New Books in Folklore

Dr Catherine Bateson is Associate Lecturer of American History at the University of Kent. She researches and writes about the role of song in the American Civil War, the sentiments ballads reveal about conflict experiences (especially for Irish Americans) and the culture of transnational music in mid-nineteenth century America. She has also written about aspects of retreat, enemy encounters, and home-front identity as articulated in American Civil War songs, and the role of music and song in military history more broadly. Dr Bateson is the co-founder of the War Through Other Stuff Society, former Vice-Chair of the Scottish Association for the Study of America and is currently Associate Editor of the Irish in the American Civil War website project.In this interview she discusses her new book, Irish American Civil War Songs: Identity, Loyalty, and Nationhood (Louisiana State University Press, 2022)Irish-born and Irish-descended soldiers and sailors were involved in every major engagement of the American Civil War. Throughout the conflict, they shared their wartime experiences through songs and song lyrics, leaving behind a vast trove of ballads in songbooks, letters, newspaper publications, wartime diaries, and other accounts. Taken together, these songs and lyrics offer an underappreciated source of contemporary feelings and opinions about the war. Irish American Civil War Songs provides the first in-depth exploration of Irish Americans’ use of balladry to portray and comment on virtually every aspect of the war as witnessed by the Irish on the front line and home front. Bateson considers the lyrics, themes, and sentiments of wartime songs produced in America but often originating with those born across the Atlantic in Ireland and Britain. Her analysis gives new insight into views held by the Irish migrant diaspora about the conflict and the ways those of Irish descent identified with and fought to defend their adopted homeland. Bateson’s investigation of Irish American song lyrics within the context of broader wartime experiences enhances our understanding of the Irish contribution to the American Civil War. At the same time, it demonstrates how Irish songs shaped many American balladry traditions as they laid the foundation of the Civil War’s musical soundscape.Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

The Music of the United States of America Series of musical editions is a monumental undertaking funded by the National Endowment for the Humanities with financial and organizational support from the University of Michigan, the American Musicological Society, the Society of American Music, and A-R Editions. The aim of the MUSA series, as it is called, is to provide expertly researched and edited scores of music from a wide variety of musical traditions performed in the United States. The thirty-second volume of the MUSA series is An American Singing Heritage: Songs from the British-Irish-American Oral Tradition as Recorded in the Early Twentieth Century published by A-R Editions in 2021 and edited by the Anne Dhu McLucas, Norm Cohen, and Carson Cohen. Dr. McLucas passed away before the edition was completed and Carson stepped in to complete the project with his father Norm. This collection of one hundred songs is a record of a fundamental repertoire in American music. Brought to this country by colonists, the folk songs became one of the foundations of the genre that early record executives called hillbilly music which was eventually rebranded as country music. Each entry has extensive notes explaining the piece’s background and text, information about the recording used for the musical transcription, and a list of secondary sources that discuss the song. An American Singing Heritage required the editors to sift through thousands of recordings and songs to pick a representative sample of this large and fascinating repertoire. The editors selected sources for transcriptions in a broad range of singing styles and representing many regions of the United States. The selections attempt to avoid the biases of previous collections and provide a fresh group of examples, many heretofore unseen in print. The sources for the transcriptions are recordings of traditional musicians from the 1920s through the early 1940s drawn from commercial recordings of "hillbilly" musicians, and field recordings in the collection of the Library of Congress’s Archive of American Folk Song, now part of the Archive of Folk Culture. The American Musicological Society awarded the collection the 2022 Claude V. Palisca Award for an Outstanding Edition.Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

Eugenia Roussou's book Orthodox Christianity, New Age Spirituality and Vernacular Religion: The 'Evil Eye' in Greece (Bloomsbury, 2021) thoroughly illustrates the novel synthesis of Christian religion and New Age spirituality in Greece. It challenges the single-faith approach that traditionally ties southern European countries to Christianity and focuses on how processes of globalization influence and transform vernacular religiosity.Based on long-term anthropological fieldwork in Greece, this book demonstrates how the popular belief in the ‘evil eye’ produces a creative affinity between religion and spirituality in everyday practice. It contributes to current key debates in social sciences concerning globalization and secularization, religious pluralism, contemporary spirituality and the New Age movement, gender, power and the body, health, illness, and alternative therapeutic systems, senses, perception and the supernatural, the spiritual marketplace, creativity and the individualization of religion in a multicultural world.Tiatemsu Longkumer is a Ph.D. scholar working on ‘Anthropology of Religion’ at North-Eastern Hill University, Shillong: India. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

In the twenty-first century, American culture is experiencing a profound shift toward pluralism and secularization. In Fairy Tales in Contemporary American Culture: How We Hate to Love Them (Lexington Books, 2021), Kate Christina Moore Koppy argues that the increasing popularity and presence of fairy tales within American culture is both indicative of and contributing to this shift. By analyzing contemporary fairy tale texts as both new versions in a particular tale type and as wholly new fairy-tale pastiches, Koppy shows that fairy tales have become a key part of American secular scripture, a corpus of shared stories that work to maintain a sense of community among diverse audiences in the United States, as much as biblical scripture and associated texts used to.In this interview with New Books Network, author Kate Koppy and host Carmen Gomez-Galisteo talk about Fairy Tales in Contemporary American Culture: How We Hate to Love Them and how they are relevant in today’s society, despite some parents’ and educators’ misgivings that they may instill traditional, outdated values into children. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

In 1818, the East India Company defeated the Maratha confederacy, acquiring vast domains in central and western India. Through coercion if not outright violence, the Company transformed many aspects of India's social, economic, and cultural landscape. This book charts one such shifting landscape-Marathi language literary culture-in order to expand the field of world and comparative literature. Kedar A. Kulkarni describes the way Marathi literary culture, entrenched in performative modes of production and reception, especially balladry and epic storytelling, saw the germination of a robust, script-centric dramatic culture, owing to colonial networks of literary exchange and the newfound wide availability of print technology. However, the process was far from a simple mutation of genre. He demonstrates the upheaval that literary culture underwent as a new class of literati emerged: anthologists, critics, theatre makers, publishers, translators, among many others. And, these people also participated in a global conversation that left its mark on theory in the twentieth century. Ultimately, World Literature and the Question of Genre in Colonial India: Poetry, Drama, and Print Culture 1790-1890 (Bloomsbury, 2022) situates Marathi literature within contemporary world literature studies and critiques “eurochronology”- the perceived backwardness of colonial and postcolonial locales when compared with literatures produced in Euro-American metropoles. Reading through archives and ephemera, it demonstrates that literary cultures in colonized locales converged with and participated fully in key defining moments of world literature, but also diverged from them to create, simultaneously, a unique literary modernity.Dr. Kedar A. Kulkarni teaches at FLAME University, Pune.Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

Annie Pfeifer, Assistant Professor of Germanic Languages at Columbia University, dives into the dark and rich histories of Grimms' Fairy Tales. She highlights how these stories evolved from oral folklore to literature, preserving culture amid societal shifts. Pfeifer discusses the themes of precarity and abandonment that echo the brothers' own childhood struggles, reflecting the complexities of their era. The episode also showcases the tales' role in children's education and their adaptation into modern narratives, revealing their enduring relevance.

In The Folk: Music, Modernity, and the Political Imagination (U California Press, 2021), Ross Cole revisits the remarkable upswell of interest in folk songs in fin de siècle Britain and America. While the work of folk collectors such as John Lomax, Cecil Sharp and Hubert Parry seems primarily about the preservation of premodern musical cultures, Cole suggests that the anxieties about the disappearance of these traditions were inseparable from – and constitutive of – a critique of industrial modernity. That is, the preoccupation with folk culture in this period was as much about discontent with the present and imagining new visions for the future as it was motivated by a socio-historical interest in the vernacular musics of the past. Cole shows how the desire for ‘folk culture’ actually occluded the messy, hybrid reality of vernacular music making, and the lives of those who made it, as a result.Cole makes the compelling case that what he calls the ‘folkloric imagination’ is shot through with a twinned politics of nostalgia and utopia, with both radical and reactionary elements lying just beneath the surface. The Folk traces how the invention of folk song by the collectors of the late 19th and early 20th Century was tightly bound up with contentious questions of race, nation, and empire that would come to an ugly head with the advent of fascism. By pursuing these threads into the present day, Cole shows how the same tensions continue to permeate the use and abuse of ‘the folk’ in contemporary political culture.Dr Ross Cole is Lecturer in Popular Music at the University of Leeds.Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

Barack Obama and his family have been the objects of rumors, legends, and conspiracy theories unprecedented in US politics. Outbreaks of anti-Obama lore have occurred in every national election cycle since 2004 and continue to the present day--two elections after his presidency ended. In Trash Talk: Anti-Obama Lore and Race in the Twenty-First Century (U California Press, 2022), folklorist Patricia A. Turner examines how these thought patterns have grown ever more vitriolic and persistent and what this means for American political culture.Through the lens of attacks on Obama, Trash Talk explores how racist tropes circulate and gain currency. As internet communications expand in reach, rumors and conspiracy theories have become powerful political tools, and new types of lore like the hoax and fake news have taken root. The mainstream press and political establishment dismissed anti-Obama mythology for years, registering concern only when it became difficult to deny how much power those who circulated it could command. Trash Talk demonstrates that the ascendancy of Barack Obama was never a signal of a postracial America. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

Even if the term "Serial Killer" wasn’t coined until the end of the 20th century, the practice of multiple murder has followed humanity through the ages. In Monsters and Monarchs: Serial Killers in Classical Myth and History (U Texas Press, 2021), professor Debbie Felton digs deep into the sources to demonstrate instances of what we might recognize as serial killers in antiquity, from myth to Imperial Rome to rhetorical exercises and maybe even on our small screens at home. Tracing these gruesome lineages, she exposes examples of these “types” of criminals through history, including more recognizable names like Jack the Ripper and Jeffrey Dahmer. What is mirrored are the characteristics we recognize as multiple homicidal psychopathy within ancient history and myth. This book is a complex and fascinating interweave of classical myth, ancient history, and true crime as manifesting in both our modern imaginations and those of generations past.Liz Barrett is a History PhD student Lehigh University, a CSA Farmer, mother of 3, and veteran of the USMC. She lives in suburban Philadelphia where she reads and writes a lot, and really, really likes old stuff. On Twitter: @lizcantlose. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

Michael Slouber's Early Tantric Medicine: Snakebite, Mantras, and Healing in the Garuda Tantras (Oxford UP, 2016) looks at a traditional medical system that flourished over 1,000 years ago in India. The volume brings to life this rich tradition in which knowledge and faith are harnessed in complex visualizations accompanied by secret mantras to an array of gods and goddesses; this religious system is combined with herbal medicine and a fascinating mixof lore on snakes, astrology, and healing. The book's appendices include an accurate, yet readable translation of ten chapters of the most significant Tantric medical text to be recovered: the Kriyakalagunottara.Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore