The Tikvah Podcast

Every week, on the seventh day—the Sabbath—observant Jews rest. They perform no labor and they dedicate the day to serving God. This idea, the Sabbath, has another application in the Hebrew Bible: God also commands the observance of a sabbatical year to be taken every seventh year and during which the land of Israel would lie fallow and debts would be remitted. For most of Jewish history, the laws of this year, known as shmitah, were abstract and remote. But with the growth of modern Zionism, and then the rebirth of the sovereign Jewish state, the laws of shmitah have acquired a renewed importance. Jewish farmers are obliged to let the land of Israel lie fallow every seven years, and religiously observant Jews are prohibited from consuming fruit grown on that land. Does this happen in Israel today, and if so, how? And what are the deeper ideas embedded in the practice of shmitah? The questions are not abstract; this new Jewish year, 5782, is a shmitah year. So on this week's podcast, the rabbi Yedidya (Julian) Sinclair joins Mosaic editor Jonathan Silver to explain why this biblical ordinance is so important, and how it's expressed in Israel today. Recently, Sinclair translated and authored a commentary on a famous rabbinical work about shmitah, Shabbat Ha'Aretz, The Sabbath of the Land, by the rabbi Abraham Isaac Kook, who is considered the father of religious Zionism and whose ideas about shmitah govern much of its application in Israel today. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

This week, Jews celebrate the holiday of Sukkot, during which it is traditional to read one of the most philosophically interesting books of the Hebrew Bible, Ecclesiastes. The narrator of the book, known by Jewish tradition to be King Solomon, has spent his life exploring the many corners of human endeavor, from the responsible life of politics to the pleasures of body and mind, and he has come to say that each corner, no matter how satisfying to certain parts of us, cannot answer our deepest needs—or perhaps cannot answer anything at all. Everything is vanity, the book whispers famously, and nothing more. This week's podcast guest, the Catholic philosopher Peter Kreeft, admires Ecclesiastes not for its ultimate answers to the fundamental questions of life but for its honest look at human problems. As he writes in his own commentary, "honest hedonism is spiritually superior to dishonest self-delusion." In conversation with Mosaic editor Jonathan Silver, he mines the biblical book for the wisdom it may offer. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

The celebrated novelist Dara Horn's new book People Love Dead Jews has an arresting title, one designed to make the reader feel uncomfortable. That's because Horn makes an argument that tries to change the way people think about the function of Jews in the conscience of the West. In the book, and in this podcast conversation with Mosaic editor Jonathan Silver, Horn suggests that Jewish communities, figures, and abstract symbols of "the Jews" have come to serve a moral role in the Western imagination that, when one takes a step back, is bizarre and grotesque. It's easy to acknowledge the darkness of the Holocaust and to marvel at the optimism of Anne Frank, but Horn detects in that acknowledgement something insidious that hasn't yet been fully revealed or explained. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

Thirty years ago, in August 1991, riots broke out in the Brooklyn neighborhood of Crown Heights, a neighborhood shared by African Americans and Jews, the latter of whom were mostly members of the ḥasidic Chabad-Lubavitch movement. During the riot, which was sparked by a car accident that killed one young black child and injured another, local black residents attacked Jews on the streets, burned their businesses, and killed one of them, often while chanting anti-Semitic slogans. For three days, local authorities looked on passively. The episode is a sad one in the history of American Jewish-black relations. This week's podcast guest believes that if Jews and blacks are to enjoy a fruitful and mutually beneficial relationship in the future, as they have in the past, understanding how and why events like the Crown Heights riot came about is essential. Elliot Kaufman did just that in a recent essay for the Wall Street Journal. A Canadian who is too young to remember what happened, Kaufman—in the piece and in this conversation with Mosaic's editor, Jonathan Silver—forensically reconstructs what happened in Crown Heights, puts together what it meant at the time, looks at what it teaches us today, and suggests pitfalls that can be avoided so that the two communities can avoid such bitter antagonism. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

In an 1897 essay called "The Jewish State and the Jewish Problem," the Zionist writer Aḥad Ha'am argued that "Judaism needs at present but little. It needs not an independent state, but only the creation in its native land of conditions favorable to its development: a good-sized settlement of Jews working without hindrance in every branch of culture, from agriculture and handicrafts to science and literature." Ha'am believed that the most powerful arguments for Zionism were not economic but moral, and in his many essays he stressed the importance of forming a modern Jewish identity from authentically Jewish culture and ideas. Culture first, sovereignty later, in other words. Ha'am was born in 1856 this week by the name Asher Ginsburg, and so we thought we'd mark the occasion by rebroadcasting a conversation about him between the Tikvah Fund's executive director Eric Cohen and Allan Arkush, a professor of Judaic studies at Binghamton University and the senior contributing editor at the Jewish Review of Books. The two discuss Ha'am's background, his ideas in this essay and elsewhere, and compare them to his more politically-minded Zionist rivals, namely Theodor Herzl. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

In the year 1970, the distinguished American writer Cynthia Ozick published an essay arguing that Jewish literature might succeed if it embraced and conveyed the rich particularism of the Jewish experience. In a famous metaphor, she wrote that "If we blow into the narrow end of the shofar, we will be heard far. But if we choose to be mankind rather than Jewish and blow into the wider part, we will not be heard at all; for us America will have been in vain." Fifty years later the Jewish people's relation to the surrounding culture is a subject that still preoccupies Ozick. Her new novel, Antiquities, deals with the same themes. It depicts an elderly American man who, in the process of writing his memoirs, fixates on a friendship he developed with an outcast Jewish boy during the time they shared decades before in an exclusive private school. On our podcast today, in conversation with Jonathan Silver, Ozick explains how this relationship caused the man to question whether there was a more "significant thing" he could devote himself to, and she reveals some of the subtle wrinkles in the book that direct the reader toward monotheism and to the Jewish tradition. You can read a transcript of this conversation here. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

Two liberal arts professors were intrigued by a habit of mind they detected in their students, especially their high-achieving ones. Despite material abundance and the freedom to pursue a profession or passion of their choosing, their students were unsettled. Even after making a decision about what to pursue, they remain plagued by the thought that perhaps they should have done something else. This habit of mind, not unique to democracy in America but perhaps especially common in democratic conditions, is what today's podcast guests call "restlessness." In their new book Why We Are Restless, Jenna and Benjamin Storey, both professors at Furman University, explain the cultural force that characterizes modern restlessness by looking back at an earlier tradition of French philosophy. In their interpretations of Michel de Montaigne, Blaise Pascal, Jean-Jacques Rousseau, and Alexis de Tocqueville, the Storeys reveal how restlessness was variously aimed at and criticized by earlier thinkers. And in conversation with Jonathan Silver, they speculate about what modern Americans, and modern American Jews, can do to understand it. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

With anti-Semitism on the rise over the last few years, it is essential for institutions to be able to assess clearly whether an incident is anti-Semitic or not. For this purpose, over the last two decades many governments, companies, and international organizations have, as Joshua Muravchik discusses in this month's Mosaic essay, adopted the "working definition of anti-Semitism" from the International Holocaust Remembrance Alliance (IHRA). Today, the U.S. federal government uses the IHRA definition to assess federal claims of anti-Semitism under Title VI of the 1964 Civil Rights Act, and all government agencies also consider the IHRA definition in their own assessments of anti-Semitism. This week, Kenneth Marcus, who was instrumental in getting the federal government to adopt the IHRA definition of anti-Semitism, joins our podcast. Formerly the assistant secretary for civil rights in the Department of Education, Marcus has played a major role in protecting the civil rights of diverse groups, including Jews facing anti-Semitism; he's also the author of Jewish Identity and Civil Rights in America, and The Definition of Anti-Semitism. In conversation with Mosaic's editor Jonathan Silver, he explains how the IHRA definition helps American officials protect civil rights. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

Home to the Temple Mount, the Dome of the Rock, and the Church of the Holy Sepulchre, the city of Jerusalem has unparalleled spiritual significance for millions of people around the world. But in addition to all of its religious and philosophical importance, Jerusalem is also an actual city, with gas stations and grocery stores and office buildings and more. It has to be governed and managed just as New York, Chicago, and Moscow do. So what's it like to be responsible for garbage collection, and all the other everyday city needs, in the most spiritual city in the West? That's what, Nir Barkat, the former mayor of Jerusalem and now a member of Knesset from the Likud party, joins our podcast this week to talk about. Barkat was Jerusalem's mayor from 2008 to 2018, a decade that saw tremendous growth for Israel's capital. In conversation with Mosaic editor Jonathan Silver, he explains what it takes to govern Jerusalem, what he learned from his time as mayor, and how the challenges facing Jerusalem mirror the challenges faced by the Jewish state itself. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

It's sometimes asserted, particularly in elite circles, that liberal American Jews have grown distant from Israel because of Israel's actions, including those undertaken by longtime and now former prime minister, Benjamin Netanyahu. With the ascension this year of a new prime minister and a new government in Israel, the time has come to reassess that argument and consider it anew. The American-Israeli writer Daniel Gordis disagrees with this idea, that Israel's actions determined American Jewish attitudes. To him, the growing divide between Israeli and American Jews is decidedly not about what Israel does. It is, rather, about what Israel is. The two largest Jewish communities in the world are animated by different attitudes about Jewish life and Jewish prosperity. In this rebroadcast conversation from 2019 between Gordis and Mosaic's editor Jonathan Silver, he argues that these more fundamental differences, not the policies of the Netanyahu government or the chief rabbinate, are the true cause of the widening rift between the Jews of Israel and the United States. That suggests that a simple change in a policy—as the new government may bring about—won't bridge the gap. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.