New Books in Intellectual History

The great political ideas and movements of the modern world were founded on a promise of universal emancipation. But in recent decades, much of the Left has grown suspicious of such aspirations. Critics see the invocation of universality as a form of domination or a way of speaking for others, and have come to favor a politics of particularism—often derided as “identity politics.” Others, both centrists and conservatives, associate universalism with twentieth-century totalitarianism and hold that it is bound to lead to catastrophe.This book develops a new conception of universality that helps us rethink political thought and action. Todd McGowan argues that universals such as equality and freedom are not imposed on us. They emerge from our shared experience of their absence and our struggle to attain them. McGowan reconsiders the history of Nazism and Stalinism and reclaims the universalism of movements fighting racism, sexism, and homophobia. He demonstrates that the divide between Right and Left comes down to particularity versus universality. Despite the accusation of identity politics directed against leftists, every emancipatory political project is fundamentally a universal one—and the real proponents of identity politics are the right wing. Through a wide range of examples in contemporary politics, film, and history, Universality and Identity Politics (Columbia UP, 2020) offers an antidote to the impasses of identity and an inspiring vision of twenty-first-century collective struggle.Todd McGowan is professor of film studies at the University of Vermont. His previous Columbia University Press books are The Impossible David Lynch (2007), Capitalism and Desire: The Psychic Cost of Free Markets (2016), and Emancipation After Hegel: Achieving a Contradictory Revolution (2019). He is the coeditor of the Diaeresis series at Northwestern University Press with Slavoj Žižek and Adrian Johnston. He is also cohost of the Why Theory podcast, which brings continental philosophy and psychoanalytic theory together to examine cultural phenomena. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Avi Shlaim is a celebrated "New Historian” whose earlier work established him as an influential historian of Middle Eastern politics and especially of Israel's relations with the Arab world. Most recently he has turned to his own Iraqi/Israeli/British past in Three Worlds: Memoirs of an Arab-Jew–which he refers to as an "impersonal autobiography."He speaks today to John and his Brandeis colleague Yuval Evri, the Marash and Ocuin Chair in Ottoman, Mizrahi and Sephardic Jewish Studies. Yuval’s 2020 The Return to Al-Andalus: Disputes Over Sephardic Culture and Identity Between Arabic and Hebrew explores how fluidity in such categories as the "Arab-Jew" becomes a source of resistance to exclusive claims of ownership of land, texts, traditions, or languages.The three quickly agree that the crucial category for understanding Avi's latest work is that of the Arab Jew: "I am a problem for Zionists, an ontological impossibility....[as] a living breathing standing Arab Jew. A problem for them but not for me." Coexistence for him is not remote, but something that the Iraqi Jewish community experienced and touched on a daily basis.In describing the factors that sped migration from Iraq to Israel in its early years, Shlaim lays bare some evidence for Mossad involvement in three for the Baghdad bombs that hastened the flight from Baghdad. That bombing forms part of the “Cruel Zionism” that Avi sees having gravely damaged the possibilities of Middle Eastern religious coexistence.He also discusses the 1954 Lavon affair, and more generally reflects on the way that Zionism ("an Ashkenazi thing") conscripted Arab Jews into its political formation (This is a topic also discussed extensively in RTB"s conversation with Natasha Roth-Richardson and Lori Allen, in Violent Majorities). True, there is a much-discussed 1941 Baghdadi pogrom, The Farhud. It stands alone in the area and by Shlaim's account was largely a product of British colonialism in Iraq, with its divisive elevation of Christians and Jews over Muslims.Yuval asks Avi to discuss the power (or permission) to narrate stories told from below. Avi's tales of his own mother's resourcefulness and his father’s struggles betoken the range of poignant response to what for so many Arab Jews was not aliyah (ascent) but a yerida, a descent into marginality, unemployment, and cultural exclusion.To Avi, a single state of Israel/Palestine seems the best hope to ward off the worst that may come from the accelerated ethnic cleansing of both Gaza and the West Bank, which may lead to a second Nakba.Mentioned in the podcast Avi Shlaim, Collusion across the Jordan: King Abdullah, the Zionist Movement, and the Partition of Palestine (1988) Avi Shlaim, The Iron Wall: Israel and the Arab World (1988) The New Historians of Israel/Palestine. Joel Beinin, The Dispersion of Egyptian Jewry (1998) Alliance Israelite Universelle Salo Baron anatomizes the "lachrymose version of Jewish history"; e.g. in his 1928 “Ghetto and Emancipation: Shall We Revise the Traditional View?” Noam Chomsky called settler colonialism the most extreme and vicious form of imperialism. Recallable Books Avi credits the influential work of Ella Shohat on the idea of the Arab Jew and "cruel Zionism." One pathbreaking article was her 1988 "Sephardim in Israel: Zionism from the Standpoint of Its Jewish Victims." but he recommends On the Arab Jew. In her work the hyphen unites rather than divides Arab and Jew. Yehoudah Shinhav, The Arab Jews (2006). Sami Michael Shimon Ballas, Outcast (1991). Michael Kazin, A Walker in the City (1951) and the rest of his New York trilogy. Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In this discussion, Stuart Elden, a Professor of Political Theory and Geography at the University of Warwick, navigates the early years of Michel Foucault. Elden reveals how new archival material sheds light on Foucault's intellectual development, influenced by key mentors in post-war Paris. He highlights Foucault's struggles and transformations in his early work leading to 'The History of Madness'. The conversation also touches on Foucault's disillusionment with psychiatry and pivotal moments that shaped his trajectory, painting a compelling picture of his formative influences.

On this episode, J.J. Mull interviews scholar and historian Camille Robcis. In her most recent book, Disalienation: Politics, Philosophy, and Radical Psychiatry in Postwar France (University of Chicago Press, 2021), Robcis grapples with the historical, intellectual, psychiatric and psychoanalytic meaning of institutional psychotherapy as articulated at Saint-Alban Hospital in France by exploring the movement’s key thinkers, including François Tosquelles, Frantz Fanon, Félix Guattari, and Michel Foucault. Anchored in the history of one hospital, Robcis's study draws on a wide geographic context—revolutionary Spain, occupied France, colonial Algeria, and beyond—and charts the movement's place within a broad political-economic landscape, from fascism to Stalinism to postwar capitalism.J.J. Mull is a poet, training clinician, and graduate student at Smith College School for Social Work currently living in Northampton, MA. He can be reached at jmull@smith.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In Stay Black and Die: On Melancholy and Genius (Duke UP, 2023), I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass’s intellect to his matrilineage, reading Gaye’s falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison’s life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In Missiology Reimagined: The Missions Theology of the Nineteenth-Century African American Missionary (Pickwick, 2024), Kent Michael Shaw I examines the lives and theology of early African American missionaries of the Antebellum and Reconstruction era. The enslaved and formerly enslaved constructed a hermeneutic and interpreted the sacred text through a lens that contradicted the enslaver's version of Christianity. They engaged Scripture on their own terms and embraced a theology of mission that compelled them to risk death and re-enslavement to pursue a global mandate from God. These pioneering missionaries were not only mission workers but missiologists. The reader will discover an applied missiology with relevance not only for the African American church of that day but for the church as a whole today.Dave Broucek is a retired cross-cultural missionary/coordinator of continuing education/international ministries director, having served on the staff of two faith-based nonprofits, The Evangelical Alliance Mission (TEAM) and South America Mission (SAM). He holds a PhD in Intercultural Studies from Trinity Evangelical Divinity School, Deerfield, Illinois. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The current rise of nationalism across the globe is a reminder that we are not, after all, living in a borderless world of virtual connectivity. In Nationalism: A World History (Princeton UP, 2024), historian Eric Storm sheds light on contemporary nationalist movements by exploring the global evolution of nationalism, beginning with the rise of the nation-state in the eighteenth century through the revival of nationalist ideas in the present day. Storm traces the emergence of the unitary nation-state--which brought citizenship rights to some while excluding a multitude of "others"--and the pervasive spread of nationalist ideas through politics and culture.Storm shows how nationalism influences the arts and humanities, mapping its dissemination through newspapers, television, and social media. Sports and tourism, too, have helped fashion a world of discrete nations, each with its own character, heroes, and highlights. Nationalism saturates the physical environment, not only in the form of national museums and patriotic statues but also in efforts to preserve cultural heritage, create national parks, invent ethnic dishes and beverages, promote traditional building practices, and cultivate native plants. Nationalism has even been used for selling cars, furniture, and fashion.By tracing these tendencies across countries, Storm shows that nationalism's watershed moments were global. He argues that the rise of new nation-states was largely determined by shifts in the international context, that the relationships between nation-states and their citizens largely developed according to global patterns, and that worldwide intellectual trends influenced the nationalization of both culture and environment. Over the centuries, nationalism has transformed both geopolitics and the everyday life of ordinary people. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The figure of Sigmund Freud has captivated the Western imagination like few others. One hundred and twenty-five years after the publication of Studies on Hysteria, the good doctor from Vienna continues to stir controversy in institutions, academic circles, and nuclear households across the world. Perhaps Freud’s sharpest and most adamant critic, Frederick Crews has been debating Freud’s legacy for over thirty years. His latest work, Freud: The Making of an Illusion (Picador, 2018) challenges us with an extensive psychological profile of the legend here revealed as scam artist. What some analysts might argue to be a 750 page character assassination, Crews maintains is simply a recitation of facts which leaves readers to draw their own conclusions. One might wonder if the story of facts that is conveyed is not itself a counter myth.Was Freud a megalomaniacal, greedy, cocaine-addled opportunist and psychoanalysis a pseudoscience that has reigned tyrannically over twentieth century thought? Making use of Freud’s extensive letters to Martha Bernays, Crews paints a “damning portrait” (Esquire) of a money hungry, adulterous, and uncaring man. How can this portrait be reconciled with the radically meaningful and deeply transformative process many of us know psychoanalysis to be? Is the tyranny of rationality preferable to the tyranny of myth? Does the unmaking of the myth of the man undo the gift of his work?In this interview Crews responds to questions of what it means to have an empirical attitude, how we should “test” the process of healing, what’s so tempting about Freud, and what should become of psychoanalysis today. Meticulously researched, the Crews of the Freud wars is back again, and he’s going in for the kill shot.Cassandra B. Seltman is a writer, psychoanalyst, and researcher in NYC. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

There is no shortage of Black characters in Miguel de Cervantes’s works, yet there has been a profound silence about the Spanish author’s compelling literary construction and cultural codification of Black Africans and sub-Saharan Africa. In Cervantine Blackness (Penn State UP, 2024), Nicholas R. Jones reconsiders in what sense Black subjects possess an inherent value within Cervantes’s cultural purview and literary corpus. In this unflinching critique, Jones charts important new methodological and theoretical terrain, problematizing the ways emphasis on agency has stifled and truncated the study of Black Africans and their descendants in early modern Spanish cultural and literary production. Through the lens of what he calls “Cervantine Blackness,” Jones challenges the reader to think about the blind faith that has been lent to the idea of agency—and its analogues “presence” and “resistance”—as a primary motivation for examining the lives of Black people during this period. Offering a well-crafted and sharp critique, through a systematic deconstruction of deeply rooted prejudices, Jones establishes a solid foundation for the development of a new genre of literary and cultural criticism. A searing work of literary criticism and political debate, Cervantine Blackness speaks to specialists and nonspecialists alike—anyone with a serious interest in Cervantes’s work who takes seriously a critical reckoning with the cultural, historical, and literary legacies of agency, antiblackness, and refusal within the Iberian Peninsula and the global reaches of its empire. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Herald of a Restless World: How Henri Bergson Brought Philosophy to the People (Basic Books, 2024) is the first English-language biography of Henri Bergson, the philosopher who defined individual creativity and transformed twentieth century thought.At the dawn of the twentieth century, Henri Bergson became the most famous philosopher on earth. Where prior thinkers sketched out a predictable universe, he asserted the transformative power of consciousness and creativity. An international celebrity, he made headlines around the world debating luminaries like Bertrand Russell and Albert Einstein about free will and time. The vision of creative evolution and freedom he presented was so disruptive that the New York Times branded him "the most dangerous man in the world."In the first English-language biography of Bergson, Emily Herring traces how his celebration of the time-bending uniqueness of individual experience struck a chord with those shaken by modern technological and social change. Bergson captivated a society in flux like no other. Long after he faded from public view, his insights into memory, time, joy and creativity continue to shape our perceptions to this day. Herald of a Restless World is an electrifying portrait of a singular intellect.Emily Herring is a writer based in Paris. She studied philosophy at the Sorbonne and received her PhD in the history and philosophy of science from the University of Leeds. Her work has appeared in the TLS and Aeon.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history