New Books in Critical Theory

Revolutionary politics are experiencing a resurgence in popularity, and a quick look at today’s headlines make it easy to see why. For those dipping their toes in the massive history and theory under the revolutionary umbrella, however, it can be quite intimidating, with shelves upon shelves of massive tomes confronting readers, filled to the brim with dense jargon and obscure theories. Knowing which author and book to start with can throw new readers off.Fortunately Paul Le Blanc, a lifelong activist and historian of radical politics and movements, has stepped in with a short and accessibly written book that will serve as a refreshing primer to the revolutionary tradition. Revolutionary Collective: Comrades, Critics, and Dynamics in the Struggle for Socialism (Haymarket, 2022) looks at the resurgence of interest in radical politics and offers a series of essays on a number of key figures that will be of immense use to those looking for an onramp to Marxist theory. A number of well-known figures make an appearance, such as Lenin, Trotsky and Gramsci, but a number of lesser-known figures also receive attention, such as Karl Korsch, Daniel Bensaid and Dennis Brutus. What unites all of them for Le Blanc is their participation in a massive conversation, a revolutionary collective dialogue, in which everyone has tried to think critically about our present and in a way that opens up possibilities for a brighter future.Paul Le Blanc is a lifelong activist and recently retired professor of history at La Roche University in Pittsburgh. He is the author and editor of numerous books on radical politics and labor history, including The Living Flame: The Revolutionary Passion of Rosa Luxemburg, A Short History of the U.S. Working Class: From Colonial Times to the 21st Century and Lenin and the Revolutionary Party, all from Haymarket Books. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Alluring Monsters: The Pontianak and Cinemas of Decolonization (Columbia University Press, 2021), film scholar Rosalind Galt offers a cinematic exploration of the pontianak, a female vampire ghost whose origins stem back to pre-Islamic animist tradition but who is continues to be feared and revered in Malay cultures to this day. In the 1950s, the pontianak haunted the screens of late colonial Singapore in a series of popular films that combined appeals to indigenous animism with the affective force of the horror genre. Although the pontianak would disappear from view following the breakdown of the studio system, she would once again wreak havoc in postcolonial Southeast Asian film and society from the early 2000s onwards. In this book, Galt explores the enduring appeal of the Pontianak, framing her as an ambivalent agent of gender subversion, a precolonial figure of disturbance within postcolonial cultures, and a haunting presence that sheds light on a range of questions—surrounding race, religion, nationalism, and modernity—in Malaysia and Singapore. As Alluring Monsters demonstrates, the Pontianak has much to tell us about intersecting issues of decolonisation: femininity and modernity; globalisation and indigeneity; racial identities and nation; Islam and animism; and heritage and environmental destruction.Jules O’Dwyer is Research Fellow in Film Studies and French at the University of Cambridge. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Travis Chi Wing Lau talks about the notion that one can experiment on the fundamental conditions and nature of life in order to perfect them. He looks at this idea in diverse literary, scientific, and cultural contexts from the vitality debate and Mary Shelley’s Frankenstein to the perils of the CRISPR technology and Kazuo Ishiguro’s Never Let Me Go.Travis Chi Wing Lau (he/him/his) is Assistant Professor of English at Kenyon College. His research and teaching focus on eighteenth- and nineteenth-century British literature and culture, health humanities, and disability studies. Alongside his scholarship, Lau frequently writes for venues of public scholarship like Synapsis: A Journal of Health Humanities, Public Books, Lapham’s Quarterly, and The Los Angeles Review of Books. His poetry has appeared in Barren Magazine, Wordgathering, Glass, South Carolina Review, Foglifter, and The New Engagement, as well as in two chapbooks, The Bone Setter (Damaged Goods Press, 2019) and Paring (Finishing Line Press, 2020).Image: “Experimental Life” © 2021 Saronik BosuMusic used in promotional material: “Future Life” by Ketsa Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Why does the monarchy matter? In Running the Family Firm: How the Monarchy Manages Its Image and Our Money (Manchester UP, 2021),  Laura Clancy, a Lecturer in Media and Lancaster University, considers the British monarchy in the context of contemporary financialised capitalism, exposing the tensions and contradictions between the public face of royalty and the reality of the infrastructures, labour relations, financial arrangements, and political economies of Britain’s ‘family firm’. The book uses a huge range of examples, from the monarchy’s role in politics and public life, through to the personalities that drive much media coverage. Rich with detailed case studies and analysis, the book is essential reading across the social sciences and humanities, as well as for anyone interested in understanding how power and elites function in Britain today.Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode, I talk to two of the editors of Reorienting Hong Kong’s Resistance: Leftism, Decoloniality, and Internationalism (Palgrave MacMillan, 2022), Ellie Tse and JN Chien about this timely and important volume.The book brings together writing from activists and scholars that examine leftist and decolonial forms of resistance that have emerged from Hong Kong’s contemporary era of protests. Practices such as labor unionism, police abolition, land justice struggles, and other radical expressions of self-governance may not explicitly operate under the banners of leftism and decoloniality. Nevertheless, examining them within these frameworks uncovers historical, transnational, and prefigurative sightlines that can help to contextualize and interpret their impact for Hong Kong’s political future. This collection offers insights not only into Hong Kong's local struggles, but their interconnectedness with global movements as the city remains on the frontlines of international politics.Wen Liu is assistant research fellow at the Institute of Ethnology, Academia Sinica, in Taiwan. She received her Ph.D. from Critical Social Psychology at the Graduate Center, City University of New York. Broadly interested in issues of race, sexuality, and affect, she has published in journals such as American Quarterly, Feminism & Psychology, Journal of Asian American Studies, and Subjectivity.JN Chien is a Ph.D. candidate in American Studies and Ethnicity at the University of Southern California researching US-Hong Kong integration in the Cold War transpacific through economic history, labor, migration, and detention in the shadow of multiple imperialisms. His writing has been published in Hong Kong Studies, The Nation, Jacobin, and Lausan.Christina Chung is a Ph.D. candidate researching the intersections of decolonial feminism and Hong Kong contemporary art at the University of Washington, Seattle. Her writing has been published by Asia Art Archive, College Arts Association Reviews, and in the anthology: Creating Across Cultures: Women in the Arts from China, Hong Kong, Macau and Taiwan (East Slope Publishing, 2017).Ellie Tse is a Ph.D. student in Cultural and Comparative Studies at the Department of Asian Languages & Cultures at the University of California, Los Angeles. Her research addresses the aftermath of inter-imperial encounters via visual, spatial and architectural practices across the Sinophone Pacific with a focus on Hong Kong.Clara Iwasaki is an assistant professor of modern Chinese literature at the University of Alberta. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Pierre Penet and Juan Flores Zendejas' book Sovereign Debt Diplomacies: Rethinking Sovereign Debt from Colonial Empires to Hegemony (Oxford UP. 2021) aims to revisit the meaning of sovereign debt in relation to colonial history and postcolonial developments. It offers three main contributions. The first contribution is historical. The volume historicizes a research field that has so far focused primarily on the post-1980 years. A focus on colonial debt from the 19th century building of colonial empires to the decolonization era in the 1960s-70s fills an important gap in recent debt historiographies. Economic historians have engaged with colonialism only reluctantly or en passant, giving credence to the idea that colonialism is not a development that deserves to be treated on its own. This has led to suboptimal developments in recent scholarship.The second contribution adds a 'law and society' dimension to studies of debt. The analytical payoff of the exercise is to capture the current developments and functional limits of debt contracting and adjudication in relation to the long-term political and sociological dynamics of sovereignty. Finally, Sovereign Debt Diplomacies imports insights from, and contributes to the body of research currently developed in the Humanities under the label 'colonial and postcolonial studies'. The emphasis on 'history from below' and focus on 'subaltern agency' usefully complement the traditional elite-perspective on financial imperialism favored by the British school of empire history.Javier Mejia is an economist teaching at Stanford University, whose work focuses on the intersection between social networks and economic history. His interests extend to topics on entrepreneurship and political economy with a geographical specialty in Latin America and the Middle East. He received a Ph.D. in Economics from Los Andes University. He has been a Postdoctoral Associate and Lecturer at New York University--Abu Dhabi and a Visiting Scholar at the University of Bordeaux. He is a regular contributor to different news outlets. Currently, he is Forbes Magazine op-ed columnist. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In conversations about polarised political issues, phrases like ‘it’s not about race, it’s about class’ have become the perfect way to induce a stalemate. It seems as though the traditional, materialist critique of inequality has been supplanted by a fast-evolving set of reflections on group identity. Mainstream politics makes fast and loose assumptions about the relationship between class and identity, and economic conditions and culture. These assumptions are fodder for the culture wars.In The Identity Myth: Why We Need to Embrace Our Differences to Beat Inequality (Constable & Robinson, 2022), David Swift covers the four different kinds of identity most susceptible to rhetorical and cultural manipulation – class, race, sex, and age. He considers how the boundaries of identities are policed and how diverse versions of the same identity can be deployed to different ends. Ultimately, it is not that identities are simply more ‘complex’ than they appear. Rather, there are commonalities more important to the creation of solidarity.David Swift speaks to Pierre d'Alancaisez about the crisis of class and the deceptive allure of identity politics. We talk about the divisive nature of the contested claims of identity and about strategies for regaining control of the narrative. In a powerful call to arms, Swift argues that we must unite against these identity myths and embrace our differences to beat inequality.David Swift is a historian and writer who specialises in the history and contemporary politics of the British Left. He has written on the state of the Left for The Times, Fabian Review, Progress Online, Jewish Chronicle, and The Critic. He is the author of A Left for Itself, 2019. The Emily Thornberry white van tweet story, Gordon Brown's 'bigotgate', Keir Starmer and 'beergate', Tomiwa Owolade's essay on Anglican social conservatism in London, 'rooted' in David's work, Rachel Dolezal is now an artist, San Francisco school board recall, White narcissism at a BLM protest. Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Plastic is ubiquitous. It is in the Arctic, in the depths of the Mariana Trench, and in the high mountaintops of the Pyrenees. It is in the air we breathe and the water we drink. Nanoplastics penetrate our cell walls. Plastic is not just any material—it is emblematic of life in the twentieth and twenty-first centuries. In Plastic Matter (Duke UP, 2022), Heather Davis traces plastic’s relations to geology, media, biology, and race to show how matter itself has come to be understood as pliable, disposable, and consumable. The invention and widespread use of plastic, Davis contends, reveals the dominance of the Western orientation to matter and its assumption that matter exists to be endlessly manipulated and controlled by humans. Plastic’s materiality and pliability reinforces these expectations of what matter should be and do. Davis charts these relations to matter by mapping the queer multispecies relationships between humans and plastic-eating bacteria and analyzing photography that documents the racialized environmental violence of plastic production. In so doing, Davis provokes readers to reexamine their relationships to matter and life in light of plastic’s saturation.Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What would a fair and equal society look like? In Another Now: Dispatches from an Alternative Present (Melville House Publishing, 2020), theworld-renowned economist and bestselling author Yanis Varoufakis presents his radical and subversive answer. Imagine it is now 2025 and that years earlier, in the wake of the world financial crisis of 2008, a new post-Capitalist society had been born. In this ingenious book, Yanis Varoufakis draws on the greatest thinkers in European culture from Plato to Marx, as well as the great thought-experiments of science fiction, to offer us a dramatic and tantalising glimpse of a brave new world where the principles of democracy, equality and justice are truly embedded in our economy. Through the eyes of three characters - a liberal economist, a radical feminist and a left-wing technologist - we come to see what would be needed to forge such a world but also at what cost. This transformative vision forces each of us to confront the profound questions and trade-offs that underpin all societies- how do we balance freedom with fairness? How do we unleash the best that humanity has to offer without opening the door to the worst? Another Now offers answers to some of the most pressing questions of today. It also challenges us to consider how far we are willing to go in pursuit of our ideals.Shu Cao Mo 's interests span continental philosophy, existential psychology and history of performance art. She previously served as the Asia representative for a global traveling university. She holds an Ed.M. in Arts in Education from Harvard and a B.A. in Political Philosophy and Theater from Duke. Twitter @Mo2Cao  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In There's a Disco Ball Between Us: A Theory of Black Gay Life (Duke UP, 2022), Jafari S. Allen offers a sweeping and lively ethnographic and intellectual history of what he calls “Black gay habits of mind.” In conversational and lyrical language, Allen locates this sensibility as it emerged from radical Black lesbian activism and writing during the long 1980s. He traverses multiple temporalities and locations, drawing on research and fieldwork conducted across the globe, from Nairobi, London, and Paris to Toronto, Miami, and Trinidad and Tobago. In these locations and archives, Allen traces the genealogies of Black gay politics and cultures in the visual art, poetry, film, Black feminist theory, historiography, and activism of thinkers and artists such as Audre Lorde, Marsha P. Johnson, Essex Hemphill, Colin Robinson, Marlon Riggs, Pat Parker, and Joseph Beam. Throughout, Allen renarrates Black queer history while cultivating a Black gay method of thinking and writing. In so doing, he speaks to the urgent contemporary struggles for social justice while calling on Black studies to pursue scholarship, art, and policy derived from the lived experience and fantasies of Black people throughout the world.Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory