Studs Terkel is considered by many to be a patron saint of documentary radio journalism. It's been 15 years since his death. On this archive episode of Sound School from 2012, Rob talks to Syd Lewis who worked with Studs for 25 years. The show also includes a lengthy excerpt from "Working With Studs," a Transom Radio Special produced by Syd, Jay Allison, and Viki Merrick.  

Rob acts as a story DJ, featuring excerpts from pleasing podcasts. Topics include Hurricane Watch Network, Clarence Thomas's beliefs and influence, adoption and forced adoptions, craftsmanship and podcast release schedules, and the profound connection between people and their treasured belongings.

Isaac Kestenbaum, director of the Salt Institute for Documentary Studies, celebrates Salt's 50th anniversary. They discuss the impact and success of Salt grads, the Pathways philosophy, and the origins of 'Salt' magazine. They also reflect on growing up with a sibling with autism and share updates on loved ones with autism.

This year's Third Coast Festival winners and finalists produced incredible work. It got us thinking about winners from previous years. So, we dug up this fantastic interview with Rachel Matlow who won a "Best New Producer" award in 2016 for their thoughtful and creative story "Dead Mom Talking."

This podcast explores the progress of a comedy podcast called Bird Talk, discussing the challenges faced during launch, show development, and misconceptions about birds. It also delves into attraction, openness, and challenges in relationships, as well as the financial challenges of podcast creation.

Rebecca Hersher, a climate science reporter at NPR, offers excellent tips on reporting on climate change. But, at the heart of Rob's interview with her is something more philosophical: the role of hope in climate change reporting. 

Summer means cicadas. Those crackly, buzzy bugs that drone and drone in the heat like a live electrical wire spewing sparks. Mair Bosworth and Fiona Benson took that sound and crafted "Magicicada," a stunning "sound poem," as they called it, marrying Mair's stellar recordings and sound design and Fiona's nuanced poetry. 

Get your headphones on for this episode! Rob dives into three remarkable examples of scoring. He features examples from the Serial/NYT series "The Retrievals," scored by Phoebe Wang, "My Mother Made Me" from PRX's Radiotopia Presents scored by Ian Coss, and The Atlantic's "Holy Week," scored by David Herman.

Rob's a fan of the "radio art" style of audio storytelling from Europe but often, after listening, he finds himself scratching his head. "What was that about?!" He wonders if the problem isn't the storytelling but his American ears and the way he listens. Alan Hall, of Falling Tree, the English production company, helps him listen in a new way. 

No matter how good you are recording in the field, you're going to encounter challenges. Rob Byers does an incredible job explaining how to avoid and fix those problems on this archive episode of Sound School from 2017. At the time, Rob worked at NPR. He's now the Technical Director at Criminal. His recording tips are invaluable. And so are the resources we used on the episode from NPR's  "Ear Training Guide for Audio Producers.”  You'll make better recordings after listening to this episode.