The Creative Process · Arts, Culture & Society: Books, Film, Music, TV, Art, Writing, Creativity, Education, Environment, Theatre, Dance, LGBTQ, Climate Change, Social Justice, Spirituality, Feminism, Tech, Sustainability

“It's kind of a scary thought. We've got these PFAS (per- and polyfluoroalkyl substances), you hear them now referred to as forever chemicals because these chemicals–none of these existed on the planet prior to World War II–they're fairly recent invention and they have this unique chemical structure that makes them incredibly useful in a lot of different products, manufacturing operations, but also that same chemical structure makes them incredibly persistent and incredibly difficult to break down once they get out into the environment, into the natural world, into our soil, into our water. They simply, many of them, particularly the ones with eight or more carbons in their structure, don't break down under natural conditions. Or it may take thousands or millions of years for those chemicals to start breaking down. But not only that. Once they get into us, they get into people, they tend to accumulate in our blood and build up over time. They not only persist, they bioaccumulate. Unfortunately, as the science has slowly been revealed to the world about what these chemicals can do, we are seeing that they can have all kinds of toxic effects And unfortunately, we’re finding that those things can happen at lower and lower dose levels.”“I can't speak highly enough of Mark Ruffalo and what he was able to accomplish with the film. He just did an amazing job. He reached out to me after reading the story that appeared in The New York Times Magazine back in 2016 about this situation down in West Virginia along the Ohio River and was really shocked when he read about it because it was really highlighting an environmental contamination problem that had potentially nationwide, if not worldwide implications but that he had never heard of, and you know he was active in the environmental arena and active in water issues and was surprised that he had not heard of this before and really wanted to find a way to help bring the story out to a wider audience so that we could hopefully start seeing some change in the way type of situations not only develop but how we deal with them. He was able to team up with the folks at Participant Media, who, if you go on their website, and see the types of films they've produced are just incredible filmmakers. Teamed up with Todd Haynes who is an incredible director, and just a terrific cast. Anne Hathaway, Tim Robbins and others.  Really they were very dedicated to making sure they did the story and brought it to film in the right way, to show what really happened, not only legally and scientifically, but also to real people. What kind of impact these situations have on real people in real communities. What these people went through for 20 years in this community waiting for this process to unfold. So I think they did a tremendous job in taking a very complicated story that involves a lot of science and a lot of law and conveying it in a way that really impresses upon people why this is a story that matters to all of us and why this is a story that really is one that hopefully is inspiring because, as we discussed, it shows that things can be changed. Things that look impossible can be overcome.”Rob Bilott is a partner in the Cincinnati and Northern Kentucky offices of the law firm, Taft Stettinius & Hollister LLP, where he has practiced in the Environmental and Litigation Practice Groups for over 31 years. During that time, Rob has handled and led some of the most novel and complex cases in the country involving damage from exposure to per- and polyfluoroalkyl substances (“PFAS”), including the first individual, class action, mass tort, and multi-district litigation proceedings involving PFAS, recovering over $1 billion for clients impacted by the chemicals. In 2017, Rob received the Right Livelihood Award, known as the “Alternative Nobel Prize,” for his decades of work on behalf of those injured by PFAS chemical contamina

Rob Bilott is a partner in the Cincinnati and Northern Kentucky offices of the law firm, Taft Stettinius & Hollister LLP, where he has practiced in the Environmental and Litigation Practice Groups for over 31 years. During that time, Rob has handled and led some of the most novel and complex cases in the country involving damage from exposure to per- and polyfluoroalkyl substances (“PFAS”), including the first individual, class action, mass tort, and multi-district litigation proceedings involving PFAS, recovering over $1 billion for clients impacted by the chemicals. In 2017, Rob received the Right Livelihood Award, known as the “Alternative Nobel Prize,” for his decades of work on behalf of those injured by PFAS chemical contamination.  Rob is the author of the book, “Exposure: Poisoned Water, Corporate Greed, and One Lawyer’s Twenty-Year Battle Against DuPont,” and his story is the inspiration for the 2019 motion picture, “Dark Waters,” starring Mark Ruffalo as Rob.  Rob’s story and work is also featured in the documentary, “The Devil We Know.”  Rob is a 1987 graduate of New College in Sarasota, Florida and a 1990 graduate of the Ohio State University Moritz College of Law. Rob also serves on the Boards of Less Cancer and Green Umbrella and is frequently invited to provide keynote lectures and talks at law schools, universities, colleges, communities and other organizations all over the world.  Rob is a fellow in the Right Livelihood College, a Lecturer at the Yale School of Public Health, Department of Environmental Health Sciences, and an Honorary Professor at the National University of Cordoba in Argentina.  Rob also has received Honorary Doctorate Degrees from both Ohio State University and New College. · www.taftlaw.com · www.oneplanetpodcast.org · www.creativeprocess.info

Michael Maren is a journalist, filmmaker and former aid worker. He’s written scripts for HBO, Sony Pictures, and many independent producers. His film, A Short History of Decay was a funny and moving examination of a writer Bryan Greenberg visiting his ailing parents, played by Linda Lavin and Harris Yulin. His forthcoming film is an adaptation of Chris Belden’s novel Shriver. It’s a comedy set at a writers conference and stars Michael Shannon, Kate Hudson, Don Johnson, and Zach Braff. Maren has taught screenwriting at Wesleyan University, Provincetown Fine Arts Work Center, Taos Summer Writers’ Workshop, and co-directs the Sirenland Writers Conference. He created the film screening/discussion series Under the Influence: Writers on Film. · michaelmaren.com · www.creativeprocess.info

Michael Maren is a journalist, filmmaker and former aid worker. He’s written scripts for HBO, Sony Pictures, and many independent producers. His film, A Short History of Decay was a funny and moving examination of a writer Bryan Greenberg visiting his ailing parents, played by Linda Lavin and Harris Yulin. His forthcoming film is an adaptation of Chris Belden’s novel Shriver. It’s a comedy set at a writers conference and stars Michael Shannon, Kate Hudson, Don Johnson, and Zach Braff. Maren has taught screenwriting at Wesleyan University, Provincetown Fine Arts Work Center, Taos Summer Writers’ Workshop, and co-directs the Sirenland Writers Conference. He created the film screening/discussion series Under the Influence: Writers on Film. · michaelmaren.com · www.creativeprocess.info

“We all have things to learn when it comes to these diversity-related issues or issues of identity. We have so much to learn. Just because, let's say, you’re a person of color, it doesn't necessarily mean that you are going to be accepting of transgender individuals. You might have some real hangups. Or you could be transgender and have some hangups around people of color, all around the spectrum. You can be a woman who doesn't support women. You can be a woman who doesn't support women trans-women. There are all of these kinds of things that I think we have to be open to, and we have to be open to learning and also open to making mistakes because sometimes people are going to make mistakes around these issues. And this just goes back to the whole benefit of diversity. So one of the reasons why I feel that I benefit so much from the people that I work with is because they are so diverse in many ways, and they are open to talking and interacting and making sure that you're up to speed.” Marybeth Gasman is the Samuel DeWitt Proctor Endowed Chair, a Distinguished Professor, and Associate Dean for Research at Rutgers University. Her areas of expertise include U.S. history, HBCUs, racism, philanthropy, and leadership. She is the author or editor of 30 books, including Envisioning Black Colleges (Johns Hopkins University Press, 2007), Educating a Diverse Nation (Harvard University Press, 2015), Making Black Scientists (Harvard University Press, 2019), and Doing the Right Thing: How to End Systemic Racism in Faculty Hiring (Princeton University, 2022). She is Executive Director of Samuel DeWitt Proctor Institute for Leadership, Equity, & Justice & Rutgers Center for Minority Serving Institutions. · www.marybethgasman.net· Samuel DeWitt Proctor Institute for Leadership, Equity, & Justice & Rutgers Center for Minority Serving Institutions: https://proctor.gse.rutgers.edu/

Marybeth Gasman is the Samuel DeWitt Proctor Endowed Chair, a Distinguished Professor, and Associate Dean for Research at Rutgers University. Her areas of expertise include U.S. history, HBCUs, racism, philanthropy, and leadership. She is the author or editor of 30 books, including Envisioning Black Colleges (Johns Hopkins University Press, 2007), Educating a Diverse Nation (Harvard University Press, 2015), Making Black Scientists (Harvard University Press, 2019), and Doing the Right Thing: How to End Systemic Racism in Faculty Hiring (Princeton University, 2022). She is Executive Director of Samuel DeWitt Proctor Institute for Leadership, Equity, & Justice & Rutgers Center for Minority Serving Institutions. · www.marybethgasman.net· Samuel DeWitt Proctor Institute for Leadership, Equity, & Justice & Rutgers Center for Minority Serving Institutions: https://proctor.gse.rutgers.edu/

“I think humans really need to feel valued and loved. The question is where do you get your value from? And I try to get my value from–faith plays a big part of my life, but not everyone has that way of thinking about the world, so I'm not going to major on that, but that's only part of it, the sense that I believe there's a God who thinks I'm of worth, but it's more than that.  I believe that my closest friends and my family think I'm of worth. That's it. That will do. And if 100 or 1,000 people think I'm an idiot, that’s a bit annoying, but it's not totally the end of the world. And they’re not going to think about it after a week because they’re going to have other things to think about. And so I think that's probably made me more comfortable in saying that if I do stand up and it’s a disaster, it doesn't matter that much. If I start a charity and it fails, and I have started things that fell apart, it's not the end of the world.”Jon Yates is Executive Director of the Youth Endowment Fund, a £200 million charitable fund focused on integrating young people into society. After graduating from the University of Oxford, he started his career as a community worker in the London Borough of Newham, before joining McKinsey and Company, where he advised charities, companies and government on strategy and organisational development. He has co-founded a series of charities and initiatives including The Challenge and More in Common aimed at improving life chances and understanding. These programmes now reach 1 in 6 Britons in their lifetime.· www.youthendowmentfund.org.uk · www.creativeprocess.info · www.oneplanetpodcast.org

Jon Yates is Executive Director of the Youth Endowment Fund, a £200 million charitable fund focused on integrating young people into society. After graduating from the University of Oxford, he started his career as a community worker in the London Borough of Newham, before joining McKinsey and Company, where he advised charities, companies and government on strategy and organisational development. He has co-founded a series of charities and initiatives including The Challenge and More in Common aimed at improving life chances and understanding. These programmes now reach 1 in 6 Britons in their lifetime.· www.youthendowmentfund.org.uk · www.creativeprocess.info · www.oneplanetpodcast.org

Doug Wright is an award winning playwright whose plays include I am My Own Wife, for which he won a Tony Award and Pulitzer Prize, Posterity, and Quills, for which he won an Obie Award. He has written books for the Tony-nominated musical Grey Gardens, the Drama Desk nomination “Hands on a hardbody”, The Little Mermaid, and War Paint. He adapted and directed August Strindberg’s Creditors for the La Jolla Playhouse in 2009.  Films include the screen adaptation of Quills, which won a Paul Selvin Award and WGA award, and production rewrites for director Rob Marshall, Steven Spielberg and others. He is Fmr. President of The Dramatists Guild and on the Board of The New York Theater Workshop. He has taught or guest lectured at the Yale Drama School, Princeton University, Julliard and NYU.  He lives in New York with his husband, singer-songwriter David Clement.· www.dramatistsguild.com· www.creativeprocess.info

“What we deal with more in the second season is how your online persona and your real-life persona sometimes can't help but be at odds with one another. In the first episode back we get into how women are treated, how women in relationships are treated online. In a later episode, we deal with how women are or are not allowed to express their anger online as content creators. So it’s something we talked a lot about in the room. That fracturing of self, that even in a goofy show that's very lighthearted and entertaining, it’s something that we do discuss and try to sneak little tidbits in there.”Ali Schouten is a showrunner, executive producer, and writer who is quickly establishing herself as a creative on the rise as her formidable talent and artistic versatility continue to make waves.     Schouten currently serves as the showrunner and executive producer of the wildly successful iCarly revival for Paramount+, which set 10 years later, features Miranda Cosgrove reprising her iconic role. The series was renewed for a second season and will return on April 8th after swiftly becoming one of the streaming service’s top acquisition drivers, ranking among their most streamed titles since the series’ debut. The series, which holds an impressive rating of 100% on Rotten Tomatoes, continues to receive praise for its modernized and inclusive approach from audiences and critics alike, with Variety applauding its ability to “straddl[e] the line between childhood nostalgia and newfound maturity”.  This follows her role as co-executive producer on the Latinx-led family series from Disney+, Diary of a Future President, created by Ilana Peña and executive produced by Gina Rodriguez. Schouten also served as a supervising producer on the Netflix holiday miniseries, MERRY HAPPY WHATEVER, starring Dennis Quaid, Bridgit Mendler, Brent Morin, and Ashley Tisdale. Additional credits include serving as consulting producer and writer on the CBS All Access series NO ACTIVITY, supervising producer and writer on the Hulu series ALL NIGHT, and co-producer and writer on the NBC series CHAMPIONS from Mindy Kaling and Charlie Grandy. Schouten also served as an executive story editor and writer on the hit ABC Family series, YOUNG AND HUNGRY, in addition to the Verizon go90's series, RELATIONSHIP STATUS, for which she received a Daytime Emmy Award nomination for ‘Outstanding Writing in a Digital Drama Series’.· www.paramountplus.com/shows/icarly-2021· www.creativeprocess.info