New Books in Critical Theory

Dinesh Wadiwel discusses animal oppression under capitalism, highlighting animals as laborers and surplus producers. The podcast explores intersections with disability rights, analogies to slavery, and animal resistance in industrial fishing. It critiques vegan advocacy within a capitalist framework and advocates for a post-capitalist society promoting multi-species flourishing.

Explore the dynamics of patriarchal systems and collective action, with a focus on care provision and women's bargaining power. Reflect on the evolution of care work and the importance of feminist coalition building for a progressive future that transcends gender, age, and sexuality.

The podcast delves into the impact of late capitalism on art and culture, focusing on the rise of immediacy and anti-style. It explores the evolving landscape of content production, the intersection of psychoanalysis and Marxist theory, and alternative pathways in ideology. The discussion also covers the complexities of part-time labor in the novel 'Help Wanted'.

Discussing the importance of race in film and TV, the podcast explores diverse genres like superheroes and horror, challenges industry norms for more inclusivity, and analyzes the transformative potential of cinema in addressing racism. From historical impacts to modern challenges faced by black creators, the narrative delves into the complexities of representation in screen culture.

Exploring the vision of VR as an 'empathy machine' in LA post-#MeToo era. Delving into the paradox of using VR to mend fractured realities. Emphasizing the intersection of place, technology, and social change in LA tech community.

Governing the Displaced: Race and Ambivalence in Global Capitalism (Cornell UP, 2024) answers a straightforward question: how are refugees governed under capitalism in this moment of heightened global displacement? To answer this question, Ali Bhagat takes a dual case study approach to explore three dimensions of refugee survival in Paris and Nairobi: shelter, work, and political belonging. Bhagat's book makes sense of a global refugee regime along the contradictory fault lines of passive humanitarianism, violent exclusion, and organized abandonment in the European Union and East Africa. The book highlights the interrelated and overlapping features of refugee governance and survival in these seemingly disparate places. In its intersectional engagement with theories of racial capitalism with respect to right-wing populism, labor politics, and the everyday forms of exclusion, the book is a timely and necessary contribution to the field of migration studies and to political economy.Ali Bhagat is a PhD in Political Studies (Queen's University) and works largely on the topic of global displacement in relation to racial capitalism. As an international political economist, he is interested in the intersections of race, class, and sexuality and has worked on issues pertaining to LGBTQ+ refugees in particular. His work is based in qualitative methods drawing from interviews, policy analysis, and other ethnographic techniques. Ali’s work cuts across the everyday political economy of housing, work, finance, and political belonging.Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How do art schools influence music? In No Machos or Pop Stars: When the Leeds Art Experiment Went Punk (Duke UP, 2022), Gavin Butt, a Professor of Fine Art at Northumbria University, Newcastle, tells the story of art, music and higher education in Leeds in the mid-1970s. Using archives and interviews, as well as analysis of the music and art of the era, the book shows the importance of art and art theory to a huge range of bands, including Gang of Four, Scritti Politti and Soft Cell. The analysis also takes a critical perspective on art, music and the era, thinking through the importance of class, gender, and racial inequalities to punk and post-punk. A rich and detailed defence of the importance of arts education, the book will be of interest across the arts and humanities, as well as for anyone wanting to know more about why Leeds matters! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

A how-to guide for the left on how to overcome Nietzsche's divisive and damaging influence. How to Read Like a Parasite: Why the Left Got High on Nietzsche (Repeater Books, 2024) overturns the whitewashed and defanged version of Nietzsche that has been made popular by generations of translators and academic philosophers who have presented his work as apolitical and without a core reactionary agenda. The central argument of the book is that Nietzsche’s philosophy does have a center, and that the left learns a great deal from Nietzsche when we read him as driven by a highly sophisticated reactionary political vision that informs all his major concepts and ideas. The most important Nietzschean concepts — from perspectivism, ressentiment, eternal return to the pathos of distance — are analyzed in the historical context in which Nietzsche lived and wrote, and several case-studies of prominent left-Nietzscheans from Jack London, Gilles Deleuze, Wendy Brown to Huey Newton are discussed. How to Read Like a Parasite makes a persuasive case for how we can overcome Nietzsche’s damaging influence on the left, showing us how to read and understand his work without becoming victims of it. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Black Enlightenment (Duke UP, 2023), Surya Parekh reimagines the Enlightenment from the position of the Black subject. Parekh examines the works of such Black writers as the free Jamaican Francis Williams (1697–1762), Afro-British thinker Ignatius Sancho (1729?–1780), and Afro-American poet Phillis Wheatley (1753?–1784), placing them alongside those of their white European contemporaries David Hume (1711-1776) and Immanuel Kant (1724-1804). By rethinking the Enlightenment and its canons, Parekh complicates common understandings of the Enlightenment wherein Black subjects could exist only in negation to white subjects. Black Enlightenment points to the anxiety of race in Hume, Kant, and others while showing the importance of Black Enlightenment thought. Parekh prompts us to consider the timeliness of reading Black Enlightenment authors who become “free” in a society hostile to that freedom. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How can artists survive today? In Cultural Work and Creative Subjectivity: Recentralising the Artist Critique and Social Networks in the Cultural Industries (Routledge, 2023), Dr Xin Gu, Director of the Master of Cultural and Creative Industries at Monash University and an expert appointed by UNESCO 2005 Convention on the Protection and Promotion of Diversity of Cultural Expression, examines contemporary labour conditions for cultural workers. Drawing on detailed historical and global case studies, as well as up to date analysis of changing working practices, the book offers a new theorisation of the role of culture in society. The book is the basis for a major reassessment of how art and culture function in our global context, and will be essential reading across the humanities and social sciences, as well as for anyone interested in cultural industries. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory