Soundtracking with Edith Bowman

We are taking a deep dive into the world of Twin Peaks today with music editor Lori Eschler - who worked on the original series - and longtime David Lynch collaborator Dean Hurley, who did all kinds of work with him on numerous projects. It's an illuminating chat, shedding bright light on David's process and reminding us all what a seminal show it was and remains. 

Our latest guests on Soundtracking are Tom Basden and Tim Key, writers and co-stars of The Ballad Of Wallis Island. Also starring Carey Mulligan, it tells the story of ex-lovers and former bandmates, who reunite for a private gig at the island home of an eccentric millionaire.

Our latest guest on Soundtracking is Shannon Murphy, director of the wonderful feature film Babyteeth, and TV shows like Killing Eve and Dope Girls to name but a few. Shannon joins us to discuss Dying For Sex, which you can watch now on Disney+. Based on a true story, Dying For Sex stars Michelle Williams as Molly, a woman diagnosed with terminal cancer who leaves her husband in search of an orgasm

Our latest guest on Soundtracking is actor Benicio del Toro, who joins us to discuss his role in Wes Anderson's latest film, The Phoenician Scheme. Benicio heads an extraordinary ensemble cast as Zsa-zsa Korda, a wealthy businessman who appoints his only daughter, a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists and determined assassins.

It's bonus time, as we bring you a second episode of the week, recorded at Screen On The Green in Islington, London, as part of our Everyman Soundtracking Film Club. Edith is joined on stage by director, Babak Anvari, and actor Rosamund Pike to discuss Hallow Road following a screening of the movie. It tells the story of a married couple who receive a distressing late-night call from their teenage daughter, and set off in their car to find her. Communicating via mobile with her en route, events get progressively disturbing. Hallow Road is scored by Peter Adams and Lorne Balfe, who very kindly shared their as yet unreleased score with us. 

Our latest guest on Soundtracking is always a joy to talk to about film music, such is his enthusiasm for his craft. Christopher McQuarrie joins Edith to discuss Mission: Impossible - The Final Reckoning, which he co-wrote and directed. It's out in the UK on Wednesday 21st May

We're so excited to finally bringing you our latest episode of Soundtracking, as first showrunner Tony Gilroy and then composer Brandon Roberts join us to discuss season 2 of Andor, which is streaming now on Disney +. As anyone who listens to this podcast knows, we absolutely love this show, which relays the events leading up to the first Star Wars spinoff, Rogue One.

It's a Thunderbolts* special on our latest episode of Soundtracking, as first director Jake Schreier and then composers Son Lux join us to discuss the music of the latest installment of the MCU franchise. Thunderbolts* tells the story of an unconventional team of Marvel antiheroes - Yelena Belova, Bucky Barnes, Red Guardian, Ghost, Taskmaster and John Walker - who embark on a dangerous mission that forces them to confront the darkest corners of their pasts - while, of course, attempting to save the world in the process.

It's bonus episode time again, as writer / director Gareth Edwards joins us to discuss his riotously entertaining action thriller, Havoc, which is currently the number one film on Netflix. Starring Tom Hardy, it tells the story of a hard-nosed detective, who must fight his way through the criminal underworld to save a politician's estranged son. Havoc is scored by Aria Prayogi, who has worked with Gareth on numerous occasions and very kindly responded immediately when producer Ben reached out to him on Instagram, desperately seeking an example from his unreleased score to Apostle. Thank you Aria! 

As we like to do as often as possible on Soundtracking, we are celebrating an independent film this week, as first directors Iain Forsyth and Jane Pollard and then musicians Emiliana Torrini and SImon Byrt join Edith to discuss their collaboration on an esoteric gem, The Extraordinary Miss Flower. This picture is quite hard to describe, if we're honest, but was basically inspired by behind-the-scenes friend of the show, Zoe, who discovered a suitcase full of her late mother Geraldine's letters, which suggested that Geraldine had led a much more exotic and, well, extraordinary life than Zoe could have possibly imagined. This in turn inspired an album's worth of songs from Emiliana, co-written and produced by Simon, which form the backbone of this movie - directed by Iain and Jane.