BibleProject

This is our first episode in our three-part series on the use of metaphor in the Bible! In part one, the guys discuss the metaphors used in Psalm 46. 1 God is our refuge and protection, found to be a great help in times of distress 2 Therefore we won’t be afraid when the land shifts when the mountains totter into the heart of the seas; its waters roar, they churn, mountains quake at its swelling. Selah. 4 A river whose streams make glad the city of God, The holy dwelling places of the Most High God 5 God is in its midst, it will not totter; God will help it when morning dawns. 6 The nations roar, the kingdoms totter; He raised His voice, the land melted. 7 The Lord of hosts is with us; The God of Jacob is our tall fortress. Selah. 8 Come, behold the works of the Lord, Who has wrought desolations in the land. 9 He makes wars to cease to the end of the land; He breaks the bow and cuts the spear in two; He burns the chariots with fire. 10 “Be still, and know that I am God; I will be exalted among the nations, I will be exalted in the land.” 11 The Lord of hosts is with us; The God of Jacob is our tall fortress. Selah. ————————————- In this Psalm, there are some obvious metaphors used. Specifically, God // protective refuge (v.1) // tall fortress (v.7)
 God // Jerusalem temple // river Chaotic, pounding ocean waves // nations at war
 God melting earth // God breaking nations // God’s exaltation.
 These are vivid images, but what is going on here? Every culture has its own way of developing metaphors and imagery unique to their history and experience. Biblical poetry is drawing on a core “encyclopedia of production,” from which the poets draw to develop images and metaphors. In part two, the guys go over the core images that are presented above. Why would a poet use these image pairings and combine them in this specific way? Jon comments on how metaphors change over time and within each culture. For example, when the steam engine was popular and represented a huge change in society, people would say things like, "he’s hot-headed” or “my gears are turning.” Then once computers came along, our cultural metaphors shift to sayings like, “let me process that.” In part three, Tim and Jon discuss the differences between these figures of speech: Metaphor: Describing one thing as if it were another. Example: "She is a ball of fire." Simile: Explicit comparison between two things. Example: "She is like a ball of fire." Metonymy: Referring to something by naming what it’s associated with. Example: "The pen is mightier than the sword." "Hollywood produces so many films." Synecdoche: Naming a whole thing to refer to part of it, or naming part of a thing to refer to the whole of it. Example: "The U.S. won a gold medal today!" "Portland is a quirky town." " My hands were tied in this situation." "Let’s do a head-count." Thank you to all our supporters! You can find our more about The Bible Project and get free resources at www.thebibleproject.com Show produced by: Dan Gummel, Jon Collins Show Music: Defender, Instrumental Magnificent Defeat, Josh White Show Resources: Umberto Eco, The Name of a Rose Books by George Lakoff and Mark Turner: More Than Cool Reason: A Field Guide to Poetic Metaphor Metaphors We Live By

In this podcast, the hosts discuss the power of biblical poetry and its ability to transform readers. They analyze examples from Psalm 51 and Isaiah 11, highlighting the use of parallelism and metaphor. They also explore the creative language pairing in Hebrew poetry and its infinite possibilities. The podcast concludes by discussing God's expression through poetry and the upcoming episode on metaphor in biblical poetry.

The hosts discuss the prevalence and significance of biblical poetry, exploring the blurred line between poetry and non-poetry. They analyze the power and imagery in Psalm 29, highlighting the significance of the word 'thunder'. They delve into the impact of vivid imagery and repetition in biblical poetry, as well as the portrayal of wild animals. The chapter also explores the conventions of poetry and the process of writing, highlighting the power of storms and the voice of God. The speakers discuss the depth and sophistication of biblical poetry, emphasizing the importance of understanding the Hebrew language. They reflect on the metaphor of passions and explore the plasticity of poetic form in biblical poetry.

In part 1 (0- 14:00), Paul was a zealous Pharisee before he converted to following Jesus. Tim says this “zeal” that Paul showed as a Pharisee is a hyperlink to an Old Testament story in Numbers 25 where the priest Phineas exercised “zeal” to preserve the Jewish law. Jon comments that zeal is an interesting emotion that is complicated to understand in religious movements. Tim comments that Paul never lost his zeal; he just redirected it upon his conversion to Jesus. In part 2 (14:00-25:30), the guys discuss Acts 13 and the missionary journeys. Tim explains that there were more missionary journeys going on than just those recounted in the book of Acts. He references a book called “The Lost History of Christianity” by Philip Jenkins. Regarding Paul’s missionary journeys, Tim recounts that Paul bridged the gap between Jews and Gentiles, and Luke recounts this with all these short stories about converts like Lydia the Gentile purple merchant, Timothy the child of a Jewish mother and Greek father, the Philippian jailer, a rough and tough character, and Dionysius the Areopagite an ancient intellectual aristocrat. Luke desires to portray Paul as a person who reaches a diverse group of people with the message of Jesus. In part 3 (25:30-36:00), the guys discuss the circumcision controversy portrayed in Acts 15. Should Gentile converts to Christianity be required to observe traditional Jewish customs? This is one of the fundamental questions underpinning the whole New Testament, but it’s largely missed today because Christianity is now majorly non Jewish. Tim says the disciples determined what to do by using a passage from the Old Testament prophet Amos found in Amos 9:11-15. In part 4 (36:00-48:45), the guys discuss what ancient Rome was like and why Christianity was viewed as a threat to the Roman empire. The Roman economy was made up largely of indentured servants and slaves. Roman religion was polytheistic. Tim cites quotes by scholars Kavin Rowe and Larry Hurtado saying that Christians posed both an economic and religious threat to the Roman society. Why? Because they refused to participate in communal worship of the Roman gods or in the economy built on violent nationalism. Tim says this is evident in the stories Luke shares, like the one about the silversmith Demetrius in Acts 19. He views Christianity as a threat to the entire religious and economic system of the world and incites a riot in Ephesus against Paul. In part 6 (48:45-53:05), Tim shares a few quotes from NT Wright. The guys discuss how modern Americans’ lives look very similar to Roman lives. We tend to worship sex and money as a culture, but without the mythology wrapped around it. Are Americans or modern westerners that much different from our historical Roman predecessors? Perhaps we’re more alike than we care to believe. In part 7 (53:05-59:50), the guys cover Acts 17. Wherever Christianity spread, there tended to be riots as the local communities felt the Christians were disrupting their way of life. Tim says that Luke was purposefully portraying the Jesus movement on a collision course with the Roman world. Paul and other Christians would create disruption wherever they went, yet they were preaching a gospel of peace. In part 8 (59:50-end), the guys make an interesting historical observation that the foundation for religious liberty and the separation of church and state comes from the ancient church fathers like Tertullian arguing for their right to worship the Jewish God, but serve a Roman emperor. Thank you to all our supporters! Produced By: Dan Gummel, Jon Collins, Matthew Halbert-Howen Resources: Philip Jenkins, Lost Christianity Kavin Rowe, World Upside-Down: Reading Acts in a Graeco-Roman Age Larry Hurtado, Destroyer of the Gods Larry Hurtado, Why on Earth Did Anyone Become Christian? N.T. Wright, Paul and the Faithfulness of God Music: Beautiful Eulogy, The Fear of God Beautiful Eulogy, Come Alive (Hidden) Beautiful Eulogy, Come Alive Moby, Shot in the Back of the Head Shipwrecked, Noah Dixon KV, Wild Rosasharn Music, Defender Instrumental

This is episode 3 in our series outlining the book of Acts! In part 1 (0-11:00), the guys briefly discuss the other Jewish messianic sects that were also in the ancient world. Jon comments that in his imagination, there were just two sects of Judaism, the Pharisees and the Sadducees. Tim responds saying that in fact, Judaism was extremely diverse. There were more sects and messianic movements than just the ones that were explicitly covered in the Protestant Bible, and ancient Judaism had a whole spectrum of beliefs with nominal to radical followers. In part 2 (11:00-34:00), Tim outlines Acts chapter 8-11. This section is known as the persecution and scattering of the ancient church. Luke (the author) intentionally weaves stories of Peter and Saul/Paul together. Peter and Paul both wake up to the reality of the risen Jesus in two different ways. Peter’s vision on the rooftop, where God shows him that the kosher food laws no longer apply, would have been extremely offensive and destabilizing for ancient Jews. Jon says that it’s difficult for him to imagine the lives of ancient Jews and their customs. Jon asks if there are any modern cultural symbols that we hold to be true that could be equivalent to how the ancient Jews saw these laws. Tim comments that every culture has their norms, their accepted beliefs, and those who choose to break away or live outside of those cultural norms will be thought of as strange and potentially undermining the culture they live in. This is exactly how the early Christians were viewed. In part 3 (34:00-44:00), Tim outlines a few famous stories in Acts, like Phillip and the Ethiopian Eunuch and Paul visiting Antioch. Antioch was a melting pot city, a kind of San Fransisco of the ancient world. While Jerusalem was the symbolic center of Christianity, Antioch became the hub from which the first missionary journeys were launched. In part 4 (44:00-end), Tim explains that fundamentally Christianity is an ancient eastern, multiethnic religious movement. This is unique among other world religions. Christianity is the largest multiethnic religious movement in history. The guys discuss how this places Christians in a unique position in their respective cultures. Thank you to all our supporters! Resources: Rodney Stark: Cities of God. Eckhard J. Schnabel, Acts, Zondervan Exegetical Commentary on the New Testament Alan Thompson, The Acts of the Risen Lord Jesus, Kavin Rowe, World Upside-Down: Reading Acts in a Graeco-Roman Age Christopher Nolan: Dunkirk (The Movie) Produced By: Dan Gummel. Jon Collins. Matthew Halbert-Howen Show Music: Defender Instrumental: Rosasharn Music Reveur: Pyrus Lights: Sapphiros Ehrling: Typhoon

This is Episode 2 in our series on Acts! In part 1(0-10:50), the guys cover the story of Pentecost in Acts 2. Jon notes how remarkable this story is. Tim agrees, but responds that the Jews had been waiting for a promised outpouring of God’s spirit. And the way that it happened, with tongues of fire hovering over peoples’ heads and a violent rushing wind, is different than what was expected. Jon asks a question about the difference between “tongue” and “language” in the original Greek. In part 2 (10:50-23:45), Tim asks, where the the other places are in the Bible where fire is used to show God’s presence. The burning bush with Moses, the fire in the Tabernacle, and several others. Tim says the point of “tongues of fire” in the Pentecost story is to show that God’s presence is dwelling in men and women. God has chosen to tabernacle himself with people. Paul later writes “you are the temple of God” meaning that quite literally, Heaven and Earth now meet in the bodies of God’s people. Then Luke chooses to outline all the different Jews in Jerusalem from Pentecost. He specifically names 15 different places the Jews are from. Tim points out that many times this scene gets mistaken for “multi-ethnic” when at this point, it is not just “multi-cultural” but “mono-ethnic”. Meaning they are all Jews, but from different cultures around the world. In part 3 (23:45-30:45), Tim continues to outline the Pentecost story. He says Peter’s sermon is evidence that God has answered the question the disciples asked Jesus, “when will the kingdom be restored to Israel?”. Peter is now declaring that God’s kingdom is here in Jerusalem and it will begin spreading outward as Jews leave Pentecost and return to their homelands. In part 4 (30:45-end), the guys briefly cover the references between this story and other stories and lists in the Old Testament. For example, the list of 15 different regions in Acts 2 overlaps with a list of the exiles in Isaiah 11. Tim says that next up in the story is “The Tale of Two Temples”. The physical Temple of Judaism is now in direct conflict with the spiritual temple of God dwelling in humans. Thank you to all our supporters! more at www.thebibleproject.com Show Resources: Eckhard J. Schnabel, Acts, Zondervan Exegetical Commentary on the New Testament Alan Thompson, The Acts of the Risen Lord Jesus Produced By: Dan Gummel. Jon Collins. Matthew Halbert-Howen Music: Color Pallette 90: Dan Koch Do it Right: Dan Koch Fall Back: Dan Koch Defender Instrumental: Rosasharn Music

This is episode 1 in our series on the book of Acts! In part 1 (0-19:20) Tim and Jon cover the opening verses in Acts 1. Acts 1 is designed to seamlessly connect with the end of the book of Luke. Tim comments that Luke has laid the plot line of the book of Acts on top of the plot of the book of Luke. There are three main movements in both books. 1) The Galilee mission of Jesus with the disciples mission in Jerusalem, 2) the missionary journeys of Jesus with the missionary journeys of Paul, and 3) the arrival of Jesus in Jerusalem with the arrival of Paul in Rome. In part 2 (19:20- 24:40) Tim makes a point that the title of the book is “The Acts of Jesus through the Holy Spirit” because Jesus and the Holy Spirit are the only two characters that are consistent throughout. Jon asks a question about titling of ancient scrolls. In part 3 (24:40-35:55) the guys discuss the question the disciples ask Jesus “Is it at this time you will restore the kingdom to Israel?” and Jesus answer in Acts 1:7-8 ““It is not for you to know times or epochs which the Father has fixed by His own authority; but you will receive power when the Holy Spirit has come upon you; and you shall be My witnesses both in Jerusalem, and in all Judea and Samaria, and even to the remotest part of the earth.” Was this a dodge answer from Jesus? Tim says no. But in fact this verse unlocks the structure of the entire book of Acts. The disciples will start by being Jesus witnesses in Jerusalem, then moving into Judea and Samaria, then moving to other parts of the world. In part 4 (35:55-end) the guys discuss the use of the phrase “the kingdom of God.” Tim says this phrase frames the entire book: Acts 1: (repeated 2x): Jesus spends 40 days teaching the disciples about “the kingdom of God” (1:3) generating their question about arrival of “the kingdom” (1:6). Philip goes to Samaria to “announce the good news of the kingdom of God” (8:12). Paul and Barnabas challenge the disciples in Antioch that entering the kingdom of God requires suffering (14:22. Paul arrives in Corinth “bearing witness to the kingdom of God” (19:8). Paul describes his ministry in Ephesus as a period of “preaching the kingdom” (20:25) Acts 28: (repeated 2x): Paul under house arrest in Rome “bears witness to the kingdom of God” (28:23) and ends the book “announcing the kingdom of God” (28:31). Thank you to all our supporters! more info at www.thebibleproject.com Show Resources: Eckhard J. Schnabel, Acts, Zondervan Exegetical Commentary on the New Testament Alan Thompson, The Acts of the Risen Lord Jesus, Produced By: Dan Gummel. Jon Collins. Matthew Halbert-Howen Music: Acquired in Heaven: Beautiful Eulogy Excellent: Beautiful Eulogy Conquer: Beautiful Eulogy Defender Instrumental: Rosasharn Music

In part 1 (0- 18:10), Tim and Jon continue to recap key stories in Genesis and the Old Testament. The key themes in these stories are chaotic waters and salvation through them. In Joshua 3, Joshua is getting ready to lead Israel across the Jordan river into the promised land. This story maps onto the story of Israel getting ready to cross the Reed/Red Sea in Exodus as they are fleeing Pharoah. Tim says this story is an example of the “salvation template” being used in Biblical stories. Tim gives another example of Mary’s song that she sings at the birth of Jesus in Luke 1. Tim says this song is a remix of older songs in the Hebrew scriptures. Mary uses the same words, images and phrases used in other parts of the Bible to express her feelings. The guys discuss how these stories allow people to create metaphors and analogies and help people construct a worldview. In part 2 (18:10-25:21) Tim describes the famous passage in Isaiah 11 describing the stump, root, and shoot of Jesse’s descendants. In this part of Isaiah, a “remnant” is being redeemed. Where else in the Bible does a “remnant being redeemed” occur? In the story of Noah and the flood. Noah and his family were the remnant. Tim says Isaiah is using this story in an analogous way to say that God will rescue his scattered nation of Israel from the “chaotic waters” of exile among the nations. In part 3, (25:21-32:34) the guys move to a New Testament story, The Baptism of Jesus in Mark 1. Tim and Jon uncover the similarities in this story and the foundational stories of the Old Testament. Tim asks, "when looking for similarities in biblical stories, what are the controls? What should a person be looking for or be guarded against?" In part 4, (32:34-50:10) the guys move further into the New Testament and discuss Pauline passages in 1 Corinthians 10. Paul describes “our fathers were under the cloud and passed through the sea, and all were baptized into moses in the cloud and in the sea.” What does this mean and why would Paul include it? Tim says Paul is writing to a Gentile audience but views them as being directly related to ancient Jewish fathers. The Corinthians fathers are the fathers of Israel. Therefore the Jewish story of salvation is the Corinthians story as well. Tim shares another example in Romans 6. Here, Paul compares people being “slaves to sin.” Paul borrows language and imagery from the Exodus. Slavery of Israel, Pharoah, death, chaos, and liberation/salvation. Paul also outlines the purpose of Christian Baptism. When a Christian gets baptized, they are reenacting the salvation story, being saved “through the waters” and brought to new life on the other side. Jon ponders why all of this seems so complicated, when he thought salvation should be simple. What does it mean to be “saved from chaos” today? Tim offers that this perhaps means people should be willing to wrestle with the ambiguities and mysteries that these stories present. Everyone has their own slavery, their own salvation story, but the biblical stories provide templates. God conquers chaos and brings order. He sets people up in his image to do the same. In the final part (50:10 -end), Jon asks a question related to the rainbow in the flood story and the future of the world. “Is God going to totally destroy the earth and start fresh? Or will God fundamentally restructure and reorder the earth? In other words, is God not going to flood the earth, or is he not going to let creation collapse back in on itself again?” Tim points Jon to 2 Peter ch. 3 which is the biblical text Jon is thinking of. There are challenges of translation, interpretation, and also a textual variant in the ancient manuscripts of 2 Peter 3. When read closely, the text is clear that God's "fire" is a moral purification that will remove evil from his creation rather than completely destroy the earth itself. 2 Peter is adapting imagery from Zephaniah 3 saying that the evil will not be allowed to pass through the Day of the Lord. In the Old Testament prophets intense, fiery imagery, was not trying to predict future events by giving us “video camera footage”, but instead using provocative imagery to encourage the reader to imagine a purified creation. Thank you to all our supporters! You can learn more about what we’re up to at www.thebibleproject.com Resources: George Lakoff: : Metaphors we Live by George Lakoff: More Than Cool Reason The Bible Project Video on Design Patterns in the Bible : https://thebibleproject.com/videos/design-patterns-biblical-narrative/ Show Music: Rosasharn: Defender Instrumental Dan Koch: Blooms Dan Koch: Caramel Dan Koch: Chop Shop Dan Koch: El Capitan Show Produced By: Dan Gummel. Jon Collins. Tim Mackie. Matthew Halbert-Howen.

The podcast discusses literary design patterns in the Bible, such as parallel storytelling and hidden 'hyperlinks' of repeated words and characters. It also explores the use of design patterns in Toy Story to layer different themes. The interconnectedness of biblical stories is highlighted, for example, linking David and Bathsheba to the eating of the apple in Genesis. The significance of chaotic waters and baptism in relation to salvation is also explored.

This is part 2 in our live conversation from Milpitas California! Tim and Jon continue their discussion on design patterns in the Bible. Tim outlines the layering of Adam and Eve’s story with Cain and Able’s story. In both stories, there is a change agent that tempts the humans. In the first story it is “the serpent”, in the second story it is “sin crouching at your door.” God calls out to both Adam and Eve and Cain saying “where are you?” and “what have you done?” Both of these stories mirror and reflect each other in many, many ways. The pattern that sets up in these first two stories becomes a template that other biblical stories use. Tim shares another example of Eve mapping onto Sarah. Eve shared the fruit with her husband Adam, and later God reprimanded Adam saying “because you listened to your wife.” Similarly, at Sarah’s suggestion, Abraham “listened to his wife Sarah” and slept with Sarah’s servant Hagar. Tim says these stories are meant to mirror each other as well. Abraham is struggling with the same human condition, the same inclination to sin that Adam was. Tim shares more examples of Israel at Mt Sinai and Israel at Jericho. Israel is told not to make any idols. The first story told after they are given this command is the story of the golden calf. This story is a combination of the earlier stories. Aaron listened to the people like Adam listened to Eve and Abraham listened to Sarah, Aaron shifted the blame like Adam shifted the blame. Then in a later story, when Joshua leads Israel to overthrow Jericho, Achan takes and hides a “gold tongue” after having been explicitly told not to take any of the plunder. Joshua asks Achan, “What have you done?” Why do the Biblical authors record this story? Because they want to continue to drive home the point that when humans listen to a voice that tempts them to “take” after they were explicitly told to not take, it leads to death. Q1. (56:15) In light of word repetition do you recommend a particular translation? Q2. (57:55) How would you approach reading the Bible with reluctant readers? Q3. (1:00:25) How do you talk about the humanity of the Bible while still honoring the divine? Q4. (1:05:55) How does a non Phd stay current with this topic? (Part of Tim’s answer was later recorded in studio) Q5. (1:12:10) How do you know that any patterns you find are real? And that you’re not just seeing things and reading things into the text. Show Resources: Robert Alter: The Art Of Biblical Narrative John Sailhamer: The Pentatuch as Narrative Seth Postell: Adam as Israel: Genesis 1-3 as Introduction to the Torah and Tanakh Jerome Walsh: Style and Structure in Biblical Hebrew Narrative Michael Fishbane: Text and Texture: A Literary Reading of Selected Texts Our video on Design Patterns in the Bible: https://thebibleproject.com/videos/design-patterns-biblical-narrative/ Show Music: Defender Instrumental: Rosasharn Music Produced By: Dan Gummel, Jon Collins, Matthew Halbert-Howen