Working Class Audio

In this episode of Working Class Audio, Matt welcomes back the Pellicci Brothers, Jay and Ian, who appeared originally on WCA #054. They have worked with Deerhoof, John Vanderslice, Sleater-Kinney, and the Magnetic Fields.They currently run Brothers (Chinese) Recording in the Bay Area. In This Episode, We Discuss:Challenges in NamingUnintentional UniformityStudio HistoryLiteral CreativityCreative Decision MakingNot PlanningStudio ProjectsBurlapLinks and Show Notes:Brothers (Chinese) RecordingWCA #057 with The Pellicci BrothersMatt's Rant: IdentityCredits:Guest: The Pellicci BrothersHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes back Grammy Winning mastering engineer, Michael Romanowski. Michael’s extensive credits include Alicia Keys, Bonnie Raitt, Lyle, Lovett, Earth Wind & Fire, Kane Brown, and the Grateful Dead.In This Episode, We Discuss:Studio AcousticsImmersive Audio AdvocacyFuture Of Immersive AudioValue Of Community CollaborationCritical Listening SkillsBalancing Artistic Vision With Label DemandsBass Management Challenges In Immersive AudioConsumer Perceptions Of Immersive AudioRole Of VR And AR In Audio LocalizationThe Dangers of Comparison Links and Show Notes:Michael's StudioMichael on WCA #309Matt's Rant: Year End ReviewCredits:Guest: Michael RomanowskiHost/Engineer/Producer: Matt BoudreauEditing: Anne-Marie PleauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes monitor engineer Lizzie Westsmith who has worked for numerous bands and sound companies including Rancid, Ice Spice, Rat Sound and Coachella. Lizzie shares her journey from discovering her love for audio at Berkeley's iconic Gilman Street to navigating the challenges of the live production industry. In This Episode, We Discuss:Role of a Monitor EngineerMaintaining Personal Balance924 Gilman InfluenceAddiction and RecoveryRate Transparency Touring Life BalanceSystems Engineering GoalsFinancial Management StrategiesCommunity and RespectLinks and Show Notes:Lizzie on InstagramMatt's Rant: Parlay, Pivot and Change CourseCredits:Guest: Lizzie WestsmithHost/Engineer/Producer: Matt BoudreauEditing: Anne-Marie PleauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes Producer/Engineer Ed Donnelly, who has worked with Willie Nelson, Zac Brown, Old 97s, Son Volt, Del McCoury, Nathan Jacques, Lorin Hart, Cole Gallagher, The Lonesome Captain, Trent Summar & The New Row MobIn This Episode, We Discuss:Musical Journey and CareerLive Event Recording JourneyJourney From Performer to ProducerIndependent Artist Budget ChallengesManaging Budgets in Independent BandsMusic Industry Evolution and StrategyInspiration and Approaches in WorkIndependent Artists and Audio ProfessionalsImmersive Audio Formats and MusicLinks and Show Notes:Ed's StudioMatt's Rant: Revisiting CommunityCredits:Guest: Ed DonnellyHost/Engineer/Producer: Matt BoudreauEditing: Anne-Marie PleauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes back mastering engineer Maor Appelbaum (originally on WCA #062)to discuss his career, his approach to mastering across genres, and how he adapts to new technology. Maor has worked on projects for artists such as Faith No More, Yes, and Meat Loaf.In This Episode, We Discuss:Genre-specific mastering approachesCreating and collaborating on new analog hardwareStrategies for effective client communicationBuilding and maintaining long-term professional relationshipsThe value of being part of a collaborative team in the audio processLinks and Show Notes:Maor Appelbaum MasteringWCA #062 with Maor AppelbaumMatt's Rant: The Value of Independent ClientsCredits:Guest: Maor AppelbaumHost/Engineer/Producer: Matt BoudreauEditing: Anne-Marie PleauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt reconnects with engineer and studio owner Jeremy Goody, who was last featured in Episode 85. Jeremy has worked on VO projects for Microsoft, Nuance, Google, Seasonal Visions, and music projects for John Santos, Anticon, and Winfred E. Eye.In This Episode, We Discuss:Studio RebrandingBattling Cell TowersBuilding Faraday CagesShifting to Voice RecordingPodcastingLinks and Show Notes:Jeremy's Studio25th Street RecordingJohn Vanderslice on WCAAdobe Podcast ToolsNeutrik EMC SeriesFilmic Double TakeEssentialism on Audible (I really like this one)The Compound Effect on AudibleSwitch on AudibleDay Trading Attention on AudibleCredits:Guest: Jeremy GoodyHost/Engineer/Producer: Matt BoudreauEditing: Anne-Marie PleauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt reconnects with Grammy-winning producer and engineer J.J. Blair, last featured in Episode 96. J.J. shares the challenges of building a state-of-the-art recording studio in the Hollywood Hills and offers insights from his popular "Microphone Mondays" series. He also opens up about his recent heart surgery and recovery, emphasizing the importance of prioritizing health in a demanding profession.J.J.'s impressive credits include producing and mixing the Grammy-winning album Press On by June Carter Cash, engineering Rod Stewart's Grammy-winning and #1 Billboard album The Great American Songbook, Vol. 3, and engineering and mixing Joanna Connor's #1 Billboard Blues album, 4801 South Indiana Avenue.In This Episode, We Discuss:"Microphone Mondays" seriesBuilding a state-of-the-art recording studioAcoustic design, soundproofing, and the science of great studio environmentsIncorporating vintage and modern gear, including a custom Rupert Neve consoleAdapting production techniques for genres from Motown to modern rockReflections on heart surgery, health, and maintaining resilience in the industryThe importance of studying hit productions and what makes songs stand outJ.J.'s experience with social media success and connecting with audiencesLinks and Show Notes:J.J. on InstagramJ.J.'s WebsiteCredits:Guest: J.J. BlairHost: Matt BoudreauEngineer: Matt BoudreauProducer: Matt BoudreauEditing: Anne-Marie PleauWCA Theme Music: Cliff Truesdell

In this episode of Working Class Audio, Matt talks with Paul "Willie Green" Womack, a producer, engineer, and professor based in Brooklyn, NY. With nearly two decades of experience, Willie shares his passion for hip-hop production, teaching, and building meaningful connections in the studio. Having worked with renowned artists such as Armand Hammer, The Roots, The Alchemist, and Wiz Khalifa, Willie provides an insider's perspective on balancing artistry with the technical demands of audio production.In This Episode, We Discuss:Teaching Hip-Hop History and Vocal ProductionRemote Education and In-Person DynamicsBuilding a Studio in BrooklynMentoring Upcoming ArtistsBridging Creativity and Technical ExpertiseThe Role of Community in Creative SpacesBalancing Work and Passion ProjectsThe Unique Challenges of Teaching During COVIDWillie's Journey from Engineer to EducatorMatt's Rant: Blank SpacesLinks and Show Notes:Willie Green's WebsiteCredits:Guest: Paul "Willie Green" WomackHost: Matt BoudreauEngineer: Matt BoudreauProducer: Matt BoudreauEditing: Anne-Marie PleauWCA Theme Music: Cliff Truesdell

In this episode of Working Class Audio, Matt discusses Julie Kahryns extensive experience in the music industry as a producer, sound designer, composer, and educator. With a background spanning from criminal justice to a full-time music career, Julie has worked on a wide range of projects, including crafting unique audio samples for top software companies such as Ableton, Output, Cherry Audio, Splice, and Bandlab, as well as supervising music for films, and composing original scores.In This Episode, We Discuss:Career Shift From JusticeRoles: Producer, Composer, DesignerTeaching at Berklee NYCEarly Music InfluencesMentor Tony Conniff's GuidanceLearning Logic ProIncome From SamplesFilm Music SupervisionBalancing Creativity and BusinessParenthood's Career ImpactBuilding Artist ConfidenceCollaborative Mixing WorkIncome DiversificationInfluences: Brian Eno, Laurie AndersonFilm Scoring TechniquesMatt's Rant: Your HealthLinks and Show Notes:Julie's Site (iamsnowangel.com)Credits:Guest: Julie KathrynHost: Matt BoudreauEngineer: Matt BoudreauProducer: Matt BoudreauEditing: Anne-Marie PleauWCA Theme Music: Cliff Truesdell

In this episode, Matt talks with Will Holland, owner of Chill House, a 2,000-square-foot studio in Charlestown, Massachusetts. Will has worked with acts like SeepeopleS, Club d'Elf, Nth Power, Berklee, and the Lowell Chamber Orchestra.In This Episode, We Discuss:Chill House Studio Location2,000 Square Feet SpaceMultiple Studio RoomsLocal, Mid-Level ClientsWill's Boston BeginningsInternship Turned CareerOwnership Advantages DiscussedLow Overhead EmphasizedWord-of-Mouth MarketingWork-Life Balance FocusFuture Relocation PossibleClassic Rock InfluenceStaying YoungSetting RatesMatt's Rant: Following Up!Links and Show Notes:Will's StudioCredits:Guest: Will HollandHost: Matt BoudreauEngineer: Matt BoudreauProducer: Matt BoudreauEditing: Anne-Marie PleauWCA Theme Music: Cliff Truesdell