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#AmWriting

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Aug 9, 2024 • 36min

#FlashbackFriday: Very Serious About Fun Reads with Emily Henry

The title of this episode comes from a great George Michael quote that Sarina reminded us of and one that I now think about all the time: People thought I wanted to be seen as a serious musician, but I didn’t. I just wanted to people to know that I was very serious about pop music.That’s us here. We’re very serious about fun reads—and so grateful that Emily is too. This episode was recorded as Emily was releasing Book Lovers. This year, you can read her newest, Funny Story, which was just the delightful escape Sarina and I both needed this summer. And let me remind you right here that you can—and should!—also grab Sarina’s latest, the fantastic The Five Year Lie—a very very fun read. This was a great talk and we know you’ll love it—but for your entertainment, here’s what AI had to say about it: The speakers discussed their experiences and insights on writing and publishing, including the importance of maintaining a consistent brand, balancing creative expression with validation, and creating authentic conflicts in fiction. They also shared their thoughts on the value of joy and love in literature, and how societal pressure to produce world-changing literature can lead to a lack of appreciation for works that prioritize happiness and joy. Additionally, they discussed their favorite thriller books and the impact they've had on them, and shared book recommendations in the romantic comedy genre. Overall, the conversation highlighted the challenges and rewards of writing and publishing, and the importance of prioritizing joy and happiness in literature.Something like that, yeah. But with more shrieking and laughing. This discussion was so true to our hearts (KJ writing, Sarina co-signing). It’s hard to for some of us to give ourselves permission to write fun books in a world where “things we like” and especially “things women like” are often dismissed as less worthy. After Sarina reminded us of this George Michael quote—when asked when he was going to “write serious music” his response was “You don’t understand. I’m very serious about pop music.” And KJ immediately demanded that everyone read This Is Not a Book About Benedict Cumberbatch which is, instead, a book about exactly what we just said. That you should read. Immediately. We’ll wait.So how do your get very serious about writing fun reads? Emily’s insight on how to turn the seemingly small internal battles that our kind of fiction often hinges on is perfection: “you have to make things realer than real life”. For more, hit play.Links in the Pod#AmWriting Episode 302 with Katherine Center#AmReadingEmily: Miss Aldridge Regrets, Louise HareThe Bodyguard, Katherine CenterThe Change, Kirsten MillerSarina: The Bodyguard, Katherine CenterUpgrade, Blake Couch (Emily then shouted out Dark Matter and The Letty Dobesh Chronicles with its Good Behavior TV adaptation)KJ: This Is Not a Book About Benedict Cumberbatch, Tabitha CarvanThank You for Listening, Julia WhelanEmily Henry on Insta: @emilyhenrywritesJoin Emily’s newsletter: Get My Grocery ListAre you a “sticker”?Regular listeners know that whenever we meet our writing goals around here, we text each other one word: STICKER. (and then we add a cute sticker to our calendar, because we’re fun like that).We call supporters of the #AmWriting podcast “stickers” too—and while our regular podcasts and shownotes go out to all of our listeners, we have created a few things just for stickers. First, there’s the Summer Blueprint for a Book Sprint—10 weeks dedicated to working with coaches and a community to figure out how to turn your next idea—or your struggling draft—into the book you want to write. You can join it anytime (the how-to is below).Stickers can also submit the first page of their WIP to the Booklab First Pages podcast, where we might choose it to discuss, review and offer ideas for persuading agents, editors and readers that they want to turn that page and see what happens next. (Find the link to submit a first page HERE.)I’m a sticker! Give it all to me now.SubscribeTo join the Blueprint for a Book Summer Sprint, you must be a paid subscriber. Then, opt-in and set up your podcast feed. Don’t worry, it’s simple! Click here to go to your #AmWriting account, and when you see this screen, do two things:* Toggle “Blueprint for a Book” from “off” (grey) to “on” (green).* Click “set up podcast” next to Blueprint for a Book and follow the easy instructions.Once you set those things up, you’ll get all the future Blueprint emails and podcasts (and if you’re joining the party a bit late, just head to our website and click on Blueprint for a Book in the top menu). This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe
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Aug 2, 2024 • 37min

How an Inside-Outline Can Save Your Revision (and maybe your book)

Hey writers! Maybe I say this all the time, but this episode is GREAT. Remember how in Episode 402 I asked the question for the ages: How Bad Can a Good First Draft Be?At that point I was on a fifth draft and it was sadly still pretty “bad”— think “I built a bookshelf but one of the shelves is on the back and I don’t think it necessarily needed window shutters or a fan”. I settled in to outline, not what WAS there but what I knew SHOULD be there on both the plot (outside) and emotional arc (inside) levels. And damn if it didn’t help. It always helps.This episode is me and Jennie talking about how I did that, why I needed to and how much it helps. Funny story: last week after the episode as i was revising I looked at one of the new scenes I’d plotted out and thought, nah. Things were running a bit long, I thought. I don’t need that.It took 48 hours of wrestling with what came next to realize that the problem was: yes, I did need that scene. It didn’t do masses of plot work but it was huge emotionally. Put it back in and started rolling along.Whew. Ok, episode—enjoy!Are you a “sticker”?Regular listeners know that whenever we meet our writing goals around here, we text each other one word: STICKER. (and then we add a cute sticker to our calendar, because we’re fun like that).We call supporters of the #AmWriting podcast “stickers” too—and while our regular podcasts and shownotes go out to all of our listeners, we have created a few things just for stickers. First, there’s the Summer Blueprint for a Book Sprint—10 weeks dedicated to working with coaches and a community to figure out how to turn your next idea—or your struggling draft—into the book you want to write. You can join it anytime (the how-to is below).Stickers can also submit the first page of their WIP to the Booklab First Pages podcast, where we might choose it to discuss, review and offer ideas for persuading agents, editors and readers that they want to turn that page and see what happens next. (Find the link to submit a first page HERE.)I’m a sticker! Give it all to me now.To join the Blueprint for a Book Summer Sprint, you must be a paid subscriber. Then, opt-in and set up your podcast feed. Don’t worry, it’s simple! Click here to go to your #AmWriting account, and when you see this screen, do two things:* Toggle “Blueprint for a Book” from “off” (grey) to “on” (green).* Click “set up podcast” next to Blueprint for a Book and follow the easy instructions.Once you set those things up, you’ll get all the future Blueprint emails and podcasts (and if you’re joining the party a bit late, just head to our website and click on Blueprint for a Book in the top menu). This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe
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Jul 19, 2024 • 45min

From Women’s Fiction to Romance in 30 Days

Writing BFFs Alison Hammer and Bradeigh Godfrey were thirty days away from a publisher deadline for their third book when the news came down: change this book from women’s fiction to romance.Should they do it? Could they do? How would they do it???In this episode, Jennie Nash digs into this juicy question.Books mentioned in this episode:The Beach TrapThe Comeback SummerUntil Next SummerAre you a “sticker”?Regular listeners know that whenever we meet our writing goals around here, we text each other one word: STICKER. (and then we add a cute sticker to our calendar, because we’re fun like that).We call supporters of the #AmWriting podcast “stickers” too—and while our regular podcasts and shownotes go out to all of our listeners, we have created a few things just for stickers. First, there’s the Summer Blueprint for a Book Sprint—10 weeks dedicated to working with coaches and a community to figure out how to turn your next idea—or your struggling draft—into the book you want to write. You can join it anytime (the how-to is below).Stickers can also submit the first page of their WIP to the Booklab First Pages podcast, where we might choose it to discuss, review and offer ideas for persuading agents, editors and readers that they want to turn that page and see what happens next. (Find the link to submit a first page HERE.)I’m a sticker! Give it all to me now.To join the Blueprint for a Book Summer Sprint, you must be a paid subscriber. Then, opt-in and set up your podcast feed. Don’t worry, it’s simple! Click here to go to your #AmWriting account, and when you see this screen, do two things:* Toggle “Blueprint for a Book” from “off” (grey) to “on” (green).* Click “set up podcast” next to Blueprint for a Book and follow the easy instructions.Once you set those things up, you’ll get all the future Blueprint emails and podcasts (and if you’re joining the party a bit late, just head to our website and click on Blueprint for a Book in the top menu). This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe
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Jul 12, 2024 • 56min

Flashback: Being Genre Flexible with Catherine Newman

Hi! Jess here. I just finished Catherine Newman’s new novel Sandwich, and I’m feeling a lot of feelings. I expected Sandwich to be great because I love everything Catherine Newman writes, but it was a balm for a wound I did not realize I was nursing. That’s what I love about books. Our feelings about them are highly personal and subjective. Some of my favorite books possess little literary merit but have found a place on my list of essential re-reads based on their emotional, temporal, or geographical entanglements.Sandwich is a town on Cape Cod, where the bicep would be if the Cape were to let up on tricep day. A big part of my childhood was spent in a lovely house on Corn Hill in Truro, the second to last town on the very tip of the arm, where the Cape would wear her watch if she cared about the time. When I was very small, my parents rented with friends, but when their best friend, Richard, bought our favorite of the hilltop houses, it became our second home, the place where my most visceral, cherished, rose-tinged memories were formed. The pine floors were soft under my feet, the sound of the bayside waves constant and gentle, and the light of the morning sun in the front bedroom remains my favorite filter. When the house burned in the eighties, we all wept as if a family member had died. My father oversaw its reconstruction down to the perfect placement of the toilet. In a house bursting with actors, musicians and other sorts of wonderfully loud and dramatic guests, it was the only place one could be alone to lean on the windowsill looking out at Provincetown, down at the rock that emerged at low tide, and the cute boy from the cottage two doors over. Richard died in 1992 and he took the magic of that house with him. We tried, we really did. We agreed to think of it as a new place, a future place, but our last gasp visit ended in an explosive family fight that served as final punctuation on that chapter of our lives.Cape Cod has changed since the seventies and eighties for everyone, of course. It’s fancier, more curated. Less wild and dangerous, more pruned and planned. Everyone knows where the hidden freshwater pond is, and they are all there, all the time. I mourn the loss of what Cape Cod was to me, but Catherine Newman brought it back for me while I was immersed in her words, and for that, I am grateful. Her novel bears little resemblance to my lived experiences, and yet it evoked moments and images that resonated deep in my body. That’s what great books do for us. They help us feel things we thought we’d lost. They describe the things we lived and how they felt. Read Sandwich. It will likely be something completely different for you than it was for me, but it will be something beautiful, nevertheless. And with that, here’s our episode with Catherine Newman about genre-hopping and writing all the things. “We’ll be tending our wounds. And we’ll be as young and as whole as we’re ever going to be.” - Catherine Newman, Sandwich#AmReadingKJ: Henna Artist by Alka JoshiRecipes for a Beautiful Life by Rebecca BarryJess: Sure Shot by Sarina BowenAnimal, Vegetable, Miracle by Barbara KingsolverMissing You by Harlan CobenCatherine: Know My Name by Chanel MillerSea Wife by Amity GaigeThe Chicken Sisters by KJ Dell’AntoniaOriginal shownotes: Why stick to any one genre? Our guest this week is Catherine Newman: memoirist, middle grade novelist, etiquette columnist and now the author of How to Be a Person: 65 Highly Useful, Super-Important Things to Learn Before You’re Grown-Up. While she’s at it, she writes a cooking blog, co-authored a book on crafts for kids and edits ChopChop, a kids cooking magazine. And she pens frequent funny essays for everything from O to the New York Times to the Cup of Jo website. In other words, she’s putting a pastiche of writing together and making it work with an insouciant disregard for any and all advice about self-branding or owning an niche or sticking to one topic or identity.In fact, I’d argue that “insouciant disregard” might just BE her brand. This episode also includes the immortal words “I’ve never had to kill anything during the podcast before,” uttered by Jess—so that’s a reason to listen right there. But there are plenty of others—this is a real nitty gritty episode on building a career and getting things done.Are you a “sticker”?Regular listeners know that whenever we meet our writing goals around here, we text each other one word: STICKER. (and then we add a cute sticker to our calendar, because we’re fun like that).We call supporters of the #AmWriting podcast “stickers” too—and while our regular podcasts and shownotes go out to all of our listeners, we have created a few things just for stickers. First, there’s the Summer Blueprint for a Book Sprint—10 weeks dedicated to working with coaches and a community to figure out how to turn your next idea—or your struggling draft—into the book you want to write. You can join it anytime (the how-to is below).Stickers can also submit the first page of their WIP to the Booklab First Pages podcast, where we might choose it to discuss, review and offer ideas for persuading agents, editors and readers that they want to turn that page and see what happens next. (Find the link to submit a first page HERE.)I’m a sticker! Give it all to me now.To join the Blueprint for a Book Summer Sprint, you must be a paid subscriber. Then, opt-in and set up your podcast feed. Don’t worry, it’s simple! Click here to go to your #AmWriting account, and when you see this screen, do two things:* Toggle “Blueprint for a Book” from “off” (grey) to “on” (green).* Click “set up podcast” next to Blueprint for a Book and follow the easy instructions.Once you set those things up, you’ll get all the future Blueprint emails and podcasts (and if you’re joining the party a bit late, just head to our website and click on Blueprint for a Book in the top menu). This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe
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Jul 5, 2024 • 48min

Escaping the Lure of Attention and Approval with Kathleen Smith

It’s SO SO EASY for creatives to get caught up in chasing after praise and approval to boost their own mood and productivity. How can we spend less energy "borrowing self" from other people's reactions, and more energy pursuing what's important to us? KJ asks Kathleen Smith, author of True to You: A Therapist's Guide to Stop Pleasing Others and Start Being Yourself, to help us find our true writer-selves at all the moments when all the other opinions and demands and pseudo-beliefs beckon. The goal? Hanging up a mental sign that says “currently closed to imaginary commentary.” Kathleen Smith PhD, LPC is an author, licensed therapist, and expert on relationship systems with degrees from Harvard University and The George Washington University. She is the author of Everything Isn’t Terrible: Conquer Your Insecurities, Interrupt Your Anxiety, and Finally Calm Down, a funny, practical guide that breaks down psychotherapy concepts into accessible stories of change and True to You: A Therapist’s Guide to Stop Pleasing Others and Starting Being Yourself.She also writes a weekly therapy newsletter, The Anxious Overachiever, —and clearly we all need THAT. #AmReadingKathleen: Wild Rituals, Caitlin O'ConnellKJ: The Creative Pragmatist, Amy Smilovic (largely unobtainable, so check out her Substack here.)Find Kathleen via her website, Facebook, or InstagramAre you a “sticker”?Regular listeners know that whenever we meet our writing goals around here, we text each other one word: STICKER. (and then we add a cute sticker to our calendar, because we’re fun like that).We call supporters of the #AmWriting podcast “stickers” too—and while our regular podcasts and shownotes go out to all of our listeners, we have created a few things just for stickers. First, there’s the Summer Blueprint for a Book Sprint—10 weeks dedicated to working with coaches and a community to figure out how to turn your next idea—or your struggling draft—into the book you want to write. You can join it anytime (the how-to is below).Stickers can also submit the first page of their WIP to the Booklab First Pages podcast, where we might choose it to discuss, review and offer ideas for persuading agents, editors and readers that they want to turn that page and see what happens next. (Find the link to submit a first page HERE.)I’m a sticker! Give it all to me now.To join the Blueprint for a Book Summer Sprint, you must be a paid subscriber. Then, opt-in and set up your podcast feed. Don’t worry, it’s simple! Click here to go to your #AmWriting account, and when you see this screen, do two things:* Toggle “Blueprint for a Book” from “off” (grey) to “on” (green).* Click “set up podcast” next to Blueprint for a Book and follow the easy instructions.Once you set those things up, you’ll get all the future Blueprint emails and podcasts (and if you’re joining the party a bit late, just head to our website and click on Blueprint for a Book in the top menu). This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe
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Jun 28, 2024 • 54min

Why you don't have to do it like that one writer in the NYT

We only meant to dissect the success of the writer from this NYT piece briefly, but it turned out we had a lot to say. No, we can’t all imitate her (nor do we want to) but there are things to be learned here. And things to be learned by checking in on your goals at mid-year! How’s it going out there?LINKSNew York Times: How a Self-Published Book Broke ‘All the Rules’ and Became a Best SellerThe Atlantic: The 24-Year-Old Who Outsold Oprah This WeekThe Nothing Sells Books but Books Still Sell essay and episode #401Not linking to the workbook we discussed bc I have my doubts…Not linking to the TT stuff either so sue me.Start Where You Are, Meera Lee Pateloh OKAY I’ll link to the workbook:The Shadow Journal, Keila ShaheenRachael Herron’s Ink in Your Veins Podcast Ep. 183 with Jennie NashSarina’s latest book, The Five Year LieJess on Instagram and TikTok killing itFuneral in my Brain, Lisa Levy (coming soon!)2024 WordsKJ: UnapologeticSarina: AbundanceJess: Recreate/RecreateJennie: I… do not remember. (It was Zone of Genius)#AmReadingJess: Ali Hazelwood’s Not In Love, Funny Story by Emily HenryKJ: I Hope This Finds You Well, Natalie SueSarina: The Paradise Problem, Christina LaurenJennie: They’re Going to Love You, Meg Howrey An #AmWriting Success Story, Episode 404Are you a “sticker”?Regular listeners know that whenever we meet our writing goals around here, we text each other one word: STICKER. (and then we add a cute sticker to our calendar, because we’re fun like that).We call supporters of the #AmWriting podcast “stickers” too—and while our regular podcasts and shownotes go out to all of our listeners, we have created a few things just for stickers. First, there’s the Summer Blueprint for a Book Sprint—10 weeks dedicated to working with coaches and a community to figure out how to turn your next idea—or your struggling draft—into the book you want to write. You can join it anytime (the how-to is below).Stickers can also submit the first page of their WIP to the Booklab First Pages podcast, where we might choose it to discuss, review and offer ideas for persuading agents, editors and readers that they want to turn that page and see what happens next. (Find the link to submit a first page HERE.)I’m a sticker! Give it all to me now.To join the Blueprint for a Book Summer Sprint, you must be a paid subscriber. Then, opt-in and set up your podcast feed. Don’t worry, it’s simple! Click here to go to your #AmWriting account, and when you see this screen, do two things:* Toggle “Blueprint for a Book” from “off” (grey) to “on” (green).* Click “set up podcast” next to Blueprint for a Book and follow the easy instructions.Once you set those things up, you’ll get all the future Blueprint emails and podcasts (and if you’re joining the party a bit late, just head to our website and click on Blueprint for a Book in the top menu). This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe
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Jun 26, 2024 • 22min

Stop! Don't Write that Book (Yet)

The Blueprint is a process of inquiry that ideally happens before you start to write a book, but is also incredibly effective before you start to revise a manuscript or if you happen to be stuck writing chapter three, or thirteen, or thirty-three over and over again.Jennie created the Blueprint and KJ is both a fan and a book coach who is certified to teach it. In this short episode, we chat about why the Blueprint is so great and why it would be great for you to do it with us this summer!Do The Blueprint With Us This Summer!Starting July 2, we’ll be walking you through the 14 steps of the Blueprint over 10 weeks. Some of the steps are very short and we combined them into one episode.Every episode speaks to fiction writers, memoir writers, and nonfiction writers. There are workbooks, and you will get a link to the digital download of the Blueprint book of your choice. We’ve also invited four Author Accelerator coaches to host weekly AMAs (ask me anything) and write-alongs so you can ask questions, block off time to write, and meet other #amwriting listeners who are working on their projects, too. You can meet Amy Bernstein, Candace Coakley, Sara Gentry, and Stuart Wakefield in this post. If you finish your Blueprint over the summer, you will be eligible to win a review from either me or KJ. (If you missed the #AmWriting Success Story about the writer who won the Blueprint Sprint grand prize in 2022, give it a listen. It’s very inspiring! It’s right HERE.)To play along, you must be a paid subscriber. Once you pay, opt-in and set up your podcast feed. Don’t worry, it’s simple! Click here to go to your #AmWriting account, and when you see this screen, do two things:* Toggle “Blueprint for a Book” from “off” (grey) to “on” (green).* Click “set up podcast” next to Blueprint for a Book and follow the easy instructions.Once you set those things up, you’ll get all the future Blueprint emails and podcasts (and if you’re joining the party a bit late, that’s fine — just head to our website and click on Blueprint for a Book in the top menu). I want to join the Summer Blueprint Sprint! I want to invite all my writer friends to join me! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe
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Jun 21, 2024 • 34min

An #AmWriting Success Story!

The #AmWriting team is so excited to present this interview with Dr. Barb Mayes Boustead – because it’s an #AmWriting success story! Barb was the random winner of The Summer Blueprint Challenge we ran in the summer of 2022. She won a Blueprint review with Jennie Nash – and the book proposal that came out of that work recently landed Barb a book deal. (Want a chance at something like that for yourself? Keep reading—we’re hosting a new Blueprint Sprint!)Her book, WILDER WEATHER: What Laura Ingalls Wilder Can Teach Us About Watching the Weather, Understanding Our Climate, and Protecting What We Cherish, will be published by the South Dakota Historical Society Press in 2025 — a perfect match of topic and publisher, as you will hear in this episode. We are offering this challenge again this summer — and this same prize. Anyone who finishes the Blueprint this summer is eligible to enter the drawing to win a Blueprint review. You can read all about the Blueprint challenge HERE — and you can join us at anytime this summer. We’d love to have you for the podcasts (there are ten in the series), the AMAs, and the write-alongs! Any paid subscriber is welcome.To learn more about Dr. Barb Mayes Boustead’s work, check out her Substack here: You can also visit her author website and find her on Instagram at @windbarbYou can download a draft of her book proposal HERE.The Laura Ingalls Wilder conference she mentions in the show is LaurapaloozaThe Blueprint Barb did is from Jennie Nash’s Blueprint for a Nonfiction Book: Plan and Pitch Your Big IdeaAre you a “sticker”?Regular listeners know that whenever we meet our writing goals around here, we text each other one word: STICKER. (and then we add a cute sticker to our calendar, because we’re fun like that).We call supporters of the #AmWriting podcast “stickers” too—and while our regular podcasts and shownotes go out to all of our listeners, we have created a few things just for stickers. First, there’s the Summer Blueprint for a Book Sprint—10 weeks dedicated to working with coaches and a community to figure out how to turn your next idea—or your struggling draft—into the book you want to write. You can join it anytime (the how-to is below).Stickers can also submit the first page of their WIP to the Booklab First Pages podcast, where we might choose it to discuss, review and offer ideas for persuading agents, editors and readers that they want to turn that page and see what happens next. (Find the link to submit a first page HERE.)I’m a sticker! Give it all to me now.To join the Blueprint for a Book Summer Sprint, you must be a paid subscriber. Then, opt-in and set up your podcast feed. Don’t worry, it’s simple! Click here to go to your #AmWriting account, and when you see this screen, do two things:* Toggle “Blueprint for a Book” from “off” (grey) to “on” (green).* Click “set up podcast” next to Blueprint for a Book and follow the easy instructions.Once you set those things up, you’ll get all the future Blueprint emails and podcasts (and if you’re joining the party a bit late, just head to our website and click on Blueprint for a Book in the top menu). This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe
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Jun 7, 2024 • 41min

Tiny Worlds: How a nature illustrator and author built a fanbase for her work.

Hello #AmWriters, Jess here. When Rosalie Haizlett emailed to introduce me to her work, I was intrigued. At the time, I was working on the marketing section of a book proposal, trying to thick- and thin-slice the book’s potential audience and explain why my fanbase as well as new readers might purchase this particular book I was describing. So when Rosalie emailed to tell me about her forthcoming book, Tiny Worlds of the Appalachian Mountains: An Artist’s Journey my head exploded. How do you convince a publisher to let you write about such tiny worlds, no matter how beautiful your art and eloquent your writing? Rosalie generously answered my questions in the spirit they were asked: with a genuine love for small presses, books about very specific subjects, and wonder for her process and her end product. As a bonus, I found out about some of the most incredible fellowship opportunities for writers and illustrators, ones I’m tempted to apply for myself! I hope you enjoy this episode as much I did. Rosalie’s websiteRosalie’s #AmReading suggestions: Farmhouse by Sophie Blackall and Sophie’s website because it’s gorgeousRare Air: Endangered Birds, Bats, Butterflies and Bees by Sarah KaizarJess’ #AmReading suggestion:The Five Year Lie by Sarina Bowen, duh. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe
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May 31, 2024 • 18min

How Bad Can a Good First Draft Be?

Let me start by answering the question posed in the title: very bad. Very very bad. Terrible, even. Plotless meandering senseless drivel involving two-dimensional characters continually lifting cups of coffee to their lips and then never putting them down and suddenly, without warning, pumping gas instead. Although, to be honest, that last is never my personal problem. My (incoherent, emotion-less, inconsistent) characters tend to meticulously move around a reasonably clear, if poorly described, landscape. They speak in full, grammatically correct sentences. They even banter and they’re often quite entertaining as they go about doing completely the wrong things for the wrong reasons.And this was my problem. I heard the phrase “shitty first draft” (as you no doubt have) many times, and I thought, well, but it’s not. It’s not unreadable, or incomprehensible. If you picked it up and read just one paragraph you’d mistake it for a real book. Pull any single paragraph out of any draft I’ve ever written and you’d go, yeah, okay. That’s a book by a writer! Not a great writer or anything. My point is that the writing is always fine. Good, even. Sometimes better than good.So when the drafts themselves turn out to be pretty shitty, I tend to be way more crushed than I should be—because “shitty” doesn’t mean what I thought it did. It’s taken me far longer than it probably should have to figure that out. Maybe everyone else is way ahead of me here. But the thing that makes a shitty first draft “shitty” isn’t that the writing is bad. It’s that it’s a terrible book.When I first started writing fiction, I had only my own early drafts to compare things to. They weren’t (aren’t) good—they lacked structure, were too complicated, explained some things too much and other things not at all. There’s no interiority, emotion or description. I write around the plot, or include too much plot, or try to attach a plot that’s not thematically integrated with the story. The bones are soft floppy poorly formed and malleable—but if I, say, burn down a barn, the scene itself will be exciting and consistent. That often fooled (fools) me into thinking my draft is further along than it is. And then I thought it was just me—other people probably wrote pretty good book drafts that then needed revision in different ways. Other people started with good bones and worked out from there. Only I, special stupid snowflake that I was, kept writing all the skin and clothing and hair and sometimes organs to go on wrong or non-existent skeletons.I’ve since read a lot of other first drafts and I’ve realized: I was totally wrong.This is how lots of people do it.This IS what “shitty first draft” means. (Or it can be, it probably means lots of other things too). Most of us (honestly, even if we blueprint and outline and all the things) are going to end up with someone telling us that the book has no middle, that we need to cut the first 2/3, that our protagonist isn’t unlikeable per se, but rather that there is nothing on the page to like or dislike. Someone will say, he has no agency. She’s too passive. There’s nothing at stake in the first third of the book, why on earth would she take this job/go to this party/answer that phone call, why this, why him, why now. And they will be right (although they might not be right about how to fix it).Whether it’s a freelance editor, a good beta reader or the hosts of TSNOTYAW who tells you that your draft, be it first or second or fifth, is still firmly mired in “shitty” territory, the most common reaction is something along the lines of:This is too bad. It’s too awful, if I’ve come this far and I still don’t have this or that fundamental thing in place—if there is somehow no climax or no reason to relate to the character or no clear arc or evolution, if somehow this is 80K words but it is still not a book…Yeah. Turns out that’s the way it works. For a LONG time. For draft after draft after draft. For the draft that gets you an agent, even maybe. Maybe for the draft that you sell. Revision—re-drafting— isn’t polishing, or even adding dialogue or emotion or removing a character or changing the POV from third close to first present and back again. Until the very last versions, it isn’t just working with the words on the page. It’s working with the ideas and the concepts and the scenes and the moments. The characters and the themes and the arcs. This is what we mean when we say good writing comes last (Episode 354) and when we try to distinguish between editing and revising. They’re all shitty drafts. Until—and this only happens if you just keep going in there and tearing out the liver you stuck in where the heart should be or whatever—it’s finally a book.I don’t know about you but I hate this every single time. Some people do it faster than others but every writer whose early drafts I’ve ever read is going through some version of the same thing. It starts with something mind-bogglingly terrible—when considered as a book—far, far more often than I once believed. If a first draft has a beginning, a middle and an end, it’s a good first draft. It can be as bad as it has to be, as many times as it needs to be, for as long as it takes. If you find that encouraging… then you’re definitely in the right place. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

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