Soundtracking with Edith Bowman

We celebrate our 500th episode in the company of Stephen and Philip - but also friends of the show and you, with many wonderful contributions reflecting upon our mutual love of film score and music. In addition to messages from listeners, we hear from Hans ZImmer, Ben Wheatley, Sam Taylor-Johnson, Emilie Levienaise-Farrouch and Daniel Pemberton.

Our latest guests on Soundtracking are director Barry Levinson and producer Irwin Winkler, who join us separately to discuss their collaboration on The Alto Knights. Starring Robert De Niro in two roles, The Alto Knights tells the story of two young friends who rise through the ranks of the New York mafia, only to have a reckoning in later life. as their paths diverge.

Our latest guests on Soundtracking in what has been an exceedingly busy period are Hans Zimmer and Paul Dugdale, who join me to discuss their collaboration on the documentary, Hans Zimmer & Friends: Diamond In The Desert. Featuring conversations with Billie Eilish, Finneas, Christopher Nolan, Denis Villeneuve, Jerry Bruckheimer, Johnny Marr, Pharrell Williams, Timothée Chalamet and Zendaya, it also sees Hans conduct some of his most memorable work with musicians from around the world in Dubai. To find out where you can watch it in the cinema, head to hanszimmerfilm.com - but be quick as there is a limited screening window in the UK

Our latest episode of Soundtracking sees a return to the podcast of Steven Soderbergh, who joins us to discuss his spy thriller, Black Bag. Counting Cate Blanchett and Michael Fassbender among its excellent cast, Black Bag tells the story of an intelligence agent whose husband is assigned to investigate her when she is suspected of espionage. Black Bag is scored by friend of the show David Holmes, and we also play a clip of him talking about working with Steven when he appeared on the podcast.

Our latest guest on Soundtracking is composer Bear McCreary, who joins us to discuss his career ahead of his Themes And Variations Tour, which kicks off at Indigo 02 on April 18th before heading around Europe and the US. Bear has compiled an extraordinary body of work across film, TV and video gaming, including Battlestar Galactica, Outlander, The Walking Dead and God Of War.

Our latest guests on Soundtracking are Karan Kandhari and Paul Banks of Interpol fame, who join Edith to discuss their collaboration on Karan's brilliant black comedy, Sister Midnight. Set in Mumbai, it tells the story of a woman whose unhappy arranged marriage spirals into darkness as she morphs into a ruthless, feral force within the confines of their relationship.

In an interview we posted a few months back on our Youtube channel, Soundracking Extra, Sean discusses his incredible film, including the decision to include Take That. And it indeed feels like The Greatest Day to share it with you in podcast form. Huge congratualations to Sean and his team.

Our latest guests on Soundtracking are Eric Newman and Robert De Niro, who join us to discuss Bob's starring role in Eric's new Netflix show, Zero Day,. which is available to stream in full now. Featuring a great ensemble cast, it stars Bob as a former president charged with investigating a devastating cyber attack. We also dip into the archives to share a great story from Martin Scorsese about temping Taxi Driver.

Our latest guest on Soundtracking is Eric Vetro, one of Hollywood's premier vocal coaches who's worked on the likes of Elvis, A Complete Unknown, Wicked and Maria, to name just some of many. As you know, we like to shine a spotlight on those people who don't necessarily get the wider acclaim they deserve when it comes to their importance to the filmmaking process. And Eric is one of those people, so it was fascinating to get a little insight into his role, and how it changes from person to person, project to project.

Our latest guest on Soundtracking is Daniel Blumberg, who might, by the time you're listening to this, have picked up a BAFTA for his incredible score to The Brutalist. It's Friday morning as we record this, so who knows what Sunday will bring (or indeed Oscar Night)? Regardless, Daniel has done an extraordinary job of providing the sonic backdrop to what is truly an extraordinary film. Edith was lucky enough to speak to writer / director Brady Corbett and one of his leads, Guy Pearce, a few weeks back, so do listen to that if you haven't already. Both go into great detail about the nuances of Daniel's work. But who better to really dive deep with than the man himself?