The MIT Press Podcast

The effort to destroy facts and make America ungovernable didn't come out of nowhere. It is the culmination of seventy years of strategic denialism. In On Disinformation: How to Fight for Truth and Protect Democracy (MIT Press, 2023), Lee McIntyre shows how the war on facts began, and how ordinary citizens can fight back against the scourge of disinformation that is now threatening the very fabric of our society. Drawing on his twenty years of experience as a scholar of science denial, McIntyre explains how autocrats wield disinformation to manipulate a populace and deny obvious realities, why the best way to combat disinformation is to disrupt its spread, and most importantly, how we can win the war on truth.McIntyre takes readers through the history of strategic denialism to show how we arrived at this precarious political moment and identifies the creators, amplifiers, and believers of disinformation. Along the way, he also demonstrates how today's "reality denial" follows the same flawed blueprint of the "five steps of science denial" used by climate deniers and anti-vaxxers; shows how Trump has emulated disinformation tactics created by Russian and Soviet intelligence dating back to the 1920s; provides interviews with leading experts on information warfare, counterterrorism, and political extremism; and spells out the need for algorithmic transparency from Facebook, Twitter, and YouTube. On Disinformation lays out ten everyday practical steps that we can take as ordinary citizens--from resisting polarization to pressuring our Congresspeople to regulate social media--as well as the important steps our government (if we elect the right leaders) must take.Compact, easy-to-read (and then pass on to a friend), and never more urgent, On Disinformation does nothing less than empower us with the tools and knowledge needed to save our republic from autocracy before it is too late.Emanuel Stoakes is a freelance journalist and researcher. Bylines in a range of international outlets including The NY Times, The Washington Post, NBC digital, The Guardian, The Independent etc. Spinoff and Newsroom in Aotearoa New Zealand. TV production work with Al Jazeera, VICE, ABC Australia, ARD (Germany), ARTE and others.

David B. Nieborg and Maxwell Foxman discuss the history of game journalism and its influence on the industry. They explore the challenges in mainstreaming the gaming industry, including broader media coverage, ludic literacy, and cultural legitimacy. The podcast also examines the potential of video game essays as a medium and the rise of political commentators on Twitch.

A provocative investigation of the future of photography and human perception in the age of AI. The podcast explores the relationship between human and machine vision, the impact of generative AI on creative professions, and the determination of value in media art. It also delves into the societal impacts of the perception machine, including algorithmic surveillance, biases perpetuated by machine vision, and the political and socio-political aspects of photography. The podcast concludes by exploring the shift towards an image-based culture and living in a future shaped by images.

Based on twelve years of anthropological exploration, Vincent Ialenti'sDeep Time Reckoning: How Future Thinking Can Help Earth Now (MIT Press, 2020) is an engaging guide on deep time learning to reorient our understanding of time and space. As each chapter begins with creative vignettes to capture the reader's imagination and empathy and concludes with five to six reflective "reckonings," the book focuses on Finland's nuclear waste experts whose daily lives revolve around considerations of the far-flung futures and deep pasts. The main goal of chapters one and two is to pursue independent, expert-inspired, long-termist learning. The book's second goal, captured in chapters three and four, is to encourage support for highly trained, too often ignored, long-termist experts. By combating the deflation of expertise by weaving together chains of generational knowledge, Deep Time Reckoning advocates for one route of spirited and adventurous learning to rescue hopes of a safe tomorrow from the Earth's current ecological death spiral.Sarah Newman (@newmantropologa) is an archaeologist and Assistant Professor of Anthropology at the University of Chicago. Her research explores long-term human-environmental interactions, including questions of waste and reuse, processes of landscape transformation, and relationships between humans and other animals.

Today I talked to Nettrice R. Gaskins about Techno-Vernacular Creativity and Innovation: Culturally Relevant Making Inside and Outside of the Classroom (MIT Press, 2021).The growing maker movement in education has become an integral part of both STEM and STEAM learning, tapping into the natural DIY inclinations of creative people as well as the educational power of inventing or making things. And yet African American, Latino/a American, and Indigenous people are underrepresented in maker culture and education. In this book, Nettrice Gaskins proposes a novel approach to STEAM learning that engages students from historically marginalized communities in culturally relevant and inclusive maker education. Techno-vernacular creativity (TVC) connects technical literacy, equity, and culture, encompassing creative innovations produced by ethnic groups that are often overlooked.TVC uses three main modes of activity: reappropriation, remixing, and improvisation. Gaskins looks at each of the three modes in turn, guiding readers from research into practice. Drawing on real-world examples, she shows how TVC creates dynamic learning environments where underrepresented ethnic students feel that they belong. Students who remix computationally, for instance, have larger toolkits of computational skills with which to connect cultural practices to STEAM subjects; reappropriation offers a way to navigate cultural repertoires; improvisation is firmly rooted in cultural and creative practices. Finally, Gaskins explores an equity-oriented approach that makes a distinction between conventional or dominant pedagogical approaches and culturally relevant or responsive making methods and practices. She describes TVC habits of mind and suggests methods of instructions and projects.Mentioned in this episode: “Underwater Dreams,” 2014 film directed by Mary Mazzio Dr. Gaskins’ collages, generative AI portrait of Greg Tate, links to Romare Bearden, and more Nettrice Gaskins is an African American digital artist, academic, cultural critic and advocate of STEAM fields. She is currently the assistant director of the STEAM Learning Lab at Lesley University in Cambridge, MA. Liliana Gil is Assistant Professor of Comparative Studies (STS) at the Ohio State University.

Christopher E. Mason, a clinical geneticist and researcher, discusses the impact of predictive algorithms in various aspects of our lives, from genetics in space exploration to influencing beliefs and social media. The podcast also explores the challenges of disinformation and the implications of AI prediction techniques on free will.

Paola Cecchi-Dimeglio, an expert in diversity, equity, and inclusion efforts, discusses the economic perspective of diversity and its multiplier effect. She explores the distinction between mentorship and sponsorship and highlights the importance of networking and diversity. The podcast also addresses non-rewarded tasks and career growth, the negative impact of COVID-19 on women and underrepresented individuals in the workforce, and the role of leaders in creating a culture of unity.

Infrastructure is essential to defining how the public functions, yet there is little public knowledge regarding why and how it became today's strongest global force over government and individual lives. Who should build and maintain infrastructures? How are they to be protected? And why are they all in such bad shape? In Lifelines of our Society: A Global History of Infrastructure (MIT Press, 2023), Dr. Dirk van Laak offers broad audiences a history of global infrastructures—focused on Western societies, over the past two hundred years—that considers all their many paradoxes. He illustrates three aspects of infrastructure: their development, their influence on nation building and colonialism, and finally, how individuals internalise infrastructure and increasingly become not only its user but regulator.Beginning with public works, infrastructure in the nineteenth century carried the hope that it would facilitate world peace. Dr. van Laak shows how, instead, it transformed to promote consumerism's individual freedoms and our notions of work, leisure, and fulfilment. Lifelines of Our Society reveals how today's infrastructure is both a source and a reflection of concentrated power and economic growth, which takes the form of cities under permanent construction. Symbols of power, Dr. van Laak describes, come with vulnerability, and this book illustrates the dual nature of infrastructure's potential to hold nostalgia and inspire fear, to ease movement and govern ideas, and to bring independence to the nuclear family and control governments of the Global South.  This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Shortlisted for the 2023 Lumen Prize, Kat Mustatea's Voidopolis (MIT Press, 2023) is a hybrid digital artistic and literary project in the form of an augmented reality book, which retells Dante's Inferno as if it were set in pandemic-ravaged New York City.Voidopolis is a digital performance about loss and memory presented as an augmented reality (AR) book with a limited lifespan. The book loosely retells the story of Dante's Inferno as if it were the dystopic experience of wandering through New York City during the pandemic; instead of Virgil, however, the narrator is guided through this modern hellscape by a caustic hobo named Nikita.Voidopolis is meant to culminate in loss. It features images that are created by digitally “wiping” humans from stock photography and text that is generated without the letter “e”—in homage to Oulipo author Georges Perec's A Void, a 300-page novel written entirely without the letter—by using a modified GPT-2 text generator. The book, adapted from a series of Instagram posts that were ultimately deleted, is likewise designed to disappear: its garbled pages can only be deciphered with an AR app, and they decay at the same rate over a period of one year, after which the decay process restarts and begins again. At the end of this decay cycle, only the printed book, with its unintelligible pages, remains. Each July 1, the date the project first started on Instagram, the book resets again, beginning anew the cycle of its own vanishing.A first-of-its-kind augmented reality book from a major university press, Voidopolis is a unique and deeply affecting artwork that speaks as much to our existential moment as it does to the fragility of experience, reality, and our connection to one another.A guide to reading Voidopolis can be found here. 

Guest Gabriella Giannachi traces the evolution of the archive into the apparatus through which we map the everyday. She explores diverse archival practices and platforms, including Lynn Hershman Leeson's War Project and participatory archiving. Archives are seen as laboratories of memory production, shaping identities and preserving voids and absences. The podcast also discusses the role of archives in triggering positive memories in healthcare settings and explores technologies of self-portrait and ecosystems for self-production.