Skylight Books Podcast Series

In an America convulsed by political upheaval, cultural discord, environmental collapse, and spiritual confusion, many folks are searching for peace, salvation, and—perhaps most immediately—just a little damn focus. Enter Hark Morner, an unwitting guru whose technique of “Mental Archery”—a combination of mindfulness, mythology, fake history, yoga, and, well, archery—is set to captivate the masses and raise him to near-messiah status. It’s a role he never asked for, and one he is woefully underprepared to take on. But his inner-circle of modern pilgrims have other plans, as do some suddenly powerful fringe players, including a renegade Ivy League ethicist, a gentle Swedish kidnapper, a crossbow-hunting veteran of jungle drug wars, a social media tycoon with an empire on the skids, and a mysteriously influential (but undeniably slimy) catfish. In this social satire of the highest order, Sam Lipsyte, the New York Times bestseller and master of the form, reaches new peaks of daring in a novel that revels in contemporary absurdity and the wild poetry of everyday language while exploring the emotional truths of his characters. Hark is a smart, incisive look at men, women, and children seeking meaning and dignity in a chaotic, ridiculous, and often dangerous world.

An elegant, epic debut from a tremendous new talent and Pushcart Prize-winner, Madhuri Vijay's The Far Field follows one young woman’s search for a lost figure from her childhood, a journey that carries her from cosmopolitan Bangalore in Southern India to the mountains of Kashmir and to the brink of a devastating political and personal reckoning.  In the wake of her mother’s death, Shalini, a privileged and restless young woman from Bangalore, sets out for a remote Himalayan village in the troubled northern region of Kashmir. Certain that the loss of her mother is somehow connected to the decade-old disappearance of Bashir Ahmed, a charming Kashmiri salesman who frequented her childhood home, she is determined to confront him. But as soon as Shalini arrives, she is brought face to face with Kashmir’s dark politics, as well as the tangled history of the local family that takes her in. And when life in the village turns volatile and old hatreds threaten to erupt into violence, Shalini finds herself forced to make a series of choices that could hold dangerous repercussions for the very people she has come to love. With rare acumen and evocative prose, Vijay masterfully examines Indian politics, class prejudice, and sexuality through the lens of an outsider, offering a profound meditation on grief, guilt, and the limits of compassion.

Like those of Kafka, Poe, Leonora Carrington, or Shirley Jackson, Amparo Dávila’s stories are terrifying, mesmerizing, and expertly crafted—you’ll finish reading each one gasping for air. With acute psychological insight, Dávila follows her characters to the limits of desire, paranoia, insomnia, loneliness, and fear. She is a writer obsessed with obsession who makes nightmares come to life through the everyday: loneliness sinks in easily like a razor-sharp knife, some sort of evil lurks in every shadow, delusion takes the form of strange and very real creatures. After reading The Houseguest—her debut collection in English—you’ll wonder how this secret was kept for so long.

The map may not be the territory, and the word may not be the thing, but An Architectural Guidebook to Los Angeles is as close as it gets. Originally authored over fifty years ago by renowned architectural historians Robert Winter—described by Los Angeles Magazine as both the “spiritual godfather” and “father” of L.A. architecture—and the late, great David Gebhard, this seminal vade mecum of Los Angeles architecture explores every rich potency of the often relentless, but sometimes—as captured here—relenting L.A. cityscape. From its first publication by the Los Angeles County Museum of Art in 1965, this veritable “Bible” of built L.A. has been revised and edited extensively for a sixth edition by award-winning L.A. urban walker and Winter’s trusted collaborator Robert Inman. Nathan Masters, historian and Emmy award-winning host, producer, and managing editor of KCET’s Lost L.A., writes the foreword. More than an effort of exploration, the guide is an outfit of discovery. The much-anticipated revision, long since a classic standard of the Los Angeles architecture, has been updated rigorously with more than 200 new entries cataloging every crease, region, and style of Los Angeles County’s metropolitan sheath, from the missions of Spanish California to present day.

On Hell transcribes a body broken by American empire, that of ex-con Rafael Luis Estrada Requena, hacking itself away from contemporary society. Johanna Hedva, author of Sick Woman Theory, takes the ferocious compulsion to escape (from capitalism, from the limits of the body-machine, from Earth) and channels it into an evisceration of oppression and authority. Equal parts tender and brutal, romantic and furious, On Hell is a novel about myths that trick and resist totalitarianism. Hedva is joined in conversation by Asher Hartman, an interdisciplinary artist, writer, director, and intuitive practitioner.

The year is 1979. The Iranian Revolution is just around the corner, as is a once-in-a-lifetime solar eclipse. Meanwhile, in the northeastern city of Naishapur, a retired judge and his wife, Bibi, run an ancient orchard, growing apples, plums, peaches, and sour cherries, and looking after several generations of family members. The days here are marked by long, elaborate lunches on the terrace and arguments about government corruption and the rise of religious fundamentalism, peppered with tales of ancient Persia that foreshadow the seismic political changes to come. And yet life continues. Bibi, the matriarch, struggles to keep her family together. Her young nephew goes to university, hoping to lead the fight for a new Iran and marry his childhood sweetheart. Another nephew surrenders to opium, while his father longs for a life in Europe. Her brother-in-law evolves into a powerful Islamic cleric while her husband retreats into intellectual reflection. Told through a host of vivid, unforgettable characters, ranging from children to servants to friends of the family, Rabeah Ghaffari's To Keep the Sun Alive is the kind of compelling, rich story that not only informs the past, but also reminds us of the human aspirations that animate historical events.

TOSH is a memoir of growing up as the son of an enigmatic, much-admired, hermetic, and ruthlessly bohemian artist during the waning years of the Beat Generation and the heyday of hippie counterculture. A critical figure in the history of postwar American culture, Tosh Berman's father, Wallace Berman, was known as the "father of assemblage art," and was the creator of the legendary mail-art publication Semina. Wallace Berman and his wife, famed beauty and artist's muse Shirley Berman, raised Tosh between Los Angeles and San Francisco, and their home life was a heady atmosphere of art, music, and literature, with local and international luminaries regularly passing through. Tosh's unconventional childhood and peculiar journey to adulthood features an array of famous characters, from George Herms and Marcel Duchamp, to Michael McClure and William S. Burroughs, to Dennis Hopper and Dean Stockwell, to the Rolling Stones, Neil Young, and Toni Basil. Tosh is joined by actor, screenwriter, and musician Jason Schwartzman.

Seven-year-old Chula and her older sister Cassandra enjoy carefree lives thanks to their gated community in Bogotá, but the threat of kidnappings, car bombs, and assassinations hover just outside the neighborhood walls, where the godlike drug lord Pablo Escobar continues to elude authorities and capture the attention of the nation.  When their mother hires Petrona, a live-in-maid from the city's guerrilla-occupied slum, Chula makes it her mission to understand Petrona's mysterious ways. But Petrona's unusual behavior belies more than shyness. She is a young woman crumbling under the burden of providing for her family as the rip tide of first love pulls her in the opposite direction. As both girls' families scramble to maintain stability amidst the rapidly escalating conflict, Petrona and Chula find themselves entangled in a web of secrecy that will force them both to choose between sacrifice and betrayal.  Inspired by the author's own life, and told through the alternating perspectives of the willful Chula and the achingly hopeful Petrona, Fruit of the Drunken Tree contrasts two very different, but inextricably linked coming-of-age stories. In lush prose, Ingrid Rojas Contreras has written a powerful testament to the impossible choices women are often forced to make in the face of violence and the unexpected connections that can blossom out of desperation. Rojas Contreras is in conversation with Lilliam Rivera, an award-winning writer and author of The Education of Margot Sanchez and the upcoming YA novel Dealing in Dreams.

The third book in Tommy Pico’s Teebs trilogy, Junk is a breakup poem in couplets: ice floe and hot lava, a tribute to Janet Jackson and nacho cheese. In the static that follows the loss of a job or an apartment or a boyfriend, what can you grab onto for orientation? The narrator wonders what happens to the sense of self when the illusion of security has been stripped away. And for an indigenous person, how do these lost markers of identity echo larger cultural losses and erasures in a changing political landscape? In part taking its cue from A.R. Ammons’s Garbage, Teebs names this liminal space “Junk,” in the sense that a junk shop is full of old things waiting for their next use; different items that collectively become indistinct. But can there be a comfort outside the anxiety of utility? An appreciation of “being” for the sake of being? And will there be Chili Cheese Fritos? Pico is in conversation with Joseph Osmundson, a scientist and writer based in New York City.

When my brother was in high school he attempted to build a perpetual motion machine to save the world. That machine was my brother's experiment; this book is mine. It is in the text where I dissect our relationship and try to understand myself. In undertaking this project, I had to research, which meant looking at photo albums, interviewing my brother and parents, asking friends and family what I was like when I was little, etc. Like my brother once said after reading my work, "We color these memories differently," I knew that in order to methodically calculate the moments I had to meticulously plot out what it was I was trying to say. In this way, the collection is like a science project. This book is how I will try to save my brother, or more largely how I will attempt to save the world by making people understand the pain we've all been through, the visceral pain that accompanies longing for some past impossibility. My preparation has been "in the field" and living through it, gathering notes, experiences, and findings; it has all been one giant experiment--to see if we could make it out alive. Ackerman is in conversation with Davy Rothbart, a bestselling author, Emmy Award-winning filmmaker, creator of Found Magazine, and contributor to public radio's This American Life.