Martini Shot

Indiana Smith didn’t sound quite right to Spielberg and Lucas, so they changed it to Indiana Jones — and the rest is history. You never know what’s going to work and what’s going to fail. Or why. That’s part of what makes notes, a pillar of Rob Long’s existence, so tricky. Because sometimes you should play ball with what a network wants. But other times you might need to pull a Sinatra: “My Way.”Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s not easy being blunt in Hollywood, with a lot of time spent dancing around the truth. Is a network or studio actually interested in the pitch? How much money are they willing to pay? That’s why it’s worth remembering the fan letter an actress friend of Rob Long’s received, where the sender was less invested in her career than making sure she answered his more prurient podiatry queries. After all, someone has to ask for what you want, get to the point and keep everyone focused on the important things, which is how Rob finds himself praising, yes, his agent.Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

When a fading comedian says they want new material, that's not what they want. What they want is “new old material,” meaning fresh jokes that sound like the ones they’ve already told. Hollywood today finds itself in the same predicament: needing new shows that feel like the old ones. Because, as Rob Long points out, the comforting and the familiar are what audiences crave — like Italian food — and can fix an industry today broken right down the middle.Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rob Long has tried everything: Meditation, free writing, morning pages — all in an effort to be more present, to get out of reading trade headlines and reflexively wondering, But how does this benefit me? In an industry pathologically insular and insecure, it’s hard to imagine the world outside. Now with Hollywood in desperate need of a shakeup, Rob’s going first: He reveals the surprise masters degree he’s now pursuing and you won’t believe it. Just don’t say he left showbiz.Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

Writing is a tough, lonely profession. One of its worse qualities: the payment structure, broken up into a zillion little pieces, withheld in full until the bitter end and altogether utterly unpredictable. The whole charade can make someone like Rob Long, understandably, crazy. That’s why, when a production company asks for a tax ID number, or a residual check comes in at $12, not $11, it’s hard not to get a little emotional.Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

When tourists trek to Hollywood for their summer vacations, they want a look at the glamour they see onscreen. Instead they get Hollywood Boulevard, and filthy Mickey Mouse and Donald Duck in a fist-fight. Yet when the tourists disappear and the season turns, so do Rob Long’s emotions: Into fears about age, the business passing him by, why he never had another career. But then, as reliable as Labor Day on the calendar, he puts the costume back on again.Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ever tell the stranger sitting next to you on a flight what you do for a living? If you work in entertainment, your seatmate likely will first say, “Have I seen anything you worked on?” and then, “You know what you should do a show about?” And forget about answering the question about how your job exactly works. Because the rules of TV writing and the business have all the inconclusiveness and ambiguity of an annoying French sitcom.Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why is it that the sweaty, doughy production assistants of decades past become the power brokers and “maximized” types of today? It’s the same reason the prolific, focused writers — regardless of quality — are able to get things made: They’re the ones actually sweating. Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

When he heard news of Bob Newhart’s death, Rob Long reached into an old shoebox to find a picture of himself with the comedy legend. Like many who had such a memento, his first thought was, “Get that image on Instagram pronto.” But he held off. Why? Because if he learned one thing from the man known for comedic timing, it’s that sometimes less is more. Sometimes it’s better to take a pause, clear your throat and just say . . . Bob Newhart was the best.Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

During Rob Long’s first job at Paramount, he would see a dusty, silver DeLorean on level two every day in the parking structure as he rolled in late for his gig on a hit show. Despite all the 1986 flash it signaled, its license plate gave the game away: That person had been on a popular show and now wasn’t. Everyone in Hollywood thinks they’ll always be parking on five, a place where you set your own hours and are flush with cash, but could end up, say, like Candle Media, back on two. So, Rob advises, maybe hang on to that Subaru.Transcript here. For more entertainment news, subscribe to The Ankler.Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices