Hong. HostsJune Thomas, Dan Kois, Julia Turner Learn more about your ad choices. Visit megaphone.fm/adchoices

Joining the discussion is Chris Molanphy, a pop music critic and chart analyst known for his insightful work on music podcasts. The conversation kicks off with a lively debate over the 'Song of the Summer,' featuring tracks from artists like Sabrina Carpenter and Morgan Wallen. They dissect the evolving music landscape, highlight the unique dynamics for women in the industry, and explore intriguing indie sounds, including the mystery of S-J's 'Seventeen.' Expect a nostalgic journey filled with playlists, personal connections, and cultural reflections.

On this week’s show, the panel is joined by Jamelle Bouie (New York Times Opinion columnist and Friend of the Pod) to discuss Deadpool & Wolverine, Marvel’s R-rated superhero flick starring Ryan Reynolds and Hugh Jackman that’s dominating at the box office. Then the four assess the onslaught of Kamala Harris memes sweeping the internet right now and the role social media will play in this year’s upcoming election. Finally, Julia, Dana, and Steve puzzle over Eno, a new documentary chronicling Brian Eno’s 50-year career as a visionary musician and artist that’s different every time it’s shown. Mentioned in this episode:  “Deadpool’s obnoxious gay panic humour is a tiresome schoolyard taunt” (Guy Lodge, The Guardian. July 26, 2024.) Upcoming screenings of Eno In the exclusive Slate Plus segment, the panel answers a listener question from Rob about assigned seating in movie theaters. Email us at culturefest@slate.com. Endorsements:Stephen: Team USA’s pommel horse stallion, Stephen Nedoroscik, and his flawless routine at the 2024 Olympics. Julia: An upcoming exhibit at the National Gallery of Art: “Paris 1874: The Impressionist Moment.”Dana: The Decameron on Netflix.  Podcast production by Jared Downing. Production assistance by Kat Hong. HostsDana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices