Assume Nothing

A secretive place – but some are talking. And a dying woman decides to tell her story. Will anyone get to listen?In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.” What, she wonders, is this factory making? Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. Presenter/ Producer: Ophelia Byrne Studio Engineer: Gary Bawden Executive Editor: Andy Martin

Strikes, panic, stock market shares in freefall. Corporate espionage has some very odd results.In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.” What, she wonders, is this factory making? Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. Presenter/ Producer: Ophelia Byrne Studio Engineer: Gary Bawden Executive Editor: Andy Martin

A woman types an anonymous letter. She’ll never know - but it will trigger a battle from red brick England, to the skyscrapers of Manhattan.In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. All workers “will have to sign an oath of secrecy.” What, she wonders, is this factory making? Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. Presenter/ Producer: Ophelia Byrne Studio Engineer: Gary Bawden Executive Editor: Andy Martin

Strange packages arriving from the US - and a terrible death prompts a woman to take action for her family.In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.” What, she wonders, is this factory making? Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. Presenter/ Producer: Ophelia Byrne Studio Engineer: Gary Bawden Executive Editor: Andy Martin

The teams prepare for court battle but are finding it tough – until the phone rings.In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.” What, she wonders, is this factory making? Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. Presenter/ Producer: Ophelia Byrne Studio Engineer: Gary Bawden Executive Editor: Andy Martin

Casually scanning through old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. “90 guests steered clear of a top-secret process.” What, she wonders, is this factory making? Then another line takes her down a rabbit hole from which she will not emerge for eight months. All workers “will have to sign an oath of secrecy.” Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance – it can cause cancer.But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. It is the story too of the people who fought and died for the truth in order to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. Presenter/ Producer: Ophelia Byrne Studio Engineer: Gary Bawden Executive Editor: Andy Martin

Into the present – and people are still dying…In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.” What, she wonders, is this factory making? Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. Presenter/ Producer: Ophelia Byrne Studio Engineer: Gary Bawden Executive Editor: Andy Martin

A new campaign - and a return to that small town story where it all began.In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.” What, she wonders, is this factory making? Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. Presenter/ Producer: Ophelia Byrne Studio Engineer: Gary Bawden Executive Editor: Andy Martin

Doctor John Bodkin Adams enters the frame. A Northern Irish doctor with a foreboding personality, and big aspirations to go with it. Life in Eastbourne as a GP is sweet, but when the unexpected death of patient ‘Bobbie Hullett’ sparks a mysterious phone call to police, everything changes. What has been happening behind closed doors of Dr Adams’ visits? Presented by Vinny Hurrell. Produced, edited and mixed by Vinny Hurrell. The Executive Editor is Andy Martin A BBC Northern Ireland Production

Death, death and more death. A high profile arrest shines a spotlight on some surprising goings on among Eastbourne patients. Brash and determined ‘Detective Superintendent Herbert Hannam’ is assigned to the case. Hannam is consumed by the investigation with his complete focus locked into uncovering what he can, about Dr Adams. But will he get more than he bargained for? Heroin, morphine, barbiturates. Lashings of drugs, readily consumed by elderly rich patients. Details of the treatment and death of many well-to-do Eastbourne patients, come to light. Presented by Vinny Hurrell. Produced, edited and mixed by Vinny Hurrell. The Executive Editor is Andy Martin A BBC Northern Ireland Production