Our latest guest on Soundtracking is Eric Vetro, one of Hollywood's premier vocal coaches who's worked on the likes of Elvis, A Complete Unknown, Wicked and Maria, to name just some of many. As you know, we like to shine a spotlight on those people who don't necessarily get the wider acclaim they deserve when it comes to their importance to the filmmaking process. And Eric is one of those people, so it was fascinating to get a little insight into his role, and how it changes from person to person, project to project.

Our latest guest on Soundtracking is Daniel Blumberg, who might, by the time you're listening to this, have picked up a BAFTA for his incredible score to The Brutalist. It's Friday morning as we record this, so who knows what Sunday will bring (or indeed Oscar Night)? Regardless, Daniel has done an extraordinary job of providing the sonic backdrop to what is truly an extraordinary film. Edith was lucky enough to speak to writer / director Brady Corbett and one of his leads, Guy Pearce, a few weeks back, so do listen to that if you haven't already. Both go into great detail about the nuances of Daniel's work. But who better to really dive deep with than the man himself? 

Jesse Eisenberg, acclaimed writer and director, chats about his latest film, A Real Pain, which navigates family ties against Poland's rich history. He dives into the role of music, particularly Chopin, in enhancing emotional storytelling. The conversation also touches on the playful intricacies of character development through accents and the balance between scripted dialogue and improvisation. Eisenberg reflects on his evolution in the industry, emphasizing the blend of humor and historical trauma, ultimately showcasing the depth of comedy in personal narratives.

We have another of our Soundtracking Everyman Film Club shows for you today, which we thought we'd share as a bonus episode to mark the extraordinary recognition the musical drama Emilia Perez has received. Landing a whopping 13 Oscar nominations, Emilia Perez tells the story of a Mexican lawyer who is offered an unusual job of helping a notorious cartel boss retire and transition into living as a woman. Edith was lucky enough to be joined at Everyman Broadgate by writer / director Jacques Audiard, Zoe Saldana - who plays the lawyer, Rita - and Clement Ducol and Camille, who collaborated on the music. Since Jacques doesn't speak great English, we also had translator Sophie on stage, so thank you in advance for you patience as first he gives his answers and then she relays them to us.

Our latest guest on Soundtracking is composer Gary Yershon, who joins us to reflect up 3 decades of collaborations with Mike Leigh, and more specifically Mike's latest movie, Hard Truths. Starring Marianne Jean-Baptiste, Michele Austin, and David Webber, the plot follows the plight of a depressed and nay-saying woman and the relationship with her jovial sister Chantelle. Gary is absolutely fascinating on Mike's process when it comes to both filmmaking and music - so this is well worth a listen.

Our latest guest on Soundtracking is Jason Reitman, director and co-writer of Saturday Night. The story follows producer Lorne Michaels and a team of writers, comedians and crew as they prepare for the 1975 premier of Saturday Night, which of course became Saturday Night Live. Remarkably, and in keeping with the spirit of the show, composer Jon Batiste wrote much of the score live at the end of shooting each day.

Our latest guests on Soundtracking are Brady Corbet and Guy Pearce, respectively director and star of multi-award winning film, The Brutalist. In it, Adrien Brody plays a Hungarian-born Jewish architect who survives the Holocaust and emigrates to the United States, where he struggles to achieve the American Dream until a wealthy client changes his life. The cast also features Felicity Jones, Joe Alwyn, Raffey Cassidy, Stacy Martin, Emma Laird and Alessandro Nivola. The Brutalist is scored by Daniel Blumberg - and both Brady and Guy talk about its remarkable intricacies at length.

Our latest guest on Soundtracking is James Mangold - a returning hero - who joins us to discuss his Bob Dylan biopic, A Complete Unknown. And, as a bonus, we also have a wee chat with Monica Barbaro, who plays Joan Baez in the movie, in what's a simply divine performance. Starring Timothee Chalomet, A Complete Unknown follows Dylan's early success until his notorious and controversial use of electronic instruments at the Newport Folk Festival in 1965.

Our latest guest on Soundtracking is Pablo Larrain, who returns to the podcast to discuss the release of his stunning biopic, Maria. Starring Angelena Jolie as Maria Callas, it follows the seven days before the opera singer's death in 1977 Paris as she reflects upon her life and career. 

Our latest guests in yet another bonus episode of Soundtracking are director John Crowley, writer Nick Payne and leading lady Florence Pugh, who joined Edith for a special Q&A to discuss their new film, We Live In Time, which is on general release now. In a beautiful, funny meditation on life, death, relationships and parenthood - among many other universal themes - Florence stars alongside Andrew Garfield as we follow a relationship over the course of a decade in non-linear fashion.