Working Class Audio

My guests today are Wesley Heaton and Kameron Lockwood, producers, engineers, and mixers from Indianapolis, Indiana. They are studio partners at Holy Ground Productions and have extensive live sound experience working with bands like Bingo Boys, Skeletonwitch Rituaal, and Pillars.In this episode, we discuss: Studio Location And Name Early Friendship Timeline Growing Up Experiences Meeting Through Audio Live Sound Frustrations Musical Background Origins Gear Acquisition Journey First Paid Recordings Studio Environment Challenges DIY Venue Recordings Recording School Experiences Self-Education In Audio Recording With Anthrax Transition From Live Sound Studio Construction Challenges Importance Of Deposits Business Partnership Dynamics Studio Community Focus Lessons From First Studio Hospitality And Client Comfort Matt's Rant: PerfectionLinks and Show Notes Holy Ground Productions Holy Ground on Instagram Credits Guest: Wesley Heaton and Kameron Lockwood Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau WCA Theme Music: Cliff Truesdell Announcer: Chuck Smith

My guest today is Mastering Engineer Ben Pike, who runs an analog-based mastering and record cutting studio in Leeds, West Yorkshire, UK. Ben specializes in vinyl mastering and custom lathe cut records, working primarily with independent artists. He has collaborated with artists and groups such as ATA Records, Yaatri, The London Ambient Orchestra, Smith & The Honey Badgers, and King Zepha.In this episode, we discuss: Leeds, West Yorkshire Roots Discovering Recording Technology DIY Recording Beginnings Home Studio Evolution Transition to Mastering Vinyl Mastering Journey Analog Studio Setup Custom Lathe Cut Records Challenges of Chronic Illness Building a Mastering Studio Navigating the Music Industry Supporting Independent Artists Small Batch Vinyl Production Innovative Vinyl Techniques Mastering and Cutting Synergy Restoring Vintage Gear Matt's Rant: The Art of Being ConciseLinks and Show Notes Ben Pike's Studio: Rare Tone Mastering Jeff Powell Companion Episode Credits Guest: Ben Pike Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau WCA Theme Music: Cliff Truesdell Announcer: Chuck Smith

My guest today is Producer/Multi-Instrumentalist/Engineer, Jordan Brooke Hamlin, who has worked with Indigo Girls, KT Tunstall, Vienna Teng, Lila Blue, Katie Herzig, Lucy Wainwright Roche, Allison Russell, and Brandy Clark.---------------------------------In this episode, we discuss Upbringing In Kentucky Music-Loving Family Zeppelin Hippies Deep Connection To Music Early Music Exposure Discovery Of Production Sarah McLachlan Influence Running Her Studio Creating Artist Space Mental Health Focus Challenges In Nashville Supportive Studio Environment Economic Challenges Studio Setup Efficiency Working With Labels Navigating Industry Changes Moxie Studio Origin Residential Studio Blend Artist Commune Vision Reclaiming Neglected Land Importance Of Environment Balancing Creativity And Deadlines Nashville's Music Culture Contrasting With Los Angeles Session Efficiency Vs. Exploration Encouraging Artistic Risk Challenges In Studio Ownership Supporting Independent Artists Grant Programs For Artists Gender Equity In The Audio Industry Financial Pressures On Music Organizational Tools (Airtable) Payment Delays From Labels Navigating Professional Relationships Empathy For Touring Artists Evolving Industry Dynamics ---------------------------------Matt's Rant: Getting Organized---------------------------------Links and Show Notes Book Matt mentions in Interview: Day Trading Attention AirTable Jordan's Studio ---------------------------------Credits Guest: Jordan Brooke Hamlin Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau  WCA Theme Music: Cliff Truesdell  Announcer: Chuck Smith 

My guest is Grammy Nominated Music Metadata Professional Tony Brooke. Tony has worked on projects for Richard Thompson, Coldplay, David Byrne, twenty one pilots, Maroon 5, Jane's Addiction, Duran Duran, Steve Miller, Norah Jones, Erasure, Ramblin' Jack Elliott, Doobie Brothers, Sarah McLachlan, Elvis Costello, Seal, George Clinton, Emmylou Harris, Indigo Girls, Lucinda Williams, Dave Chappelle, Khaled & Carlos Santana, Herbie Hancock, Stern Grove Festival, Hardly Strictly Bluegrass Festival. He's also worked for Pandora/SiriusXM and Warner Music Group.---------------------------------In this episode, we discuss Tony's Audio Production Journey Background and Education Bay Area Move Technical Skills & Equipment Live Music Engineer to Entrepreneur Tascam DA88 Benefits Multi-Track Services Gig Organization Logistics Music Industry Experiences Seasonal Income Fluctuations Business Diversification Website Development Ultimate Track Sheet Career Transition Insights Digital Console Shift Career Coach Influence Master's Degree Pursuit Family Support Gratitude Work-Life Balance Challenges Music Industry Pressures Honesty and Humility Importance Music Data Exchange Research DDEX XML Format Pandora Credit Inclusion Apple Credit Attribution Issues Identifier Initiative Music Data Management Tools Sound Credit Replacement Muse.AI & Other Databases Data Accuracy Challenges Technological Changes Preparation Three-Tiered Data Storage Data Preservation Strategies Copyrighted Compositions Importance Streaming Service Identification Online Course Idea Digital Data Management Strategies ---------------------------------Matt's Rant: Embracing Social Media---------------------------------Links and Show Notes Book Matt mentions in Rant: Day Trading Attention Tools for capturing data in the studio:  Sound Credit: https://www.soundcredit.com/  Session Studio: https://www.sessionstudio.com/  VEVA Collect: https://vevacollect.com/  Identifiers: ISNI (International Standard Name Identifier): http://isni.org/  ISWC (International Standard Musical Work Code): https://www.iswc.org/  DDEX standards for music data exchange: https://ddex.net/  CLIP - Free resource to learn industry terminology, creator rights, and how to get credited and paid: https://goclip.org/en/music  Master Tape Rescue project to find a home for lost tapes and other formats (Brian Kehew and Danny White): https://www.mastertaperescue.com/  Tony Brooke on LinkedIn: https://www.linkedin.com/in/tonybrooke/  SilentWay.com: http://www.silentway.com/  ---------------------------------Credits Guest: Tony Brooke Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau  WCA Theme Music: Cliff Truesdell  Announcer: Chuck Smith     

Hans-Martin Buff, a seasoned recording engineer and music producer from Munich, shares his fascinating journey in the audio industry. He recalls memorable sessions with legends like Prince and Nirvana, emphasizing the unique experience at Paisley Park. The discussion also touches on the challenges of perfectionism in music production, alongside his personal growth through various roles. Buff dives into the complexities of audio engineering, including his work with innovative technologies like Dolby Atmos, and reflects on the influence of family and life experiences on his music career.

Chris Dugan, a Grammy-winning engineer known for his work with Green Day, shares fascinating insights from his music journey. He discusses the challenges of balancing family life and touring, offering practical travel and jet lag tips. Dugan also dives into the intricacies of mixing live shows and the transition to home studios during the pandemic. He emphasizes customizing studio setups for creativity while maintaining family connections, and provides advice on freelance pricing and effective project management in the ever-evolving audio industry.

Catherine Marks, a Grammy-winning producer based in London, shares her inspiring journey from architecture to music production. She reflects on her Australian upbringing, early musical influences, and pivotal moments in Dublin's vibrant music scene. Fearlessness and mentorship significantly shaped her career, including invaluable lessons from industry giants like Flood and Alan Moulder. Marks emphasizes the importance of capturing the immediacy of creativity over technical perfection while discussing how to manage creative conflicts and build essential industry connections.

Stephen Kerrison, a talented UK-based mastering engineer known for his work with artists like Petbrick and Ditz, shares insights into the evolving Liverpool music scene. He discusses the transition from touring to mastering and the importance of instilling confidence in artists. The conversation explores balancing creativity with technical demands and the unique challenges faced by musicians today. Stephen also emphasizes the significance of taste in mastering and how collaboration enhances the final product, revealing an interesting perspective on the music industry's current landscape.

My guest today is Jacob Winik, the COO, Technical Director, and Sound Designer at Cosmic Standard, an audio production company he co-founded with his wife, Eliza Smith, in January 2020. Jacob has collaborated on projects with TED, Patagonia, Dropbox, KQED, Samantha Crain, Meernaa, Doe Eye, and Steep Ravine. He previously worked as an audio engineer at Tiny Telephone in San Francisco.In this episode, we discuss Bay Area Upbringing Parents' Musical Influence Early Punk Music Divorce Sparks Punk Interest Gillman Street Experiences Technology at Home Early Instruments School Band Reluctance Discovering DIY Punk College Band Experience House Shows in College Obsessed with Music Making Improving Live Sound Early Recording Awareness DIY Recording at Gillman First Demo Recording College Film Studies Pursuit of Music Recording Internship at The Compound Learning Basic Recording Skills Building Client Relationships Internship at Fantasy Studios Analog Tape Recording Challenges Journey Recording Experience Interning with Magic Magic Orchestra John Vanderslice Studio Setup at Tiny Telephone Transition to Professional Engineer Hands-on Learning with Tape Podcast Company Formation Balancing Overhead Costs Scalable Team Structure Remote Work Adaptation Handling Pandemic Challenges Client Training Remotely Improved Quality of Life Building Client Relationships Matt's Rant: Moving Through Your Audio Career with Blinders OnLinks and Show Notes Cosmic Standard John Vanderslice on WCA Credits Guest: Jacob Winik Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau  WCA Theme Music: Cliff Truesdell  Announcer: Chuck Smith     

My guest today is Los Angeles-based Producer/Mixer/Engineer/Drummer Danny Reisch, who has worked on projects for Local Natives, Dirty Projectors, Khruangbin, Barns Courtney, White Denim, Other Lives, Shearwater, Sun June, Tele Novella, Intocable, Halo video game ( last 3 seasons), The Green Knight score (a24), Disney Peter Pan score, Interview With The Vampire score, Willie Nelson, Ed Sheeran, Lizzo, The Zombies, Counting Crows, Jimmy Cliff, Father John Misty and many more.In this episode, we discuss Dallas Childhood Memories Early Band Experiences Four Track Beginnings Michael Jackson Obsession Back to Future Influence Supportive Creative Family Unique School Experience Discipline College Music Degree Early Audio Awareness Atmos Mixing Insights Texas State University Touring and College Life Sound Design Job Band Experiences Takeaways Respect for Bands Working with Passionate Clients Good Danny's Studio Journey Early Studio Challenges Austin Music Scene Daytrotter Sessions Impact South by Southwest Frenzy Live Recording Skills Move to Los Angeles Pandemic Mixing Shift Film Score Mixing Financial Ecosystem Differences LA Studio Setup Challenges John Congleton's Advice Matt's Rant: What If?Links and Show Notes Danny on Instagram John Congelton on WCA Credits Guest: Danny Reisch Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau  WCA Theme Music: Cliff Truesdell  Announcer: Chuck Smith