Our Opinions Are Correct

We've all heard Arthur C. Clarke's third law, which states that sufficiently advanced science is indistinguishable from magic. What did Clarke mean by this, and how are people using his law to take the mystery out of fantasy stories? Plus we look at popular stories where magic is explained by science, including Star Wars and Dune. Show notes: www.ouropinionsarecorrect.com/shownotes

Multiverses are everywhere lately, from superheroes to fantasy novels. But there's one huge downside to multiple realities: you can’t change the past, and if you try, you just create a new universe. Also, we talk about The Future of Another Timeline, Annalee's brand new time-travel novel, in which there's only ONE universe, and everyone plays for keeps. Show notes: www.ouropinionsarecorrect.com/shownotes

People have a lot of opinions about what it means to have opinions about TV. Who is allowed to criticize TV, and how do you do it well? In this episode, we talk to TV critics Inkoo King (Slate) and Nina Shen Rastogi (Vulture) about what it means to analyze TV in 2019. We're at Peak TV, everything is political, and we are still processing our feelings about Game of Thrones. Also, recaps are dead. Let's talk about TV! Shownotes: www.ouropinionsarecorrect.com/shownotes

Why do so many horror movies and stories feature terrifying women? Why do male creators treat female bodies and women's sexuality as intrinsically terrifying? And what happens when women get to create their own monsters and horror narratives? Plus we talk to Mallory O'Meara about her new book The Lady from the Black Lagoon. Show notes: www.ouropinionsarecorrect.com/shownotes

There’s been a renaissance of anti-capitalist stories in science fiction and fantasy in the U.S. But these aren't tales of violent revolution or faceless corporations. We discuss Utopia, community, and how group therapy is the opposite of authoritarianism. Also, we’re joined by K.M. Szpara, who talks to us about his steamy forthcoming novel Docile, whose tagline is, “There is no consent under capitalism.” Show notes: www.ouropinionsarecorrect.com/shownotes

Afro-futurism is on the rise again, thanks to the popularity of movies like Black Panther, and creators such as Janelle Monae and N.K. Jemisin. But Black-centered futurism has a long history in the U.S., and it's changed a lot over the past century. We sit down with critic and scholar Shawn Taylor, co-founder of TheNerdsOfColor.org, to talk about Afro-futurisms of yesterday and tomorrow. Show notes: www.ouropinionsarecorrect.com/shownotes

Real-world law is becoming science fictional. We talk about the future of surveillance and digital policing with guest Cyrus Farivar, a journalist who covers law and technology for NBC News. He's also the author of Habeas Data, a book about landmark privacy cases. We discuss where our current laws are going, and what science fiction has to say about it -- especially Star Trek, a show lawyers love for a reason. Show notes: www.ouropinionsarecorrect.com/shownotes

There's nothing quite so dystopian as censorship: the suppression of knowledge, or works of art, that challenge the ruling order. We look at how science fiction, fantasy and horror have been censored. But also, what does science fiction teach us about how to resist censorship? And we talk to Ron Turner, publisher of Last Gasp, about the underground comics scene and his struggles with official censorship. Show notes: https://www.ouropinionsarecorrect.com/shownotes/

Everybody knows that endings are hard, and we all love to complain about the way our favorite TV show or movie ended. But with both Game of Thrones and the Avengers movies coming to an end, this is a perfect time to think about what makes for a good ending. And how the heck do you write one? Show notes: www.ouropinionsarecorrect.com/shownotes

We talk to economist Noah Smith about how different theories of economics show up in science fiction -- and how economics is also an exercise in speculative worldbuilding. How do ideas about "rational actors" make their way into space operas, and why is everyone so obsessed with game theory? Plus what is the deal with Ayn Rand?  Show notes: www.ouropinionsarecorrect.com/shownotes