The MIT Press Podcast

Peoples & Things host, Lee Vinsel, talks to Jessica Smith, Professor in the Engineering, Design, and Society Department and Dean’s Fellow for Earth and Society Programs of the Colorado School of Mines, about her work on engineering and public accountability in energy and mining industries. The pair discuss Smith’s long-held interests in mining and extractive industries, including her roots in coal country; her book, Extracting Accountability: Engineers and Corporate Social Responsibility (MIT Press, 2021); her current work on the social and community dimensions of carbon sequestration projects; and many asides about what it takes to study the social dimensions of engineering, including in humanities and social sciences cultures that contain many negative stereotypes of engineers.

Video (television, film, the moving image generally) is today’s most popular information medium. Two-thirds of the world’s internet traffic is video. Americans get their news and information more often from screens and speakers than through any other means. The Moving Image: A User's Manual (MIT Press, 2025) is the first authoritative account of how we have arrived here, together with the first definitive manual to help writers, educators, and publishers use video more effectively. Drawing on decades as an educator, publisher, and producer, MIT’s Peter Kaufman presents new tools, best practices, and community resources for integrating film and sound into media that matters. Kaufman describes video’s vital role in politics, law, education, and entertainment today, only 130 years since the birth of film. He explains how best to produce video, distribute it, clear rights to it, cite it, and, ultimately, archive and preserve it. With detailed guidance on producing and deploying video and sound for publication, finding and using archival video and sound, securing rights and permissions, developing distribution strategies, and addressing questions about citation, preservation, and storage—across the broadest spectrum of platforms, publications, disciplines, and formats—The Moving Image equips readers for the medium’s continued ascendance in education, publishing, and knowledge dissemination in the decades to come. And, modeled in part on Strunk and White’s classic, The Elements of Style, it’s also a highly enjoyable read.Peter B. Kaufman is Senior Program Officer at MIT Open Learning. He is the author of The New Enlightenment and the Fight to Free Knowledge and founder of Intelligent Television, a video production company that works with cultural and educational institutions around the world.Caleb Zakarin is editor at the New Books Network.

Every year, hundreds of billions of dollars' worth of farm machinery, fertilizer, seeds, and pesticides are sold to farmers around the world. Although agricultural inputs are a huge sector of the global economy, the lion's share of that market is controlled by a relatively small number of very large transnational corporations. The high degree of concentration among these agribusiness titans is striking, considering that just a few hundred years ago agricultural inputs were not even marketed goods. In Titans of Industrial Agriculture: How a Few Giant Corporations Came to Dominate the Farm Sector and Why It Matters (MIT Press, 2025), Dr. Jennifer Clapp explains how we got from there to here, outlining the forces that enabled this extreme concentration of power and the entrenchment of industrial agriculture.Clapp reveals that the firms that rose to the top of these sectors benefited from distinct market, technology, and policy advantages dating back a century or more that enabled them to expand their businesses through mergers and acquisitions that made them even bigger and more powerful. These dynamics matter because the firms at the top have long shaped industrial farming practices that, in turn, have generated enormous social, ecological, and health impacts on the planet and the future of food systems. Beyond analyzing how these problems have arisen and manifested, the book examines recent efforts to address corporate power and dominance in food systems and assesses the prospects for change.Among the first works to examine deep roots of corporate power in agriculture, Titans of Industrial Agriculture helps illuminate just how corporate actors have encouraged the “lock-in” of industrial agriculture, despite all its known social and ecological costs.This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

It’s the UConn Popcast, and we spoke with Duke Law Professor James Boyle about his new book The Line: AI and the Future of Personhood (MIT Press, 2024). We spoke with Boyle about how our legal and moral understandings of personhood are being challenged by advances in AI. We discussed the role of the law, popular culture, tests of sentience, and our capacity for empathy in shaping this urgent debate.James Boyle is William Neal Reynolds Professor of Law at Duke Law School and founder of the Center for the Study of the Public Domain.

We spend our 50th episode (the last of this season) with communication theorist Amit Pinchevski. Amit’s recent book Echo (MIT Press) explores its topic through mythology, etymology, history, technology, and philosophy. The book challenges the notion that echo is mere repetition. Instead, Pinchevski argues, echo is a generative medium that creatively expresses our relations to others and the world around us. Just as a baby first learns to speak by repeating the sounds of others, a philosophy of echoes reminds us that our own agency and creativity reside in repetitions that respond to the past. For our Patreon members we the full two-hour conversation with Amit’s “What’s Good” segment. Join at patreon.com/phantompower. Amit Pinchevski is Associate Professor in the Department of Communication and Journalism at the Hebrew University of Jerusalem. His research interests are in theory and philosophy of communication and media, focusing specifically on the ethical aspects of the limits of communication; media witnessing, memory and trauma; and pathologies of communication and their construction.He is the author of By Way of Interruption: Levinas and the Ethics of Communication (Duquesne UP, 2005), Transmitted Wounds: Media and the Mediation of Trauma (Oxford UP, 2019), and Echo (MIT Press, 2022). He is co-editor of Media Witnessing: Testimony in the Age of Mass Communication (with P. Frosh; Palgrave, 2009) and Ethics of Media (with N. Couldry and M. Madianou; Palgrave, 2013). His work has appeared in academic journals such as Critical Inquiry, Philosophy and Rhetoric, Cultural Critique, Cultural Studies, Public Culture, New Media & Society, and Theory, Culture & Society.Today’s show was written and edited by Mack Hagood. Original music by Graeme Gibson

The vast majority of people who stream themselves playing videogames online do so with few or no viewers. In Streaming by the Rest of Us: Microstreaming Videogames on Twitch (MIT Press, 2025) Dr. Mia Consalvo, Dr. Marc Lajeunesse, and Dr. Andrei Zanescu investigate who they are, why they do so, and why this form of leisure activity is important to understand. Unlike the esports athletes and streaming superstars who receive the lion's share of journalistic and academic attention, microstreamers are not in it for the money and barely have an audience. In this, the first book dedicated to the latter group, the authors gather interviews from dozens of microstreamers from 2017 to 2019 to discuss their lives, struggles, hopes, and goals.For readers interested in livestreaming, and Twitch in particular, the book rethinks the medium's history through accounts of the everyday uses of webcams, with particular attention to notions of liveness and authenticity. These two concepts have become calling cards for the videogame livestreaming platform and underlie streamer motivations, the construction of their practices (whether casual, serious, or anywhere in between), and the complex “metas” that take shape over time. The book also looks at the authors' own practices of livestreaming, focusing on what can be gained through experiencing the lived reality of the practice. Finally, the authors explain how Twitch's platform (studied from 2017–2023) informs how streamers structure their every day and how corporate ideologies bleed into real-world spaces like TwitchCon.This book is available open-access via the MIT Press website.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

This book is available open access here. The Brain Abstracted: Simplification in the History and Philosophy of Neuroscience (MIT Press, 2024), Mazviita Chirimuuta argues that the standard ways neuroscientists simplify the human brain to build models for their research purposes mislead us about how the brain actually works. The key issue, instead, is to figure out which details of brain function are relevant for understanding its role in causing behavior; after all, the biological brain is a highly energetically efficient basis of cognition in contrast to the massive data centers driving AI that are based on the simplification that brain functionality is just a matter of neuronal action potentials. Chirimuuta, who is a senior lecturer in philosophy at the University of Edinburgh, also argues for a Kantian-inspired view of neuroscientific knowledge called haptic realism, according to which what we can know about the brain is the product of interaction between brains and the scientific methods and aims that guide how we investigate them.

It’s the UConn Popcast, and we've been experiencing a revolution in the past few years, as artificial intelligence becomes an increasingly common part of everyday life. Powerful AI tools are now integrated into our work, our schools, our creative industries, and our experiences of dating and companionship. This is a disorientating experience, one that changes not only our views of technology, but of ourselves. Can we look to a past technological revolution for help?  We revisit Sherry Turkle's classic text The Second Self: Computers and the Human Spirit (MIT Press, 1985) on how the sudden spread of the personal computer through society in the 1980s similarly challenged the human relationship to technology. What can Turkle's text, which combined the fields of ethnography, psychoanalysis, and technology and society, tell us about today's AI revolution?

Undeclared: A Philosophy of Formative Higher Education (MIT Press, 2024) is an imaginative tour of the contemporary university as it could be: a place to discover self-knowledge, meaning, and purpose.What if college were not just a means of acquiring credentials, but a place to pursue our formation as whole persons striving to lead lives of meaning and purpose? In Undeclared, Chris Higgins confronts the contemporary university in a bid to reclaim a formative mission for higher education. In a series of searching essays and pointed interludes, Higgins challenges us to acknowledge how far our practices have drifted from our ideals, asking: What would it look like to build a college from the ground up to support self-discovery and personal integration? What does it mean to be a public university, and are there any left? How can the humanities help the job-ified university begin to take vocation seriously?Cutting through the underbrush of received ideas, Higgins follows the insight where it leads, clearing a path from the corporate multiversity to the renaissance in higher education that was Black Mountain College and back again. Along the way, we tour a campus bent on becoming a shopping mall, accompany John Dewey through a midlife crisis, and witness the first "happening.” Through diverse and grounded philosophical engagements, Undeclared assembles the resources to expand the contemporary educational imagination.Chris Higgins is Associate Professor and Chair in the Department of Formative Education in Boston College's Lynch School of Education and Human Development, where he directs the Transformative Educational Studies program. He is the author of The Good Life of Teaching.The book is available Open Access here.

How epidemic photography during a global pandemic of bubonic plague contributed to the development of modern epidemiology and our concept of the “pandemic.”In Visual Plague: The Emergence of Epidemic Photography (MIT Press, 2022), Christos Lynteris examines the emergence of epidemic photography during the third plague pandemic (1894–1959), a global pandemic of bubonic plague that led to over twelve million deaths. Unlike medical photography, epidemic photography was not exclusively, or even primarily, concerned with exposing the patient's body or medical examinations and operations. Instead, it played a key role in reconceptualizing infectious diseases by visualizing the “pandemic” as a new concept and structure of experience—one that frames and responds to the smallest local outbreak of an infectious disease as an event of global importance and consequence.As the third plague pandemic struck more and more countries, the international circulation of plague photographs in the press generated an unprecedented spectacle of imminent global threat. Nothing contributed to this sense of global interconnectedness, anticipation, and fear more than photography. Exploring the impact of epidemic photography at the time of its emergence, Lynteris highlights its entanglement with colonial politics, epistemologies, and aesthetics, as well as with major shifts in epidemiological thinking and public health practice. He explores the characteristics, uses, and impact of epidemic photography and how it differs from the general corpus of medical photography. The new photography was used not simply to visualize or illustrate a pandemic, but to articulate, respond to, and unsettle key questions of epidemiology and epidemic control, as well as to foster the notion of the “pandemic,” which continues to affect our lives today.Christos Lynteris is Professor of Medical Anthropology at the University of St Andrews. His research focuses on the anthropological and historical examination of epidemics with a particular focus on zoonotic diseases, epidemiological epistemology, visual medical culture, and colonial medicine. His regional expertise includes China and Inner Asia.Professor Lynteris holds the first chair in medical anthropology at the University of St Andrews. Focusing on diseases that spread between animals and humans, his research has been foundational in the establishment of the anthropological study of zoonosis. Combining archival and ethnographic research together with visual methods and critical approaches to medical and epidemiological epistemologies, Professor Lynteris's research seeks to understand how specific zoonotic diseases (SARS, COVID-19, plague) and the broader question of zoonosis shape social and multispecies worlds and are in turn shaped by them.