The Allusionist

Bad hats, cat's pyjamas, banting, goops, creatures, and playing possum - what WERE people going on about during the Golden Age of detective fiction? Caroline Crampton of Shedunnit podcast and I get sleuthing into the slang of the mystery novels of the 1920s and 1930s. Find out more information about the topics in this episode at theallusionist.org/beesknees, plus a transcript and the full dictionary entry for the randomly selected word. Versions of this episode were originally released by Caroline Crampton's Shedunnit podcast and the Shedunnit Book Club. Find both at shedunnitshow.com. Sign up to be a patron at patreon.com/allusionist and not only are you supporting independent podcast, you get fortnightly patron-exclusive video livestreams and a Discord community full of language chat, craft pics and word game camaraderie. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.  The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"Warning: read and keep," says the piece of paper inside Kinder Surprise Eggs, in 34 languages; yet most people do neither thing. But sociologist Keith Kahn-Harris did read and keep it, and study what the egg is trying to tell us: about Kinder Egg toy safety, yes, but also about multilingualism, about an object that says 'yes!' but the warning says 'no!', about the signs of human idiosyncracy that show themselves even in a mandatory corporate message. Find out more information about the topics in this episode at theallusionist.org/kinderegg, plus a transcript and the full dictionary entry for the randomly selected word. Sign up to be a patron at patreon.com/allusionist and not only are you supporting independent podcast, you get fortnightly patron-exclusive video livestreams and a Discord community full of language chat, craft pics and word game camaraderie! The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.  The music is by Martin Austwick, made with Kinder Eggs. Hear Martin’s own songs via palebirdmusic.com.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Complex PTSD is different to PTSD, but there's not that much understanding of it as its own condition - which was not much help to Stephanie Foo when she was diagnosed with it in 2018. We talk about facing trauma rather than burying it, self-care and self-soothing, endurance being an underrated word, and why people can quit sniping about triggers. Stephanie’s new book is What My Bones Know: A Memoir of Healing from Complex Trauma.  Content note: Stephanie refers fleetingly to the parental violence and abandonment she experienced, and we also mention sexual violence; but, we don’t discuss any of these things in detail. It’s a more general conversation about psychology and trauma, rather than stories of traumatisation. There are also a couple of swears. Find out more information about the topics in this episde at theallusionist.org/cptsd, plus a transcript and the full dictionary entry for the randomly selected word. Sign up to be a patron at patreon.com/allusionist and not only are you supporting independent podcast, you get fortnightly patron-exclusive video livestreams and a Discord community full of language chat, craft pics and word game camaraderie! The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.  The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

I've been saving them up all year, and now it's time for the annual selection box of Bonus Bits! Things this year's guests said that couldn't fit into their episode, or weren't related to language, but ARE related to being a bonus bit. We've got percussive pan protests; the mating habits, and male-killing habits, of ladybirds; Icelandic aunts/uncles/cousins/wait which member of the extended family are you referring to?; Morse code machines; and a surprisingly heated topic, the semantics of salad. Links to all the original episodes featuring these guests are at theallusionist.org/bonus2021, plus a transcript and the full dictionary entry for the randomly selected word. The show will return in February 2022, but sign up to be a patron at patreon.com/allusionist for patron-exclusive livestreams in January! The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.  Visit theallusionist.org/merch to obtain your Potato Fugue State sweatshirts and multidenominational Wintervalwear. The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"It's really good if we can get the changes through here - that can be an inspiration for other other countries or other places in the world," says Þorbjörg Þorvaldsdóttir, chair of Samtökin ’78, the national queer organization of Iceland. In 2019, Iceland passed the Gender Autonomy Act, which added an option for people to register their official gender as X; with it, the country's strictly binary-gendered naming laws were suddenly transformed. Other changes, like a new genderfree pronoun, are catching on; but overhauling a whole grammatically gendered language is no easy undertaking. Find out more about the topics covered in this episode, and a transcript, at theallusionist.org/todaytomorrow2; and browse down your podfeed to listen to Today, Tomorrow part 1 about how Icelandic officially obtains new words, and navigates the challenges of being an old language in the present day; and the episode Name V Law, about the Icelandic Naming Committee and the strict laws before the updates discusssed in this episode. Sign up to be a patron at patreon.com/allusionist and as well as supporting the show, you get behind the scenes glimpses, bonus etymologies, a trip around Iceland's museums via me, AND a delightful community of Teamlusionists! The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.  Visit theallusionist.org/merch to obtain your Potato Fugue State sweatshirts and multidenominational Wintervalwear. The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Icelandic language has remained so stable over the centuries, speakers can read manuscripts from 900 years ago without too much trouble. And when they need a new word for more recent concepts, there are committees to coin one, so that the modern Icelandic lexicon includes such things as the internet, helicopters and mansplaining. Defending the language from the encroachment of English, however, is rather more challenging. Find out more about the topics covered in this episode, and a transcript, at theallusionist.org/todaytomorrow1. Sign up to be a patron at patreon.com/allusionist and as well as supporting the show, you get behind the scenes glimpses, bonus etymologies, a trip around Iceland's museums via me, AND a delightful community of Teamlusionists! The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram.  The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

When you're trans and pregnant, some of the vocabulary of pregnancy, birth and parenting might not fit you. In fact, some of it might not even work for people of ANY gender. Trans parents Freddy McConnell and CJ talk about gender-additive language, inclusive for women and other genders, and about how in English law, the word 'mother' becomes semantically very complicated indeed. Find out more about the topics covered in this episode at theallusionist.org/parents. Sign up to be a patron at patreon.com/allusionist and as well as supporting the show, you get behind the scenes glimpses and bonus etymologies, AND a delightful community of Teamlusionists! The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram.  The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The word 'asexual' has been used by humans describing themselves for several decades; 'aromantic' is newer. Both words enable people to voice identities that were unacknowledged for centuries, to find each other and build communities together, and to provide counternarratives to what the allosexuals are pushing. Lewis Brown, a writer and poet, speaks on behalf of AUREA, the Aromantic spectrum Union for Recognition, Education and Advocacy, about the history and use of 'asexual' and 'aromantic'. Happy Ace Week! aceweek.org. Find out more about the topics covered in this episode at theallusionist.org/aroace. Sign up to be a patron at patreon.com/allusionist and as well as supporting the show, you get behind the scenes glimpses and bonus etymologies, AND a delightful community of Teamlusionists! The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram.  The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today it's the etymologies you requested! And a few you didn't! We've got witches, wizards, warlocks; conjurers and cloves; wood shavings, nice gone nasty, and a whole lot more. Plus, a bold method of scaring away a ghost, if you must. Find out more about the topics covered in this episode at theallusionist.org/hedgerider. Sign up to be a patron at patreon.com/allusionist and as well as supporting the show, you get behind the scenes glimpses and bonus etymologies. The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram.  The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Did any number cause as much trouble as zero? It stranded ships; it scrambles the brains of mathematicians, calendar users and computers; it even got itself banned in Florence. Math(s) communicator and drag queen Kyne explains the Terminator of numbers. Find out more about this episode at theallusionist.org/zero. And submit requests for words you'd like me to investigate in the next episode at theallusionist.org/requests. Sign up to be a patron at patreon.com/allusionist and as well as supporting the show, you get behind the scenes glimpses, and discounted tickets for the Allusionist stage show. The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram.  The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.