The Creative Process · Arts, Culture & Society: Books, Film, Music, TV, Art, Writing, Creativity, Education, Environment, Theatre, Dance, LGBTQ, Climate Change, Social Justice, Spirituality, Feminism, Tech, Sustainability

Claudia Forestieri and Brigitte Muñoz-Liebowitz serve as the creator and showrunner of the Latin-focused comedy series for HBO Max, Gordita Chronicles, making them the first female Latinx showrunner and creator duo. The series is executive produced by Zoe Saldana and Eva Longoria.Inspired by Claudia’s own life experience, the show centers around a Latina reporter looking back on her childhood as a chubby, willful and reluctant Dominican immigrant growing up with her eccentric family in 1980s Miami. The lighthearted series addresses themes around immigration, xenophobia, and body positivity and stars newcomer Olivia Goncalves, Diana Maria Riva, and Juan Javier Cardenas.Claudia’s previous work for Telemundo earned her five Emmys and a GLAAD Media Award. Brigitte is known for her work on Brooklyn Nine Nine, People of Earth, and Love Life."When you immigrate, it's kind of like you're going through adolescence because you're in a new place. You feel weird in your own skin. You're learning new things. Everything is changing. You feel awkward. So that also helped us connect the adult stories to the children's stories.”Gordita Chronicles on HBO Max IMDB Claudia ForestieriBrigitte Muñoz-Liebowitz

“Climate change is certainly going to affect biodiversity. Some species will benefit from climate change, but others will not, and we'll have different ecosystems, different biotic communities as a result of this. I think the impacts that are likely are pretty clear, and I think that's a pretty good reason to do all those things we can do without completely destroying our economies and our communities because those things have moral value as well. It's not just the environment that we think is important. We also think humans are important. So doing the things we can do now, do the less painful things first. We should have done them already. We should be now thinking about how to do the harder things.”Jonathan Newman is an ecologist who studies plant–animal interactions in the context of species invasions and climatic change. He is the lead author of two books: Climate Change Biology, and Defending Biodiversity: Environmental Science and Ethics, and co-editor of Grasslands and Climate Change.  He is the author of more than 100 other scientific publications.WLU Webpagehttps://wlu.caClimate Change BiologyDefending Biodiversity: Environmental Science and Ethics,Grasslands and Climate Changewww.oneplanetpodcast.orgwww.creativeprocess.info

Jonathan Newman is an ecologist who studies plant–animal interactions in the context of species invasions and climatic change. He is the lead author of two books: Climate Change Biology, and Defending Biodiversity: Environmental Science and Ethics, and co-editor of Grasslands and Climate Change.  He is the author of more than 100 other scientific publications.“Climate change is certainly going to affect biodiversity. Some species will benefit from climate change, but others will not, and we'll have different ecosystems, different biotic communities as a result of this. I think the impacts that are likely are pretty clear, and I think that's a pretty good reason to do all those things we can do without completely destroying our economies and our communities because those things have moral value as well. It's not just the environment that we think is important. We also think humans are important. So doing the things we can do now, do the less painful things first. We should have done them already. We should be now thinking about how to do the harder things.”WLU Webpagehttps://wlu.caClimate Change BiologyDefending Biodiversity: Environmental Science and Ethics,Grasslands and Climate Changewww.oneplanetpodcast.orgwww.creativeprocess.info

“Every time I ask, ‘What do you need? What do I want? What does the director want? How do we collaborate? What is generated during the collaboration? What ideas, questions come across? And then I can start constructing something like a look.”Florian Hoffmeister is a prolific director of photography. Recent works by Hoffmeister include his lensing on the Apple TV+ series Pachinko, the critically-acclaimed political thriller Official Secrets starring Keira Knightley, Ralph Fiennes, and Matt Smith, and the forthcoming film TÁR starring Cate Blanchett.Hoffmeister is well-known for his collaboration with Terence Davies on feature films The Deep Blue Sea, starring Rachel Weisz, Tom Hiddleston and Simon Russel-Beale, and A Quiet Passion, starring Cynthia Nixon and Jennifer Ehle.His work on Brian Kirk’s television phenomenon Great Expectations earned him further distinction as well as numerous accolades, including a Primetime Emmy, a BAFTA, and an ASC Award.http://florianhoffmeister.dePachinkoGreat ExpectationsOfficial Secrets The Deep Blue Seawww.creativeprocess.infowww.oneplanetpodcast.org

Florian Hoffmeister is a prolific director of photography. Recent works by Hoffmeister include his lensing on the Apple TV+ series Pachinko, the critically-acclaimed political thriller Official Secrets starring Keira Knightley, Ralph Fiennes, and Matt Smith, and the forthcoming film TÁR starring Cate Blanchett.Hoffmeister is well-known for his collaboration with Terence Davies on feature films The Deep Blue Sea, starring Rachel Weisz, Tom Hiddleston and Simon Russel-Beale, and A Quiet Passion, starring Cynthia Nixon and Jennifer Ehle.His work on Brian Kirk’s television phenomenon Great Expectations earned him further distinction as well as numerous accolades, including a Primetime Emmy, a BAFTA, and an ASC Award.“Every time I ask, ‘What do you need? What do I want? What does the director want? How do we collaborate? What is generated during the collaboration? What ideas, questions come across? And then I can start constructing something like a look.”http://florianhoffmeister.dePachinkoGreat ExpectationsOfficial Secrets The Deep Blue Seawww.creativeprocess.infowww.oneplanetpodcast.org

"It seems irresponsible to me to downplay the possible consequences of climate change. It seems irresponsible to assume that we're going to fix it. And so I think it's absolutely a responsibility for the people who are talking about it and thinking about it, to look at the worst-case scenario and to look at the current trajectories, absent technologies for carbon scrubbers, to look at where we're actually headed, the worst-case scenarios, and address that and bring that to each other and to our children and to our students. When you really look at the situation, it's scary and terrifying, and it upends everything that we've been told to make sense of life... The second part of what I think being a mentor or being a parent or being an adult or a teacher with regard to climate change means helping younger people sit with the terror, sit with the grief, the sense of unknown, and not push it away and not repress it and not try to find a way to just move past it without dealing with it, but to really inhabit that space of unknowing and fear and grief because that's the reality that we live in.”Roy Scranton, is the award-winning author of five books, including Learning to Die in the Anthropocene: Reflections on the End of a Civilization, Total Mobilization: World War II and American Literature, and We’re Doomed. Now What? He has written for the NYTimes, Rolling Stone, The Nation, and other publications. He was selected for the 2015 Best American Science and Nature Writing, has been awarded a Whiting Fellowship, a Lannan Literary Fellowship, and other honors. He’s an Associate Professor of English at the University of Notre Dame, and is director of the Notre Dame Environmental Humanities Initiative.http://royscranton.netNotre Dame Environmental Humanities Initiative sites.nd.edu/ehum www.oneplanetpodcast.org www.creativeprocess.info

Roy Scranton, is the award-winning author of five books, including Learning to Die in the Anthropocene: Reflections on the End of a Civilization, Total Mobilization: World War II and American Literature, and We’re Doomed. Now What? He has written for the NYTimes, Rolling Stone, The Nation, and other publications. He was selected for the 2015 Best American Science and Nature Writing, has been awarded a Whiting Fellowship, a Lannan Literary Fellowship, and other honors. He’s an Associate Professor of English at the University of Notre Dame, and is director of the Notre Dame Environmental Humanities Initiative."It seems irresponsible to me to downplay the possible consequences of climate change. It seems irresponsible to assume that we're going to fix it. And so I think it's absolutely a responsibility for the people who are talking about it and thinking about it, to look at the worst-case scenario and to look at the current trajectories, absent technologies for carbon scrubbers, to look at where we're actually headed, the worst-case scenarios, and address that and bring that to each other and to our children and to our students. When you really look at the situation, it's scary and terrifying, and it upends everything that we've been told to make sense of life... The second part of what I think being a mentor or being a parent or being an adult or a teacher with regard to climate change means helping younger people sit with the terror, sit with the grief, the sense of unknown, and not push it away and not repress it and not try to find a way to just move past it without dealing with it, but to really inhabit that space of unknowing and fear and grief because that's the reality that we live in.”http://royscranton.netNotre Dame Environmental Humanities Initiative sites.nd.edu/ehum www.oneplanetpodcast.org www.creativeprocess.infoPhoto by Ola Kjelbye

“I think that is often what tourism is starting to move towards. Is this existential authentic? And what that means is that you're not even really looking to meet expectations or validate that the thing in front of you is what it says it is. You are trying to recreate who you think you should be in a time that is disconnected from your usual life. Because we're a pretty jaded and suspicious society now. 'Is it a deep fake?' We live in this world of make-believe and fakeness, and you want to get to something that's real. And what's more real than yourself and the story that you tell to yourself about yourself. And if you can really connect to that, you'll feel really good.”David A. Banks is the Director of Globalization Studies at the University at Albany, SUNY and the author of the forthcoming book The City Authentic: How the Attention Economy Builds Urban America published by University of California Press. He is also a delegate to the Troy Area Labor Council and the co-host of the podcast Ironweeds.www.davidabanks.orgwww.e-flux.com/architecture/software/337954/where-do-you-live/ https://reallifemag.com/true-ish-grit/ www.reallifemag.com/new-haunts/ The attention economy of authentic cities https://doi.org/10.1080/09654313.2021.1882947https://ironweeds.podbean.com

David A. Banks is the Director of Globalization Studies at the University at Albany, SUNY and the author of the forthcoming book The City Authentic: How the Attention Economy Builds Urban America published by University of California Press. He is also a delegate to the Troy Area Labor Council and the co-host of the podcast Ironweeds.“I think that is often what tourism is starting to move towards. Is this existential authentic? And what that means is that you're not even really looking to meet expectations or validate that the thing in front of you is what it says it is. You are trying to recreate who you think you should be in a time that is disconnected from your usual life. Because we're a pretty jaded and suspicious society now. 'Is it a deep fake?' We live in this world of make-believe and fakeness, and you want to get to something that's real. And what's more real than yourself and the story that you tell to yourself about yourself. And if you can really connect to that, you'll feel really good.”www.davidabanks.orgwww.e-flux.com/architecture/software/337954/where-do-you-live/ https://reallifemag.com/true-ish-grit/ www.reallifemag.com/new-haunts/ The attention economy of authentic cities https://doi.org/10.1080/09654313.2021.1882947https://ironweeds.podbean.com

“Degrowth as an idea has intellectual roots in the environmental critiques of the sixties and seventies found in landmark works like Rachel Carson's Silent Spring, the Club of Rome's Limits to Growth report, Nicholas Georgescu-Roegen's The Entropy Law and the Economic Process, which was a seminal piece of economic theory that applied the laws of thermodynamics to the economy and was very influential for ecological economics, which is intertwined with degrowth.Degrowth was first formulated in 1972 by French philosopher André Gorz in a public debate where he used the term décroissance to question whether planetary stability was compatible with capitalism.”KC Legacion is a Master of Environmental Studies candidate at the University of Pennsylvania. His research presents a reimagined understanding of social media through the lens of degrowth—this project will culminate in a short film set to premiere in September of this year. Outside of their research, KC is a team member of the web collective degrowth.info and a member of a nascent housing cooperative in West Philadelphia.www.degrowth.infowww.kclegacion.comwww.decidim.orgwww.joinmastodon.orgwww.iNaturalist.orgwww.oneplanetpodcast.orgwww.creativeprocess.info