New Books in Intellectual History

The First Last Man: Mary Shelley and the Postapocalyptic Imagination (U Pennsylvania Press, 2024) is the concluding text in political theorist Eileen M. Hunt’s trilogy of books focusing on the work of Mary Shelley. All three books have been published by the University of Pennsylvania Press, and they weave together Shelley’s novels (Frankenstein, The Last Man) and her short stories, as well as her journals and other writings. Hunt is currently continuing her work on Shelley by annotating Shelley’s The Last Man and her Journal of Sorrow, both of which were written side by side in the mid-1820s. Hunt’s writing of The First Last Man reflects Shelley’s own approach to writing, which integrates her own experiences into her imagined universes to explore humanity and our thinking. Thus, The First Last Man is a pivotal analysis of Shelley’s iconic work of plague fiction or pandemic novels and Hunt researched and wrote the book during our contemporary experience with the COVID-19 pandemic. While Shelley’s Frankenstein may loom large in the background of The Last Man, the focus of the novel is on the legacy of disease, of mass death, of war and conflict, and how to move forward in a destroyed world. Hunt’s thesis about postapocalyptic literature, especially Shelley’s work in this regard, is that the thread of hope that comes through all of this death and destruction is what sustains us as humans. And this is also what sustained Shelley in the face of her own tragedies, which included the loss of a number of her own children, the tragic drowning death of her beloved husband, and the loss of other family members. For Shelley, plague was a metaphor for her, both literally and figuratively having to contend with all of these experiences that were outside of her control.Hunt explains that Shelley’s pandemic novel is well positioned within the extended literature that focuses on plagues and pandemics. Shelley is deeply read—in literature, political theory, the Bible, classical work, and the like—and her work reflects these various genres and the ways in which they wrestle with the ideas of apocalypses and what happens after such destructive events. But Shelley’s work is not just situated among these writings on plagues; she actually creates a new form of this kind of work that brings in love and hope while opening up new vistas and beginnings, compelling people to think about what happens in the aftermath of plagues or pandemics. This leads us to post-apocalyptic thinking, compelling the focus on what happens next. Hunt suggests that Mary Shelley is a kind of modern-day Sophocles, a great tragic thinker who helps guide our wrestling with these more eternal questions and does so through fictional prose creations. Such creations push on our imaginations and compel us to think about worlds that may be different than our own, but certainly reflects back our very existences.The First Last Man is a beautiful book, weaving together Mary Shelley’s work, her journals and personal experiences, and commentary on her work at the time of the publications. Into this, Hunt brings some of her own journal entries from her research excursions during the Covid pandemic, and her own experiences with tragedy in her own life, honoring Shelley’s many skills as a writer in so many different genres and capacities.Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

‘The result is that, at the present time, the world is at an impasse.’In 1956, Aimé Césaire pronounced the world to be at an impasse while renouncing his allegiance to the French Communist Party. In Jesse McCarthy’s The Blue Period: Black Writing in the Early Cold War (U Chicago Press, 2024), this foreclosure of ideological avenues, this loss of belief in the prevailing modes of political praxis restricts and overdetermines the scope of writing and possibilities of culture during the Cold War. Although this story of Cold War disillusionment may sound familiar to readers of Mark Grief’s The Age of the Crisis of Man (2015) and Amanda Anderson’s Bleak Liberalism (2016), McCarthy argues that black writers such as Richard Wright, James Baldwin, Édouard Glissant, Paule Marshall, and Gwendolyn Brooks variously dissented from these delimitations in the name of alternate, unappeasable, quiet and disquieting bids for freedom. Across detailed chapters spanning from 1945 to 1965, the year in which Malcom X was assassinated and Amiri Baraka founded the Black Arts Repertory Theatre School by Amiri Baraka, McCarthy unfurls these writers’ efforts to work through negative experiences—alienation, dehiscence, dissolution, disaffiliation, disidentification—in order to, in Baldwin’s words, find ‘the power that will free us from ourselves.’Jesse McCarthy is an essayist, novelist, editor at Point Magazine, and an assistant professor in English and African-American Studies at Harvard University.Damian Maher is a fellow by examination at All Souls College, University of Oxford. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In The Radical Isaac: I. L. Peretz and the Rise of Jewish Socialism (SUNY Press, 2023), Adi Mahalel presents Yiddish and Hebrew writer I. L. Peretz (1852–1915) in a new radical light we've never seen him in before. Conceived in the wake of the 2008 financial crisis, the 2011/12 Occupy Wall Street movement and social protests in Israel/Palestine, and against the backdrop of the Bernie Sander's campaigns in the United States, Mahalel revisits the radical period of the 1890s and recasts Peretz as an "organic intellectual" (Antonio Gramsci) of the Eastern European Jewish working class complementing the political work of the incipient socialist, diaspora nationalist movement of the Jewish Labor Bund. By offering close readings of the "radical" Peretz in Yiddish and Hebrew and following a partly chronological, partly thematic scheme, this study traces Peretz's radicalism from its inception through the various ways in which it was synchronically expressed during this intense period of history. It shows how this writer-cum-activist became instrumental in the realm of culture in the rise of ethno-class-consciousness among the Eastern European Jewish working class at the turn century.Adi Mahalel received his doctoral degree in Hebrew and Yiddish Studies at Columbia University and is Visiting Assistant Professor of Yiddish Studies. His articles have appeared in peer-reviewed journals such as AJS REVIEW, Studies in American Jewish Literature, Israel Studies Review, and Kesher: Journal of Media and Communications History in Israel and the Jewish World. Mahalel was a culture columnist at the Yiddish Forward.Miriam Chorley-Schulz is an Assistant Professor and Mokin Fellow of Holocaust Studies at the University of Oregon and the co-founder of the EU-funded project We Refugees. Digital Archive on Refugeedom, Past and Present. She holds a Ph.D. in Yiddish Studies from Columbia University and was the Ray D. Wolfe Postdoctoral Fellow at the Centre of Jewish Studies and the Centre of Transnational and Diaspora Studies at the University of Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Is reality more than the material? Raj Balkaran holds a fascinating interview with philosopher Bernardo Kastrup on this topic. At the vanguard of the modern renaissance of metaphysical idealism, Bernardo presents cogent argumentation that reality is essentially mental, and examines the proper place of the scientific method in this deliberation. Bernardo’s research exhibits some astonishing parallels with ancient Indic thought. Bernardo Kastrup is the author of Analytic Idealism in a Nutshell: A Straightforward Summary of the 21st Century's Only Plausible Metaphysics" (Iff Books, 2024). About the book:As the failures of physicalism begin to shake the confidence of even the most biased of its supporters, a new view on the nature of reality is establishing itself as the only tenable alternative: Analytic Idealism. According to it, there is a world out there independent of our individual minds, but such world is - just like ourselves - also mental or experiential. While being a realist, naturalist, rationalist, and even reductionist view, Analytic Idealism flips our culture-bound intuitions on their head, revealing that only through understanding our own inner nature can we understand the nature of the world. This book embodies its author's years-long experience on how best to explain Analytic Idealism to someone who has never studied it before, and has no background in the technical fields involved. It meets the readers where they are, holding their hand as they are shown - through a series of evocative metaphors - how to see through their own unexamined assumptions, so to realize how the impossible dilemas of physicalism disappear when nature is regarded from a slightly different slant. The conclusions have tremendous implications for our values and way of life, as well as our understanding of purpose, self, identity, and death. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In this interview, Dr. Nicholas Taylor-Collins discusses his most recent book Shakespeare, Memory, and Modern Irish Literature (Manchester UP, 2022).Shakespeare, Memory, and Modern Irish Literature explores the intertextual connections between early modern English and modern Irish literature. Characterizing the relationship as 'dismemorial', the book explores how ghosts, bodies, and the land are sites of literary connection through which modern/contemporary Ireland draws on Shakespeare's England.Dr. Nicholas Taylor-Collins is Senior Lecturer in English at Cardiff Metropolitan University. His reasearch focuses on Shakespeare and modern and contemporary Irish literature.Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In The Metaphysics of Meditation: Sri Aurobindo and Adi-Sakara on the Isa Upanisad (Bloombury, 2024), Stephen Phillips focuses on one of the most important poems about meditation in world literature, as understood by two of the greatest philosophers of India, one classical, one modern. This book traces a worldview and consonant yoga teaching common to two authors who are typically taken to be oceans apart, not only chronologically but in intellectual stance. Addressing a huge gap in the contemporary literature on meditation in the Hindu traditions, Phillips presents a compelling new way of thinking about meditation in the Advaita Vedanta philosophy and Upanisad. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Christine Tan argues that the most fruitful way to read the Zhuangzi, if one is seeking political and ethical insight, is through the Jin Dynasty commentator Guo Xiang. In Freedom’s Frailty: Self-Realization in the Neo-Daoist Philosophy of Guo Xiang’s Zhuangzi (SUNY Press, 2024), she lays out her reasoning for this position, offering her interpretation of Guo’s conception of freedom in relationship to Anglo-European philosophers like Isaiah Berlin. Explaining what she calls Guo’s “logic of convergence,” on which opposites are brought together, Tan unpacks Guo’s hermeneutic approach to the Zhuangzi and his use of self-realization (zide) as a tool to bring about political transformation. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

This volume proposes a method for reading Milton's De Doctrina Christiana as an artifact of his process of theological thinking rather than as a repository of his doctrinal views. Jason A. Kerr argues that reading in this way involves attention to the complex material state of the manuscript along with Milton's varying modes of engagement with scripture and various theological interlocutors, and reveals that Milton's approach to theology underwent significant change in the course of his work on the treatise. Initially, Milton set out to use Ramist logic to organize scripture in a way that drew out its intrinsic doctrinal structure. This method had two unintended consequences: it drove Milton to an antitrinitarian understanding of the Son of God, and it obliged him to reflect on his own authority as an interpreter and to develop an ecclesiology capable of sifting divine truth from human error.Consequently, Milton's Theological Process: Reading de Doctrina Christiana and Paradise Lost (Oxford UP, 2023) explores the complex interplay between Milton's preconceived theological ideas and his willingness to change his mind as it develops through the layers of revision in the manuscript. Kerr concludes by considering Paradise Lost as a vehicle for Milton's further reflection on the foundations of theology--and by showing how even the epic presents challenges to the fruits of these reflections. Reading Milton theologically means more than working to ascertain his doctrinal views; it means attending critically to his messy process of evaluating and rethinking the doctrinal views to which his prior study had led him. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In a broken world, in which even God Himself is in a state of deep crisis, what is required in order to mend the rupture? How can one heal God and His world? Moreover, what might allow our actions to be effective? These questions stand at the heart of the Lurianic Kabbalah, the apex of the Safedian intellectual and religious renaissance of the sixteenth century, and one of the constituting phenomena of Modern Jewish thought. God as Patient: The Medical Discourse of Lurianic Kabbalah (Magnes Press, 2023) presents medical discourse – the knowledge, language, and practice of medicine – as a significant key to our understanding of the Lurianic search for a way to mend reality, and first and foremost the Godhead. The book reads together the Lurianic texts alongside the medical writings of R. Hayyim Vital, R. Isaac Luria's chief disciple, and a medical practitioner. Consequently, the book analyzes how medicine becomes the model for the Lurianic language of action. In its final part, the book shows how God becomes in this Kabbalah the ultimate patient of the Lurianic Kabbalist, who in turn becomes the private court physician of the King of Kings, and needs, like every physician, the proper modes of healing to accomplish his task.Dr. Assaf Tamari studies Jewish intellectual history in the early modern eastern Mediterranean, focusing on the affinities between theology, science and political thought, especially in the literature of the Kabbalah. He is currently the deputy head of the Ben Zvi Institute for the Study of Jewish Communities in the East, and teaches at Tel Aviv University, Shalem College and Alma - a Home for Hebrew Culture. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Apart from an opening survey of modern study of ancient Jewish history, which emphasizes the foundational role of German-Jewish scholars, the studies united in Ancient Jewish Historians and the German Reich: Seven Studies (de Gruyter, 2024) apply philological methods to the writings of four of them: Heinrich Graetz, Isaak Heinemann, Elias Bickerman(n), and Abraham Schalit. In each case, it is argued that some seemingly trivial anomaly or infelicity, in a publication about such ancient characters as Antiochus Epiphanes, Herod, and Josephus, points to the way in which the historian constructed, and revised, his understanding of the Jews’ situation under Greeks or Romans in light of his perception of the Jews’ situation under the Second or Third Reich. The collection also includes a study that focuses on a Jewish medievalist, Philipp Jaffé, and unravels the indirect but inexorable process that led from a scholarly feud about the editing of medieval Latin texts, in the 1860s, to the “Berlin Antisemitism Dispute” (Berliner Antisemitismusstreit) of 1879–1881, which is commonly viewed as the opening act of modern German antisemitism. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history