Our Opinions Are Correct

When two characters have an intense conversation, it deepens a story the way nothing else can. Dialogue is key to worldbuilding, and in this episode we talk to illustrious TV writer and showrunner Javier Grillo-Marxuach (The Middleman, Lost, The Dark Crystal) about how to do it right. We explore quippy barbs, fake accents, and what happens when every character in a story talks like they are the same person. That's right: We're having a dialogue…about dialogue. And yeah, it's going to get meta. Shownotes: www.ouropinionsarecorrect.com/shownotes

We love escapism, and being able to escape into imaginary worlds is a super important survival strategy in the midst of oppression, pandemics, state-sponsored violence. But what if a story is escapist for some people, but not for others? And how dark can a story get and still be escapist? Let's talk about escaping AND fighting for justice. Show notes: www.ouropinionsarecorrect.com/shownotes

We're sick of the nerds vs. jocks trope in pop culture. In this episode we unpack how that trope came to be, and how to get beyond high school PE trauma. We talk about science fiction that fetishizes workout routines (Arrow's salmon ladder!?), and portrays nerds as physically weak. Plus, we're joined by trainer Robyn Warren, creator of Geek Girl Strong, who explains how to build exercise into your nerdy life -- and why PE classes need to change. Show notes here: www.ouropinionsarecorrect.com/shownotes

Romance and speculative fiction have always been closely connected, ever since the days of the pulps. But nowadays, some of the best science fiction and fantasy writing is happening in the romance genre. We talk Alyssa Cole, author of the Off the Grid series, the Loyal League series and the A.I. Who Loved Me, about the love affair between SF and romance. Show notes: www.ouropinionsarecorrect.com/shownotes

In these tough times, we need great TV shows more than ever. We have lots of opinions about nine new series that are making us happy because they're smart, fun, and -- best of all -- colorful! Plus, we've got recommendations for over a dozen more not-so-new shows that are worth digging up from last year, or last century. Stay safe at home and plunge your mind into dazzling new worlds. Show notes: www.ouropinionsarecorrect.com/shownotes

Plots are one of the most important parts of storytelling. They carry our characters forward, and they force our heroes to make choices and to change along the way. Every story has a plot, whether it's about saving the world of making a cup of tea. So why is it so hard to come up with a decent plot? We talk about good and bad plots, and offer advice about how to write the best ones. Show notes: www.ouropinionsarecorrect.com/shownotes

Pandemics are a recurring trope in science fiction, but this turns out to be surprisingly unhelpful when we're facing a contagion in reality. We talk to Mike Chen, author of the new pandemic novel A Beginning at the End, about how science fiction uses disease as an allegory for almost everything except, well, disease. Mike wrote his novel over a year before the COVID-19 outbreak, and tells us what it's like to make a prediction that comes true--sort of. Show notes: www.ouropinionsarecorrect.com/shownotes

Everything is bloody terrifying right now, what with the pandemic and the would-be strongmen and the natural disasters. So it's easy to retreat into nihilistic storytelling, which revels in the destruction of civilization. But screw that --- when you root for the destroyer, you're rooting for unimaginable suffering and death. Here's why we don't want your f--ed-up nihilism. Show notes: www.ouropinionsarecorrect.com/shownotes

We would need an eternity to discuss everything that was great and groundbreaking about "The Good Place," which just aired its series finale. We talk about how this weird afterlife comedy combined the workplace sitcom with weighty questions about ethics, psychology, and capitalism. Then we get metaphysical and ask why the afterlife is so funny. Also, why is it easier to imagine the bad place than it is to imagine the good one? Show notes: www.ouropinionsarecorrect.com/shownotes

Science fiction and fantasy are full of feasts, from the banquets in Game of Thrones to all those Klingon delicacies. Why is food so important in SF? To find out, we talked to Mary Anne Mohanraj, author of The Stars Change and the cookbook A Feast of Serendib: A Sri Lankan-American Cookbook. Show notes: www.ouropinionsarecorrect.com/shownotes