The Creative Process · Arts, Culture & Society: Books, Film, Music, TV, Art, Writing, Creativity, Education, Environment, Theatre, Dance, LGBTQ, Climate Change, Social Justice, Spirituality, Feminism, Tech, Sustainability

Howard A. Rodman is a screenwriter, author and educator. His novels include The Great Eastern and Destiny Express. As a screenwriter, Rodman wrote Savage Grace, with Julianne Moore and Eddie Redmayne, nominated for Best Screenplay at the 2009 Spirit Awards, and AUGUST, starring Josh Hartnett and David Bowie. He also wrote Joe Gould’s Secret, the opening night film of the Sundance Film Festival, based on the memoir by iconic New Yorker writer Joseph Mitchell. He is the past president of the Writers Guild of America West; professor of screenwriting at USC's School of Cinematic Arts; a member of the National Film Preservation Board; and an artistic director of the Sundance Screenwriting Labs. howardrodman.com/www.creativeprocess.info

Howard A. Rodman is a screenwriter, author and educator. His novels include The Great Eastern and Destiny Express. As a screenwriter, Rodman wrote Savage Grace, with Julianne Moore and Eddie Redmayne, nominated for Best Screenplay at the 2009 Spirit Awards, and AUGUST, starring Josh Hartnett and David Bowie. He also wrote Joe Gould’s Secret, the opening night film of the Sundance Film Festival, based on the memoir by iconic New Yorker writer Joseph Mitchell. He is the past president of the Writers Guild of America West; professor of screenwriting at USC's School of Cinematic Arts; a member of the National Film Preservation Board; and an artistic director of the Sundance Screenwriting Labs. howardrodman.com/www.creativeprocess.info

James McDaniel is an actor and director best known for his award winning performances on NYPD Blue, Detroit 187, and Edge of America. When he’s not acting in front of the camera you can find James on and off-Broadway starring in works like Before it Hits Home, August Wilson’s Joe Turners Come and Gone, and most recently A Soldier’s Play. James also created the role Paul, in Six Degrees of Separation, setting the stage for future Black actors like Will Smith, who reprised the role in 1993. His television credits include Orange is the New Black, Madame Secretary, and most recently, Hysteria, streaming on Amazon Prime. Other film credits include The Battle for Bunker Hill, Steel City, and Malcolm X, amongst many others.www.creativeprocess.info

James McDaniel is an actor and director best known for his award winning performances on NYPD Blue, Detroit 187, and Edge of America. When he’s not acting in front of the camera you can find James on and off-Broadway starring in works like Before it Hits Home, August Wilson’s Joe Turners Come and Gone, and most recently A Soldier’s Play. James also created the role Paul, in Six Degrees of Separation, setting the stage for future Black actors like Will Smith, who reprised the role in 1993. His television credits include Orange is the New Black, Madame Secretary, and most recently, Hysteria, streaming on Amazon Prime. Other film credits include The Battle for Bunker Hill, Steel City, and Malcolm X, amongst many others.

“What is societal progress? I think the last 70 years, clearly, in the post World War II period, we have been thinking of economic growth and have been equating that with societal progress. To an extent of course that's right. To an extent, we need this economic growth to lift people out of poverty. We’ve kind of lost the reasoning. We have been following only this economic growth paradigm measured by the GDP, the Gross domestic product and we have forgotten that it measures many things, but it doesn't actually measure progress. It doesn't measure how healthy people are, how educated they are, how clean the environment is, how safe it is, how secure it is. Interestingly, even Simon Kuznets who conceptualized GDP knew this, but it somehow happened. I’m not saying the GDP is a measure we shouldn't be using, it has its values clearly, but it shouldn't be the only measure that we are focusing on. There are some countries and some cities also who have set alternative or additional goals. I feel that there was a time around 5 to 10 years ago when a lot of people were talking about this. There were a lot of initiatives and I feel that it's still there. Bhutan is mentioned a lot as a country with an alternative framework to measure progress, namely the gross national happiness, which is very much built on these indicators that cover what I've just said. Education, healthcare, housing, security, and community. So it's clearly also about making people understand that we're not asking anyone to lead a life that's worse than the life that they've been leading before. It’s just changing to a much fuller realization of what is actually good for you. And it's a difficult position because who are we to tell people what's good for them, but to the extent, we can measure that. We can measure burnout rates. We can measure mental health issues. We can measure addictions to mobile phones. It’s something where we really need to do a lot to transform those mindsets and, in the end, understand that sustainability is about making their lives better and not worse.”Alice Schmidt is a global sustainability advisor who has worked in 30 countries on 4 continents with 70+ organisations of all shapes and sizes. She has a deep passion for creating opportunities and win-wins across the social, environmental and economic spheres. Many of her experiences are highlighted in the new book “The Sustainability Puzzle: How Systems Thinking, Climate Action, Circularity and Social Transformation Can Improve Health, Wealth and Wellbeing for All”. · www.aliceschmidt.at · www.sustainability-puzzle.org · www.oneplanetpodcast.org · www.creativeprocess.info

Alice Schmidt is a global sustainability advisor who has worked in 30 countries on 4 continents with 70+ organisations of all shapes and sizes. She has a deep passion for creating opportunities and win-wins across the social, environmental and economic spheres. Many of her experiences are highlighted in the new book “The Sustainability Puzzle: How Systems Thinking, Climate Action, Circularity and Social Transformation Can Improve Health, Wealth and Wellbeing for All”. · www.aliceschmidt.at · www.sustainability-puzzle.org · www.oneplanetpodcast.org · www.creativeprocess.info

Film editor Alan Edward Bell has cut three of The Hunger Games series. He also edited (500) Days of Summer, Water for Elephants, Red Sparrow, The Dark Tower, The Amazing Spiderman, and other films. A former competitive rock-climber and guide, Alan transitioned to editing after spending time around film people while taking them on climbing expeditions. That his editing often pushes the boundaries of what is technically possible is more amazing when you consider he is self-taught. After years in Hollywood, Bell now lives and edits from his studio in New Hampshire, where he also practices silversmithing.www.creativeprocess.info

Film editor Alan Edward Bell has cut three of The Hunger Games series. He also edited (500) Days of Summer, Water for Elephants, Red Sparrow, The Dark Tower, The Amazing Spiderman, and other films. A former competitive rock-climber and guide, Alan transitioned to editing after spending time around film people while taking them on climbing expeditions. That his editing often pushes the boundaries of what is technically possible is more amazing when you consider he is self-taught. After years in Hollywood, Bell now lives and edits from his studio in New Hampshire, where he also practices silversmithing.www.creativeprocess.info

“I do feel that we are infinite choice makers. You make millions of choices all the time. Make the right choice and if you make the wrong choice, understand that mistakes are great teachers. Learn from that and move on. I do have this sense of responsibility of passing something on a love of dance history that really informs my process. Speaking in old language in a new way with a contemporary accent. Something so wonderful about dance and the arts is that you never stop learning. It is like always just this long process, and I continue. Students teach me every day. It is such a gift. It is probably the most important thing I can think of. Especially when I think of two things. In terms of history, the humanities show us how we were, why we were, and while we were...But then I also think about the future. What are we doing now? What seeds are we planting to inform the future?...And I said it earlier about making sense out of a chaotic universe where bad things happen to good people. Arts will help you figure that out.”Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University’s Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden’s Danstation Theatre and France’s EXIT Festival. Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night’s Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L’Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons’ production of My Life with Albertine; Shakespeare in the Park’s As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran’s work has appeared on Broadway in James Joyce’s The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre’s studio company, Denmark’s Upper Cut Company, Sweden’s Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org

Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University’s Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden’s Danstation Theatre and France’s EXIT Festival.Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night’s Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L’Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons’ production of My Life with Albertine; Shakespeare in the Park’s As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran’s work has appeared on Broadway in James Joyce’s The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre’s studio company, Denmark’s Upper Cut Company, Sweden’s Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org