LA Review of Books

Translators Andrew Way Leong, Bruna Dantas Lobato, Robin Myers, and Magdalena Edwards discuss the Art of Translation on a panel at this summer's LITLIT Festival. On July 30th and 31st, LARB presented the second annual LITLIT, or Little Literary Fair, in partnership with Hauser & Wirth Publishers at Hauser & Wirth’s gallery space in Downtown L.A.’s Arts District. LITLIT brought together 48 small presses and literary arts organizations and over 5,000 visitors for a two-day celebration of independent publishing on the West Coast, which included five free panel discussions. Today, you’ll hear one of these special conversations, The Art of Translation, produced in partnership with the Center for the Art of Translation in San Francisco. Andrew Way Leong, Bruna Dantas Lobato, Robin Myers, and Magdalena Edwards, four eminent translators, discuss the hard-fought, increasing visibility of their art and offer insight into their methods and projects. Are you a literary translator who has not yet publishing a book-length work? Know an emerging translator? Consider applying to the new LARB + Yefe Nof Emerging Translation Residency in Lake Arrowhead this winter. Applications are due September 14. Learn more and apply today at lareviewofbooks.org/events.

An encore presentation from early 2021 that speaks to our current summer of floods, droughts, blazing temperatures and extreme weather across the northern hemisphere: Hosts Kate and Medaya are joined by New Yorker staff writer and Pulitzer Prize-winning author Elizabeth Kolbert, whose new book is called Under a White Sky: The Nature of the Future, in which Kolbert explores the many ways humans intervene in nature. Kolbert discusses invasive species, the sinking of New Orleans, the triage plan for climate change and how solar geoengineering might bleach our skies. Also, Karla Cornejo Villavicencio, author of The Undocumented Americans, returns to recommend Children of the Land by Marcello Hernandez Castillo.

On this special LARB Book Club episode of the Radio Hour, Boris Dralyuk and Lindsay Wright are joined by K-Ming Chang to discuss her collection of stories, Gods of Want. Chang made her debut with the 2018 poetry chapbook Past Lives, Future Bodies, which she followed up in 2020 with the novel Bestiary. A New York Times Book Review Editors’ Choice long-listed for the Center for Fiction First Novel Prize and the PEN/Faulkner Award, Bestiary is a strikingly imaginative, fable-like tale of three generations of women who immigrate to the United States from Taiwan. Some of Bestiary’s motifs — hauntings, queer desire, violence, and unexpected transformations — recur in Chang’s 2021 chapbook Bone House, a phantasmagoric spin on Wuthering Heights, and also in Gods of Want. Shifting between genres, modes, and degrees of gravity, the collection displays the young Taiwanese American author’s striking inventiveness, both at the level of imagery and of language, as well as her cutting humor.

Architectural critic Alexandra Lange joins Kate Wolf and Eric Newman to discuss her latest book, Meet Me by the Fountain: An Inside History of the Mall. As its title suggests, the study explores the beginnings and development of the American shopping mall, rewarding our nostalgic gaze with a fascinating look at the mall as architectural challenge and sociological phenomenon. As a response to the changing relationships to consumerism and urban space in the United States in the post-World War II period, the shopping mall soared in popularity in large part because it offered at once a space for consumerist escape and nearly complete environmental and social control. It shaped its own social culture, shot through with all of the prejudices of the world outside but with the promise of experiential transformation. In Meet Me by the Fountain, the shopping mall emerges as a uniquely postmodern public space grounded in the perennial human longing for social connection, and the nostalgia we feel for that space in the present demonstrates its ongoing appeal, even in the present, when it is considered to be, if not dead, all but certainly dying. Also, Elvia Wilk, author of the essay collection Death by Landscape, returns to recommend both Austrian author Marlen Haushofer’s 1963 novel The Wall, available in Shaun Whiteside’s English translation, and Ned Beauman’s new novel Venomous Lumpsucker.

Elvia Wilk joins Kate Wolf to discuss her latest book, Death by Landscape, a collection of essays, including one originally published by the Los Angeles Review of Books. The pieces in Death by Landscape invite us to look closer at the narratives that persist in this time of environmental collapse and cataclysm. Reading a range of fiction and theory — including the work of writers such as Mark Fisher, Margaret Atwood, Amitav Ghosh, Jeff VanderMeer, Octavia Butler, and Karen Russell — Wilk explores the stories and genres that might allow us to decenter our human perspective of Earth and reimagine old divisions, such as those between people and plants, dystopia and utopia, role play and reality, and existence before and after apocalypse.

The writer and critic Raquel Gutiérrez joins Kate Wolf and Eric Newman to speak about their debut collection of essays, Brown Neon. The book follows Gutiérrez’s peregrinations across time and place, particularly the West and Southwest, from their upbringing and youth in 1990s Los Angeles as a member of post punk bands and inside of a queer community of color, to their years as an arts administrator in Northern California, as well as their more recent experiences in the borderlands of Arizona and Texas. With an approach that is both intimate — many of the artists they write about are close friends — and expansive, the book takes on issues of identity, gender, class, ownership, and legacies of violence, with nuance, historical perspective, and rapt attention to place. Also, Joseph Osmundson, author of Virology, returns to recommend C. Russell Price's poetry collection oh, you thought this was a date?!

Joseph Osmundson joins Eric Newman to discuss VIROLOGY, his new collection of essays published in June by Norton. Joe is a professor of microbiology at NYU, critic, essayist, and co-host of the Food4Thot podcast. Part memoir, part COVID diary, part essayistic journey into questions of risk, identity, and modern culture, Virology loosely explores what queer thought and experience can help us see and understand about viruses, and what a close look at viruses can help us understand about ourselves and our relation to others and the world. Two major pandemics saturate the book—the legacy of the HIV/AIDS crisis of the 1980s and 1990s, and the COVID19 pandemic of the past several years. In looking at how queerness, risk, and social bonds intersect with moments of peak medical crisis, Joe searches out how we have been challenged and changed by pandemics and what new worlds we can build out of that experience. Also, Ruth Wilson Gilmore returns to recommend six books, which, taken together, renew her faith in "human internationalism from below." The titles and authors are: Sinews of War and Trade by Laleh Khalili, Almanac of the Dead by Leslie Marmon Silko, Those Bones are Not My Child by Toni Cade Bambara, Return of a Native by Vron Ware, The Common Wind by Julius S. Scott, and the collection As If She Were Free edited by Erica L Ball, Tatiana Seijas, and Terri L Snyder.

Kate Wolf speaks with the renowned French filmmaker Claire Denis about her latest feature, Both Sides of the Blade, out in theaters now. It stars Juliette Binoche and Vincent Lindon as Sara and Jean, a couple who have been together for almost a decade. Sara works in broadcasting, and Jean is a former rugby player looking for a job, but finding it difficult after serving a prison sentence some time ago. Sara used to be with a different man, François, Jean’s old co-worker. When François remerges in their lives, Sara is overcome by yearning, returned to a love that never really went away. Jean is more circumspect but begins to work with François again, and the drama unfurls from there. The film probes the power of female desire and the possibilities of escaping one’s past, while subtly examining bureaucracy as well as racial and class tensions in France. Also, Nell Zink, author of Avalon, returns to recommend Croatian novelist Robert Perišić’s No-Signal Area, translated by Ellen Elias-Bursac.

Ruth Wilson Gilmore joins Kate Wolf and Eric Newman to talk about her new collection, Abolition Geography: Essays Toward Liberation, which covers three decades of her thinking about abolition, activism, scholarship, the carceral system, the political economy of racism, and much more. For Gilmore, these are not siloed issues; rather, they are braided effects of an unjust political, economic, and cultural system that must be dismantled in order for liberation to take place. Gilmore reminds us that we must look for connections beyond the academy, where theory meets praxis, where the vulnerable are not an abstraction but a concrete human reality. Her thought and work are a much needed shot in the arm for a political and intellectual culture that has, in the view of many, atrophied or been co-opted by the extractive loops of late capitalism. Also, Natalia Molina, author of A Place at the Nayarit: How a Mexican Restaurant Nourished a Community, returns to recommend two books on Latinx Los Angeles, George Sanchez’s Boyle Heights: How a Los Angeles Neighborhood Became the Future of American Democracy, and Pierrette Hondagneu-Sotelo and Manuel Pastor’s South Central Dreams: Finding Home and Building Community in South LA.

Kate Wolf and Eric Newman are joined by historian Natalia Molina to discuss her most recent book, A Place at the Nayarit: How a Mexican Restaurant Nourished a Community. The book follows Molina’s maternal grandmother, Doña Natalia Barraza, who immigrated to Los Angeles from Mexico in the 1920s and went on to open a series of restaurants. The most successful and longest lasting was the Nayarit, which opened on Sunset Boulevard in Echo Park in 1951. The Nayarit served the ethnically diverse and historically progressive and queer neighborhood for over two decades. As Molina, a MacArthur Fellow, shows, it was a refuge for members of the city’s Latinx community, many of whom were recent arrivals in the United States. At the Nayarit they “could come together for labor, leisure, and access to a ready-made social network,” and this act alone would shape the face of Los Angeles for years to come. Also, Ottessa Moshfegh, author of Lapvona, returns to recommend Dr. Mike Bechtle's The People Pleaser’s Guide to Loving Others without Losing Yourself.