New Books in Critical Theory

Black or Right: Anti/Racist Campus Rhetorics (Utah State University Press, 2020) explores notions of Blackness in white institutional—particularly educational—spaces. In it, Louis M. Maraj theorizes how Black identity operates with/against ideas of difference in the age of #BlackLivesMatter. Centering Blackness in frameworks for antiracist agency through interdisciplinary Black feminist lenses, Black or Right asks how those racially signifying “diversity” in US higher education (and beyond) make meaning in the everyday. Offering four Black rhetorics as antiracist means for rhetorical reclamation—autoethnography, hashtagging, inter(con)textual reading, and reconceptualized disruption—the book uses Black feminist relationality via an African indigenous approach. Maraj examines fluid, quotidian ways Black folk engage anti/racism at historically white institutions in the United States in response to violent campus spaces, educational structures, protest movements, and policy practice. Black or Right’s experimental, creative style strives to undiscipline knowledge from academic confinement. Exercising different vantage points in each chapter—autoethnographer, digital media scholar/pedagogue, cultural rhetorician, and critical discourse analyst—Maraj challenges readers to ecologically understand shifting, multiple meanings of Blackness in knowledge-making. Black or Right’s expressive form, organization, narratives, and poetics intimately interweave with its argument that Black folk must continuously invent “otherwise” in reiterative escape from oppressive white spaces. In centering Black experiences, Black theory, and diasporic Blackness, Black or Right mobilizes generative approaches to destabilizing institutional whiteness, as opposed to reparative attempts to “fix racism,” which often paradoxically center whiteness. It will be of interest to both academic and general readers and significant for specialists in cultural rhetorics, Black studies, and critical theory.Anna E. Lindner is a doctoral candidate in the Communication Department at Wayne State University in Detroit, Michigan. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Sandeep Bakshi (@sandeepbak on Twitter) talks to Saronik about understanding queerness and its emancipatory politics through transnational solidarity building, the persistent inclusion of trans and queer epistemological frames in social justice movements, especially in the work done by the Decolonizing Sexualities Network. Sandeep explains this concept and the DSN’s objective by referring to the works of Maria Lugones, Sylvia Tamale and the Fallist movement, and Karma Chávez and Against Equality.Sandeep Bakshi researches on transnational queer and decolonial enunciation of knowledges. He received his PhD from the School of English, University of Leicester, UK, and is currently employed as an Associate Professor of Postcolonial and Queer Literatures at the University of Paris. He heads the “Gender and Sexuality Studies” research group and coordinates two research seminars, “Peripheral Knowledges” and “Empires, Souths, Sexualities,”. Co-editor of Decolonizing Sexualities: Transnational Perspectives, Critical Interventions (Oxford: Counterpress, 2016) and Decolonial Trajectories, special issue of Interventions (2020), he has published on queer and race problematics in postcolonial literatures and cultures. He is the founder and serves on the board of the Decolonizing Sexualities Network.Image: Cover of the book Decolonizing Sexualities: Transnational Perspectives, Critical InterventionsMusic used in promotional material: “Hear Me Out” by Ketsa Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Echoing the energy of Nina Simone's searing protest song that inspired the title, this book is a call to action in our collective journey toward just futures.America, Goddam: Violence, Black Women, and the Struggle for Justice (U California Press, 2022) explores the combined force of anti-Blackness, misogyny, patriarchy, and capitalism in the lives of Black women and girls in the United States today.Through personal accounts and hard-hitting analysis, Black feminist historian Treva B. Lindsey starkly assesses the forms and legacies of violence against Black women and girls, as well as their demands for justice for themselves and their communities. Combining history, theory, and memoir, America, Goddam renders visible the gender dynamics of anti-Black violence. Black women and girls occupy a unique status of vulnerability to harm and death, while the circumstances and traumas of this violence go underreported and understudied. America, Goddam allows readers to understand How Black women—who have been both victims of anti-Black violence as well as frontline participants—are rarely the focus of Black freedom movements. How Black women have led movements demanding justice for Breonna Taylor, Sandra Bland, Toyin Salau, Riah Milton, Aiyana Stanley-Jones, and countless other Black women and girls whose lives have been curtailed by numerous forms of violence. How across generations and centuries, their refusal to remain silent about violence against them led to Black liberation through organizing and radical politics. America, Goddam powerfully demonstrates that the struggle for justice begins with reckoning with the pervasiveness of violence against Black women and girls in the United States”Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Militarized Global Apartheid, Catherine Besteman offers a sweeping theorization of the ways in which countries from the global north are reproducing South Africa's apartheid system on a worldwide scale to control the mobility and labor of people from the global south. Exploring the different manifestations of global apartheid, Besteman traces how militarization and securitization reconfigure older forms of white supremacy and deploy them in new contexts to maintain this racialized global order. Whether using the language of security, military intervention, surveillance technologies, or detention centers and other forms of incarceration, these projects reinforce and consolidate the global north's political and economic interests at the expense of the poor, migrants, refugees, Indigenous populations, and people of color. By drawing out how this new form of apartheid functions and pointing to areas of resistance, Besteman opens up new space to theorize potential sources of liberatory politics.Catherine Besteman is Francis F. Bartlett and Ruth K. Bartlett Professor of Anthropology at Colby College and author of Making Refuge: Somali Bantu Refugees and Lewiston, Maine, published by Duke University Press.Alize Arıcan is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City & Society, JOTSA, Radical Housing Journal, and entanglements. You can find her on Twitter @alizearican Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Originally published in 1978 in Portuguese, For a New Geography is a milestone in the history of critical geography and it marked the emergence of its author, Milton Santos (1926–2001), as a major interpreter of geographical thought, a prominent Afro-Brazilian public intellectual, and one of the foremost global theorists of space. Published in the midst of a crisis in geographical thought, For a New Geography functioned as a bridge between geography’s past and its future. In advancing his vision of a geography of action and liberation, Santos begins by turning to the roots of modern geography and its colonial legacies. Moving from a critique of the shortcomings of geography from the field’s foundations as a modern science to the outline of a new field of critical geography, he sets forth both an ontology of space and a methodology for geography. In so doing, he introduces novel theoretical categories to the analysis of space. It is, in short, both a critique of the Northern, Anglo-centric discipline from within and a systematic critique of its flaws and assumptions from outside. Critical geography has developed in the past four decades into a heterogeneous and creative field of inquiry. Though accruing a set of theoretical touchstones in the process, it has become detached from a longer and broader history of geographical thought. For a New Geography reconciles these divergent histories. Arriving in English at a time of renewed interest in alternative geographical traditions and the history of radical geography, it takes its place in the canonical works of critical geography.Dr Archie Davies is a Leverhulme Early Career Fellow at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The history of revolutionary politics is rich enough that it includes the full spectrum of inspiration and tragedy. Those with revolutionary aspirations have a number of rocks in their shoes to deal with, perhaps most famously the failure of the Soviet Union and the shadow of Stalinism. Those looking to remain faithful to the spirit of revolutionary Marxism while still seriously reckoning with the tragedies of the past will need to develop new routes, and for that to happen, alternative figures and histories will need to be turned to.One such figure many have found inspiration in is James P. Cannon, the American activist and agitator, most famous as the leading founder of American Trotskyism, and no one knows his life and times better than Bryan D. Palmer, here to discuss the first entry in his multi-volume biography of Cannon. The volume discussed in this episode, James P. Cannon and the Origins of the American Revolutionary Left, 1890-1928 (U Illinois Press, 2010), covers Cannon’s life from his birth in a small town in Kansas to his expulsion in 1928 from the Communist Party. It’s a story of a small-town local agitator who ends up mired in international controversy, surrounded by factional infighting in his own country but also deeply rooted in the revolutionary degeneration happening in Moscow as Stalin took over the party. In the face of this, Cannon slowly became depressed and disillusioned, in a political fog that wouldn’t be cleared until he stumbled upon a document in 1928 by Leon Trotsky that would point the way towards a revolutionary alternative that neither succumbed to Stalinism or capitalist-capitulation. It’s for this reason that Palmer’s account of Cannon’s life allows him to tell a very different history of communism in the 20th century, one that has been banished and dismissed for too long, and that will no doubt provide inspiration for many in the 21st century.Originally published in 2007 as part of the Illinois University Press series The Working Class in American History, it won the Wallace K. Ferguson Prize of the Canadian Historical Association. Its sequel, the much longer James P. Cannon and the Emergence of Trotskyism in the United States, 1928-38, was published much more recently and will be discussed in a later episode. In both works Palmer’s command of the vast archives of material are combined with an incredible capacity for storytelling, hitting a sweet spot of rigorous research and compelling historical reading. Anyone interested in the history of Marxism, American labor, class struggle, or simply looking for an alternative to the rot and decay of our current order will find in this book richly rewarding.Bryan D. Palmer is professor emeritus of history at Trent University. He is the former editor of Labour/Le Travail, and is the author of numerous books on radical social movements and labor history including Revolutionary Teamsters: The Minneapolis Truckers Strike of 1934, Cultures of Darkness: Night Travels in the Histories of Transgression, and Marxism and Historical Practice (2 volumes). He was also a coeditor with Paul Le Blanc and Thomas Bias of the 3-volume document collection US Trotskyism 1928-1965. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Emma Heaney talks about the social organization of the supposedly biologically derived terms of the sex binary into a hierarchy of persons and qualities. She speaks widely about the work that she and her colleagues are doing, drawing on a tradition of scholarship that includes the work of Luce Irigaray, Hortense Spillers, Cathy J. Cohen and others.Emma Heaney is a teacher, researcher, and writer living in Queens. Her first book, a study of the medicalization of trans femininity and the uptake of the diagnostic figure in works of twentieth-century literature and philosophy, is The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory (Northwestern, 2017). Her forthcoming second book, Feminism Against Cisness, is an edited collection of essays by Trans Studies scholars who use anti-colonial, Black, and Marxist feminist methods to address the many legacies of the historical emergence of the idea that assigned sex determines sexed experience. Her introduction for that collection, entitled “Sexual Difference Without Cisness” provides the basis for this interview.Image: © 2021 Saronik BosuMusic used in promotional material: “Flow” by dustmotes Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The internet’s potential to perform political miracles has been a source of both hope and disappointment for many grassroots movements. We remember that the Sanders campaign tried to master the meme to mobilise a young, eager audience. Equally, we ascribe Trump’s electoral victory in 2016 to seemingly leaderless internet misinformation.Many of such events have been the subject of academic study - but research is often slow to keep up with the rapidly changing scene. If a researcher tracing the role of the meme to the politicisation and radicalisation of online communities struggles to keep up what hope does an artist have?Joshua Citarella’s practice starts with the understanding that it is impossible to predict what the next generation of meme posters will be interested in and whether their memes will reach beyond their tiny echo chambers. What is clear is that mainstream politics, particularly the politics of the left, remains afraid of these unruly communities that can just as easily turn to the dark corners of the demonised alt-right as they are to carry the flag for Bernie.Joshua Citarella speaks to Pierre d'Alancaisez about researching internet subcultures, playing politics with the extremely online, the multiple meanings of radicalisation, strategies for subverting right-wing content, and the role of art in internet political aesthetics.Joshua Citarella is an artist, content creator, and researcher. Politigram and the Post-left is one of many projects he has released through self-publishing channels and directly to his supporters. Joshua on Instagram and Patreon 20 Interviews with meme-posters Do Not Research, and online internet culture magazine When Guys Turn 20, Joshua's video series at dis.art Do Not Research exhibition at Lower Cavity Interview with Mike Watson on The Memeing of Mark Fisher Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Alluring Monsters: The Pontianak and Cinemas of Decolonization (Columbia University Press, 2021), film scholar Rosalind Galt offers a cinematic exploration of the pontianak, a female vampire ghost whose origins stem back to pre-Islamic animist tradition but who is continues to be feared and revered in Malay cultures to this day. In the 1950s, the pontianak haunted the screens of late colonial Singapore in a series of popular films that combined appeals to indigenous animism with the affective force of the horror genre. Although the pontianak would disappear from view following the breakdown of the studio system, she would once again wreak havoc in postcolonial Southeast Asian film and society from the early 2000s onwards. In this book, Galt explores the enduring appeal of the Pontianak, framing her as an ambivalent agent of gender subversion, a precolonial figure of disturbance within postcolonial cultures, and a haunting presence that sheds light on a range of questions—surrounding race, religion, nationalism, and modernity—in Malaysia and Singapore. As Alluring Monsters demonstrates, the Pontianak has much to tell us about intersecting issues of decolonisation: femininity and modernity; globalisation and indigeneity; racial identities and nation; Islam and animism; and heritage and environmental destruction.Jules O’Dwyer is Research Fellow in Film Studies and French at the University of Cambridge. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Revolutionary politics are experiencing a resurgence in popularity, and a quick look at today’s headlines make it easy to see why. For those dipping their toes in the massive history and theory under the revolutionary umbrella, however, it can be quite intimidating, with shelves upon shelves of massive tomes confronting readers, filled to the brim with dense jargon and obscure theories. Knowing which author and book to start with can throw new readers off.Fortunately Paul Le Blanc, a lifelong activist and historian of radical politics and movements, has stepped in with a short and accessibly written book that will serve as a refreshing primer to the revolutionary tradition. Revolutionary Collective: Comrades, Critics, and Dynamics in the Struggle for Socialism (Haymarket, 2022) looks at the resurgence of interest in radical politics and offers a series of essays on a number of key figures that will be of immense use to those looking for an onramp to Marxist theory. A number of well-known figures make an appearance, such as Lenin, Trotsky and Gramsci, but a number of lesser-known figures also receive attention, such as Karl Korsch, Daniel Bensaid and Dennis Brutus. What unites all of them for Le Blanc is their participation in a massive conversation, a revolutionary collective dialogue, in which everyone has tried to think critically about our present and in a way that opens up possibilities for a brighter future.Paul Le Blanc is a lifelong activist and recently retired professor of history at La Roche University in Pittsburgh. He is the author and editor of numerous books on radical politics and labor history, including The Living Flame: The Revolutionary Passion of Rosa Luxemburg, A Short History of the U.S. Working Class: From Colonial Times to the 21st Century and Lenin and the Revolutionary Party, all from Haymarket Books. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory