Jackie Wang is a poet, scholar, multimedia artist, and Assistant Professor of American Studies and Ethnicity at the University of Southern California. She is the author of the poetry collection The Sunflower Cast a Spell to Save Us from the Void (2021), which was a finalist for the National Book Award; the critical essay collection Carceral Capitalism (Semiotext(e), 2018); and the chapbooks The Twitter Hive Mind Is Dreaming (2018) and Tiny Spelunker of the Oneiro-Womb (2016). Her research is on racial capitalism, surveillance technology, and the political economy of prisons and police.Alien Daughters Walk into the Sun: An Almanac of Extreme Girlhood (Semiotext(e), 2023) features the early writings of Jackie Wang, drawn from her early zines, indie-lit crit, and prolific early 2000s blog. Compiled as a field guide, travelogue, essay collection, and weather report, Alien Daughters Walk into the Sun traces Jackie Wang’s trajectory from hard femme to Harvard, from dumpster dives and highway bike rides to dropping out of an MFA program, becoming a National Book Award finalist, and writing her trenchant book Carceral Capitalism. Alien Daughters charts the dream-seeking misadventures of an “odd girl” from Florida who emerged from punk houses and early Tumblr to become the powerful writer she is today. Anarchic and beautifully personal, Alien Daughters is a strange intellectual autobiography that demonstrates Wang's singular self-education: an early life lived where every day and every written word began like the Tarot’s Fool, with a leap of faith.

Why the world needs less AI and better programming languages. Decades ago, we believed that robots and computers would take over all the boring jobs and drudgery, leaving humans to a life of leisure. This hasn’t happened. Instead, humans are still doing boring jobs, and even worse, AI researchers have built technology that is creative, self-aware, and emotional—doing the tasks humans were supposed to enjoy. How did we get here? In Moral Codes: Designing Alternatives to AI (MIT Press, 2024), Alan Blackwell argues that there is a fundamental flaw in the research agenda of AI. What humanity needs, Blackwell argues, is better ways to tell computers what we want them to do, with new and better programming languages: More Open Representations, Access to Learning, and Control Over Digital Expression, in other words, MORAL CODE. Blackwell draws on his deep experiences as a programming language designer—which he has been doing since 1983—to unpack fundamental principles of interaction design and explain their technical relationship to ideas of creativity and fairness. Taking aim at software that constrains our conversations with strict word counts or infantilizes human interaction with likes and emojis, Blackwell shows how to design software that is better—not more efficient or more profitable, but better for society and better for all people. Covering recent research and the latest smart tools, Blackwell offers rich design principles for a better kind of software—and a better kind of world.Alan F. Blackwell is Professor of Interdisciplinary Design in the Cambridge University department of Computer Science and Technology. He is a Fellow of Darwin College Cambridge, cofounder with David Good of the Crucible Network for Research in Interdisciplinary Design, and with David and Lara Allen the Global Challenges strategic research initiative of the University of Cambridge.Dr. Michael LaMagna is the Information Literacy Program & Library Services Coordinator and Professor of Library Services at Delaware County Community College.

An expressive book of prose and photographs that reveals the powerful ways our everyday places support our shared belonging. Where would you take someone on a guided tour of your neighborhood? In The Cities We Need: Essential Stories of Everyday Places (MIT Press, 2024), photographer and urbanist Gabrielle Bendiner-Viani introduces us to the complex, political, and eminently personable stories of residents who answered this question in Brooklyn, New York, and Oakland, California. Their universal stories and Bendiner-Viani’s evocative images illuminate what’s at stake in our everyday places—from diners to churches to donut shops. In this culmination of two decades of research and art practice, Bendiner-Viani intertwines the personal, historical, and photographic to present us with placework, the way that unassuming places foster a sense of belonging and, in fact, do the essential work of helping us become communities. In this unique book, Bendiner-Viani makes visible how seemingly unimportant places can lay the foundation for a functional interconnected society, so necessary for both public health and social justice. The Cities We Need explores both what we gain in these spaces and what we risk losing as they are threatened by gentrification, large-scale development, and most recently the COVID-19 pandemic. Ultimately, Bendiner-Viani shows us how to understand ourselves as part of a shared society, with a shared fate; she shows us that everyday places can be the spaces of liberation in which we can build the cities we need.Gabrielle Bendiner-Viani is a visual urbanist and cofounder of the interdisciplinary studio Buscada. She is the author of Contested City, a finalist and honoree for the Brendan Gill Prize. A widely exhibited photographer, she holds a doctorate in environmental psychology from the Graduate Center, CUNY.Caleb Zakarin is editor at the New Books Network.

What is it about Times Square that has inspired such attention for well over a century? And how is it that, despite its many changes of character, the place has maintained a unique hold on our collective imagination? In Times Square Remade: The Dynamics of Urban Change (MIT Press, 2023), which comes twenty years after her widely acclaimed Times Square Roulette, Dr. Lynne Sagalyn masterfully tells the story of profound urban change over decades in the symbolic space that is New York City's Times Square. Drawing on the history, sociology, and political economy of the place, Times Square Remade examines how the public-private transformation of 42nd Street at Times Square impacted the entertainment district and adjacent neighbourhoods, particularly Hell's Kitchen.Dr. Sagalyn chronicles the earliest halcyon days of 42nd Street and Times Square as the nexus of speculation and competitive theatre building as well as its darkest days as vice central, and on to the years of aggressive government intervention to cleanse West 42nd Street of pornography and crime. Thematically, the author analyses the three main forces that have shaped and reshaped Times Square—theatre, real estate, and pornography—and explains the politics and economics of what got built and what has been restored or preserved.Accompanied by nearly 160 images, more than half in colour, Times Square Remade is a deftly woven narrative of urban transformation that will appeal as much to the general reader and New York City enthusiast as to urbanists, city planners, architects, urban designers, and policymakers.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Why do we assume that computers always get it right?Today’s book is: Artificial Unintelligence: How Computers Misunderstand the World (MIT Press, 2019), in which Professor Meredith Broussard argues that our collective enthusiasm for applying computer technology to every aspect of life has resulted in a tremendous amount of poorly designed systems. We are so eager to do everything digitally—hiring, driving, paying bills, even choosing romantic partners—that we have stopped demanding that our technology actually work. Broussard, a software developer and journalist, reminds us that there are fundamental limits to what we can (and should) do with technology. With this book, she offers a guide to understanding the inner workings and outer limits of technology—and issues a warning that we should never assume that computers always get things right. Making a case against technochauvinism—the belief that technology is always the solution—Broussard argues that it's just not true that social problems would inevitably retreat before a digitally enabled Utopia. To prove her point, she undertakes a series of adventures in computer programming. She goes for an alarming ride in a driverless car, concluding “the cyborg future is not coming any time soon”; uses artificial intelligence to investigate why students can't pass standardized tests; deploys machine learning to predict which passengers survived the Titanic disaster; and attempts to repair the U.S. campaign finance system by building AI software. If we understand the limits of what we can do with technology, Broussard tells us, we can make better choices about what we should do with it to make the world better for everyone.Our guest is: Professor Meredith Broussard, who is Associate Professor at the Arthur L. Carter Journalism Institute of New York University and Research Director at the NYU Alliance for Public Interest Technology. She is the author of Artificial Unintelligence, and of More Than A Glitch. Her work has been featured in the New Yorker, the New York Times, the Atlantic, the Economist, and more. She appears in the 2020 documentary Coded Bias and serves on the advisory board for the Center forOur host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell (and why) and what happens to those we never tell.For listeners who want to learn more:More Than A GlitchWelcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here.

When three people in Philadelphia inhale dust developed by a scientist who has discovered parallel universes, they are transported into an interdimensional no-man's-land that is populated by supernatural beings. From there, they go on to an alternate-future version of Philadelphia—a frightening dystopian nation-state in which citizens are numbered, not named. How will they escape? In The Heads of Cerberus and Other Stories (MIT Press, 2024), introduced by Dr. Lisa Yaszek, you will find this world-bending story as well as five others written by Francis Stevens, the pseudonym of Gertrude Barrows Bennett, a pioneering science fiction and fantasy adventure writer from Minneapolis who made her literary debut at the precocious age of 17.Often celebrated as “the woman who invented dark fantasy,” Bennett possessed incredible range; her groundbreaking stories—produced largely between 1904 and 1919—suggest that she is better understood as the mother of modern genre fiction writ large. Bennett's work has anticipated everything from the work of Philip K. Dick to Superman comics to The Hunger Games, making it as relevant now as it ever was.Francis Stevens (Gertrude Barrows Bennett, 1884-1948) was the first American woman to publish widely in fantasy and science fiction. Her five short stories and seven longer works of fiction, all of which appeared in pulp magazines such as Argosy, All-Story Weekly, and Weird Tales, would influence everyone from H.P Lovecraft to C.L. Moore.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Our universe might appear chaotic, but deep down it's simply a myriad of rules working independently to create patterns of action, force, and consequence. In Ten Patterns That Explain the Universe (MIT Press, 2021), Brian Clegg explores the phenomena that make up the very fabric of our world by examining ten essential sequenced systems. From diagrams that show the deep relationships between space and time to the quantum behaviors that rule the way that matter and light interact, Clegg shows how these patterns provide a unique view of the physical world and its fundamental workings.Guiding readers on a tour of our world and the universe beyond, Clegg describes the cosmic microwave background, sometimes called the "echo of the big bang," and how it offers clues to the universe's beginnings; the diagrams that illustrate Einstein's revelation of the intertwined nature of space and time; the particle trail patterns revealed by the Large Hadron Collider and other accelerators; and the simple-looking patterns that predict quantum behavior (and decorated Richard Feynman's van). Clegg explains how the periodic table reflects the underlying pattern of the configuration of atoms, discusses the power of the number line, demonstrates the explanatory uses of tree diagrams, and more.Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch.

Peoples & Things host, Lee Vinsel, talks to Cyrus Mody, Professor in the History of Science, Technology, and Innovation and Director of the STS Program at Maastricht University, about his book, The Squares: US Physical and Engineering Scientists in the Long 1970s (MIT Press, 2022). Many narratives about contemporary technologies, especially digital computing and the Internet, focus on the influences of 1960s counter-cultures. In _The Squares_, Mody takes the opposite approach and asks how square, non-counter-cultural scientists and engineers reacted to their changing environments in the 1970s. Vinsel and Mody also talk about what this story may suggest about current efforts to refocus STEM education on “values.” The pair also discuss how, over the course of his career, Mody has continually used a set of historical actors he knows a great deal about to examine different historical themes and questions. Finally, they discuss Mody’s current projects and where he is headed.

In The People of the Ruins (originally published in 1920), Edward Shanks imagines England in the not-so-distant future as a neo mediaeval society whose inhabitants have forgotten how to build or operate machinery. Jeremy Tuft is a physics instructor and former artillery officer who is cryogenically frozen in his laboratory only to emerge after a century and a half to a disquieting new era. Though at first Tuft is disconcerted by the failure of his own era's smug doctrine of Progress, he eventually decides that he prefers the post civilised life. But, when the northern English and Welsh tribes invade, Tuft must set about reinventing weapons of mass destruction.One of the most critically acclaimed and popular postwar stories of its day, The People of the Ruins captured a feeling that was common among those who had fought and survived the Great War: haunted by trauma and guilt, its protagonist feels out of time and out of place, unsure of what is real or unreal. Shanks implies in this seminal work, as Dr. Paul March-Russell explains in the book's introduction, that the political system was already corrupt before the story began, and that Bolshevism and anarchism—and the resulting civil wars—merely accelerated the world's inevitable decline.A satire of Wellsian techno-utopian novels, The People of the Ruins is a bold, entertaining, and moving postapocalyptic novel contemporary readers won't soon forget.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

The little-known stories of the people responsible for what we know today as modern medical ethics. In Making Modern Medical Ethics: How African Americans, Anti-Nazis, Bureaucrats, Feminists, Veterans, and Whistleblowing Moralists Created Bioethics (MIT Press, 2024), Robert Baker tells the counter history of the birth of bioethics, bringing to the fore the stories of the dissenters and whistleblowers who challenged the establishment. Drawing on his earlier work on moral revolutions and the history of medical ethics, Robert Baker traces the history of modern medical ethics and its bioethical turn to the moral insurrections incited by the many unsung dissenters and whistleblowers: African American civil rights leaders, Jewish Americans harboring Holocaust memories, feminists, women, and Anglo-American physicians and healthcare professionals who were veterans of the World Wars, the Cold War, and the Vietnam War. The standard narrative for bioethics typically emphasizes the morally disruptive medical technologies of the latter part of the twentieth century, such as the dialysis machine, the electroencephalograph, and the ventilator, as they created the need to reconsider traditional notions of medical ethics. Baker, however, tells a fresh narrative, one that has historically been neglected (e.g., the story of the medical veterans who founded an international medical organization to rescue medicine and biomedical research from the scandal of Nazi medicine), and also reveals the penalties that moral change agents paid (e.g., the stubborn bureaucrat who was demoted for her insistence on requiring and enforcing research subjects’ informed consent). Analyzing major statements of modern medical ethics from the 1946–1947 Nuremberg Doctors Trials and Nuremberg Code to A Patient’s Bill of Rights, Making Modern Medical Ethics is a winning history of just how respect and autonomy for patients and research subjects came to be codified.