It’s August 2007. Lauren Marks is a 27-year-old actor and a PhD student, spending the month directing a play at the Edinburgh Fringe Festival. She’s in a bar, standing onstage, performing a karaoke duet of ‘Total Eclipse of the Heart’…and then a blood vessel in her brain bursts. When she wakes up in hospital, days later, she has no internal monologue, and a vocabulary of only about forty words.  This is a rerun of an all time fave Allusionist, but with a few extra little bits added. Content note: this episode is about a medical crisis (everyone survives, though!), and has some Category A swears in it. Find out more about this episode at http://theallusionist.org/totaleclipse, and more about Lauren at http://astitchoftime.com. The special music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram.  The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionists how and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

If you were in Brazil during the military dictatorship of 1964-1985, tried to bake a cake from a recipe in the newspaper, and were served with a sorry mess that tasted disgustingly salty, it wasn't your fault. What you thought was a recipe was actually a message from the newspaper that they were being censored.  Designer and researcher Crystian Cruz opens up the TOP SECRET files, to share the fake weather reports, single nipples vs a pair, soap opera characters getting bumped off, and the problems with kung fu.  Find more information about the topics in this episode at theallusionist.org/lacuna.  There is one swear towards the end of this episode. The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram.  The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionists how and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

What to do to stick it to the powers that be? Send your message through something they really care about: cake. In Buenos Aires, local tour guides Madi Lang and Juan Palacios introduce me to priest's balls and little cannons, the pastries laced with the sweet taste of 1880s trade union protests. There are a few swears and saucy references in this episode. Find more information about the topics in this episode at theallusionist.org/cake-sword.  The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram.  The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionists how and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

"Sometimes I've heard people talk about losing a child and people say it's like losing a limb. And as someone who's lost both things, I just want to say, the realities are very different." Musician and writer Christa Couture has experienced way too much of people trying to convey sympathy and instead expressing their discomfort about disability and death.  Content note: we talk about ableism, cancer and bereavement. Part of the conversation is about the deaths of two of Christa's babies, so stop listening at the 20-minute mark if you need not to hear about that subject right now. Find more about this episode at theallusionist.org/additions-losses. Christa Couture's website is christacouture.com. Her excellent new memoir How To Lose Everything is out now, and her music is available on Bandcamp, Spotify etc. The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram.  The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionists how and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

In their podcasts Mija and Moonface, Lory Martinez and James Kim create autobiographical fiction in multiple languages.  There are a few swears in this episode. Find out more about this episode at theallusionist.org/podlingual and hear the whole conversation, and the others in the series, on Scripps College's podcast feed.  The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram.  The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

St Valentine's name may nowadays be all over the romance-related merch for 14 February, but he was also the patron saint of beekeepers, epilepsy and plagues. Let's get to know this multi-hyphenate saint a bit better. Find out more about topics covered in this episode at theallusionist.org/valentine. All the information in this episode is real, even though it sounds like it's not. The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram.  The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

Apologies are such important verbal transactions. So why are so many of them soooo bad? Susan McCarthy and Marjorie Ingall from SorryWatch and Laura Beaudin of fauxpolo.gy pinpoint what to look out for, to sort the apologies from the fauxpologies. There’s more about this episode at theallusionist.org/sorry. The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram.  The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionists how and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

To round off the year, here are some choice cuts from the Allusionist vault of interesting things that guests said that there wasn’t room for in the original episodes. Brace yourself for a vivid name for dust bunnies, the scary side of glamour, another reason to be grateful for bears, and Schrödinger’s Fart. There’s more about this episode at theallusionist.org/bonus2020. The show will be back with new episodes in late January 2021. The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

The usual canon of Christmas songs may not really fit people's moods in this year 2020, when I'm not sure a lot of us are feeling all that holly jolly. So I drafted in singer and songwriter Jenny Owen Youngs and we wrote a festive song that is suitable for 2020. Content note: there are swears. Several of them. Jenny Owen Youngs makes music - find it at jennyowenyoungs.com - and podcasts - Buffering the Vampire Slayer and Veronica Mars Investigations. She’s @jennyowenyoungs on Twitter and Instagram. Martin Austwick provided music, backing vocals and linguistic analysis. Hear Martin’s own songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram. He also composed the music for the kids’ science podcast Maddie’s Sound Explorers. There’s more about this episode at theallusionist.org/mistletoe. The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. Also, check out the previous festive Allusionist episodes, absolute bangers, one and all! We’ve got Winterval, a jolly romp through a portmanteau that sparked another war on the war on Christmas; How The Dickens Stole Christmas, about how Charles Dickens became a festive trend-setter; Dear Santa, about how a load of letters to Santa got delivered to a couple in Manhattan, who set out to answer them; and Xmas Man, about the many names for Santa/Father Christmas/St Nick, and deathy and meaty Victorian Christmas cards.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

In Australia, there were hundreds, perhaps thousands, of languages. Until English arrived. Rudi Bremer and Karina Lester talk about the destruction and revival of indigenous Australian languages. Content note: this episode refers to violence and genocide. Find more information about the topics in this episode at theallusionist.org/custodians, and listen to the other episodes in the Survival series: Second Home about Welsh in Patagonia; Oot in the Open, about the suppression and revival of Scots; and Bequest, about queer language in Māori; and the pair of Key episodes are about language extinction and preservation. The Allusionist music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram. He also composed the music for the new kids’ science podcast Maddie’s Sound Explorers. I make two other podcasts, Veronica Mars Investigations and Answer Me This, which are soothingly escapist. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.