Asian Review of Books

The scene is Turkey in the mid-to-late Seventies. A young male college student hops onto a bus. He sits next to a cute female student from his class, but before they can strike up a conversation, they see a right-wing passenger, walk up to another passenger and hit him on the head with a hammer. The young woman screams. The two students get off the bus, only for the female student to call the male student a “disgusting fascist” and leave in anger.Scenes like this are seen in Turkish Kaleidoscope: Fractured Lives in a Time of Violence (Princeton University Press, 2021) is a graphic novel written by Professor Jenny White and illustrated by Ergün Gündüz. The book combines Jenny’s own experiences in Turkey with insights gleaned from interviews to illustrate Turkey’s political conflict in the late 1970s, between right-wing and left-wing movements.You can watch a promotional video for the book, and the book can be ordered from the Princeton University Press website. Jenny has also put together a Spotify playlist of songs from the era. Those interested in an academic treatment of these ideas can read her 2017 article in The Brown Journal of World Affairs titled “Spindle Autocracy In The New Turkey”.In this interview, I ask Jenny to talk about central figures in her telling of Turkish politics, and how their views developed over time. We talk about that period of Turkish contemporary history and what it was like. And we also discuss her choice of format: why write a graphic novel?Jenny White is a social anthropologist and professor at the Institute for Turkish Studies at Stockholm University. She is former president of the Turkish Studies Association and former president of the American Anthropological Association Middle East Section. She has published four books and numerous articles about contemporary Turkish society and politics. She also has published a series of three novels set in 1880s Istanbul.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Turkish Kaleidoscope. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine and a reviewer for the Asian Review of Books. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Dismissal, in fact, is the default response to khayal (the preeminent genre of North Indian classical music), well before we get to know what khayal is, and vaguely term its strangeness 'classical music'. Those who later become acquainted with its extraordinary melodiousness forget that on the initial encounter it had sounded unmelodious.These words are part of the introduction to Amit Chaudhuri’s newest book Finding the Raga: An Improvisation on Indian Music (New York Review Books / Faber and Faber, 2021). The book is part guide to Indian music, part memoir of Chaudhuri’s life, part examination of modern culture.In this interview, I ask Amit to explain what makes Indian music so special, both in general and to his life. We explore how Indian music influenced the writing of this most recent book, and how his musical experiences in India and abroad have affected how he sees the world.Amit Chaudhuri is the author of seven novels, several collections of short stories, poetry and essays, one nonfiction work, and a critical study of D.H. Lawrence’s poetry. He has received the Commonwealth Writers Prize, the Betty Trask Award, the Encore Prize, the Los Angeles Times Book Prize, and the Sahitya Akademi Award, among other accolades. He is also a Fellow of the Royal Society of Literature and holds the titles of Professor of Contemporary Literature at the University of East Anglia in England and Professor of Creative Writing at Ashoka University in India.In addition to his writing, he is also a singer in the North Indian classical tradition and a composer and performer in a project that brings together the raga, blues, and jazz with a variety of other musical traditions.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Finding the Raga. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Return to Sri Lanka: Travels is a Paradoxical Island (Juggernaut, 2019), the latest book by Professor Razeen Sally, describes the country with the following words.There are shelf-loads of recent books about bigger and better-known countries, not least on Sri Lanka’s giant northern neighbour. But little Sri Lanka hardly pops up on the world’s radar screen. When it does, it presents a fractional, distorted view – bombs going off one day, ethnic riots another day, alleged war crimes. On more peaceful days, it yields tourist images of ‘Paradise’...Return to Sri Lanka is part memoir, part history, part travelogue, as Professor Sally returns to Sri Lanka in the aftermath of the civil war to experience its history, culture, politics and people.Many of the themes of Return to Sri Lanka are discussed in an essay written for the Nikkei Asian Review: “Rediscovering Sri Lanka through a travel memoir,” published last November.In this interview, I ask Razeen to talk about his life in Sri Lanka and his return to the island. We talk about Sri Lanka’s post-independence history, and how it shaped the sights and societies Professor Sally saw on his visit. We also talk about why he decided to write a “travel” book, rather than a dense work of economic analysis and politics.Razeen Sally is a Sri Lankan-British writer and academic. He taught at the London School of Economics, where he also received his PhD. He founded a think tank in Brussels, and is now an Associate Professor at the Lee Kuan Yew School of Public Policy at the National University of Singapore. He can be followed on Twitter at @razeensally.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Return to Sri Lanka. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is a reviewer for the Asian Review of Books. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

May 1857. The Indian city of Shahjahanabad, today called Delhi, is tense. British officers are worried about rumors of insubordination and rebellion elsewhere in India, while the local residents both await and fear a coming storm of revolutionary fervor.Trying to make a living in this setting is Mirza Ghalib, one of India’s most celebrated poets, well known for his works in Urdu and Persian. He is also the protagonist, at least in a fictionalised form, of Murder at the Mushaira (Aleph Book Company, 2021) by Raza Mir. The novel is a murder mystery: a particularly disliked poet is murdered at a poetry recital, forcing Ghalib ito play detective, balancing both haughty English officials and passionate Indian mutineers as he attempts to seek the truth.In this interview, Raza introduces both Ghalib and Shahjahanabad. We talk about the historical roots of his story, including where he diverges from historical accuracy. Finally, we discuss why literary figures like Ghalib are so popular as detectives.Raza Mir teaches management at William Paterson University in the USA. He has written a few academic books, and three books of translation and literary criticism about Urdu poetry and poets. Murder at the Mushaira is his first novel.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Murder at the Mushaira. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is a reviewer for the Asian Review of Books. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Changan Jie, or Long Peace Street, stretches across central Beijing. Along it are several critical historical sites, including Zhongnanhai, Tiananmen Square and the Forbidden City: all important to Beijing’s history as the center of Imperial, Republican and then Communist China.Jonathan Chatwin, in his book Long Peace Street: A Walk in Modern China (Manchester University Press, 2019), recently published in paperback, uses the road as a way to present the modern history of Beijing and China. Starting at the street’s beginning at the former Capital Iron and Steel works, Chatwin takes the reader on a journey along Long Peace Street and through China’s political history, as it changes from a declining empire to a fast-growing and increasingly confident Communist state. The centerpiece of the book is the Forbidden City, which Jonathan recently wrote about for CNN: “Forbidden City at 600: How China's imperial palace survived against the odds”.In this interview, I ask Jonathan to chart this journey along Long Peace Street for us, talking about both the major sites we may have seen on our own journeys to Beijing, and some of the less well-known yet equally interesting points along this road. We talk about some of his own personal experiences writing the book, and Beijing’s relationship to its past.Jonathan Chatwin is a travel writer and journalist. His essays and articles have been published by the South China Morning Post, the British Film Institute, The Los Angeles Review of Books amongst other publications. He is also the author of Anywhere Out of the World: The Work of Bruce Chatwin (Manchester University Press: 2017), as well as the host of The Southern Tour Podcast‬, which examines China's reform and opening, through the prism of Deng Xiaoping's legendary 'Southern Tour' of 1992. He can be followed on Twitter at @jmchatwin.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Long Peace Street. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is a reviewer for the Asian Review of Books. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

In 1800, the Shogun’s chief minister wrote the following about the city of Edo:"Someone said that if Edo did not have frequent fires, then people would be more showy and flash. In the capital or in Osaka they do everything with lavish elegance: people hang up paintings in their homes or put out arrangements of flowers. But in Edo, even in the affluent areas, everything is restrained. People only display a single flower [in a bamboo tube or a simple pot]. The wealthy have fine chess sets, but the box will have paper fixed under the lid to double up as the board. Edo’s sense of conciseness comes from continual fires."According to Professor Timon Screech, author of Tokyo Before Tokyo: Power and Magic in the Shogun’s City of Edo (Reaktion Books, 2020), the city is the source of much of what we consider to be Japanese culture: sushi, Mt Fuji, cherry blossoms. Tokyo Before Tokyo is a rich illustrated volume that presents the vibrant visual history of Edo. The book is presented as a series of vignettes, dealing with key landmarks and districts from the old city, from the Shogun’s castle to the famous red-light Yoshiwara district.In this interview, Professor Screech and I talk about the different vignettes that make up Tokyo Before Tokyo, and the role that Edo played in old Japan. We also investigate his decision to focus on landmarks and districts, and whether any of old Edo can be seen in today’s Tokyo.Professor Timon Screech is Professor of the History of Art at SOAS University of London. He is the author of at least a dozen books on the visual culture of the Edo period, including perhaps his best-known work Sex and the Floating World: Erotic Images in Japan, 1700-1820 (University of Hawaii Press, 1999). In addition to Tokyo Before Tokyo, his other most recent book is The Shogun's Silver Telescope: God, Art, and Money in the English Quest for Japan, 1600-1625 (Oxford University Press, 2020). In 2019, Professor Screech was elected as a Fellow of the British Academy.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Tokyo Before Tokyo. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is a reviewer for the Asian Review of Books. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

From its more mainstream, business-focused and business-friendly “Lean In” variants, to more radical, critical and intersectional understandings of feminism, the past decade has seen a flourishing of discussion from those proposing and critiquing different schools of thought for the way we think about gender in society.Dr. Eugenia Cheng’s addition to this conversation is x+y: A Mathematician's Manifesto for Rethinking Gender (Basic Books, 2020). She applies insights gained from her mathematical background to propose a new way to talk about gender and to propose an alternative: the terms “ingressive” and “congressive” behavior.In this interview, Dr. Cheng and I talk about what we gain from bringing a mathematical understanding to questions of social relations and structures. We talk about how she rethinks “gender”, and the new terms she proposes in her book. We end with a short discussion of whether these insights are applicable to conversations about other demographic and social identifiers.Dr. Eugenia Cheng is a mathematician and concert pianist. She is Scientist In Residence at the School of the Art Institute of Chicago and holds a PhD in pure mathematics from the University of Cambridge. Alongside her research in Category Theory and undergraduate teaching her aim is to rid the world of “math-phobia”. She was an early pioneer of math on YouTube and her videos have been viewed over 15 million times to date. Her other books are How to Bake Pi: An Edible Exploration of the Mathematics of Mathematics (Basic Books: 2016), which was featured on the Late Show with Stephen Colbert, Beyond Infinity: An Expedition to the Outer Limits of Mathematics (Basic Books: 2017) which was shortlisted for the Royal Society Science Book Prize in 2017 and The Art of Logic in an Illogical World (Basic Books: 2018)You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of x+y. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

"The Volga! There is a mystery, a charm in all mighty rivers, which has ever made us gaze upon them with an interest beyond that inspired by other great and glorious sights; but to look on the largest of the European rivers gave a thrill of joy surpassing all former pleasure of the kind."This quote by Robery Bremner in 1830 opens Professor Janet M. Hartley’s latest history, The Volga: A History (Yale University Press, 2021). The book uses the Volga to frame the history of Russia: from its pre-Russian state through the growing Russian Empire, and ending with the Soviet Union and today’s Russian Federation. The book presents the Volga as both a divider between “East and West”, but also a meeting ground of different cultures and ideas — and how that drove efforts to create the Russian identity.In this interview, Janet and I talk about the Volga, and its central place in Russian history. We talk about how the Volga connects to trade, cultural exchange and the formation of the Russian state and identity. Finally, we explore what we gain by looking at a country’s history through a geographical feature like a river.Janet Hartley is Professor Emeritus of International History at the London School of Economics and Political Science, where she worked for over 30 years. She is the author of seven books on Russian history including Siberia: A History of the People (Yale University Press: 2014). She has also edited or co-edited 7 books and written many articles on Russian history in the eighteenth and early nineteenth centuries.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Volga. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

An old farmer, trying to build a plane in his village. A young man that gambles everything on the roaring stock market. A community transformed by a magical fruit that evokes vivid memories. A Chinese woman unable to understand her American partner. People stuck in a train station, waiting for a train that never comes.These stories, among others, make up Land of Big Numbers (Mariner Books: 2021), the debut story collection by Te-Ping Chen. Chen’s fiction spans a wide array of styles and narratives, from vignettes that feel like they could have been plucked from the newspapers, through surreal allegories for Chinese society, to character examinations of cross-cultural relationships.In this interview, Te-Ping and I talk about the different stories in “Land of Big Numbers”, and her choice of styles, narratives and themes. We talk about how these stories are based on her time in China, as well as the differences between writing for fiction and writing for journalism.Te-Ping Chen is a fiction writer and journalist. She is a Wall Street Journal correspondent in Philadelphia who was previously based in Beijing and Hong Kong. Her fiction has been published in The New Yorker, Granta and Tin House. She can be followed on Twitter at @tepingchen.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Land of Big Numbers. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Journey to the West, and especially the character of Sun Wukong, the Monkey King, is beloved by readers across China, East Asia, and beyond. The story and its characters have been written and rewritten in books, comics, graphic novels, movies, television shows, and video games. In many ways, Journey to the West and Son Wukong have become archetypes: stories and characters that people refer to and recognise, without ever looking at the original source material.But for those interested in reading the original novel, we now have a new translation of Journey to the West (Penguin Classics: 2021) from Professor Julia Lovell. This new translation takes the original 1592 novel by Wu Cheng’en and presents its adventures, humor, satire and spiritual insights for a modern audience.In this interview, Julia and I talk about Journey to the West: its story, its characters, and its history, before and after the publication of the 1592 novel. We talk about what motivated this new translation. Finally, we end by discussing how Journey to the West and the Monkey King have had an impact on popular culture far beyond China, through Japan, Southeast Asia and the West.Julia Lovell is a Professor of Modern Chinese History and Literature at Birkbeck, University of London. Her research primarily focuses on the relationship between culture and modern Chinese nation-building, and on the wide-ranging impacts of modern China’s encounters with the world beyond its borders. She is the author of several well-received histories of China, including The Opium War: Drugs, Dreams and the Making of China (Pan Macmillan: 2011), and Maoism: A Global History (Bodley Head: 2019). She has also translated several works of Chinese literature, including The Real Story of Ah-Q and Lust, Caution.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Monkey King. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review