Asian Review of Books

Earlier this month, U.S. President Joe Biden signed the CHIPS and Science Act, a bill purportedly meant to revive U.S. dominance in research and development. “We used to rank number one in the world in research and development; now we rank number nine,” Biden said at the signing ceremony. “China was number eight decades ago; now they are number two.”And a recent study from Japan’s science ministry reported that China now leads the world not just in quantity of scientific research, but in quality too.The success of the U.S.--and perhaps China, into the future–is due to the “research university”, an academic institution that offers professors the freedom to study and research, and students the freedom to learn, leading to high-quality academic output. Those universities are the subject of Professor William Kirby’s Empires of Ideas: Creating the Modern University from Germany to America to China (Harvard University Press, 2022).In this interview, Professor Kirby and I talk about the research university: Humboldt, Harvard, Berkeley, Tsinghua, Nanjing, and the University of Hong Kong. We also discuss what it means for China, and Chinese institutions, to play a bigger role in world academia. How might that change things?William C. Kirby is Spangler Family Professor of Business Administration and T. M. Chang Professor of China Studies at Harvard University, as well as Chair of the Harvard China Fund and Faculty Chair of the Harvard Center Shanghai. His many books include Can China Lead? Reaching the Limits of Power and Growth (Harvard Business Review Press: 2014)You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Empires of Ideas. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Jerusalem’s Old City is normally understood to be split into four quarters: the Jewish Quarter, the Armenian Quarter, the Christian Quarter, and the Muslim Quarter. Those designations can be found on maps, on guidebooks, on news articles, and countless other pieces of writing about the city.But as Matthew Teller points out in his latest book, Nine Quarters of Jerusalem: A New Biography of the Old City (Profile Books / Other Press, 2022): the idea of the “four quarters” is entirely a nineteenth century creation, invented by a couple of British mapmakers. Instead, Teller explores Jerusalem and all its myriad peoples–not just the Israelis and the Palestinians, but the Africans, Syrians, and other peoples that call the holy city their home.In this interview, Matthew and I talk about how we should actually think about Jerusalem, and all the different people that make the city what it is today.Matthew Teller writes for the BBC, The Guardian, Times of London, Financial Times, and other global media. He has produced and presented documentaries for BBC Radio and has reported for the BBC’s From Our Own Correspondent program from around the Middle East and beyond. He is the author of several travel guides, including the Rough Guide to Jordan (Rough Guides: 2012). He is also the author of Quite Alone: Journalism from the Middle East 2008–2019. He can be followed on Twitter at @matthewteller.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Nine Quarters of Jerusalem. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

The Fine Chao, a Chinese restaurant in the town of Haven, is known for its food and its boisterous owner, Big Leo Chao. Leo is loud, assertive and aggressive, sexually explicit in a way unmatched in his three sons, Dagou, Ming and James, who all take after–and despise–their father in differing ways.The Chao family are the protagonists of Lan Samantha Chang’s newest novel, appropriately titled The Family Chao (W. W. Norton & Company, 2022). What starts as a family drama turns into a crime novel, with references to the struggles and challenges faced by the Chinese-American community–and with echoes to other classic works of literature.In this interview, Samantha and I talk about The Family Chao, its focus on the Chinese-American population, and how it uses classic ideas to explore that community’s place in the United States.Lan Samantha Chang is the author of a collection of short fiction, Hunger, and two novels, Inheritance, and All Is Forgotten, Nothing Is Lost. Her work has been translated into nine languages and has been chosen twice for The Best American Short Stories. She has received creative writing fellowships from Stanford University, Princeton University, the Radcliffe Institute for Advanced Study, the Guggenheim Foundation, and the National Endowment for the Arts. She is the Director of the Iowa Writers' Workshop.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Family Chao. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Money does strange things to people, as Annah Lake Zhu notes in her latest book Rosewood: Endangered Species Conservation and the Rise of Global China (Harvard University Press: 2022)In Madagascar, loggers, flush with cash from the rosewood trade, don’t quite know how to react to their newfound largesse, sometimes demanding less money for their wares out of confusion. Rumors abound of how loggers make their money. There’s no way that simple wood could garner so much profit, people say, so observers think they must be trading something else–like human bones.Annah’s book studies globalization, the rise of China, and global environmental politics through trade in one commodity: Madagascar rosewood, used in furniture. In this interview, Annah and I talk about this important material–the commodity, the cultural product, and the conservation target–in China and Madagascar.Annah Lake Zhu is Assistant Professor of Environmental Policy at Wageningen University in the Netherlands, a veteran of the United Nations Environment Programme in Geneva, and a former Peace Corps volunteer in Madagascar. Her work has been published in Science, Geoforum, and Political Geography.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Rosewood. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

It’s the sixteenth century, and the Ottoman Empire has just defeated the Mamluk Sultanate, conquering Damascus and Cairo, important centers of Arab learning and culture. But how did these two groups–Arabs and “Rumis”, a term used to refer to those living in Anatolia, interact? How did Arabs deal with these powerful upstarts–and how did Rumis try to work with their learned, yet defeated, subjects?Dr. Helen Pfeifer studies one venue where Arabs and Rumis in the Ottoman Empire interacted, learned from each other, and jockeyed for status: the salon. Empire of Salons: Conquest and Community in Early Modern Ottoman Lands (Princeton University Press: 2022) looks at how gatherings of “gentlemen” helped to build Ottoman culture.In this interview, Helen and I talk about the Ottoman Empire, the differences between the Arab and Rumi communities, and what exactly people did in the salon.Dr. Helen Pfeifer is the inaugural university lecturer in early Ottoman history at the University of Cambridge and a fellow of Christ’s College. She has an interest in understanding the empire within larger Islamic, European, and global contexts. Her research focuses on issues of empire, cultural exchange, and Islamic devotional practice in the sixteenth and seventeenth centuries. She can be followed on Twitter at @krel7.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Empire of Salons. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

If there’s a country that “punches above its weight”, it’s South Korea. It’s home to some of the world’s largest and most important companies, and the source of pop culture that dominates Asia—and even planted a foothold in the West.But the country’s growth would have been astounding to those at the end of the Korean War. The Republic of Korea was poor, devastated by war, and stuck deep in Cold War politics.Shrimp to Whale: South Korea from the Forgotten War to K-Pop (Hurst, 2022) by Ramon Pacheco Pardo tells the story of Korea over the past sixty years, charting the country’s path through dictatorship and democracy to the economic and cultural powerhouse it is today.In this interview, Ramon and I talk about Korea–what it was like after the war, how it became a mature democracy–and what makes the book’s title, Shrimp to Whale, especially apt.Ramon Pacheco Pardo is Professor of International Relations at King’s College London, and KF-VUB Korea Chair at the Brussels School of Governance. He is also a non-resident adjunct fellow with the Center for Strategic Studies Korea Chair, and a non-resident fellow at the Sejong Institute.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Today, the idea that the Himalayas have the world’s tallest peaks—by a large margin—is entirely uncontroversial. Just about anyone can name Mount Everest and K2 as the world’s tallest and second-tallest mountains respectively.But the idea that this mountain range had the highest summits used to be quite controversial. Mountaineers claimed that the Himalayas could not be taller than peaks in Europe or South America, like Ecuador’s Chimborazo. Even when it was proven that the Himalayas were taller, mountaineers would praised the aesthetic quality of European and South American peaks—essentially giving the nineteenth-century equivalent of “height isn’t everything”That’s merely one of the historical details from Lachlan Fleetwood’s Science on the Roof of the World: Empire and the Remaking of the Himalaya (Cambridge University Press, 2022), which studies the first attempts to survey this mountain range. Fleetwood’s book examines not just the expeditions themselves, but also how surveyors procured their equipment, how they handled altitude sickness, and the fossils they found (among other details), in order to analyze the connection between knowledge, the frontier, and empire.Lachlan Fleetwood is a historian of science, empire, geography and environment. He holds a PhD in history from Cambridge University, and is currently a research fellow at University College Dublin. He is currently developing a new project that examines climatic sciences and environmental determinism in imperial surveys of Central Asia and Mesopotamia in the long nineteenth century.In this interview, Lachlan and I talk about the Himalayas, how the first surveyors studied them, and why these early efforts to understand this mountain range are important to how we understand the history of science.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Science on the Roof of the World. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

The Kushnameh is unique, literally. Only one copy of the “Epic of Kush”exists, sitting in the British Library. Hardly anything is known about its author, Iranshah. It features a quite villainous protagonist, the tusked warrior Kush, who carves a swathe of destruction across the region. And it spans nearly half the world, with episodes in Spain, the Maghreb, India, China and even Korea.It was that last reference that encouraged academics in Korea to study the Kushnameh, and bring Kaveh Hemmat to do its first-ever English translation, published by the University of California Press this year. Kaveh L. Hemmat is assistant professor, professional faculty in History at Benedictine University, scholar of world history and Islamicate culture, director of the NEH-funded Khataynameh Translation Project, an unusually determined cyclist, and a dabbler in sundry pursuits ranging from sourdough bread baking to drawing. He completed his Ph.D at the University of Chicago in the Department of Near Eastern Languages and Civilizations in 2014. His research focuses on interaction between the Islamic world and East Asia and the importance of this interaction to Islamic political thought and premodern global political history.In this interview, Kaveh and I discuss this unique document and the cultural and political context behind its writing. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of the Kushnameh. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

In 1973, the Philadelphia Orchestra boarded a Pan Am 707 plane in Philadelphia for a once-in-a-lifetime journey: a multi-city tour of Maoist China, months after Nixon’s history-making visit. There was drama immediately after they landed in Shanghai. Chinese officials asked for a last-minute change to the program: Beethoven’s Sixth. After protests that the Orchestra didn’t bring scores with them, officials returned with copies haphazardly sourced from across the country, with different notations and different notes, forcing the orchestra to make do. That’s just one of the stories recounted in Jennifer Lin’s book, Beethoven in Beijing: Stories from the Philadelphia Orchestra's Historic Journey to China (Temple University Press: 2022). The book stems from the work Lin did in putting together a documentary film on the Philadelphia Orchestra’s trip; with so much left on the cutting room floor, she decided to turn it into an oral history. Jennifer Lin is an award-winning journalist, author, and documentary filmmaker. She produced and codirected the feature-length documentary, Beethoven in Beijing, which premiered on PBS’s Great Performances in 2021. For 31 years, she worked at the Philadelphia Inquirer as a reporter, including posts as a foreign correspondent in China, a financial correspondent on Wall Street, and a national correspondent in Washington, DC. She is the author of Shanghai Faithful: Betrayal and Forgiveness in a Chinese Christian Family (Rowman & Littlefield Publishers: 2017), and coauthor of Sole Sisters: Stories of Women and Running (Andrews McMeel Publishing: 2006). Her current documentary project is Beyond Yellowface about two New York City dancers trying to rid ballet of offensive Asian stereotypes.In this interview, Jennifer and I talk about the opening of China, the Philadelphia Orchestra, and how that 1973 visit still resonates today.  You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Beethoven in Beijing. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Fifty years ago, President Richard Nixon stepped off a plane in Beijing: a visit that changed the course of China, the U.S., the Cold war and the world. The stories in Gish Jen’s newest story collection, Thank You Mr. Nixon: Stories (Knopf: 2022), covers stories spanning the fifty-year relationship since then, from a Chinese woman press-ganged into translating for her Western tour group, to an English professor struggling to teach the wealthy Chinese students at his university.Gish Jen is the author of one previous book of stories, five novels, and two works of nonfiction. Her honors include fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study, and the Fulbright Foundation. Her stories have been chosen for The Best American Short Stories five times, including The Best American Short Stories of the Century; she has also delivered the William E. Massey, Sr., Lectures in American Studies at Harvard University. She and her husband split their time between Cambridge, Massachusetts, and Vermont.In this interview, Gish and I talk about why she wrote this story collection, covering fifty years of encounters and connections between Chinese, Americans, and Chinedse-Americans.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Thank You Mr. Nixon. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review