New Books in Early Modern History

Robert Darnton, scholar of the trade of books on the eve of the French Revolution, discusses his new book which explores the history of book distribution in France. The podcast covers topics such as the challenges of travel in the eighteenth century, smuggling and piracy of books, and the demand for literature on the eve of the French Revolution.

Joseph Suss Oppenheimer became the “court Jew” of Carl Alexander, Duke of Wurttemberg in 1733. When Carl Alexander died, Oppenheimer was put on trial and condemned to death for his “misdeeds,” and on February 4, 1738, was hanged in front of a large crowd just outside Stuttgart. He was not allowed to give testimony at his own trial and left no written record of the case; we know little of his biography. Yet he remains an iconic figure to this day, not only as emblematic of the relationship between Jew and the early modern state, but together with Alfred Dreyfus and Shakespeare’s Shylock, in the long history of anti-semitism as well.While previous authors have chosen to limit themselves to barebones-facts or resorted to fictional accounts of Oppenheimer’s biography and trial, in The Many Deaths of Jew Suss: The Notorious Trial and Execution of an Eighteenth-Century Court Jew (Princeton University Press, 2017), Yair Mintzker reinvestigates the case of the “Jew Suss” in light of new sources, as well as by incorporating the lives of four contemporary voices, eyewitness accounts that act as mirrors in which we can grow to see more of Oppenheimer himself. Fascinatingly, rather than presenting a unified narrative, these four voices often come into conflict with one another. The judge-inquisitor Philip Friedrich Jager; university professor and convert from Judaism, Christoph David Bernard; Mordechai Schloss, who wrote the only contemporary Jewish account of the case; and, finally, David Fassman, Oppenheimer’s first biographer. While Oppenheimer’s case stands as the narrative thread that brings these four voices together, the thick description of each life exposes overlapping worlds tied together by politics, culture, and theology. And here, the “Jew Suss” acts as a prism to better see the context of 18th-century Germany.Professor Yair Mintzker is professor of history at Princeton University and winner of the National Jewish Book Award in 2017 .Moses Lapin is a graduate student in the departments of History and Philosophy at the Hebrew University in Jerusalem, his life can be accurately described as a Rashamon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Benedito/Baruch/Benedict Spinoza (1623-1677) lived at the crossroads of Dutch, scholastic, and Jewish worlds. Excommunicated from the Jewish community of Amsterdam at 23, his works would later be put on the Catholic Church’s Index of Forbidden Books. He was a heretic. And yet, he was and continues to be seen by many as perhaps the hero of the early modern period. A figure alienated by the structures that defined his life, Spinoza has been understood, by Jews and non-Jews alike, to have expressed a powerful self-definition that echoes to the present day, where biographies, plays, “guides”, and academic works continue to abound.In place of a simplistic origin story or master narrative of a modernity that begins with Spinoza, The First Modern Jew: Spinoza and the History of an Image (Princeton University Press, 2012), tells the story of how Spinoza came to be understood as a cultural hero, a reception history of his image at many crucial junctures in Modern Jewish history. Rather than probing his philosophy or strictly philosophic influence, Schwartz studies a malleable “Spinoza” as a symbol that captures the ways in which Jews have sought to understand and define themselves. Beginning in 17th-century Amsterdam before moving to 18th-century Berlin, 19th-century Eastern Europe, and Israel and America in the 20th century, The First Modern Jew is a chronological narrative of modern Jewish history that moves seamlessly between a larger thematic thread and local histories of both the famous (Moses Mendelssohn, David Ben-Gurion, and Yitzhak Bashevis Singer) and the forgotten (Berthold Auerbach, Salomon Rubin, and Yosef Klausner). In so doing, it probes the porous boundary between history and memory: the history of Spinoza and the history of the memory of Spinoza. And thereby we can see Spinoza as the “first modern Jew,” both because he was often projected as such and because he was a means by which people have asked the quintessential modern question: what does it mean to be me?Professor Daniel B. Schwartz is an associate professor of history and the director of the Judaic Studies program at George Washington University.Moses Lapin is a graduate student in the departments of History and Philosophy at the Hebrew University in Jerusalem, he is a crypto-Spinozist and his hero is Blinky the Ghost. Learn more about your ad choices. Visit megaphone.fm/adchoices

Taisu Zhang ties together cultural history, legal history, and institutional economics in The Laws and Economics of Confucianism: Kinship and Property in Pre-Industrial China and England (Cambridge University Press, 2017) and offers a novel argument as to why Chinese and English pre-industrial economic development went down different paths. Late Imperial and Republican China (1860-1949) was dominated of Neo-Confucian social hierarchies, under which advanced age and generational seniority were the primary determinants of sociopolitical status. This allowed many poor but senior individuals to possess status and political authority highly disproportionate to their wealth. In comparison, in the more individualistic early modern England (1500-1700) landed wealth was a fairly strict prerequisite for high status and authority. This essentially excluded low-income individuals from secular positions of prestige and leadership. Zhang argues that this social difference had major consequences for property institutions and agricultural production. Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Singing Turk: Ottoman Power and Operatic Emotions on the European Stage from the Siege of Vienna to the Age of Napoleon (Stanford University Press, 2016), Larry Wolff takes us into that distinctly European art form, the opera, to show us the reflection of European ideas of Ottoman Turkey in the modern period. Beginning in 1683 when Ottoman guns shook the walls of Vienna, through a long eighteenth century, and up to Napoleon’s military supremacy in the nineteenth, when Turkish conquest of Europe was “no longer really imaginable” (402), the singing Turk in one form or another, dazzled, terrified, and enchanted European audiences from Vienna, to Venice, to Paris. Professor Wolff’s discussion of the music—its creation, its reception, and its context—is richly entertaining and accessible to the layman. It also reveals important currents in political and cultural thought during the Enlightenment in a Europe with ever-broader horizons. Professor Wolff moves between decades and opera houses, to argue that, rather than being some simplistic oriental foil, the operatic Turk ultimately allows the European audience to see its own humanity in a trans-Mediterranean alter ego, and composers and librettists to resolve the two in harmony with plenty of drama and humor along the way.The reader of the Singing Turk is advised to listen along on YouTube to the operas, other compositions, and Turkish military orchestra that appear in The Singing Turk. Professor Wolff has also collected quite a few of these on a website, http://www.singingturk.com/. In our podcast, Professor Wolff also discusses twenty-first century implications of this long cultural, political, and diplomatic relationship. Furthermore, he explains one of the opera’s more peculiar romantic roles of (now mercifully defunct), that of the castrato (adult performer castrated in boyhood) and why such an actor never played the Turkish eunuch.Professor Wolff is Silver Professor, Professor of History, and Director of Mediterranean Studies at New York University. He specializes in the history of Eastern Europe, the Habsburg Monarchy, the Enlightenment, and the history of childhood, writing from an intellectual, cultural, literary—and now musical—perspective. His work considers East and West and the dialectic relationship between the two, as he did with his Inventing Eastern Europe: The Map of Civilization in the Mind of the Enlightenment (1994). The Singing Turk is his seventh book.Krzysztof Odyniec is a historian of the Early Modern Spanish Empire specializing on culture, diplomacy, and travel. He completed his PhD in 2017 at UC Berkeley where he is now a Visiting Scholar; he also teaches at Los Medanos College and Berkeley City College. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this interview, we discuss Andrew Frank‘s most recent book, Before the Pioneers: Indians, Settlers, Slaves, and the Founding of Miami (University Press of Florida, 2017). The book is a concise and authoritative history of the region where modern-day Miami is located. Before the Pioneers, begins thousands of years in the past and places great emphasis on understanding the role that native people played in the history of south Florida. Borrowing extensively from archaeology, Before the Pioneers is a timely re-imaging of Miami’s history that places the native experience at the center of its narrative.Andrew Frank is the Allen Morris Professor of History at Florida State University. His primary research interest is the Native Southeast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alfred Ivry‘s book, Maimonides’ ‘Guide of the Perplexed’: A Philosophical Guide (University of Chicago, 2016) is the only modern commentary in English to explicate Maimonides’ summa The Guide of the Perplexed in its entirety. In so doing, it stands as a monument to both The Guide and to a career spent studying it. The book begins with an introduction that outlines its main arguments and method, and with chapters on Maimonides biography and intellectual context. It then divides the Guide into eight thematic sub-sections and provides a paraphrase and analysis of each in turn; it tackles the way Maimonides read the bible, synthesized physics and metaphysics, and espoused a new understanding of the Jewish tradition. The sections cover Maimonides’ philosophy of language and anti-anthropomorphic reading of the bible, his opposition to Kalām (Islamic theology) and theory of creation, and his theories of prophecy, metaphysics, providence and theodicy. The work ends with chapters on the Law, on politics, and True Knowledge.Moses Maimonides (1138-1204) was born in Cordoba, Spain and lived his mature life in Fustat, Egypt, he was a Jewish communal leader and legal scholar, physician and philosopher. The Guide is his philosophic masterwork, undoubtably one of the most influential and perplexing works of any faith written in the Middle Ages. Tucked away in Professor Ivry’s analysis is a rich reflection on Maimonides’ intellectual milieu and a genealogy sourced in both the Jewish tradition and Greek thought. Uniquely, he uses Maimonides’ biography and psychology as analytical tools and sees the book as a reflection of a Maimonides’ torn in his loyalties, seeking guidance as much as offering it, as a “mature spiritual and intellectual autobiography.” While others may read The Guide strictly as a work of exegesis or politics, Professor Ivry takes Maimonides’ metaphysical claims seriously, and sees him as neither a total skeptic nor a strictly orthodox thinker. Rather, this commentary understands The Guide in the mode of a confession, as a tool to tease out and come to terms with the eternal tensions between Reason and Revelation, and to see “Maimonides [as] indebted to a philosophical tradition that contradicted his inherent faith.” Rarely has a summa, the mature reflections of a career steeped in philosophic thought, been made so accessible.Alfred Ivry is emeritus professor in the Skirball Department of Hebrew and Judaic Studies as well as in the Department of Middle Eastern and Islamic Studies at New York University. He is renowned worldwide as both a scholar and a teacher, combining rich philological skills with a deep knowledge of Classical and Medieval philosophy; his career is now in its sixth decade.Moses Lapin is a perplexed graduate student in the departments of History and Philosophy at the Hebrew University in Jerusalem. Learn more about your ad choices. Visit megaphone.fm/adchoices

Benjamin R. Gampel‘s award winning volume Anti-Jewish Riots in the Crown of Aragon and the Royal Response, 1391-1392 (Cambridge University Press, 2016) is the first total history of a lesser known period in Jewish history, overshadowed by the Spanish expulsion of 1492 which it would come to foreshadow. Over the course of ten months, Jews across large parts of the Iberian peninsula were murdered or forced to convert to Christianity, and entire communities were decimated—the intensity and duration of this period mark it as the most devastating attack on the Jews of pre-modern Christian Europe. While many historians have written studies about 1391-92 from isolated perspectives, in the face of an overwhelming number of local archives found throughout the peninsula, and the complexity of those sources, a unified narrative has, until now, remained a desideratum. In this methodological tour-de-force, Professor Gampel tells the story of Spanish Jewry and their relationship to royal power by reading state records and the almost daily correspondence of the royal family against the grain, telling the story of the subjects of these sources imbedded in the thick context of their composers.The book is divided into two sections that mirror its title. The first is a detailed study of the violence of 1391-92 arranged according to the geographic regions of the peninsula—the Kingdoms of Castile, Valencia, and Aragon, Catalonia and the island of Majorca. Using a rich array of archival sources and in dialogue with contemporary historiography, Professor Gampel painstakingly sets out the limits of what we can know about the riots, both of the victims and the perpetrators, detailing each episode chronologically, in order to form a picture of the period as a whole. Central to the book is the question of how and why those tasked with protecting the Jewish communities failed to do so. To this end the second section is centered around three members of the Aragonese royal family—King Joan, Queen Iolant, and Duke Marti—and their response to the violence as it unfolded. Here we see the Jewish community as one of many competing interests the royal family faced, and thereby can better appreciate the contingencies of history. The two sections together provide both a deep macro and micro study of this crucial time in Jewish and Spanish history, exposing us not only to the story and context of the too often voiceless victims, but the lives of those in power as well. Its a narrative of tragic violence and the failure of the Royal Alliance, grounded in extensive historical research stripped of none of its drama.Professor Benjamin R. Gampel is the the Dina and Eli Field Family Chair in Jewish History at The Jewish Theological Seminary in New York. You can hear more from him in his video lecture series on the history, society, and culture of medieval Sephardic Jewry.Moses Lapin is a graduate student in the departments of History and Philosophy at the Hebrew University in Jerusalem; his friends call him young Farabi. Learn more about your ad choices. Visit megaphone.fm/adchoices

Emily C. Nacol has written a fascinating interrogation of the idea of risk, the concept of vulnerability, and the evolution of probabilistic thinking as conceived of and explored by four of the preeminent British thinkers of the seventeenth and eighteenth centuries. Nacol’s book, An Age of Risk: Politics and Economy in Early Modern Britain (Princeton University Press, 2016) examines the political, economic, and epistemological works of Thomas Hobbes, John Locke, David Hume, and Adam Smith. Each thinker’s ideas are explored in regard to the way they consider risk, which itself was a fairly new concept and had grown out of maritime concerns. An Age of Risk traces the concept itself within political thinking, and why it grows into an important dimension of the works by these theorists. Nacol explains that Hobbes, Locke, Hume, and Smith thought differently about risk and, as a result, structured their theories in distinct ways. She examines how Hobbes and Locke are generally concerned with minimizing risk, and their thinking is designed to more directly try to limit risk or alleviate the potential within political society and the economy. In the analysis of Hume’s work and of Smith’s work, Nacol finds a different approach to risk especially in Hume’s estimation that humans will inevitably have to contend with risk and uncertainty, and this leads to the consideration of political emotions like anxiety and fear. Smith, Nacol notes, moves into the realm of probabilistic thinking in his work as he integrates considerations of risk and uncertainty into his political and economic thought. All four thinkers provide lenses through which to consider this concept of vulnerability and what it means to an individual, and to political and economic orders. Learn more about your ad choices. Visit megaphone.fm/adchoices

Monica Mattfeld’s Becoming Centaur: Eighteenth-Century Masculinity and English Horsemanship (Penn State University Press, 2017) explores the complex relationship between men and their horses, and reflects upon how these interactions defined a man’s gendered and political positions within society. Focusing on training manuals, memoirs, images, satires, and other rich materials produced by some of the periods most influential equestrians, Mattfeld examines how the concepts and practices of horse husbandry evolved in relation to social, cultural, and political life.Monica Mattfeld is an Assistant Professor of English and History at the University of Northern British Columbia and specializes in animal studies and the literature and history of eighteenth-century England. She has published on early-modern horsemanship practices, theatrical animals, the early circus, and performances of gender. In addition to authoring Becoming Centaur (2017), Monica is also the co-editor of multiple animal-studies publications.Tyler Yank is a senior doctoral candidate in History at McGill University (Montreal, Canada). Her work explores bonded women and British Empire in the western Indian Ocean World. Learn more about your ad choices. Visit megaphone.fm/adchoices