Smarty Pants

The Aeneid has a reputation: it’s the founding myth of Rome, used down the centuries to justify conquest, colonization, and the expansion of empire the world over. Although Virgil includes many voices in his epic, Aeneas’s is the one that tends to be remembered—and celebrated, especially by his putative descendant, the Emperor Augustus. But with her new translation of The Aeneid, classicist Shadi Bartsch reveals the many ways that Virgil undermines both the glory of Aeneas and the authority of collective memory, down to the very verb used to begin and end the poem. Bartsch joins us on the podcast to untangle how the story of Aeneas is actually many stories, all in conversation with one another. Go beyond the episode:Shadi Bartsch’s translation of The AeneidRead her essay in The Washington Post, “Why I won’t surrender the classics to the far right”Daniel Mendelsohn’s essay “Lost Classics” reminds us that the study of ancient texts is the study of things that are no longer: lives, songs, stories, poems, memories, and the ordinary people who preserved their memoryIn case you missed it: listen to our interview with historian Kyle Harper on the discomforting parallels between our current moment and the end of RomeTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

So much of the story we hear about China today concerns Covid-19, or the economy—how over the past few decades, it has risen from poverty and ruin to become a global powerhouse. But there’s a story beneath the surface, of the artistic avant-garde that resisted rule from above and inspired generations of ordinary Chinese citizens to seek freedom of expression. From their countryside re-education posts to the abandoned warehouses of Beijing and the short-lived Democracy Wall, Chinese artists flourished at the edge of acceptability—until the entire edifice came crashing down with the Tiananmen Square massacre. Madeleine O’Dea joins us to talk about her book, The Phoenix Years, which follows the lives of nine contemporary Chinese artists to tell the story of how art shaped a nation.Visit the episode page for portraits and archival images of the artists and their work.Go beyond the episode:Madeleine O’Dea’s The Phoenix Years: Art, Resistance, and the Making of Modern ChinaPeruse the exhibition catalogue for the seminal 1993 Hong Kong show, “China’s New Art, Post-1989” (now out of print)Guo Jian’s artist websiteXhang Ziaogang’s work on artnetAniwar’s work on Artsy, if you’re looking to buyListen to our first China-focused episode, “Unlikely Encounters,” for an interview with Julian Gewirtz the least likely visitor to the People’s Republic: Milton FriedmanTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

On February 1st, the Burmese military detained high-ranking officials of the National League for Democracy and the leader of the country, Aung San Suu Kyi. It was a coup, haunted by memories of past coups: 1962, when the military first seized power, and then 1988, when student-led protests against that government led to another coup that killed at least 6,000 people. In 2007, hundreds of thousands of monks protested in what became known as the Saffron Revolution, and the military cracked down again, arresting hundreds of people, some of whom still remain in prison. Despite that bloody history, today tens of thousands of people are returning to the streets as part of the so-called Civil Disobedience Movement. It feels like we're all waiting to see what will happen next. Is this the end of Myanmar's decade-long experiment with democracy, or could it be the catalyst for a new movement? To give us a better picture of where things stand, and how they've gotten to this point, we're joined by Columbia University anthropologist Geoff Aung, who has spent years working in Burma and has written about the country for more than a decade.Go beyond the episode:Read “The Lady and the Generals,” Aung’s 2016 analysis of the relationship between democratic reforms and economic justice; “Three Theses on the Crisis in Rakhine” on the Rohingyan genocide; and “Until the End of the World: Notes on a Coup”Organized labor has been a strong presence at the protests so far—read an interview with a labor organizer in a garment factoryThe story behind Naing Myanmar’s “Kabar Makyay Bu” (“We Won’t Be Satisfied Till the End of the World”), the unofficial anthem of the 8-8-88 uprisingMany protest videos are circulating on Facebook, including the page Civil Disobedience MovementFor ongoing coverage on the ground, check out The IrrawaddyFor more context on ethnic conflict in Myanmar, particularly the Rohingya, check out our 2018 episode, “Burmese Daze”Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

As we in the United States approach a full year of spending even more time than usual at home, and away from friends and family, we’re all a little bit lonely. But even though it might feel as if your immediate family and your pets are the only signs of life in your house—you're not as alone as you might think. The modern American house is a wilderness: thousands of species of insects, bacteria, fungi, and plants lurk in our floorboards, on our counters, and inside our kitchen cabinets—not to mention the microbes that flavor our food itself. The trouble with wilderness, however, is that we always want to tame it. Cleaning, bleaching, sterilizing, and killing the organisms in our houses has had unintended—and dangerous—consequences for our health and the environment. Biologist Rob Dunn, a professor in the department of applied ecology at North Carolina State University, joins us to impart some advice about how to graciously welcome these unbidden guests into our homes. This episode originally aired in 2018.Go beyond the episode:Rob Dunn’s Never Home AloneDig deeper into the experiments mentioned in the show, like the sourdough project or the world’s largest survey of showerheadsCat people: track your cat to reveal its secret life—and what it brings into your home—in this citizen science projectMore opportunities to participate in scientific research about everything from belly button ecology to counting the crickets in your basement through Your Wild LifeTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

Every family has things they don’t talk about: those regrettable beliefs espoused by your great-grandmother, or why your uncles don’t speak to each other anymore. Sometimes these are remnants of the old social order, things that were considered shameful 50 years ago that are perfectly normal today (or the opposite). And sometimes, members of your family just happened to be small-time mobsters. The acclaimed writer Russell Shorto, author of such histories as Amsterdam and The Island at the Center of the World, always knew his grandfather and namesake was involved with the Italian mafia, but Shorto never quite got around to digging up the whole tale until now. He joins us on the podcast to discuss his new memoir, Smalltime: A Story of My Family and the Mob.  Go beyond the episode:Russell Shorto’s Smalltime: A Story of My Family and the MobInspired to dig up your own family dirt? Shorto developed an online course called Tell Your Family StoryItching for a history of the big-time mafia? Check out Thomas Reppetto’s American Mafia, John Dickie’s Cosa Nostra, or Salvatore Lupo’s History of the MafiaAnd you can’t forget the movies: the British Film Institute ranks the 10 best mafia moviesTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Hosted on Acast. See acast.com/privacy for more information.

The tiny village of Gapun in Papua New Guinea is home to an equally tiny language called Tayap. No more than a few hundred people have lived in Gapun, so no more than a few hundred people have ever spoken this isolate language, unrelated to any other on the planet. Our guest this episode, the anthropologist Don Kulick, has been visiting the village since 1985, at one point living there for 15 months to document the Gapun way of life, eat a lot of sago palm pudding, and study Tayap—which, even when he arrived more than 30 years ago, was dying. Today, only about 40 people speak it, and Kulick predicts that the language will be “stone cold dead” in less than 50 years. How did that happen? Perhaps more importantly, what cultural and economic losses paved the way? The answer might lie in the backward way we’ve been framing language death. This episode originally aired in 2019.Go beyond the episode:Don Kulick’s A Death in the RainforestKulick returned to Gapun one year—proudly bearing a copy of his new dictionary—only to learn that all of the village’s young men had possibly rendered themselves impotentExplore these dazzling maps of the 851 individual languages of Papua New Guinea (including Tayap, listed as number 187)Watch the arduous process of harvesting sago palm, a staple food in the countryNational Geographic reports on various initiatives to save the world’s disappearing languages, including the Rosetta Project and WikitonguesTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

As an artist and activist, Betty Yu has spent her career focusing on the community around her: Sunset Park, Brooklyn, where she was born and raised. Whether, as a member of the Chinatown Arts Brigade, engaging art galleries on their role in gentrification, or projecting tenants’ life stories on the sides of buildings slated for redevelopment, Yu’s work has stressed the connection between art and social change. But what happens when Covid-19 makes interacting with your neighbors life-threatening? Yu, who first began turning the camera on her parents’ family life in 2019, joins us on the podcast to talk about getting even more personal in the pandemic. Go beyond the episodeBetty Yu’s website features a selection of film and videos exploring her family historyIn our Winter 2021 issue, we ran a photograph from (Dis)Placed in Sunset Park, an ongoing multimedia installation about urban gentrification, which includes this short video about Yu's own storyIntimate / Distant, an interactive project documenting several generations of Yu's familyVideos from Resistance in Progress, a group show that opened during the pandemicTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Hosted on Acast. See acast.com/privacy for more information.

Giorgio Vasari has been variously called the father of art history, the inventor of artistic biography, and the author of “the Bible of the Italian Renaissance”—a little book called The Lives of the Artists. It’s a touchstone for scholars looking to get a peek at life in Michelangelo’s day, and quite fun, too, depending on whose wildly embellished life you’re reading. Ingrid Rowland joins us on the podcast to tell the story of the man behind the men of the Renaissance that we know so well—and, of course, to gossip a bit about Florentine egos, and even a few naughty monkeys. Visit the episode page for a slideshow of Vasari’s work.Go beyond the episode:Ingrid Rowland and Noah Charney’s The Collector of Lives: Giorgio Vasari and the Invention of ArtPage through a scanned 1568 copy of The Lives of the Artists on Archive.org (beautiful even if you don’t read Italian)Explore the Palazzo Vecchio, which includes dozens of Vasari’s works, on the Google Art ProjectOr take a hilarious video tour of the Palazzo Vecchio—which Vasari renovated and lined with his own paintings—with “Giorgio Vasari” (played by an actor far more attractive than Vasari was in real life)Can’t book a ticket to Florence? The Uffizi offers a virtual tour of its halls, also designed by VasariTune in every two weeks to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Hosted on Acast. See acast.com/privacy for more information.

The Snow Maiden—not to be confused with the Snow Queen, Snow White, or Frosty the Snow Man—is a popular Slavic folktale about an elderly couple and a miraculous child born from snow. In addition to being a charming story about the passing of seasons, it references a number of folk rituals, from jumping over fires on the summer solstice to mock funerals marking the Yuletide. Philippa Rappoport, a lecturer in Russian culture at George Washington University, explains how folktales and rituals overlap, and reads aloud her own version of this wintry tale. This episode originally aired in 2018.This is our last episode of the year, and we want to hear from you about what you’d like to hear in 2021! If there are any subjects or guests you would especially like to have on the show, send us an email at podcast@theamericanscholar.org. And, of course, help us find more listeners by rating us on iTunes and telling all your friends.Go beyond the episode:Read six versions of “The Snow Maiden,” classified by folklorist D. L. Ashliman as tales of “type 703,” or, relatedly, nine different spins from across Europe on “The Snow Child” (“type 1362 and related stories about questionable paternity”)Watch the 1952 animated film The Snow Maiden, based on the Rimsky-Korsakov opera of the same nameListen to Kristjan Järvi conduct an excerpt from Tchaikovsky’s Snow Maiden with the Leipzig Radio Symphony Orchestra and ChoirTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

The phrase “Russian spies” conjures up all sorts of Cold War thrills: hidden cameras, dastardly poisons, The Americans, John le Carré. But from the 17th to the 19th century, the best Russian spies were pencil-pushing bureaucrats along the long border with China, as Georgetown historian Gregory Afinogenov argues in his new book, Spies and Scholars. These career apparatchiks succeeded at gathering intelligence on the Qing dynasty from their quotidian positions at diplomatic offices, religious missions, and frontier outposts, though they never seemed to get much credit for their work. The irony is that while the intelligence they shared bought Russia greater prestige among European powers, these encounters with European ideals of intellectualism also radically changed what kind of “intelligence” was considered worthwhile.Go beyond the episode:Gregory Afinogenov’s Spies and Scholars: Chinese Secrets and Imperial Russia’s Quest for World PowerItching to learn Manchu? Check out the Manchu Studies Group, which includes examples of Manchu scriptFor 20th-century Russian spying, no one beats John le Carré, in life or fictionTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Hosted on Acast. See acast.com/privacy for more information.