LA Review of Books

Kate Wolf and Medaya Ocher are joined by literary critic and scholar Peter Brooks. Brooks is the Sterling Professor of Comparative Literature Emeritus at Yale. He is the author of many books but perhaps most notably of Reading for the Plot, originally published in 1984, which initiated the narrative turn in literary criticism. In it, Brooks focused on the story, how it was told and how it moved forward. His latest book Suduced by Story returns to narrative as its main subject, 30 years later. Brooks now finds narrative everywhere — from President Bush invoking the “stories” of all of his cabinet members to corporate websites touting the company “story”. What does this narrative takeover mean? Why have we started to privilege storytelling over any other form of expression? Brooks writes “This…suggests something in our culture has gone astray.” Peter Brooks joins us today to discuss, as he puts it, “the misuses, and mindless uses, of narrative.” Also, Darryl Pinckney, author of Come Back in September, returns to recommend three books: Elizabeth Hardwick's Seduction and Betrayal; Margo Jefferson's Constructing a Nervous System; and Marina Warner's Esmond and Ilia.

In the first half of the show, Kate Wolf and Eric Newman are joined by LARB contributing editor Jon Wiener to remember the historian Mike Davis, who died last week at 76 years old. Jon and Mike were longtime friends and together they wrote Set the Night on Fire: L.A. in the Sixties, Davis's final book. Then Kate speaks with the writer Constance Debré about her novel, Love Me Tender, the first of her books to be translated in English. It follows a woman, who like Debré was once a lawyer, but has quit her job, and vacated the comforts of her former life to devote herself to her writing. She has a son from her marriage named Paul. After telling her husband, who she's separated from, that she has decided to be with women, the narrator’s ex starts to turn Paul against her and prevents her from seeing him. The novel takes place over the span of a glacial court case that will decide the narrator's fate with her son—all the while asking critical questions about the fearsome nature of unconditional love and attachment, the roles of gender and motherhood, and the unassailability of the truth.

Eric Newman and Kate Wolf speak with the novelist and critic Darryl Pinckney about his new memoir, Come Back in September: A Literary Education on West Sixty-Seventh Street, Manhattan. The book recounts Pinckney’s relationship with a legend of American letters: the singular stylist Elizabeth Hardwick. Hardwick was Pinckney’s professor in a creative writing class at Barnard in the early 1970s, and they quickly became close friends. She invited him into her home, into her writing process, and into a world of New York literary culture and gossip, which Pinckney doles out here in generous cupfuls. It was through Hardwick that Pinckney met Barbara Epstein, an editor and co-founder of the New York Review of Books, where he began his writing career. His memoir documents a critical time in both his own life and in Hardwick’s, including the dissolution of her marriage to the poet Robert Lowell, and the composition of her masterful novel, Sleepless Nights. Also, Namwali Serpell, author of The Furrows, returns to recommend "Old Boys Old Girls" a short story by Edward P. Jones from his collection All Aunt Hagar's Children.

On this special LARB Book Club episode of the Radio Hour, Boris Dralyuk and Medaya Ocher are joined by Namwali Serpell, to speak about her new novel, The Furrows. One of the most daring and protean literary voices working today, Serpell is a Zambian-born novelist and essayist, and a professor of English at Harvard University. Her debut novel, The Old Drift, a genre-bending saga tracing the legacies of three families, appeared in 2019 and won the Anisfield-Wolf Book Award, the Arthur C. Clarke Award for science fiction, and the Los Angeles Times’s Art Seidenbaum Award for First Fiction. Her equally unclassifiable — a compliment, that — work of nonfiction, Stranger Faces, appeared the following year, as part of Transit Books’ series of Undelivered Lectures, and was a finalist for a National Book Critics Circle Award. Serpell is also the recipient of a 2020 Windham-Campbell Literature Prize, the 2015 Caine Prize for African Writing, and a 2011 Rona Jaffe Foundation Writers’ Award. Like The Old Drift, The Furrows defies narrative conventions and readerly expectations, but it does so with a narrower aim in view, homing in on the after-affects — which are, truth be told, manifold — of a particular, though uncertain, trauma, an event that fractures the protagonist’s life and sense of self at the age of 12. Blamed for the death of her younger brother, Cassandra is haunted by the presence of his absence — or is it simply his presence? — for the rest of her days. What Serpell’s novel tells us is what Cassandra promises to tell us: not what happened, but how it felt. Also, Kathern Scanlan, author of Kick the Latch returns to recommend Charles Reznikoff's Testimony: The United States 1885-1915: Recitative.

Kathryn Scanlan joins Kate Wolf and Medaya Ocher to discuss her new novel, Kick the Latch. A series of taut, electrifying vignettes based on real-life interviews, the book narrates the life of Sonia, a horse trainer in rural Iowa, who enters the world of competitive racing while still in high school. Sonia’s experiences at the racetrack are by turns exultant and brutal: they take place in an atmosphere in which both human and animal are often pushed to the edge of their lives in the name of winning it all. But Sonia’s grit, devotion, and perseverance serve to counter to the exceptional details of her life and work. In her, Scanlan crafts a uniquely humane and gripping voice that reveals itself in small details, idiosyncratic phrases, and deep tenderness. Also, Hua Hsu, author of Stay True, returns to recommend Maxine Hong Kingston's Tripmaster Monkey: His Fake Book.

Hua Hsu joins Eric Newman to discuss his latest book, STAY TRUE. The memoir recounts Hua's feeling of being caught between the Taiwanese culture of his immigrant parents and the burgeoning Silicon Valley suburbs in which he was raised. A lifeline of sorts is thrown to him in the form of Ken Ishida, a confident young man from a multigenerational Japanese American family. At first, it seems that Ken has every Hua lacks—the looks, the easy social confidence, a finger on the pulse of American culture. But during their friendship those first years of college, the young men support and lean on each other as they grow into adults with bright—if intangible—futures ahead of them. But one night, a shocking and random act of violence takes Ken away and Hua and his friends must try to makes sense of a senseless tragedy and pull back together the broken lives left in its wake. Also, Andrew Sean Greer, author of Less is Lost, returns to recommend Julian Delgado Lopera's Fiebre Tropical.

Andrew Sean Greer, author of six novels, including The Confessions, joins Eric Newman to talk about Less Is Lost, a sequel to his 2017 Pulitzer Prize winner, Less. This latest installment finds our beloved and bewildered eponymous gay novelist of minor repute dashing across the American Southwest, South, and East Coast as he scrambles to save, and in some ways clarify, his relationship with Freddy Pelu, as well as to pay back some monumental back rent on the charming San Francisco home left to him by his recently deceased lover, Robert Brownburn. As Less takes his fish-out-of-water act on the road, Andrew Sean Greer treats readers to a number of poignant insights into the nature of love, devotion, belonging, and the by turns miserable and, er, miserable condition of being a writer. Also, Yiyun Li, author of The Book of Goose, returns to recommend Charlotte Bronte’s Villette.

Kate Wolf speaks with celebrated author Yiyun Li about her latest novel, The Book of Goose. A tale of a passionate friendship between two adolescent girls set in a rural village in postwar France, The Book of Goose is told from the perspective of Agnès. Now living in America, many years later, she recounts the devotion and creativity she shared with her best friend, Fabienne, when they were young. Together the two girls composed a book of stories, but, at Fabienne’s urging, Agnès posed as the sole author when the book was eventually published, setting the course of their lives in two very different directions. An examination of friendship, poverty, feminine ambivalence, and death, Li’s novel is most concerned with the nature of stories themselves: where they come from, how they function, and who they belong to. Also, Rachel Aviv, author of Strangers to Ourselves: Unsettled Minds and the Stories that Make Us, returns to recommend Louis Sass’s Madness and Modernism: Insanity in the Light of Modern Art, Literature, and Thought.

Kate Wolf and Medaya Ocher are joined by New Yorker staff writer Rachel Aviv to discuss her first book, Strangers to Ourselves: Unsettled Minds and the Stories That Make Us. The book collects the stories of people whose mental health crises subvert our usual understanding of diagnosis, treatment, and healing. It begins with Aviv herself, who was hospitalized at the age of six for anorexia, before she even knew the term for her illness. Each chapter is then dedicated to a different person: Bapu, an Indian Brahmin woman, who shortly after giving birth dedicates herself to religious asceticism and mysticism; Naomi, a Black woman, who in her psychosis, despairs of the very real racism and generational oppression that surrounds her; and Ray Osheroff and Laura Delano whose chapters both show the ways in which psychiatry is still grappling with medication and biology. Aviv explores how mental illness can defy psychiatric explanation, requiring a broader view of the economic, social and lived realities of the people who experience it. Also, Raquel Gutierrez, author of Brown Neon, returns to recommend Dog Flowers by Danielle Geller.

Editors of The LARB Quarterly, Chloe Watlington and Michelle Chihara, join Jeff Weiss of theLAnd and local designer and near-futurist writer, Schessa Garbutt, on a panel at this summer's LITLIT Festival.to discuss the love and labor of print magazines, designing for print, and ongoing debates around the relevance of literary criticism and production today. On July 30th and 31st, LARB presented the second annual LITLIT, or Little Literary Fair, in partnership with Hauser & Wirth Publishers at Hauser & Wirth’s stunning gallery space in Downtown L.A.’s Arts District. LITLIT brought together 48 small presses and literary arts organizations and over 5,000 visitors for a two-day celebration of independent publishing on the West Coast. All five free panel discussions from the weekend are available to watch back on litlit.org. Today, you’ll hear one of these special conversations, For the Love of Print.