Asian Review of Books

Money does strange things to people, as Annah Lake Zhu notes in her latest book Rosewood: Endangered Species Conservation and the Rise of Global China (Harvard University Press: 2022)In Madagascar, loggers, flush with cash from the rosewood trade, don’t quite know how to react to their newfound largesse, sometimes demanding less money for their wares out of confusion. Rumors abound of how loggers make their money. There’s no way that simple wood could garner so much profit, people say, so observers think they must be trading something else–like human bones.Annah’s book studies globalization, the rise of China, and global environmental politics through trade in one commodity: Madagascar rosewood, used in furniture. In this interview, Annah and I talk about this important material–the commodity, the cultural product, and the conservation target–in China and Madagascar.Annah Lake Zhu is Assistant Professor of Environmental Policy at Wageningen University in the Netherlands, a veteran of the United Nations Environment Programme in Geneva, and a former Peace Corps volunteer in Madagascar. Her work has been published in Science, Geoforum, and Political Geography.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Rosewood. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

It’s the sixteenth century, and the Ottoman Empire has just defeated the Mamluk Sultanate, conquering Damascus and Cairo, important centers of Arab learning and culture. But how did these two groups–Arabs and “Rumis”, a term used to refer to those living in Anatolia, interact? How did Arabs deal with these powerful upstarts–and how did Rumis try to work with their learned, yet defeated, subjects?Dr. Helen Pfeifer studies one venue where Arabs and Rumis in the Ottoman Empire interacted, learned from each other, and jockeyed for status: the salon. Empire of Salons: Conquest and Community in Early Modern Ottoman Lands (Princeton University Press: 2022) looks at how gatherings of “gentlemen” helped to build Ottoman culture.In this interview, Helen and I talk about the Ottoman Empire, the differences between the Arab and Rumi communities, and what exactly people did in the salon.Dr. Helen Pfeifer is the inaugural university lecturer in early Ottoman history at the University of Cambridge and a fellow of Christ’s College. She has an interest in understanding the empire within larger Islamic, European, and global contexts. Her research focuses on issues of empire, cultural exchange, and Islamic devotional practice in the sixteenth and seventeenth centuries. She can be followed on Twitter at @krel7.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Empire of Salons. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

If there’s a country that “punches above its weight”, it’s South Korea. It’s home to some of the world’s largest and most important companies, and the source of pop culture that dominates Asia—and even planted a foothold in the West.But the country’s growth would have been astounding to those at the end of the Korean War. The Republic of Korea was poor, devastated by war, and stuck deep in Cold War politics.Shrimp to Whale: South Korea from the Forgotten War to K-Pop (Hurst, 2022) by Ramon Pacheco Pardo tells the story of Korea over the past sixty years, charting the country’s path through dictatorship and democracy to the economic and cultural powerhouse it is today.In this interview, Ramon and I talk about Korea–what it was like after the war, how it became a mature democracy–and what makes the book’s title, Shrimp to Whale, especially apt.Ramon Pacheco Pardo is Professor of International Relations at King’s College London, and KF-VUB Korea Chair at the Brussels School of Governance. He is also a non-resident adjunct fellow with the Center for Strategic Studies Korea Chair, and a non-resident fellow at the Sejong Institute.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Today, the idea that the Himalayas have the world’s tallest peaks—by a large margin—is entirely uncontroversial. Just about anyone can name Mount Everest and K2 as the world’s tallest and second-tallest mountains respectively.But the idea that this mountain range had the highest summits used to be quite controversial. Mountaineers claimed that the Himalayas could not be taller than peaks in Europe or South America, like Ecuador’s Chimborazo. Even when it was proven that the Himalayas were taller, mountaineers would praised the aesthetic quality of European and South American peaks—essentially giving the nineteenth-century equivalent of “height isn’t everything”That’s merely one of the historical details from Lachlan Fleetwood’s Science on the Roof of the World: Empire and the Remaking of the Himalaya (Cambridge University Press, 2022), which studies the first attempts to survey this mountain range. Fleetwood’s book examines not just the expeditions themselves, but also how surveyors procured their equipment, how they handled altitude sickness, and the fossils they found (among other details), in order to analyze the connection between knowledge, the frontier, and empire.Lachlan Fleetwood is a historian of science, empire, geography and environment. He holds a PhD in history from Cambridge University, and is currently a research fellow at University College Dublin. He is currently developing a new project that examines climatic sciences and environmental determinism in imperial surveys of Central Asia and Mesopotamia in the long nineteenth century.In this interview, Lachlan and I talk about the Himalayas, how the first surveyors studied them, and why these early efforts to understand this mountain range are important to how we understand the history of science.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Science on the Roof of the World. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

The Kushnameh is unique, literally. Only one copy of the “Epic of Kush”exists, sitting in the British Library. Hardly anything is known about its author, Iranshah. It features a quite villainous protagonist, the tusked warrior Kush, who carves a swathe of destruction across the region. And it spans nearly half the world, with episodes in Spain, the Maghreb, India, China and even Korea.It was that last reference that encouraged academics in Korea to study the Kushnameh, and bring Kaveh Hemmat to do its first-ever English translation, published by the University of California Press this year. Kaveh L. Hemmat is assistant professor, professional faculty in History at Benedictine University, scholar of world history and Islamicate culture, director of the NEH-funded Khataynameh Translation Project, an unusually determined cyclist, and a dabbler in sundry pursuits ranging from sourdough bread baking to drawing. He completed his Ph.D at the University of Chicago in the Department of Near Eastern Languages and Civilizations in 2014. His research focuses on interaction between the Islamic world and East Asia and the importance of this interaction to Islamic political thought and premodern global political history.In this interview, Kaveh and I discuss this unique document and the cultural and political context behind its writing. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of the Kushnameh. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

In 1973, the Philadelphia Orchestra boarded a Pan Am 707 plane in Philadelphia for a once-in-a-lifetime journey: a multi-city tour of Maoist China, months after Nixon’s history-making visit. There was drama immediately after they landed in Shanghai. Chinese officials asked for a last-minute change to the program: Beethoven’s Sixth. After protests that the Orchestra didn’t bring scores with them, officials returned with copies haphazardly sourced from across the country, with different notations and different notes, forcing the orchestra to make do. That’s just one of the stories recounted in Jennifer Lin’s book, Beethoven in Beijing: Stories from the Philadelphia Orchestra's Historic Journey to China (Temple University Press: 2022). The book stems from the work Lin did in putting together a documentary film on the Philadelphia Orchestra’s trip; with so much left on the cutting room floor, she decided to turn it into an oral history. Jennifer Lin is an award-winning journalist, author, and documentary filmmaker. She produced and codirected the feature-length documentary, Beethoven in Beijing, which premiered on PBS’s Great Performances in 2021. For 31 years, she worked at the Philadelphia Inquirer as a reporter, including posts as a foreign correspondent in China, a financial correspondent on Wall Street, and a national correspondent in Washington, DC. She is the author of Shanghai Faithful: Betrayal and Forgiveness in a Chinese Christian Family (Rowman & Littlefield Publishers: 2017), and coauthor of Sole Sisters: Stories of Women and Running (Andrews McMeel Publishing: 2006). Her current documentary project is Beyond Yellowface about two New York City dancers trying to rid ballet of offensive Asian stereotypes.In this interview, Jennifer and I talk about the opening of China, the Philadelphia Orchestra, and how that 1973 visit still resonates today.  You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Beethoven in Beijing. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Fifty years ago, President Richard Nixon stepped off a plane in Beijing: a visit that changed the course of China, the U.S., the Cold war and the world. The stories in Gish Jen’s newest story collection, Thank You Mr. Nixon: Stories (Knopf: 2022), covers stories spanning the fifty-year relationship since then, from a Chinese woman press-ganged into translating for her Western tour group, to an English professor struggling to teach the wealthy Chinese students at his university.Gish Jen is the author of one previous book of stories, five novels, and two works of nonfiction. Her honors include fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study, and the Fulbright Foundation. Her stories have been chosen for The Best American Short Stories five times, including The Best American Short Stories of the Century; she has also delivered the William E. Massey, Sr., Lectures in American Studies at Harvard University. She and her husband split their time between Cambridge, Massachusetts, and Vermont.In this interview, Gish and I talk about why she wrote this story collection, covering fifty years of encounters and connections between Chinese, Americans, and Chinedse-Americans.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Thank You Mr. Nixon. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

King Rao–one of the protagonists from Vauhini Vara’s novel The Immortal King Rao (W. W. Norton & Company: 2022)—is like many of the tech founders we idolize today. King comes from humble beginnings—born into a Dalit family in a coconut grove in India–moves to the U.S., and launches a company that ends up dominating the world.But Vauhini’s novel is also the story of King’s daughter Athena, living in the world created by her father’s company: a world of social credit, “hothouse earth” and “Shareholder Government”.The Immortal King Rao presents a techno-dystopia that may be recognizable for us today. But it’s more than just a warning about the future–Vauhini’s novel weaves together scenes from the past and the near future to tell a story about caste in India and the growth of our modern-day tech sector.Vauhini Vara has worked as an editor at the New Yorker, the New York Times Magazine, and the Atlantic, and as a journalist for those publications and others, including the Wall Street Journal, where she began her career. She is a graduate of the Iowa Writers’ Workshop, and her fiction has appeared in Tin House and McSweeney's and has been honored by the Rona Jaffe Foundation, the O. Henry Prize, and the Canada Council for the Arts. Her essay about grieving her sister's death, “Ghosts”—published in The Believer and adapted by This American Life—will be anthologized in The Best American Essays 2022. She is the secretary for Periplus, a mentorship collective serving writers of color, and a mentor for the Lighthouse Writers Workshop’s Book Project.In this interview, Vauhini and I talk about The Immortal King Rao, how the experience of her family’s Dalit heritage motivated her to write the book, and what companies, perhaps, inspired the techno-dystopia seen in her novel.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Immortal King Rao. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

It can be hard to think of Everest as unknown anymore. While it’s certainly a challenge to climb the world’s tallest mountain, someone–with enough time and money–has a good chance of making it to the summit. A potential mountaineer can fly into Kathmandu, travel to a well-stocked base camp, be escorted up a well-trodden route by expert sherpas. There’s even Wifi at the peak.The relative ease of climbing Everest is born from almost a century of attempted expeditions up the mountain, to determine how high one could go, and what routes to take. Even the successful expedition of Norgay and Hillary was built on the efforts of those who came before.And the first expeditions, in 1921 and 1922, are the subject of Mick Conefrey’s Everest 1922: The Epic Story of the First Attempt on the World's Highest Mountain (Pegasus Books, 2022). Mick tells the story of these very first attempts to climb the mountain–including the difficulties of funding, recruitment, and travel, as well as the climb itself.In this interview, Mick and I talk about the two expeditions to Everest–including its most famous participant, George Mallory–the scientific and mountaineering controversies around it, and what makes climbing Everest different today.Mick Conefrey is an award-winning writer and documentary film maker. He created the landmark BBC series The Race for Everest to mark the sixtieth anniversary of the first ascent. His previous books include The Adventurer's Handbook: Life Lessons from History's Great Explorers (Smithsonian: 2006); Everest 1953: The Epic Story of the First Ascent (Mountaineers Books: 2014), the winner of a Leggimontagna Award; and Ghosts of K2: The Race for the Summit of the World's Most Deadly Mountain (Oneworld Publications: 2015), which won a U.S. National Outdoor Book Award.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Everest 1922. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

On February 1st, 1936, Begum Hasrat Mohani, famed Indian writer and independence activist, sends the first of several letters to her daughter. She’s traveling on the Hajj, passing through Iran and Iraq on her way to Mecca. Along the way, she writes to her daughter, noting the sights and sounds she experiences on her pilgrimage–and give us a glimpse into a different kind of travel writing, from a different kind of travel writer.Those letters are the subject of Daniel Majchrowicz’s chapter in Worlds of Knowledge in Women’s Travel Writing (Ilex Foundation: 2022), edited by James Uden. The book covers travel writing by women, mostly in the eighteenth and nineteenth centuries, as they travel through Europe, the Middle East and Asia.Both James and Daniel join us today to talk about their book, and their respective chapters. In this interview, we talk about what makes these examples of travel writing so interesting, and what the genre of travel writing means today after two years of travel restrictions.James Uden is Associate Professor of Classical Studies at Boston University.researches and writes about Latin literature and the transformation of ancient ideas in later eras, especially the eighteenth and early nineteenth centuries. He has published essays on a broad range of topics, including Catullus, Virgil, love elegy, travel literature, and ancient fable. His first book, The Invisible Satirist: Juvenal and Second-Century Rome (Oxford University Press: 2014), offers a new interpretation of the poems of Juvenal, showing how these texts responded to changing conceptions of Roman identity and contemporary trends in Greek rhetoric and philosophy. His second book, Spectres of Antiquity: Classical Literature and the Gothic, 1740-1830 (Oxford University Press: 2020) explores the work of British and American novelists of the eighteenth century.Daniel Majchrowicz is Assistant Professor of South Asian Literature and Culture at Northwestern University. His research considers the history and culture of Muslims and Islam in South Asia with an emphasis on Urdu literature, travel writing, popular culture, and language politics. He is a translator from Urdu, Hindi, Punjabi, and Persian, and currently the director of the South Asia Research Forum. Daniel is also an editor of the forthcoming Three Centuries of Travel Writing by Muslim Women (Indiana University Press: 2022)You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Worlds of Knowledge in Women’s Travel Writing. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review