New Books in the American South

Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris, James T. Campbell, and Alfred L. Brophy, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day.The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of Slavery and the University stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education.Today I spoke with Leslie Harris about the book. Dr. Harris is a professor of history at Northwestern University. She is the coeditor, with Ira Berlin, of Slavery in New York and the coeditor, with Daina Ramey Berry, of Slavery and Freedom in Savannah (Georgia).Adam McNeil is a History PhD student at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Historians, musicologists, and sociologists have long studied the relationship between politics and music. Peter La Chapelle’s new book, I’d Fight the World: A Political History of Old-Time, Hillbilly, and Country Music (University of Chicago Press, 2019) traces interactions between country music and politics beginning with two late nineteenth-century politicians who fiddled to their supporters and ending with the 2016 election season. He establishes some long-standing associations between celebrity candidates, populist insurgents, outsider politics and country music. La Chapelle also does not shy away from exposing the ways that racist and anti-Semitic political figures have used country music to support their beliefs. While today many people think of country music as a politically conservative genre, La Chapelle brings to light a more complex story of politicians across the spectrum looking to country music to support their beliefs, publicize their campaigns, and establish their authenticity with their constituents.Peter La Chapelle is a professor of history at Nevada State College. A cultural historian, his research centers on the intersections between country music, politics, and national identity in the United States.Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Adam H. Domby, an Assistant Professor of History at the University of Charleston, has written a rigorous analysis of American political memory as it connects to the Civil War and long shadow of the Confederacy. The False Cause: Fraud, Fabrication, and White Supremacy in Confederate Memory (University of Virginia Press, 2020) unpacks a variety of threads all connected to the Lost Cause ideology, and all based on falsehoods. These dimensions of the ideology include Domby’s examination of the history of dishonest claims to confederate pensions by white veterans, and also the accusations of fraud associated with claims made by former slaves and free people of color for much smaller pensions.The False Cause digs into the historical claims made about the heroics demonstrated on the battlefield during the Civil War. In this context, The False Cause unpacks the myth that the Confederate army was one of the best ever, and these heroic claims, many of which were made at least forty years after the war itself, are not the only heroic assertions made in context of the Lost Cause ideology. Domby also explores the “soldiers who weren’t” – the enslaved individuals who were compelled to accompany their masters to war, and were then transformed, within this constructed political memory, into Black Confederates, which is yet another myth within the ideology. The book begins with an extremely topical component of the Lost Cause ideology and political memory, the monuments to confederate soldiers that were built long after the war, and that have become contemporary political lightning rods. Through all of these cases, Domby weaves the thread of how each particular area was used to buttress white supremacy and to re-narrate or re-cast the Civil War itself and those who engaged in it. Issues of white masculinity and grievance are embedded within the mythology and are also unpacked in context of these heroic declarations. This is an important historical examination that leads the reader through the facts and the subsequently created mythologies, which continue to shape and impact American politics and historical understandings.Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015).  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

In 1831, Nat Turner led a band of Southampton County slaves in a rebellion that killed fifty-five whites, mostly women and children. After more than two months in hiding, Turner was captured, and quickly convicted and executed.Christopher Tomlins' new book In the Matter of Nat Turner: A Speculative History (Princeton University Press, 2020) penetrates the historical caricature of Turner as befuddled mystic and self-styled Baptist preacher to recover the haunting persona of this legendary American slave rebel, telling of his self-discovery and the dawning of his Christian faith, of an impossible task given to him by God, and of redemptive violence and profane retribution.Much about Turner remains unknown. His extraordinary account of his life and rebellion, given in chains as he awaited trial in jail, was written down by an opportunistic white attorney and sold as a pamphlet to cash in on Turner’s notoriety. But the enigmatic rebel leader had an immediate and broad impact on the American South, and his rebellion remains one of the most momentous episodes in American history. Tomlins provides a luminous account of Turner's intellectual development, religious cosmology, and motivations, and offers an original and incisive analysis of the Turner Rebellion itself and its impact on Virginia politics. Tomlins also undertakes a deeply critical examination of William Styron’s 1967 novel, The Confessions of Nat Turner, which restored Turner to the American consciousness in the era of civil rights, black power, and urban riots.A speculative history that recovers Turner from the few shards of evidence we have about his life, In the Matter of Nat Turner is also a unique speculation about the meaning and uses of history itself.Rob Denning is Associate Dean for Liberal Arts at Southern New Hampshire University’s Global Campus. He received his Ph.D from The Ohio State University, where he researched environmental policymaking in California during Ronald Reagan’s terms as governor. Rob hosts Working Historians, a podcast about the various career opportunities open to students with history degrees. He can be reached by email at rdenning13@gmail.com or on Twitter @DrRobHistory. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Mary Stanton's Red, Black, White: The Alabama Communist Party, 1930–1950 (University of Georgia Press, 2019) is the first narrative history of the American communist movement in the South since Robin D. G. Kelley's groundbreaking Hammer and Hoe and the first to explore its key figures and actions beyond the 1930s. Written from the perspective of the district 17 (CPUSA) Reds who worked primarily in Alabama, it acquaints a new generation with the impact of the Great Depression on postwar black and white, young and old, urban and rural Americans.After the Scottsboro story broke on March 25, 1931, it was open season for old-fashioned lynchings, legal (courtroom) lynchings, and mob murder. In Alabama alone, twenty black men were known to have been murdered, and countless others, women included, were beaten, disabled, jailed, “disappeared,” or had their lives otherwise ruined between March 1931 and September 1935. In this collective biography, Mary Stanton―a noted chronicler of the left and of social justice movements in the South―explores the resources available to Depression-era Reds before the advent of the New Deal or the modern civil rights movement. What emerges from this narrative is a meaningful criterion by which to evaluate the Reds’ accomplishments.Through seven cases of the CPUSA (district 17) activity in the South, Stanton covers tortured notions of loyalty and betrayal, the cult of white southern womanhood, Christianity in all its iterations, and the scapegoating of African Americans, Jews, and communists. Yet this still is a story of how these groups fought back, and fought together, for social justice and change in a fractured region.Beth A. English is director of the Liechtenstein Institute’s Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

In this this interview, Carrie Tippen talks with Conor Picken and Matthew Dischinger about their edited collection, Southern Comforts: Drinking and the US South from Louisiana State University Press’s Southern Literary Studies Series.This collection of seventeen essays focuses on the mythologies and representations of alcohol production, distribution, and consumption (or rejection) in the literature and culture of the US South. Picken and Dischinger argue in the introduction that the relationship between the US South and alcohol has been overdetermined in popular imagination. The region is simultaneously known for its “dry” counties, temperance laws, and religious teetotalers as well as “hard­drinking authors, bootleggers, moonshiners, and distillers, to name but a few.” Picken and Dischinger interrogate the assumption that alcohol consumption is a community-building activity, arguing that drinking together, like eating together, often obscures underlying and persistent inequalities of race, class, and gender. Representations of Southern drinking culture tend to reify rather than resist hegemonic power structures. The collection explores and deconstructs these contradictory stereotypes through analysis of literary, historical, and pop culture representations of drink and drinking. Essays focus on a variety of texts and subjects from female blues singers, male country musicians, and Mardi Gras cocktails to the works of Flannery O’Connor, Carson McCullers, William Faulkner, and John Kennedy Toole – among many other representations in literature and film.Conor Picken is an Assistant Professor of English and the Faculty Director of the Compassio Learning Community at Bellarmine University. His teaching and research encompass 20th- and 21st-century American Literature, southern literature, modernism, and social change.Matthew Dischinger is a Lecturer at Georgia State University. Matt works at the intersections of American Studies, Southern Studies, and Postcolonial Studies. His research explores contemporary U.S. Multi-Ethnic literatures, literary melancholia, and speculative aesthetics.Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Lane Windham, Associate Director of the Kalmanovitz Initiative for Labor and the Working Poor at Georgetown University, discusses her book, Knocking on Labor’s Door: Union Organizing in the 1970s and the Roots of a New Economic Divide (University of North Carolina Press, 2017), and why the 1970s should be seen as more than a moment of decline for the U.S. labor movement.The power of unions in workers' lives and in the American political system has declined dramatically since the 1970s. In recent years, many have argued that the crisis took root when unions stopped reaching out to workers and workers turned away from unions. But here Windham tells a different story. Highlighting the integral, often-overlooked contributions of women, people of color, young workers, and southerners, Windham reveals how in the 1970s workers combined old working-class tools--like unions and labor law--with legislative gains from the civil and women's rights movements to help shore up their prospects. Through close-up studies of workers' campaigns in shipbuilding, textiles, retail, and service, Windham overturns widely held myths about labor's decline, showing instead how employers united to manipulate weak labor law and quash a new wave of worker organizing.Recounting how employees attempted to unionize against overwhelming odds, Knocking on Labor's Door dramatically refashions the narrative of working-class struggle during a crucial decade and shakes up current debates about labor's future. Windham's story inspires both hope and indignation, and will become a must-read in labor, civil rights, and women's history.Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Paradox is a sophisticated kind of magic trick. A magician's purpose is to create the appearance of impossibility, to pull a rabbit from an empty hat. Yet paradox doesn't require tangibles, like rabbits or hats. Paradox works in the abstract, with words and concepts and symbols, to create the illusion of contradiction. There are no contradictions in reality, but there can appear to be. In Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy (MIT Press, 2020), Matt Cook and a few collaborators dive deeply into more than 75 paradoxes in mathematics, physics, philosophy, and the social sciences. As each paradox is discussed and resolved, Cook helps readers discover the meaning of knowledge and the proper formation of concepts―and how reason can dispel the illusion of contradiction.The journey begins with “a most ingenious paradox” from Gilbert and Sullivan's Pirates of Penzance. Readers will then travel from Ancient Greece to cutting-edge laboratories, encounter infinity and its different sizes, and discover mathematical impossibilities inherent in elections. They will tackle conundrums in probability, induction, geometry, and game theory; perform “supertasks”; build apparent perpetual motion machines; meet twins living in different millennia; explore the strange quantum world―and much more. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Jessica Wilkerson, Assistant Professor of History and Southern Studies at the University of Mississippi, discusses her book, To Live Here, You Have to Fight: How Women Led Appalachian Movements for Social Justice (University of Illinois Press, 2018) and the recent history of feminist social justice activism in Appalachia.Launched in 1964, the War on Poverty quickly took aim at the coalfields of southern Appalachia. There, the federal government found unexpected allies among working-class white women devoted to a local tradition of citizen caregiving and seasoned by decades of activism and community service. Jessica Wilkerson tells their stories within the larger drama of efforts to enact change in the 1960s and 1970s. She shows white Appalachian women acting as leaders and soldiers in a grassroots war on poverty--shaping and sustaining programs, engaging in ideological debates, offering fresh visions of democratic participation, and facing personal political struggles. Their insistence that caregiving was valuable labor clashed with entrenched attitudes and rising criticisms of welfare. Their persistence, meanwhile, brought them into unlikely coalitions with black women, disabled miners, and others to fight for causes that ranged from poor people's rights to community health to unionization. Inspiring yet sobering, To Live Here, You Have to Fight reveals Appalachian women as the indomitable caregivers of a region--and overlooked actors in the movements that defined their time.Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

In his newly released book City of Refuge: Slavery and Petit Marronage in the Great Dismal Swamp, 1763-1856 (University of Georgia Press, 2020), Professor Marcus P. Nevius (Assistant Professor of History and Africana Studies at the University of Rhode Island) tells the interrelated histories of petit marronage, an informal slave's economy, and the construction of internal improvements in the Great Dismal Swamp of Virginia and North Carolina. The vast wetland was tough terrain that most white Virginians and North Carolinians considered uninhabitable. Perceived desolation notwithstanding, black slaves fled into the swamp's remote sectors and engaged in petit marronage, a type of escape and fugitivity prevalent throughout the Atlantic world. An alternative to the dangers of flight by way of the Underground Railroad, maroon communities often neighbored slave-labor camps, the latter located on the swamp's periphery and operated by the Dismal Swamp Land Company and other companies that employed slave labor to facilitate the extraction of the Dismal's natural resources. Often with the tacit acceptance of white company agents, company slaves engaged in various exchanges of goods and provisions with maroons-networks that padded company accounts even as they helped to sustain maroon colonies and communities.In his examination of life, commerce, and social activity in the Great Dismal Swamp, Nevius engages the historiographies of slave resistance and abolitionism in the early American republic. City of Refuge uses a wide variety of primary sources-including runaway advertisements; planters' and merchants' records, inventories, letterbooks, and correspondence; abolitionist pamphlets and broadsides; county free black registries; and the records and inventories of private companies-to examine how American maroons, enslaved canal laborers, white company agents, and commission merchants shaped, and were shaped by, race and slavery in an important region in the history of the late Atlantic world.Jerrad P. Pacatte is a Ph.D. candidate in the Department of History at Rutgers, The State University of New Jersey-New Brunswick studying eighteenth and nineteenth-century African American women’s history and the history of slavery and capitalism. Follow him on Twitter @Jerrad_Pacatte! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south