Smarty Pants

The most unusual brains are not the largest, nor the ones that can remember the most digits of the number pi. What fascinates Helen Thomson—a neuroscientist by training, a journalist by trade—are the brains that see auras, feel another’s pain, or play music around the clock. In her new book, Unthinkable, she travels the globe to find out what life is like for these people who perceive a completely different world than she does. How does a man who believes he’s a tiger live in a human community? How can a father who believes that he’s dead go to dinner with his kids? What’s it like to be lost in your own living room? Thomson joins us on the podcast with answers that might teach you something about your own noggin. This episode originally aired in 2018.Go beyond the episode:Helen Thomson’s UnthinkableRead her interview with a dead man—or at least, a man who thinks he’s deadScientific American lists 10 of the biggest ideas in neuroscience of the 21st centuryMeet the scientists who discovered the brain’s internal GPSThink you might be a synesthete? Take neuroscientist David Eagleman’s “Synesthesia Battery” questionnaire to measure your perceptionTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Hosted on Acast. See acast.com/privacy for more information.

John Baldessari is one of America's best-known conceptual artists, noted for pieces that pushed the boundaries of art, language, and the idea of the image. His 1971 work, I Will Not Make Any More Boring Art, commissioned by the Nova Scotia College of Art and Design in Halifax, Canada, is perhaps his most famous; it was executed long-distance, for the cost of a postage stamp. Sierra Bellows, who wrote about the artist for our Winter 2021 issue, joins us on the podcast to discuss this seminal work as “an emblem of the Covid era”—particularly poignant given that Baldessari died in January 2020, just before the pandemic began.Go beyond the episode:Read Sierra Bellow’s essay, “Long-Distance Punishment,” from our Winter 2021 issueWatch John Baldessari’s 1971 video edition of the piece and the 2012 short film A Brief Introduction to John BaldessariView more of Baldessari’s works on his website, or at MOMARead Calvin Tomkins’s 2010 New Yorker profile of the artistTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

A few years ago, Witold Rybczynski, one of The American Scholar's frequent contributors, happened to be coming to town for—of all things—a chair symposium. Not really having considered the chair as more than a functional object, we arranged to meet up at the Smithsonian American Art Museum to track down some classics of global chairmaking. And, of course, to sit in them.Go beyond the episode:Witold Rybczynski’s Now I Sit Me DownOn his blog, Rybczynski reviews quite a lot of chairsWatch a video on the making of Arne Jacobsen’s Series 7 chair from 1955Scope out Mies van der Rohe’s Barcelona chair from 1929 at MOMA, or buy your own for the low, low price of $5507!Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

Humans have been accompanied by horses for thousands of years. They’ve carried us across the plains, farmed our fields, marched us into battle, fed us, clothed us, soothed us—in short, done so much to make life a little easier. But the horse is tucked away in our history, always present but never quite center stage. Susanna Forrest’s book, The Age of the Horse, puts Equus caballus squarely in the spotlight, from our first encounters to the dazzling array of skills we’ve developed alongside them. This episode originally aired in 2017.Go beyond the episode:Susanna Forrest’s The Age of the HorsePeruse her blog about horse history and newsOur host has definitely read every horse book on this listMove over, Secretariat: the best horse movie of all time is Spirit: Stallion of the Cimmaron (2002)For a dark, dreamy twist on equine friendship, watch Horse Girl (2020), starring Alison BrieTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

Between 1947 and 1956, at least 77 recorded witchcraft trials took place in West Germany. Wonder doctors and faith healers walked the land, offering salvation to the tens of thousands of sick and spiritually ill wartime survivors who flocked to them. People hired exorcists and made pilgrimages to holy sites in search of redemption. The Virgin Mary appeared to these believers thousands of times. Monica Black, a historian at the University of Tennessee, found these stories and many others in newspaper clippings, court records, and other archives of the period that testify to West Germany’s supernatural obsession with ridding itself of evil—and complicate the conventional story of its swift rise from genocidal dictatorship to liberal, consumerist paradise. Black joins us on the podcast to describe the spiritual malaise lurking in the shadows: the unspoken guilt and shame of a country where Nazis still walked free.Go beyond the episode:Monica Black’s A Demon-Haunted LandThere’s a three-part, five-hour documentary about the German mystic and faith healer Bruno Gröning on YouTube, presented by the Bruno Gröning Circle of Friends, which is probably not the most unbiased sourceNational Geographic has compiled an extensive map of sightings of the Virgin Mary (note the big upswing in 1950s Germany)East Germans also fell prey to the influence of West German faith healers: the preacher Paul Schaefer promised people salvation if they followed him to South America. Read Scholar senior editor Bruce Falconer’s 2008 essay, “The Torture Colony,” on the troubled (and Nazi-ridden) Colonia DignidadTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

When disaffected teens in East Berlin first heard the Sex Pistols on British military radio in 1977, they couldn’t have known that those radio waves would spark a revolution. In the DDR, or East Germany, everyday life was obsessively planned and oppressively boring. To be punk was to be an individual, someone who wasn’t having any of the state’s rules. That didn’t exactly endear punks to the Stasi, the DDR’s dreaded secret police. Punks lost their jobs and families, were spied on for years by their own friends, had their homes searched and trashed by the police, and were even thrown in prison for dissidence. But every time the state cracked down, the punks only fanned the flames of resistance, ultimately firing up a nationwide, mainstream protest movement. American writer, translator, and former Berlin DJ Tim Mohr joins us on the podcast to tell the story of how punk rock brought down the Wall. This episode originally aired 29 years to the day after it came tumbling down, November 9, 2018.Go beyond the episode:Tim Mohr’s Burning Down the HausFor photographs of East German punks, peruse the online gallery for the exhibition Ostpunk! Too Much FutureWe’ve compiled a playlist of DDR punk songs—many of them demos or live recordings from the ’80s—which include hits from Namenlos, Schleim Keim, Planlos, and Müllstation, of varying sound qualityFor something a little less scratchy, check out this 2007 remaster and rerelease of Feeling B’s songs from the Ostpunk era, Grün und BlauIf you understand German, check out the documentary Too Much Future: Punk in der DDR. Another good one, sadly only available on DVD from Germany, is Flüstern und Schreien, which was released in 1989.Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!Music featured from Namenlos (“Alptraum”) and Schleim Keim (“Kriege machen menschen”). Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

About 50 books are known to exist in the world that are allegedly bound in human skin—and it’s possible that there are many more. Believe it or not, these dark books were not made by Nazis, serial killers, or occultists, nor were they churned out in a nightmare factory during the French Revolution. No, they were made mostly by doctors in the 19th century. How and why such books came to be is the subject of Dark Archives, by rare-books specialist and UCLA medical librarian Megan Rosenbloom. She’s one of the founders of the Anthropodermic Book Project, whose team has used a simple protein test called peptide mass fingerprinting to confirm that, as of October 2020, 18 books were bound in human skin. What sort of person would do this? How did they get away with it, and what does this ghoulish practice tell us about the clinical gaze? Megan Rosenbloom joins us on the podcast this week to discuss the history of anthropodermic bibliopegy, the evolution of medical ethics and consent, and the controversial question of what we do now with the very human remains of this grim legacy.Go beyond the episode:Megan Rosenbloom’s Dark Archives: A Librarian's Investigation Into the Science and History of Books Bound in Human SkinCurrently, the Anthropodermic Book Project has tested 31 books,The first anthropodermic book to be confirmed using peptide mass fingerprinting was at Harvard’s Houghton Library; the same year, 2014, its other book suspected of having human skin binding turned out to be made of sheep leatherExplore the anthropodermic book collection at the Mütter Museum, which has the largest known collection (of five books)Follow librarian Beth Lander’s quest to learn more about Mary Lynch, the woman whose skin binds three of those booksSi vous pouvez lire le français ... here is the story of a French edition of The Gold Bug by Edgar Allan Poe, the 18th book confirmed by the Anthropodermic Book ProjectTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Music featured from Master Toad (“Dreadful Mansion”) and Dead End Canada (“Witch Hunt”), courtesy of the Free Music Archive. Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

Caitlin Doughty is the death professional behind the Internet’s favorite show about death, Ask a Mortician, and founder of the Order of the Good Death, which works to overcome our culture’s anxiety about dying, grief, and the afterlife. She runs her own funeral home, Undertaking LA, which offers alternatives to traditional, formaldehyde-soaked approaches to burial. In her book From Here to Eternity, she travels the world in search of the good death, from Mexico and North Carolina to Japan and Bolivia, learning about the ways in which other cultures have approached the end of life. We originally spoke to her in 2017, digging in to the subjects of corpse interaction, alternatives to the casket, and what death means to her.Go beyond the episode on our website: https://theamericanscholar.org/in-search-of-the-good-death/Caitlin Doughty’s From Here to EternityCheck out Landis Blair’s illustrations for the book on our episode pageAsk a Mortician all about coffin birth, ghost marriage, and the iconic corpses of the world on Caitlin’s YouTube channelRead more about the Order of the Good Death, an organization of funeral professionals working to change attitudes about deathVirtually visit the high-tech Ruriden Columbarium in Tokyo, Japan with head monk Yajima TaijunTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Hosted on Acast. See acast.com/privacy for more information.

Magic has gotten a bad rap for the past few hundred years: in our haste to become rational, logical creatures of the Enlightenment, we’ve disavowed magic of all kinds (and burned a few hundred thousand women as witches along the way). Oxford professor of archaeology Chris Gosden wants to change the way we think about magic, starting with its definition: a connection with the universe that allows us to directly influence its workings. Gosden considers it the oldest and most neglected form of human engagement with the world, wrongly condemned by adherents of science and religion. His new book, Magic: A History, runs from the stones of prehistory to the apps on our smartphones to explore practices on every inhabited continent. What might we learn by considering the sentience of trees, or the connections between the living and the dead? Who is excluded from the hierarchies of religion or science? And might a 21st-century magic lead us to a better response to climate catastrophe?Go beyond the episode:Chris Gosden’s Magic: A HistoryWe covered the darker side of the practice in a previous interview with Ronald Hutton about witchcraftOur host’s guilty pleasure is reading astrologist Chani Nicholas’s sometimes eery horoscopesOne of the most profound forms of magic still practiced today is found in the Aboriginal cultures of Australia, especially the concept of the Dreaming (much confused by Bruce Chatwin and valued today by art collectors)Or consider herbalism, which has been put to use in kitchens from prehistory to today, and has already led to significant pharmaceutical developmentsTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Hosted on Acast. See acast.com/privacy for more information.

What’s spookier than the Tower of London, home to the ghosts of queens and the rest of Henry the VIII’s enemies? How about the half-dozen black ravens that inhabit it—without which, as legend has it, the Tower will crumble and the kingdom will fall? Since there haven’t been dead bodies littering the Tower Green for centuries, someone has to keep the ravens alive—and that person is the Ravenmaster, Christopher Skaife. As a Yeoman Warder, Skaife is one of the custodians of the Tower’s rich history and traditions, and he joins us to offer a bird’s-eye view of his life among the ravens. This episode originally aired in 2018.Go beyond the episode:Christopher Skaife’s The RavenmasterRead an excerpt about the birds’ daily routineFollow Merlina the raven (with help from the Ravenmaster) on TwitterFor more scary tales, read ex-Yeoman Warder Geoffrey Abott’s book, Ghosts of the Tower of LondonFor photographs that Skaife says “come very close to capturing the true majesty and mystery of the birds,” see Masahisa Fukase’s Ravens seriesBehold, the funerals of crowsFor one of the “best books in the world on bird behavior,” according to Skaife, see Nathan Emery’s Bird Brain, and for dozens more recommended books on the Tower and its inhabitants, see the “Suggested Reading” section at the back of The RavenmasterTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!Music featured from Master Toad (“Dreadful Mansion”) courtesy of the Free Music Archive. Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.