Asian Review of Books

Isabel Rosario Cooper, if mentioned at all by mainstream history books, is often a salacious footnote: the young Filipino mistress of General Douglas MacArthur, hidden away at the Charleston Hotel in DC.Empire’s Mistress, Starring Isabel Rosario Cooper (Duke University Press: 2021) by Professor Vernadette Vicuña Gonzalez refuses to reduce Cooper’s life to that simple statement. The book investigates Cooper’s life both in the Philippines, where she was a famed vaudeville and film actress, and in the United States, where her life shows the struggles that Asian actors and actresses faced in a prejudiced Hollywood.In this interview I ask Vernadette to introduce us to Isabel Cooper, and go beyond the simplistic historical narrative of her as MacArthur’s mistress. Wel talk about how her life exemplifies how imperialism, gender and entertainment intersected in both the Philippines and the United States. And we briefly explore how this connects with the idea of being “Asian-American”.Vernadette Vicuña Gonzalez is Professor of American Studies at the University of Hawai‘i at Mānoa, and author of Securing Paradise: Tourism and Militarism in Hawai‘i and the Philippines (Duke University Press: 2013), and coeditor of Detours: A Decolonial Guide to Hawai‘i (Duke University Press: 2019).You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Empire’s Mistress. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

A young man who turns his desire to join the army into a long stint as a volunteer ambulance driver. A teacher living in an old slum who is the only one brave—or foolish—enough to confront the gangs. A refugee who becomes a community organiser. A woman in a traditional village looking at the new development quickly encroaching on their land. A bored engineer who finds his calling as a crime reporter.These people are subjects of Karachi Vice: Life and Death in a Contested City (Melville House, 2021), the debut by Samira Shackle. Samira travels to Karachi, the home city of her mother, and tells the stories of ordinary people trying to live their lives in the midst of terrible violence: first by the gangs, then by the Taliban.In this interview, I ask Samira to talk about the city of Karachi, and the five people she writes about in her book. We’ll talk about the turning points in the violence there, and what it was like to write about her mother’s home city.Samira Shackle is a freelance British-Pakistani writer and reporter based in London. She is the editor of the New Humanist magazine, and a regular contributor to the Guardian Long Read. She can be followed on Twitter at @samirashackle.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Karachi Vice. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

The year is 1985. Durga is visiting her grandmother Mary in rural Malaysia. It’s not a particularly happy occasion: Mary is tough and sharp-tongued, and “home” sparks bad memories for Durga.But a fireworks accident that sends Mary to hospital begins to unravel family secrets that had been building over generations, built by both Mary and Durga.Fragile Monsters, the debut novel by Catherine Menon (Viking, 2021), jumps between the Malaysian Emergency and the Eighties to explore themes of gender, class, and ethnicity in telling a story about a dark family history. In this interview, Catherine and I discuss the historical setting of Fragile Monsters: a time period that normally doesn’t feature in mainstream English-language fiction. We talk about how she explores memory and shame, gender and race. Catherine Menon is Australian-British, has Malaysian heritage and lives in London. She is a University lecturer in robotics and has both a PhD in pure mathematics and an MA in Creative Writing. Her short story collection, Subjunctive Moods, was published by Dahlia Publishing in 2018. Her short stories have won or been placed in a number of competitions, including the Fish, Bridport, Bare Fiction and Short Fiction Journal awards. Her work has been broadcast on radio, and she’s been a judge for several international short fiction competitions. Her website can be found here, and she can be followed on Twitter at @cg_menon.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Fragile Monsters. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine and a reviewer for the Asian Review of Books. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

During the Cultural Revolution, many young Chinese in the cities were encouraged — if not ordered — to move to the countryside. Millions of young Chinese in high school and university moved to rural China ostensibly to “receive re-education from the poorest lower and middle peasants to understand what China really is” (to quote Mao Zedong, at the time). Many students remained in the countryside until the end of the Cultural Revolution almost a decade later.One of these young Chinese people was the mother of Emei Burell, who turned these stories into a graphic novel: We Served the People: My Mother's Storie (Archaia, 2020). The book is roughly split into two halves: her mother’s hard work on a rubber plantation in Yunnan, and her struggles a decade later to restart her education upon her return home.In this interview, Emei talks about her mother’s story, both during her time in the countryside and when she returned home. We talk about what it was like for her to turn these tales into a graphic novel, and what may have been gained from expressing them in a visual format.Emei Burell is a cartoonist and illustrator from Sweden. Her work has also appeared in Adventure Time Comics, Hip Hop Family Tree, Studygroupcomics, and a number of publications in Sweden, Denmark, the UK and Chile.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of We Served the People. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine and a reviewer for the Asian Review of Books. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Mirza Ghalib is one of the most celebrated poets in the Urdu literary canon. Yet, at the time, Ghalib was prolific in both Urdu and Persian. His output in Persian output dwarfs his Urdu writing (at least in its published form), and he often openly dismissed his Urdu works, once writing:Look into the Persian so that you may see paintings of myriadshades and hues;Pass by the collection in Urdu for it is nothing but drawings andsketches.Ghalib: A Wilderness at My Doorstep: A Critical Biography (Allen Lane, 2021) by Professor Mehr Afshan Farooqi explores the work of Mirza Ghalib to perhaps explain why the power made the switch from Urdu to Persian and back to Urdu.In this interview, I ask Mehr to introduce us to Ghalib and his work. We explore Ghalib as both a poet and a person, and why he made the switch from writing in Urdu to Persian and back again.Mehr Afshan Farooqi is currently an associate professor of Urdu and South Asian Literature at the University of Virginia. Her research publications address complex issues of Urdu literary culture particularly in the context of modernity. A well-known translator, anthologist, and columnist, she is the editor of the pioneering two-volume work The Oxford India Anthology of Modern Urdu Literature. More recently, she has published the acclaimed monograph The Postcolonial Mind: Urdu Culture, Islam and Modernity in Muhammad Hasan Askari. Farooqi also writes a featured column on Urdu literature of the past and present in the Dawn. Mehr can be followed on Twitter at @FarooqiMehrYou can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Ghalib: A Wilderness At My Doorstep. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

The scene is Turkey in the mid-to-late Seventies. A young male college student hops onto a bus. He sits next to a cute female student from his class, but before they can strike up a conversation, they see a right-wing passenger, walk up to another passenger and hit him on the head with a hammer. The young woman screams. The two students get off the bus, only for the female student to call the male student a “disgusting fascist” and leave in anger.Scenes like this are seen in Turkish Kaleidoscope: Fractured Lives in a Time of Violence (Princeton University Press, 2021) is a graphic novel written by Professor Jenny White and illustrated by Ergün Gündüz. The book combines Jenny’s own experiences in Turkey with insights gleaned from interviews to illustrate Turkey’s political conflict in the late 1970s, between right-wing and left-wing movements.You can watch a promotional video for the book, and the book can be ordered from the Princeton University Press website. Jenny has also put together a Spotify playlist of songs from the era. Those interested in an academic treatment of these ideas can read her 2017 article in The Brown Journal of World Affairs titled “Spindle Autocracy In The New Turkey”.In this interview, I ask Jenny to talk about central figures in her telling of Turkish politics, and how their views developed over time. We talk about that period of Turkish contemporary history and what it was like. And we also discuss her choice of format: why write a graphic novel?Jenny White is a social anthropologist and professor at the Institute for Turkish Studies at Stockholm University. She is former president of the Turkish Studies Association and former president of the American Anthropological Association Middle East Section. She has published four books and numerous articles about contemporary Turkish society and politics. She also has published a series of three novels set in 1880s Istanbul.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Turkish Kaleidoscope. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine and a reviewer for the Asian Review of Books. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Dismissal, in fact, is the default response to khayal (the preeminent genre of North Indian classical music), well before we get to know what khayal is, and vaguely term its strangeness 'classical music'. Those who later become acquainted with its extraordinary melodiousness forget that on the initial encounter it had sounded unmelodious.These words are part of the introduction to Amit Chaudhuri’s newest book Finding the Raga: An Improvisation on Indian Music (New York Review Books / Faber and Faber, 2021). The book is part guide to Indian music, part memoir of Chaudhuri’s life, part examination of modern culture.In this interview, I ask Amit to explain what makes Indian music so special, both in general and to his life. We explore how Indian music influenced the writing of this most recent book, and how his musical experiences in India and abroad have affected how he sees the world.Amit Chaudhuri is the author of seven novels, several collections of short stories, poetry and essays, one nonfiction work, and a critical study of D.H. Lawrence’s poetry. He has received the Commonwealth Writers Prize, the Betty Trask Award, the Encore Prize, the Los Angeles Times Book Prize, and the Sahitya Akademi Award, among other accolades. He is also a Fellow of the Royal Society of Literature and holds the titles of Professor of Contemporary Literature at the University of East Anglia in England and Professor of Creative Writing at Ashoka University in India.In addition to his writing, he is also a singer in the North Indian classical tradition and a composer and performer in a project that brings together the raga, blues, and jazz with a variety of other musical traditions.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Finding the Raga. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Return to Sri Lanka: Travels is a Paradoxical Island (Juggernaut, 2019), the latest book by Professor Razeen Sally, describes the country with the following words.There are shelf-loads of recent books about bigger and better-known countries, not least on Sri Lanka’s giant northern neighbour. But little Sri Lanka hardly pops up on the world’s radar screen. When it does, it presents a fractional, distorted view – bombs going off one day, ethnic riots another day, alleged war crimes. On more peaceful days, it yields tourist images of ‘Paradise’...Return to Sri Lanka is part memoir, part history, part travelogue, as Professor Sally returns to Sri Lanka in the aftermath of the civil war to experience its history, culture, politics and people.Many of the themes of Return to Sri Lanka are discussed in an essay written for the Nikkei Asian Review: “Rediscovering Sri Lanka through a travel memoir,” published last November.In this interview, I ask Razeen to talk about his life in Sri Lanka and his return to the island. We talk about Sri Lanka’s post-independence history, and how it shaped the sights and societies Professor Sally saw on his visit. We also talk about why he decided to write a “travel” book, rather than a dense work of economic analysis and politics.Razeen Sally is a Sri Lankan-British writer and academic. He taught at the London School of Economics, where he also received his PhD. He founded a think tank in Brussels, and is now an Associate Professor at the Lee Kuan Yew School of Public Policy at the National University of Singapore. He can be followed on Twitter at @razeensally.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Return to Sri Lanka. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is a reviewer for the Asian Review of Books. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

May 1857. The Indian city of Shahjahanabad, today called Delhi, is tense. British officers are worried about rumors of insubordination and rebellion elsewhere in India, while the local residents both await and fear a coming storm of revolutionary fervor.Trying to make a living in this setting is Mirza Ghalib, one of India’s most celebrated poets, well known for his works in Urdu and Persian. He is also the protagonist, at least in a fictionalised form, of Murder at the Mushaira (Aleph Book Company, 2021) by Raza Mir. The novel is a murder mystery: a particularly disliked poet is murdered at a poetry recital, forcing Ghalib ito play detective, balancing both haughty English officials and passionate Indian mutineers as he attempts to seek the truth.In this interview, Raza introduces both Ghalib and Shahjahanabad. We talk about the historical roots of his story, including where he diverges from historical accuracy. Finally, we discuss why literary figures like Ghalib are so popular as detectives.Raza Mir teaches management at William Paterson University in the USA. He has written a few academic books, and three books of translation and literary criticism about Urdu poetry and poets. Murder at the Mushaira is his first novel.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Murder at the Mushaira. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is a reviewer for the Asian Review of Books. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Changan Jie, or Long Peace Street, stretches across central Beijing. Along it are several critical historical sites, including Zhongnanhai, Tiananmen Square and the Forbidden City: all important to Beijing’s history as the center of Imperial, Republican and then Communist China.Jonathan Chatwin, in his book Long Peace Street: A Walk in Modern China (Manchester University Press, 2019), recently published in paperback, uses the road as a way to present the modern history of Beijing and China. Starting at the street’s beginning at the former Capital Iron and Steel works, Chatwin takes the reader on a journey along Long Peace Street and through China’s political history, as it changes from a declining empire to a fast-growing and increasingly confident Communist state. The centerpiece of the book is the Forbidden City, which Jonathan recently wrote about for CNN: “Forbidden City at 600: How China's imperial palace survived against the odds”.In this interview, I ask Jonathan to chart this journey along Long Peace Street for us, talking about both the major sites we may have seen on our own journeys to Beijing, and some of the less well-known yet equally interesting points along this road. We talk about some of his own personal experiences writing the book, and Beijing’s relationship to its past.Jonathan Chatwin is a travel writer and journalist. His essays and articles have been published by the South China Morning Post, the British Film Institute, The Los Angeles Review of Books amongst other publications. He is also the author of Anywhere Out of the World: The Work of Bruce Chatwin (Manchester University Press: 2017), as well as the host of The Southern Tour Podcast‬, which examines China's reform and opening, through the prism of Deng Xiaoping's legendary 'Southern Tour' of 1992. He can be followed on Twitter at @jmchatwin.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Long Peace Street. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is a reviewer for the Asian Review of Books. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review