LA Review of Books

Joseph Osmundson joins Eric Newman to discuss VIROLOGY, his new collection of essays published in June by Norton. Joe is a professor of microbiology at NYU, critic, essayist, and co-host of the Food4Thot podcast. Part memoir, part COVID diary, part essayistic journey into questions of risk, identity, and modern culture, Virology loosely explores what queer thought and experience can help us see and understand about viruses, and what a close look at viruses can help us understand about ourselves and our relation to others and the world. Two major pandemics saturate the book—the legacy of the HIV/AIDS crisis of the 1980s and 1990s, and the COVID19 pandemic of the past several years. In looking at how queerness, risk, and social bonds intersect with moments of peak medical crisis, Joe searches out how we have been challenged and changed by pandemics and what new worlds we can build out of that experience. Also, Ruth Wilson Gilmore returns to recommend six books, which, taken together, renew her faith in "human internationalism from below." The titles and authors are: Sinews of War and Trade by Laleh Khalili, Almanac of the Dead by Leslie Marmon Silko, Those Bones are Not My Child by Toni Cade Bambara, Return of a Native by Vron Ware, The Common Wind by Julius S. Scott, and the collection As If She Were Free edited by Erica L Ball, Tatiana Seijas, and Terri L Snyder.

Kate Wolf speaks with the renowned French filmmaker Claire Denis about her latest feature, Both Sides of the Blade, out in theaters now. It stars Juliette Binoche and Vincent Lindon as Sara and Jean, a couple who have been together for almost a decade. Sara works in broadcasting, and Jean is a former rugby player looking for a job, but finding it difficult after serving a prison sentence some time ago. Sara used to be with a different man, François, Jean’s old co-worker. When François remerges in their lives, Sara is overcome by yearning, returned to a love that never really went away. Jean is more circumspect but begins to work with François again, and the drama unfurls from there. The film probes the power of female desire and the possibilities of escaping one’s past, while subtly examining bureaucracy as well as racial and class tensions in France. Also, Nell Zink, author of Avalon, returns to recommend Croatian novelist Robert Perišić’s No-Signal Area, translated by Ellen Elias-Bursac.

Ruth Wilson Gilmore joins Kate Wolf and Eric Newman to talk about her new collection, Abolition Geography: Essays Toward Liberation, which covers three decades of her thinking about abolition, activism, scholarship, the carceral system, the political economy of racism, and much more. For Gilmore, these are not siloed issues; rather, they are braided effects of an unjust political, economic, and cultural system that must be dismantled in order for liberation to take place. Gilmore reminds us that we must look for connections beyond the academy, where theory meets praxis, where the vulnerable are not an abstraction but a concrete human reality. Her thought and work are a much needed shot in the arm for a political and intellectual culture that has, in the view of many, atrophied or been co-opted by the extractive loops of late capitalism. Also, Natalia Molina, author of A Place at the Nayarit: How a Mexican Restaurant Nourished a Community, returns to recommend two books on Latinx Los Angeles, George Sanchez’s Boyle Heights: How a Los Angeles Neighborhood Became the Future of American Democracy, and Pierrette Hondagneu-Sotelo and Manuel Pastor’s South Central Dreams: Finding Home and Building Community in South LA.

Kate Wolf and Eric Newman are joined by historian Natalia Molina to discuss her most recent book, A Place at the Nayarit: How a Mexican Restaurant Nourished a Community. The book follows Molina’s maternal grandmother, Doña Natalia Barraza, who immigrated to Los Angeles from Mexico in the 1920s and went on to open a series of restaurants. The most successful and longest lasting was the Nayarit, which opened on Sunset Boulevard in Echo Park in 1951. The Nayarit served the ethnically diverse and historically progressive and queer neighborhood for over two decades. As Molina, a MacArthur Fellow, shows, it was a refuge for members of the city’s Latinx community, many of whom were recent arrivals in the United States. At the Nayarit they “could come together for labor, leisure, and access to a ready-made social network,” and this act alone would shape the face of Los Angeles for years to come. Also, Ottessa Moshfegh, author of Lapvona, returns to recommend Dr. Mike Bechtle's The People Pleaser’s Guide to Loving Others without Losing Yourself.

Author Ottessa Moshfegh returns to speak to Kate Wolf about her latest novel, Lapvona. The book is set in the eponymous medieval village, a place beset by violence and extreme cruelty. Its ruler is the loutish Villiam, who engineers massacres of Lapvona’s inhabitants whenever dissent grows, and also steals their water during a deadly drought. Villiam’s distant relative, Jude, is a shepherd who beats his son, Marek, and lies about the fate of Marek’s supposedly deceased mother. Marek weathers his father’s abuse through his devotion to God and the soothing of the village wet nurse, Ina, but his piety doesn’t keep him from committing brutal acts of his own. In a fatal twist, he ends up in the care of Villiam, on the hill above the suffering villagers, increasingly complicit in Lapvona’s corruption — a turn of events as germane today as it was a thousand years ago. Also, Elif Batuman, author of Either/Or, returns to recommend Nino Haratischvili’s The Eighth Life, translated from the German by Charlotte Collins and Ruth Martin.

Author Nell Zink joins Eric Newman and Kate Wolf to talk about her latest novel, Avalon. The book is a coming of age novel centered on Bran, a young woman abandoned by her parents, left to fend for herself on a Southern California farm where she helps raise and sell exotic plants amid the looming presence of a biker gang. When Bran meets Peter, a college student thick on theory and philosophy, she glimpses the possibility of a lush new world of ideas and possibility. The two share a tortured and sweet romance through which Bran enters the world of ideas as a young writer coming into her identity, a relationship that promises an escape to a new life she glimpses just on the horizon. Also, Shelly Oria, editor of the anthology, I Know What’s Best for You: Stories on Reproductive Freedom, returns to recommend four books (the first three by contributors to the anthology): Notes on Your Sudden Disappearance by Alison Espach; The Stars are not yet Bells byHannah Lilith Assadi; American Estrangement, a short story collection, by Said Sayrafiezadeh; and A Lie that Someone Told You about Yourself by Peter Ho Davies.

Kate Wolf and Medaya Ocher are joined by the revered writer and artist Renee Gladman to speak about her latest book, Plans for Sentences. Plans for Sentences is a collection of ink and watercolor drawings paired with texts, each duo labeled as a “figure,” making 60 figures in all. The drawings combine the loops and scribbles of words and letters with the lines of cityscapes and buildings. The text meanwhile outlines what the titular “sentences” of the book will do. Together, Gladman seems to create a new kind of architecture, made up of a blend of words and images, solid and in flux at the same time. The plans here are for the future. Also, John Markoff, author of The Many Lives of Stewart Brand, returns to recommend Kim Stanley Robinson's The Ministry for the Future.

Novelist and New Yorker staff writer Elif Batuman joins Kate Wolf to discuss her latest book, Either/Or. A sequel to 2017's The Idiot, the novel follows Batuman’s protagonist Selin in her sophomore year at Harvard University in 1996. Endearingly sincere in her efforts to understand the world around her, Selin turns most often to the books she reads for her literature major to do so, especially the titular work by Kierkegaard, which allows her to consider the merits of an aesthetic life versus an ethical one. It’s The Seducer’s Diary portion of Kierkegaard’s book, however, that Selin finds herself most interested in—and horrified by. It helps explain the mystifying behavior of her crush, Ivan, with whom nothing much of consequence has happened. But are books really a reflection of life? And might Selin write a novel of her own? Selin's quest for understanding eventually leads her away from campus and to her native Turkey and then Russia where she connects more deeply with experiences outside of literature and finally finds herself living on her own terms. Also, Dan Lopez, author of The Show House, drops by to recommend Cuba: An American History by Ada Ferrer

Author Shelly Oria returns to speak with Kate Wolf about her latest anthology, I Know What’s Best for You: Stories on Reproductive Freedom. The book compiles a range of fiction, essay, poetry, plays, and comics by twenty-eight contributors that offer perspectives on reproductive rights, health care, bodily autonomy, and family making, among many other things. It was published in collaboration with the Brigid Alliance, a nationwide service that arranges and funds confidential and personal travel support to those seeking abortions. The Brigid Alliance’s Executive Director, Odile Schalit, also joins the conversation. Also, Hernan Diaz, author of Trust, returns to recommend Harrow by Joy Williams.

Eric Newman and Medaya Ocher speak with writer Hernan Diaz about his latest novel Trust, which tells a single story from multiple perspectives, or rather revisions. Trust brings into focus both how storytelling itself, as well as the narratives American culture tells about wealth and money, shape and distort our world. The conversation moves from the traditions of the 19th century American novel, the vagaries of capital and how Diaz put together this nesting doll-like novel. Also, Celia Paul, author of Letters to Gwen John, returns to recommend the Complete Letters of Vincent Van Gogh.