Skylight Books Podcast Series

Sketchtasy takes place in that late-night moment when everything comes together, and everything falls apart: it's an urgent, glittering, devastating novel about the perils of queer world-making in the mid-'90s. This is Boston in 1995, a city defined by a rabid fear of difference. Alexa, an incisive twenty-one-year-old queen, faces everyday brutality with determined nonchalance. Rejecting middle-class pretensions, she negotiates past and present traumas with a scathing critique of the world. Drawn to the ecstasy of drugged-out escapades, Alexa searches for nourishment in a gay culture bonded by clubs and conformity, willful apathy, and the spectre of AIDS. Is there any hope for communal care? Mattilda Bernstein Sycamore brings 1990s gay culture startlingly back to life, as Alexa and her friends grapple with the impact of growing up at a time when desire and death are intertwined. With an intoxicating voice and unruly cadence, this is a shattering, incandescent novel that conjures the pain and pageantry of struggling to imagine a future.

Generation Priced Out calls for action on one of the most talked-about issues of our time: how skyrocketing rents and home values are pricing the working and middle classes out of urban America. Telling the stories of tenants, developers, politicians, homeowner groups, and housing activists from over a dozen cities impacted by the national housing crisis, Generation Priced Out criticizes cities for advancing policies that increase economic and racial inequality. Shaw also exposes how boomer homeowners restrict millennials’ access to housing in big cities, a generational divide that increasingly dominates city politics. Defying conventional wisdom, Randy Shaw demonstrates that neighborhood gentrification is not inevitable and presents proven measures for cities to preserve and expand their working- and middle-class populations and achieve more equitable and inclusive outcomes. Generation Priced Out is a must-read for anyone concerned about the future of urban America.

Tesoro is a story of family, survival, and the formative power of the women in Yesika Salgado’s life. It is a telling of the balance between love and perseverance. Tesoro is an unearthing of the sacred connections that make a person whole; the treasure we forever keep with us when we learn from those we love, when we mourn those we’ve lost, and what grows in between.

In the age of Trump, our society is defined by fear. Indeed, three out of four Americans say they feel more fearful today than they did only a couple decades ago. But are we living in exceptionally perilous times? In his bestselling book The Culture of Fear, sociologist Barry Glassner demonstrates that it is our perception of danger that has increased, not the actual level of risk. Glassner exposes the people and organizations that manipulate our perceptions and profit from our fears: politicians who win elections by heightening concerns about crime and drug use even as rates for both are declining; advocacy groups that raise money by exaggerating the prevalence of particular diseases; TV shows that create a new scare every week to garner ratings. Glassner spells out the prices we pay for social panics: the huge sums of money that go to waste on unnecessary programs and products as well as time and energy spent worrying about our fears. All the while, we are distracted from the true threats, from climate change to worsening inequality. In this updated edition of a modern classic, Glassner examines the current panics over vaccination and "political correctness" and reveals why Donald Trump's fearmongering is so dangerously effective. 

In an effort to tell the comprehensive story of basketball in all its fascinating dimensions, two of the most well-respected basketball journalists working today, Jackie MacMullan and Rafe Bartholomew, collaborated with award-winning director, Dan Klores, to produce a groundbreaking book based on interviews with more than 170 of the sport’s all-time greats. The interviews, conducted by Klores and his team of producers for a multi-part ESPN Films series to be released in fall 2018, include legendary players, such as Bill Russell, Kobe Bryant, LeBron James, and Magic Johnson; renowned coaches like Phil Jackson and Coach K; and numerous executives, commissioners, and journalists. Combing through nearly a thousand hours of conversations, MacMullan and Bartholomew compiled the candid stories and shaped them into what may become one of the most important basketball books ever written, Basketball: A Love Story. The book, which shares its title with the forthcoming ESPN Films series, surpasses other compilations in sheer volume and depth. With a narrative that is raw and intimate and digging deep into the vast web of basketball mystique, this engrossing portrait weaves together diverse tales of the sport’s remarkable rise from humble roots and sheds light on its unparalleled growth, transforming our understanding of the game. MacMullan and Bartholomew are in conversation with Bill Plaschke, sports columnist for The Los Angeles Times.

In recent months, the media has reported on scores of entertainment figures who used their power and money in Hollywood to sexually harass and coerce some of the most talented women in cinema and television. But as Karina Longworth reminds us, long before the Harvey Weinsteins there was Howard Hughes--the Texas millionaire, pilot, and filmmaker whose reputation as a cinematic provocateur was matched only by that as a prolific womanizer. His supposed conquests between his first divorce in the late 1920s and his marriage to actress Jean Peters in 1957 included many of Hollywood's most famous actresses, among them Billie Dove, Katharine Hepburn, Ava Gardner, and Lana Turner. From promoting bombshells like Jean Harlow and Jane Russell to his contentious battles with the censors, Hughes--perhaps more than any other filmmaker of his era--commoditized male desire as he objectified and sexualized women. Yet there were also numerous women pulled into Hughes's grasp who never made it to the screen, sometimes virtually imprisoned by an increasingly paranoid and disturbed Hughes, who retained multitudes of private investigators, security personnel, and informers to make certain these actresses would not escape his clutches. Vivid, perceptive, timely, and ridiculously entertaining, Seduction is a landmark work that examines women, sex, and male power in Hollywood during its golden age--a legacy that endures nearly a century later. Longworth is in conversation with Mark Olsen, who writes about all kinds of movies for the Los Angeles Times.

From television comedy writer Elliott Kalan (The Daily Show) and acclaimed illustrator Tim Miller comes a clever and fast-paced comedy of mistaken species identity: Horse Meets Dog. According to Dog, Horse is just an oversize dog…with funny paws. And Dog… just a tiny, baby horse with a weird tail. That’s what Horse thinks, anyway. Will Dog take a bottle of hay? Why does Horse have such weird paws? Here is what ensues when a Horse and a Dog meet and attempt to figure what the other is all about. The hijinks of these two whimsical characters will have both children and their parents in stitches, and the book’s inherent message of accepting others, differences and all, will resonate long after the last page is turned.

The Graveyard Book meets The Goonies in author Andrea Portes’s spooky, timeless middle grade debut . Prominent Environmentalist and Oceanographer Die in Boating Accident  This is the headline that changes Henry’s and Eva’s lives. Their parents, prominent environmentalist William Billings (age 43) and his oceanographer wife, Margo Billings (age 39), disappear mysteriously at sea. That day is a very, very bad day indeed. But for Henry and Eva, things are about to go from bad to worse. Their jerk-face uncle (nickname Claude the Clod) and his awful girlfriend (Terri the Terrible) have moved into their big house on the cliff to “take care of them,” but Eva has her doubts about their intentions. All she wants is to put a smile back on Henry’s face, but with Claude skulking around, she can barely come up with a halfway decent joke or song to cheer Henry up (even though that’s her particular specialty). What Henry and Eva don’t know yet is that they aren’t the only ones in their house who want Claude out of the picture—and when some spooky visitors appear with a message, they realize that their parents’ deaths might not have been as cut-and-dried as everyone thinks. It’s up to Henry and Eva to discover the truth—but can they do it before the Clod catches them in the act?

In She Would Be King, Wayétu Moore reimagines the dramatic story of the formation of Liberia through the eyes of three unforgettable characters. Gbessa, exiled on suspicion of being a witch from the West African village of Lai, is bitten by a viper and left for dead, but miraculously survives. June Dey, raised on a plantation in Virginia, hides his unusual strength until a confrontation with the overseer forces him to flee. Norman Aragon is the child of a white British colonizer and a Maroon slave from Jamaica, and can fade from sight at will, just as his mother could. When they meet in the settlement of Monrovia, their gifts help them salvage the tense relationship between the African American settlers and the indigenous tribes. Their storylines are brilliantly intertwined by the all-seeing spirit of the wind, who embodies an ancient wisdom. A spectacular blend of history and magical realism, She Would Be King is a novel of profound depth set against a rich, unexpected canvas. Moore illuminates with radiant prose the tumultuous roots of a unique African country—one whose history is inextricably bound to the United States. Moore is in conversation with Allison Noelle Conner, whose writing has appeared in Bitch, Jacket2, The Rumpus, and elsewhere.

Half-Hazard is a book of near misses, would-be tragedies, and luck. As Kristen Tracy writes in the title poem, “Dangers here. Perils there. It’ll go how it goes.” The collection follows Tracy’s wide curiosity, from her growing up in a small Mormon farming community to her exodus out into the forbidden world, where she finds snakes, car accidents, adulterers, meteors, and death-marked mice. These wry, observant narratives are accompanied by a ringing lyricism and Tracy’s own knack at noticing what’s so funny about trouble and her natural impulse to want to put all the broken things back together. Full of wrong turns, false loves, quashed beliefs, and a menagerie of animals, Half-Hazard introduces a vibrant new voice in American poetry. One of reslience, faith and joy.  Tracy is in conversation with Thomas Sadoski, an actor who has acted in a variety of television, film, Broadway and Off-Broadway shows, including Life in Pieces, The Newsroom, and The Slap.