The Creative Process · Arts, Culture & Society: Books, Film, Music, TV, Art, Writing, Creativity, Education, Environment, Theatre, Dance, LGBTQ, Climate Change, Social Justice, Spirituality, Feminism, Tech, Sustainability

KC Legacion is a Master of Environmental Studies candidate at the University of Pennsylvania. His research presents a reimagined understanding of social media through the lens of degrowth—this project will culminate in a short film set to premiere in September of this year. Outside of their research, KC is a team member of the web collective degrowth.info and a member of a nascent housing cooperative in West Philadelphia.“Degrowth as an idea has intellectual roots in the environmental critiques of the sixties and seventies found in landmark works like Rachel Carson's Silent Spring, the Club of Rome's Limits to Growth report, Nicholas Georgescu-Roegen's The Entropy Law and the Economic Process, which was a seminal piece of economic theory that applied the laws of thermodynamics to the economy and was very influential for ecological economics, which is intertwined with degrowth.Degrowth was first formulated in 1972 by French philosopher André Gorz in a public debate where he used the term décroissance to question whether planetary stability was compatible with capitalism.”www.degrowth.infowww.kclegacion.comwww.decidim.orgwww.joinmastodon.orgwww.iNaturalist.orgwww.oneplanetpodcast.orgwww.creativeprocess.info

“I guess the work that we're doing here at the Climate Hazards Center is trying to build out the science to cope with a two-degree world. And I think that we can do that. It's not going to be easy, but I think that's definitely within our capabilities, and it is already making human beings be smarter together in very empowering ways. And these are examples of people in Boulder, Colorado getting ready for the next big flood event and having conversations between the National Weather Service and local communities, or me on a zoom call at seven in the morning with my friends in East Africa as they're getting ready to cope with the next extreme. There are great examples of radio clubs in Niger who are working with their meteorological agencies and local farming communities that are pulling data that we're producing here in Santa Barbara, precipitation estimates, but then using them to decide whether they should fertilize their millet crops or not. And so there are ways that we can counter climate hazards and weather hazards by being smarter.”Chris Funk is the Director of the Climate Hazards Center (CHC) at UC Santa Barbara. He works with an international team of Earth scientists to inform weather and famine-related disaster responses. Chris studies climate and climate change while also developing improved data sets and monitoring/prediction systems. He’s the author of Drought, Flood, Fire: How Climate Change Contributes to Recent Catastrophes and co-author with Shrad Shukla of Drought Early Warning and Forecasting. While his research interests are quite diverse, a central theme uniting Chris’ work is developing both the technical/scientific resources and the conceptual frameworks that will help us cope with increasingly dangerous climate and weather extremes.www.chc.ucsb.eduwww.chc.ucsb.edu/people/chris-funkDrought, Flood, Fire: How Climate Change Contributes to Recent Catastropheswww.oneplanetpodcast.org www.creativeprocess.info

Chris Funk is the Director of the Climate Hazards Center (CHC) at UC Santa Barbara. He works with an international team of Earth scientists to inform weather and famine-related disaster responses. Chris studies climate and climate change while also developing improved data sets and monitoring/prediction systems. He’s the author of Drought, Flood, Fire: How Climate Change Contributes to Recent Catastrophes and co-author with Shrad Shukla of Drought Early Warning and Forecasting. While his research interests are quite diverse, a central theme uniting Chris’ work is developing both the technical/scientific resources and the conceptual frameworks that will help us cope with increasingly dangerous climate and weather extremes.“I guess the work that we're doing here at the Climate Hazards Center is trying to build out the science to cope with a two-degree world. And I think that we can do that. It's not going to be easy, but I think that's definitely within our capabilities, and it is already making human beings be smarter together in very empowering ways. And these are examples of people in Boulder, Colorado getting ready for the next big flood event and having conversations between the National Weather Service and local communities, or me on a zoom call at seven in the morning with my friends in East Africa as they're getting ready to cope with the next extreme. There are great examples of radio clubs in Niger who are working with their meteorological agencies and local farming communities that are pulling data that we're producing here in Santa Barbara, precipitation estimates, but then using them to decide whether they should fertilize their millet crops or not. And so there are ways that we can counter climate hazards and weather hazards by being smarter.”www.chc.ucsb.eduwww.chc.ucsb.edu/people/chris-funkDrought, Flood, Fire: How Climate Change Contributes to Recent Catastropheswww.oneplanetpodcast.org www.creativeprocess.info

Mario Alberto Zambrano is the Associate Director of Juilliard Dance. He was born in Houston, danced for Batsheva Dance Company, Hubbard Street Dance Chicago, Nederlands Dans Theater II, and Ballet Frankfurt between 1994 and 2005. He then returned to school and earned an MFA in English at the Iowa Writers’ Workshop, where he received a John C. Schupes fellowship for excellence in fiction. His first novel, Lotería (Harper Collins), was a Barnes and Noble Discover Great New Writers pick in 2013 and a finalist for the 2014 John Gardner Fiction Book Award. Zambrano, who was awarded the Alice Hoffman Prize for Fiction for his short story “Some of You,” has been a YoungArts Presidential Scholar in the Arts and a Princess Grace Award winner. He has been awarded literary fellowships to MacDowell Colony, Yaddo, the National Endowment for the Arts, and Scotland’s Hawthornden Castle. Before joining Juilliard, he was a lecturer in theater, dance, and media at Harvard. He serves as program director for Orsolina28’s summer program and curates The LIT Series, a library of interdisciplinary thinking consisting of series of  lectures, interviews, classes and discussions.“In both writing a first draft and in the improvisation of a dancing body, what is so key and relevant and exposed is voice. That internal voice of the artist of what they're writing on the page or what they're writing in space. If you go to fiction workshop, you talk about plot, structure, and you talk about character development, but there are very few classes within a dance curriculum where you break down an improvisation and you talk about voice, point of view, metaphor, or musical composition within a phrase. The lifespan of a phrase. And so this realisation is helping me understand that a one minute post of improvisation or even a ten-minute span of improvisation if it’s recorded is very similar to a first draft of creative writing, where then the artist is in a position to evaluate those 10 minutes and identify what is the setting? What is the voice that has come out of my experience of writing this first draft of an improvisation? And how can I give it structure? How can I give it form?”· IG @juilliardschool · IG @malberto777· IG @thelitseries · www.thelitseries.com· www.juilliard.edu/dance/faculty/zambrano-mario-alberto· marioalbertozambrano.com· www.creativeprocess.info· www.oneplanetpodcast.orgPhoto by Julien Benhamou

Mario Alberto Zambrano is the Associate Director of Juilliard Dance. He was born in Houston, danced for Batsheva Dance Company, Hubbard Street Dance Chicago, Nederlands Dans Theater II, and Ballet Frankfurt between 1994 and 2005. He then returned to school and earned an MFA in English at the Iowa Writers’ Workshop, where he received a John C. Schupes fellowship for excellence in fiction. His first novel, Lotería (Harper Collins), was a Barnes and Noble Discover Great New Writers pick in 2013 and a finalist for the 2014 John Gardner Fiction Book Award. Zambrano, who was awarded the Alice Hoffman Prize for Fiction for his short story “Some of You,” has been a YoungArts Presidential Scholar in the Arts and a Princess Grace Award winner. He has been awarded literary fellowships to MacDowell Colony, Yaddo, the National Endowment for the Arts, and Scotland’s Hawthornden Castle. Before joining Juilliard, he was a lecturer in theater, dance, and media at Harvard. He serves as program director for Orsolina28’s summer program and curates The LIT Series, a library of interdisciplinary thinking consisting of series of lectures, interviews, classes and discussions.“In both writing a first draft and in the improvisation of a dancing body, what is so key and relevant and exposed is voice. That internal voice of the artist of what they're writing on the page or what they're writing in space. If you go to fiction workshop, you talk about plot, structure, and you talk about character development, but there are very few classes within a dance curriculum where you break down an improvisation and you talk about voice, point of view, metaphor, or musical composition within a phrase. The lifespan of a phrase. And so this realisation is helping me understand that a one minute post of improvisation or even a ten-minute span of improvisation if it’s recorded is very similar to a first draft of creative writing, where then the artist is in a position to evaluate those 10 minutes and identify what is the setting? What is the voice that has come out of my experience of writing this first draft of an improvisation? And how can I give it structure? How can I give it form?”www.marioalbertozambrano.comIG @juilliardschool IG @malberto777IG @thelitserieswww.thelitseries.comwww.juilliard.edu/dance/faculty/zambrano-mario-albertowww.creativeprocess.infowww.oneplanetpodcast.org

"If we reduce population growth by 1% in the world economy, we can have growth in income per capita at a level of about 7% and still hold carbon emissions unchanged. Namely, by reducing population growth, we can permit growth in income per capita without polluting planet earth more than otherwise. So this is very important because it suggests to us that policies that target gender equality, the diffusion of contraceptive methods, and the rewards of education are policies that could mitigate population growth and ultimately permit the growth of income per capita without the liability of greater carbon emissions."Oded Galor is Herbert H. Goldberger Professor of Economics at Brown University and the founding thinker behind Unified Growth Theory, which seeks to uncover the fundamental causes of development, prosperity and inequality over the entire span of human history. He has shared the insights of his lifetime’s work in this field at some of the most prestigious lectures around the globe and has now distilled those discoveries into The Journey of Humanity, which is published in 30  languages worldwide.www.odedgalor.comwww.brown.edu/academics/population-studies/people/person/oded-galorThe Journey of Humanity www.oneplanetpodcast.orgwww.creativeprocess.info

Oded Galor is Herbert H. Goldberger Professor of Economics at Brown University and the founding thinker behind Unified Growth Theory, which seeks to uncover the fundamental causes of development, prosperity and inequality over the entire span of human history. He has shared the insights of his lifetime’s work in this field at some of the most prestigious lectures around the globe and has now distilled those discoveries into The Journey of Humanity, which is published in 30  languages worldwide."If we reduce population growth by 1% in the world economy, we can have growth in income per capita at a level of about 7% and still hold carbon emissions unchanged. Namely, by reducing population growth, we can permit growth in income per capita without polluting planet earth more than otherwise. So this is very important because it suggests to us that policies that target gender equality, the diffusion of contraceptive methods, and the rewards of education are policies that could mitigate population growth and ultimately permit the growth of income per capita without the liability of greater carbon emissions."www.odedgalor.comwww.brown.edu/academics/population-studies/people/person/oded-galorThe Journey of Humanity www.oneplanetpodcast.orgwww.creativeprocess.info

“We're trying to help the world's forestry organizations collectively plant a trillion trees in the next decade and cover 3 billion acres of net new forest. That's a very, very large number. Some of the very largest tree-planting organizations in the world collectively plant something like half a billion to three-quarters of a billion trees per year. And even that number sounds large, too, but then you realize that's actually three full orders of magnitude smaller than the actual number we need to hit in the next decade. So we actually need to take all of the world's largest forestry organizations as a group and multiply by a thousand their efforts. So that's a very large undertaking, and I just can't underscore enough the scale at which we as a human species seeks to operate when we talk about tree-planting and forestry operations.”Terraformation builds and deploys tools to tackle the largest bottlenecks to mass-scale reforestation. Its technology includes off-grid seed banks that process and store millions of seeds, tracking and monitoring platforms to enable project transparency, solar-powered desalination and more. Its current partner network spans five continents, including in South America, East Africa and Central Asia, and includes public- and private-sector landowners and organizations. Terraformation’s goal in 2022 is to establish the world’s largest decentralized native seed banking network.www.terraformation.orgPhoto credit @pkworldwidewww.oneplanetpodcast.orgwww.creativeprocess.info

Yee Lee was the first employee at Terraformation, dedicated to restoring the planet’s forests to solve climate change. He is a serial technology entrepreneur and angel investor from Silicon Valley, having invested in over 100 technology startups. Prior to Terraformation, Yee was an early team member at PayPal and Slide. He founded four venture-backed ecommerce and financial technology startups with M&A exits to Google and TaskRabbit (now part of IKEA). In his capacity as Chief of Growth at Terraformation, Yee supports Business Development, Sales, Capital Markets, and Terraformation Foundation teams.Terraformation builds and deploys tools to tackle the largest bottlenecks to mass-scale reforestation. Its technology includes off-grid seed banks that process and store millions of seeds, tracking and monitoring platforms to enable project transparency, solar-powered desalination and more. Its current partner network spans five continents, including in South America, East Africa and Central Asia, and includes public- and private-sector landowners and organizations. Terraformation’s goal in 2022 is to establish the world’s largest decentralized native seed banking network.www.terraformation.orgwww.oneplanetpodcast.orgwww.creativeprocess.info

“Before coming on board Under the Banner of Heaven, I had very little knowledge of Mormonism, but having read the script by Academy Award-winning screenwriter Dustin Lance Black, who is also the showrunner for the show, I resonated deeply with Jeb Pyre (played by Andrew Garfield) when it comes to his growing ambivalence and his crisis of faith.And the more he learned about the gruesome, grisly history of the founding Mormonism, and also about the case that he was investigating, the more disillusioned and disenchanted he was becoming. And that resonated with me because I was raised Catholic in the Philippines. I was born and grew up in the Philippines, which is the most predominantly Catholic country in Asia. In fact, 95% of Filipinos are Roman Catholic, but as I grew older, actually went to Catholic schools and universities from kindergarten until college, and then the more I learned about the history of the Catholic Church and the atrocities and the injustices that it has committed, especially in the name of colonialist and imperialist pursuits in the Middle ages, the more I questioned its control over me and my life.” Redefining being a multi-hyphenate for artistic control and representation, Sandoval made her television debut directing the 6th episode for the new FX limited series, Under the Banner of Heaven based on the New York Times best seller by Jon Krakauer. Isabel Sandoval is a Filipina filmmaker who made history with the World Premiere of Lingua Franca at the 2019 Venice International Film Festival’s Giornate degli Autori section and was the first film directed by and starring a trans woman of color ever to screen in competition. In honor of her achievements with the film, Sandoval was nominated for the John Cassavetes Award at the 2021 Film Independent Spirit Awards. Her early film works debuted last summer on The Criterion Channel platform, displaying her growth and evolution as a creator, able to embrace new mediums.www.fxnetworks.com/shows/under-the-banner-of-heavenThe Criterion Channelwww.imdb.com/name/nm4583383/www.creativeprocess.infowww.oneplanetpodcast.org