Day One FM

Zito Madu is an author, sports journalist, and cultural critic. We talk about why there are empty seats at the Club World Cup, why sports betting is here to stay, losing a multi-million dollar contract on a three figure parlay, how pay-to-play sports eliminates a diversity of playing styles, why we need to bring more whimsy back to sports marketing, and the joy of seeing waterfalls. Hosted on Acast. See acast.com/privacy for more information.

Today, we’re talking about how Blank Street Coffee built a $500 million dollar empire, “Lower East Side Dimes Boy” matcha personas, fellas…, the founder of an Erewhon-adjacent grocery store in Tribeca is letting his “fans” stock the shelves, and betting markets like Kalshi and Polymarket are letting you bet on the end of the world.  Hosted on Acast. See acast.com/privacy for more information.

On a very hot day four, Matt Klein joins us to talk about the work exhibit in the Palais basement (where ad-hoc insights and very creative data points abound), what’s missing from conversation about the creator economy, and giving up personal data for a piece of fruit.   Hosted on Acast. See acast.com/privacy for more information.

Semafor Media Editor, Max Tani, joins us for day three. We talk about sunburns, the evolving media presence at Cannes, pre-fab buildings, YouTube eating TikTok’s lunch, Chat J'ai Pété, Substack’s will-they-won’t-they dance with advertisers, the changing tide in the culture wars, and where to get the best Thai food in Cannes. Hosted on Acast. See acast.com/privacy for more information.

Day two of Cannes Lions kicks off with former U.S. Ambassador to the UN, Nikki Haley, advocating a Dolly Parton approach to brand purpose followed by a refreshing marketing talk break from James Blake. In other news, will.i.am says we’re not prepared to be good hosts to aliens, Paris Hilton’s husband talks about AI and VC (two things you really don’t hear about enough), and our AG1 partnership continues to deepen (jk).  Hosted on Acast. See acast.com/privacy for more information.

Clara and Eli are on the ground reporting from day one of the Cannes Lions. Highlights include: Willa Bennett’s plans for rebooting Cosmopolitan’s IP, Apple’s VP of Marketing saying “human creativity” over 18 times in 20 minutes, a potential new sponsor, Chinese soft power, being in the Nashville of France, and our ideas for a Bravo buildout on the Croisette. Hosted on Acast. See acast.com/privacy for more information.

Bonjour. Eli and Clara will be dropping daily episodes of the podcast, recorded live and uncut from the Cannes Lions Festival next week. We’ll break down some of the Croisette’s highs and lows, plus get the rundown of what some former D1FM guests are seeing on their end.  Hosted on Acast. See acast.com/privacy for more information.

Benjamin Edgar is a Chicago-based designer who’s been making a lot of very cool things for a very long time. He co-authored the early aughts blog THE BRILLIANCE, founded Boxed Water, and more recently started An Object Company. We talk about the importance of design consistency, how we’re at an inflection point with “phone stuff,” Dieter Rams, bar etiquette, applied design, Adrien Brody’s art, why it’s interesting to know what you’re interested in, Chicago, the sin wave of culture and more. Hosted on Acast. See acast.com/privacy for more information.

Today we’re talking about the NBA’s “crisis of cool,” and whether that’s also inclusive of Timothée Chalamet’s Chrome Hearts, Adam Friedland’s interview on Mixed Signals, the rise of “establishment podcasts,” cruise ships, space ships, and waiting in line at pop-ups. Hosted on Acast. See acast.com/privacy for more information.

Recho Omondi, host and creator of The Cutting Room Floor, shares her unique insights on the fashion industry. She reveals how her outsider perspective allows her to navigate its complexities and explore the politics of taste. The conversation highlights her innovative 'clipping' technique that brings candid interviews to life. Omondi also discusses the criteria for selecting guests and the need for authenticity in a world where curated narratives often prevail. It's an engaging dive into the art of honest storytelling in fashion.